Book contents
- The New Hemingway Studies
- Twenty-First-Century Critical Revisions
- The New Hemingway Studies
- Copyright page
- Contents
- Contributors
- Introduction Hemingway in the New Millennium
- Part I The Textual Hemingway
- Part II Identities
- Part III Global Engagements
- Chapter 12 “There’s No One Thing That’s True”
- Chapter 13 New World Order, Old World Ways
- Chapter 14 Post-“American” Hemingway Studies
- Chapter 15 Politics, Espionage, and Surveillance
- Conclusion
- Works Cited
- Index
Chapter 15 - Politics, Espionage, and Surveillance
Hemingway and the Rise of Paranoia Culture
from Part III - Global Engagements
Published online by Cambridge University Press: 30 August 2020
- The New Hemingway Studies
- Twenty-First-Century Critical Revisions
- The New Hemingway Studies
- Copyright page
- Contents
- Contributors
- Introduction Hemingway in the New Millennium
- Part I The Textual Hemingway
- Part II Identities
- Part III Global Engagements
- Chapter 12 “There’s No One Thing That’s True”
- Chapter 13 New World Order, Old World Ways
- Chapter 14 Post-“American” Hemingway Studies
- Chapter 15 Politics, Espionage, and Surveillance
- Conclusion
- Works Cited
- Index
Summary
In “Politics, Espionage, and Surveillance: Hemingway and the Rise of Paranoia Culture,” Kevin R. West explores how the rise of surveillance and paranoia after 9/11 has focused attention on Hemingway’s often tenuous affiliations with various governments and agencies of law, order, and social control (such as the FBI), resulting in sometimes exaggerated claims for his serving as an espionage agent. West notes how scholarship on this topic often blends in with fiction by thriller writers such as Dan Simmons and Leonardo Padura who have spun fables of mystery and intrigue out of specific biographical incidents (such as Hemingway’s attempts to locate U-boats in the Gulf of Mexico after the bombing of Pearl Harbor). Meticulously noting descrencies and strategies of presentation in various biographies – including, most notably, the work of Nicholas Reynolds, whose 2017 study Writer, Sailor, Soldier, Spy epitomizes this critical trend---this essay explores the cultural desires appeased by these fantasies of espionage. While Hemingway did have curious connections to shadowy forces, they were more often tangential and incidents of happenstance.
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- Information
- The New Hemingway Studies , pp. 241 - 254Publisher: Cambridge University PressPrint publication year: 2020