Book contents
- The New Modernist Studies
- Twenty-First-Century Critical Revisions
- The New Modernist Studies
- Copyright page
- Dedication
- Contents
- Figures
- Notes on Contributors
- Acknowledgments
- Introduction
- I Histories
- II Horizons
- Chapter 3 Planetarity’s Edges
- Chapter 4 Religion’s Configurations
- Chapter 5 Disability’s Disruptions
- Chapter 6 Affect’s Vocabularies
- Chapter 7 Invisibility’s Arts
- Chapter 8 Black Writing’s Visuals
- Chapter 9 Noir Film’s Soundtracks
- Chapter 10 Language’s Hopes
- Chapter 11 Revolution’s Demands
- Chapter 12 Feminism’s Archives
- Chapter 13 Risk’s Instruments
- Chapter 14 Deep Time’s Hauntings
- Bibliography
- Index
Chapter 4 - Religion’s Configurations
Modernism, Empire, Comparison
from II - Horizons
Published online by Cambridge University Press: 21 January 2021
- The New Modernist Studies
- Twenty-First-Century Critical Revisions
- The New Modernist Studies
- Copyright page
- Dedication
- Contents
- Figures
- Notes on Contributors
- Acknowledgments
- Introduction
- I Histories
- II Horizons
- Chapter 3 Planetarity’s Edges
- Chapter 4 Religion’s Configurations
- Chapter 5 Disability’s Disruptions
- Chapter 6 Affect’s Vocabularies
- Chapter 7 Invisibility’s Arts
- Chapter 8 Black Writing’s Visuals
- Chapter 9 Noir Film’s Soundtracks
- Chapter 10 Language’s Hopes
- Chapter 11 Revolution’s Demands
- Chapter 12 Feminism’s Archives
- Chapter 13 Risk’s Instruments
- Chapter 14 Deep Time’s Hauntings
- Bibliography
- Index
Summary
This essay argues that the association of secularism and modernity has obscured the transnational importance of religion in the new modernist studies. It reviews recent studies of religion in selected modernist writers, but argues for more interdisciplinary methodologies, including religious studies, postcolonial studies, and comparative studies. After mapping key debates about religion, it pairs comparative readings of religion and anti-colonialism in Tagore’s Gora and Forster’s A Passage to India, and in Huda Shaarawi’s Harem Years: Memoirs of an Egyptian Feminist and H.D.’s The Flowering of the Rod, centered on unveiling. Whether spiritually or politically oriented, all envision forms of religious cosmopolitanism.
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- The New Modernist Studies , pp. 88 - 107Publisher: Cambridge University PressPrint publication year: 2021
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