- Cited by 6
-
Cited byCrossref Citations
This Book has been cited by the following publications. This list is generated based on data provided by Crossref.
Alegant, Brian and Levey, John 2006. Octatonicism in Luigi Dallapiccola's Twelve‐Note Music. Music Analysis, Vol. 25, Issue. 1-2, p. 39.
Roderick, Peter 2010. The ‘Day of Wrath’ as Musico-Political Statement in Dallapiccola'sCanti di Prigionia. Contemporary Music Review, Vol. 29, Issue. 3, p. 231.
Theisen, Alan 2013. Review of Brian Alegant,The Twelve-Tone Music of Luigi Dallapiccola(University of Rochester Press, 2010). Music Theory Online, Vol. 19, Issue. 1,
Paul Sheehan 2013. Composing with a Multitude of Twelve-Tone Entities: Luigi Dallapiccola's <em>Il prigioniero</em>. Perspectives of New Music, Vol. 51, Issue. 1, p. 99.
ALEGANT, BRIAN 2016. DALLAPICCOLA'S SECOND THOUGHTS: THE EPILOGUE TO THE CONCERTO PER LA NOTTE DI NATALE DELL'ANNO 1956. Music Analysis, Vol. 35, Issue. 2, p. 233.
WLODARSKI, AMY LYNN 2018. George Rochberg's Road toArs Combinatoria, 1943–63. Journal of the Society for American Music, Vol. 12, Issue. 2, p. 119.
- Publisher:
- Boydell & Brewer
- Online publication date:
- March 2023
- Print publication year:
- 2003
- Online ISBN:
- 9781580466325
- Series:
- Eastman Studies in Music
- Subjects:
- Music, Music: General Interest