Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-gbm5v Total loading time: 0 Render date: 2024-12-24T17:57:44.446Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  18 November 2022

Charles H. Cosgrove
Charles H. Cosgrove
Affiliation:
Garrett-Evangelical Theological Seminary, Illinois
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Music at Social Meals in Greek and Roman Antiquity
From the Archaic Period to the Age of Augustine
 , pp. 361 - 412
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Secondary Sources

Acosta-Hughes, Benjamin and Stephens, Susan A.. 2012. Callimachus in Context: From Plato to the Augustan Poets. Cambridge University Press.Google Scholar
Acosta-Hughes, Benjamin and Stephens, Susan A. 2017. “Callimachean ‘Lyric.’” Trends in Classics 9: 226–47.CrossRefGoogle Scholar
Adam, Alfred. 1957. “Erwägungen zur Herkunft der Didache.” Zeitschrift für Kirchengeschichte 68: 1–47.Google Scholar
Adler, Ada (ed.) 1931a. Suidae Lexicon, vol. 1. Leipzig: Teubner.Google Scholar
Adler, Ada (ed.) 1931b. Suidae Lexicon, vol. 2. Leipzig: Teubner.Google Scholar
Adler, Ada (ed.) 1933. Suidae Lexicon, vol. 3. Leipzig: Teubner.Google Scholar
Adler, Ada (ed.) 1935. Suidae Lexicon, vol. 4. Leipzig: Teubner.Google Scholar
Agócs, Peter. 2012. “Performance and Genre: Reading Pindar’s Κῶμοι.” In Agócs, Carey, and Rawles 2012: 191–223.CrossRefGoogle Scholar
Agócs, Peter, Carey, Christopher, and Rawles, Richard (eds.). 2012. Reading the Victory Ode. Cambridge University Press.CrossRefGoogle Scholar
Alexander, Philip and Alexander, Loveday. 2007. “The Image of the Oriental Monarch in the Third Book of Maccabees.” In Rajak, Tessa, Pearce, Sarah, Aitken, James, and Dines, Jennifer (eds.), Jewish Perspectives on Hellenistic Rulers. Berkeley: University of California Press, pp. 92–109.Google Scholar
Allen, Thomas W. 1924. Homer: The Origins and the Transmission. Oxford: Clarendon Press.Google Scholar
Allen, William R. 2019. Greek Elegy and Iambus: A Selection. Oxford University Press.Google Scholar
Alton, Ernest H., Wormell, Donald E. W., and Courtney, Edward (eds.). 1988. P. Ovidi Nasonis Fastorum libri sex, 3rd ed. Stuttgart: Teubner.Google Scholar
Anderson, Peter J. 1997. “Verse-Scraps on Attic Containers and the Practice of the ‘Skolion’: The Material Evidence in Its Literary Context.” MA thesis, University of Ottawa.Google Scholar
Anderson, Peter J. 2005. “A Verse-Scrap on a Kylix by Epiktetos.” Transactions of the American Philological Association 135: 267–77.Google Scholar
Anderson, Warren D. 1994. Music and Musicians in Ancient Greece. Ithaca, NY: Cornell University Press.Google Scholar
Andrieu, Michel (ed.) 1948. Les Ordines Romani de haut moyen âge, vol. 2: Les Textes (Ordines I–XIII). Louvain: Spicilegium Sacrum Lovaniense.Google Scholar
Aneziri, Sophia. 2020. “Artists of Dionysus: The First Professional Associations in the Ancient Greek World.” In Stewart, Edmund, Harris, Edward, and Lewis, David (eds.), Skilled Labour in Ancient Greece and Rome. Cambridge University Press, pp. 293‒312.Google Scholar
Antonaccio, Carla M. 2007. “Elite Mobility in the West.” In Hornblower, Simon and Morgan, Catherine (eds.), Pindar’s Poetry, Patrons, and Festivals: From Archaic Greece to the Roman Empire. Oxford University Press, pp. 265–85.Google Scholar
Arnim, Hans von (ed.) 1893–6. Dionis Prusaensis quem vocant Chrysostomum quae exstant omnia. 2 vols. Berlin: Weidmann.Google Scholar
Arnott, W. Geoffrey (ed. and tr.). 2000. Menander, vol. 3. Cambridge, MA: Harvard University Press.Google Scholar
Ascough, Richard S. 2016. “Paul and Associations.” In Paul Sampley, J. (ed.), Paul in the Greco-Roman World: A Handbook, vol. 1. 2nd ed. London: T. & T. Clark, pp. 68‒89.Google Scholar
Asmis, Elizabeth. 1991. “Philodemus’s Poetic Theory and On the Good King According to Homer.” Classical Antiquity 10: 1–45.Google Scholar
Athanassakis, Lucia. 2016. “The Symposion as Theme and Performance Context in Pindar’s Epinicians.” In Cazzato, Obbink, and Prodi 2016: 85–112.CrossRefGoogle Scholar
Aujac, Germaine and Lebel, Maurice (eds.) 2003. Denys d’Halicarnasse, vol. 3: Opuscules rhétoriques, 2nd ed. Paris: Les Belles Lettres.Google Scholar
Babbitt, Frank Cole (tr.) 1936. Plutarch’s Moralia, vol. 4. Cambridge, MA: Harvard University Press [repr. 2005.]Google Scholar
Banti, Alberto and Simonetti, Luigi. 1978. Corpus Nummorum Romanorum, vol. 17: Nerone: monete d’oro, d’argento e di bronzo. Florence: Banti and Simonetti.Google Scholar
Barbantani, Silvia. 2012. “Hellenistic Epinician.” In Agócs, Peter, Carey, Christopher, and Rawles, Richard (eds.), Receiving the Komos: Ancient and Modern Receptions of the Victory Ode. Oxford University Press, pp. 37–55.Google Scholar
Barbantani, Silvia 2017. “Lyric for the Rulers, Lyric for the People: The Transformation of Some Lyric Subgenres in Hellenistic Poetry.” Trends in Classics 9: 339–99.Google Scholar
Bardy, Gustave. 1926. Clément d’Alexandrie. Paris: Gabalda.Google Scholar
Barker, Andrew. 1984. Greek Musical Writings, vol. 1: The Musician and His Art. Cambridge University Press.Google Scholar
Barker, Andrew 1989. Greek Musical Writings, vol. 2: Harmonic and Acoustic Theory. Cambridge University Press.Google Scholar
Barker, Andrew 1995. “Heterophonia and Poikilia: Accompaniments to Greek Melody.” In Gentili, Bruno and Perusino, Franca (eds.), Mousike: Metrica, ritmica e musica greca in memoria di Giovanni Comotti. Pisa: Istituti Editoriali e Poligrafici Internazionali, pp. 41‒60.Google Scholar
Barker, Andrew 2000. “Athenaeus on Music.” In Braund and Wilkins 2000, pp. 434–44.Google Scholar
Barker, Andrew 2002. “La musica di Mesomede.” In Perusino, Franca and Rocconi, Eleonora (eds.), Euterpe: Ricerche sulla musica greca e romana. Piso: ETS, pp. 133‒48.Google Scholar
Barker, Andrew 2014. Ancient Greek Writers on Their Musical Past: Studies in Greek Musical Historiography, Synkrisis, 1. Pisa: Fabrizio Serra.Google Scholar
Battezzato, Luigi. 2009. “The Fragmentum Grenfellianum: Metrical Analysis, Ancient Punctuation, and the Sense of an Ending.” In Cousland, J. R. C. and Hume, James R. (eds.), The Play of Texts and Fragments: Essays in Honour of Martin Cropp. Leiden: Brill, pp. 403–20.Google Scholar
Bausi, Alessandro. 2011. “La nuova versione etiopica della Traditio apostolica: edizione e traduzione preliminare.” In Buzi, Paola and Complani, Alberto (eds.), Christianity in Egypt: Literary Production and Intellectual Trends: Studies in Honor of Tito Orlandi. Rome: Institutum Patristicum Augustinianum, pp. 19–69.Google Scholar
Beacham, Richard C. 1999. Spectacle Entertainments of Early Imperial Rome. New Haven, CT: Yale University Press.Google Scholar
Beazley, John D. 1948. “Hymn to Hermes.” American Journal of Archeology 52: 336–40.Google Scholar
Beazley, John D. 1954. “Some Inscriptions on Vases: VI.” American Journal of Archaeology 58: 187–90.Google Scholar
Beck, Frederick A. 1975. Album of Greek Education: Greeks at School and Play. Sydney: Cheiron.Google Scholar
Beelen, Jan Theodoor (ed.) 1856. Sancti patris nostri Clementis Romani Epistolae binae de virginitate [sp.]. Leuven: C. J. Fonteyn.Google Scholar
Behr, Charles A. (tr.). 1981. Aelius Aristides: The Complete Works. 2 vols. Leiden: Brill.Google Scholar
Bekker, Immanuel (ed.) 1831. Aristotelis opera, vol. 2. 2nd ed. Berlin: Reimer [repr. Berlin: De Gruyter, 1960.]Google Scholar
Belfiore, Elizabeth. 2011. “Poets at the Symposium.” In Destrée, Pierre and Herrmann, Fritz-Gregor (eds.), Plato and the Poets. Leiden: Brill, pp. 155‒74.Google Scholar
Bélis, Annie. 1992. Les hymnes à Apollon. Paris: Corpus des Inscriptions de Delphes.Google Scholar
Bell, Harold I. 1924. “A Musician’s Contract.” Journal of Egyptian Archeology 10: 145–6.Google Scholar
Benniger, Michael S., Murry, Thomas, and Johns, Michael M.. 2016. The Performer’s Voice. 2nd ed. San Diego, CA: Plural Publishing.Google Scholar
Benoist, Stéphane. 1999. La fête à Rome au premiere siècle de l’Empire: Recherches sur l’univers festif sous les regnes d’Auguste et des Julio-Claudiens. Brussels: Latomus.Google Scholar
Benuzzi, Federica. 2019. “Eratosthenes’ studia Aristophanica: The Case of Schol. Ar. Nub. 967aα‒β, ba‒β Holwerda.” In Berardi, Roberta, Bruno, Nicoletta, and Fizzarotti, Luisa (eds.), On the Track of the Books: Scribes, Libraries and Textual Transmission. Berlin: De Gruyter, pp. 125‒41.Google Scholar
Bergmeier, Roland. 2002. “Der Stand der Gottesfreunde: Zu Philos Schrift ‘Über die kontemplative Lebensform.’” Bijdragen: International Journal in Philosophy and Theology 63: 46–70.Google Scholar
Berrey, Marquis. 2017. Hellenistic Science at Court. Berlin: De Gruyter.Google Scholar
Bidez, Joseph (ed.) 1972. L’Empereur Julien, Oeuvres complètes, vol. 1, part 2: Lettres et fragments. 3rd ed. Paris: Les Belles Lettres.Google Scholar
Bieber, Margarete. 1961. The History of the Greek and Roman Theater. 2nd ed. Princeton, NJ: Princeton University Press.Google Scholar
Biles, Zachary P. and Douglas, S. Olson., 2015. Aristophanes: Wasps. Oxford University Press.Google Scholar
Bing, Peter. 2000. “Text or Performance/Text and Performance: Alan Cameron’s Callimachus and His Critics.” In Pretagostini, Roberto (ed.), La letteratura ellenistica: problemi e prospettive di ricerca: atti del Colloquio internazionale, Università di Roma Tor Vergata, 29–30 aprile 1997. Rome: Quasar, pp. 139–48. (Reprinted in Gregory Nagy (ed.) 2001. Greek Literature in the Hellenistic Period. New York and London: Routledge.)Google Scholar
Blackman, Philip (ed.) 1963. Mishnayoth, vol. 2: Mishnah Moed; vol. 3: Order Nashim. 2nd ed. New York: The Judaica Press.Google Scholar
Boardman, John. 1992. “[Review of] François Lissarrague: The Aesthetics of the Greek Banquet.” The Classical Review 42: 224–5.Google Scholar
Booth, Joan. 2011. “Negotiating with the Epigram in Latin Love Elegy.” In Keith, Alison (ed.), Latin Elegy and Hellenistic Epigram: A Tale of Two Genres at Rome. Newcastle upon Tyne: Cambridge Scholars Publishing, pp. 55–66.Google Scholar
Bosworth, Albert B. 1980. A Historical Commentary on Arrian’s History of Alexander, vol. 1: Commentary on Books I‒III. Oxford: Clarendon.Google Scholar
Bosworth, Albert B. 1988. From Arrian to Alexander: Studies in Historical Interpretation. Oxford, Clarendon.Google Scholar
Bosworth, Albert B. 1995. A Historical Commentary on Arrian’s History of Alexander, vol. 2: Commentary on Books IV‒V. Oxford: Clarendon.Google Scholar
Borleffs, Jan W. P. (ed.) 1954. Quinti Septimi Florentis Tertulliani Opera, part II, 19: De resurrection morturum. CCSL 2. Turnhout: Brepols.Google Scholar
Borza, Eugene N. 1983. “The Symposium at Alexander’s Court.” In Ancient Macedonia III: Papers Read at the Third International Symposium Held in Thessaloniki, September 21–25, 1977. Thessaloniki: Institute for Balkan Studies, pp. 45–55.Google Scholar
Borza, Eugene N. 1990. In the Shadow of Olympus: The Emergence of Macedon. Princeton University Press.Google Scholar
Borza, Eugene N. 1995. Makedonika, ed. Thomas, Carol G.. Claremont: Regina.Google Scholar
Botte, Bernard. 1963. La Tradition apostolique de Hippolyte: Essai de reconstruction. Münster: Aschendorff.Google Scholar
Botte, Bernard (ed.) 1968. Hippolyte de Rome: La Tradition apostolique d’après les anciennes versions. Paris: Cerf.Google Scholar
Bovon, François and Geoltrain, Pierre (eds.) 1997. Écrits apocryphes chrétiens, vol. 1. Paris: Gallimard.Google Scholar
Bowie, Angus M. 1997. “Thinking with Drinking: Wine and the Symposium in Aristophanes.” Journal of Hellenic Studies 117: 1‒21.Google Scholar
Bowie, Ewen L. 1985. “Theocritus’ Seventh Idyll, Philetas and Longus.” The Classical Quarterly 35: 67–91.Google Scholar
Bowie, Ewen L. 1986. “Early Greek Elegy, Symposium and Public Festival.” Journal of Hellenic Studies 106: 13–35.Google Scholar
Bowie, Ewen L. 1990. “Greek Poetry in the Antonine Age.” In Russell, David A. (ed.), Antonine Literature. Oxford: Clarendon, pp. 53–90.Google Scholar
Bowie, Ewen L. 1995. “Wine in Old Company.” In Murray, Oswyn and Tecuşan, Manuela (eds.), In Vino Veritas. London: British School of Rome, pp. 113–25.Google Scholar
Bowie, Ewen L. 2007. “From Archaic Elegy to Hellenistic Sympotic Epigram.” In Bing, Peter and Bruss, Jon S. (eds.), Brill’s Companion to Hellenistic Epigram: Down to Philip. Leiden: Brill, pp. 95–112.Google Scholar
Bowie, Ewen L. 2009. “Wandering Poets: Archaic Style.” In Hunter and Rutherford 2009: 105–36.Google Scholar
Bowie, Ewen L. 2012. “Epinicians and ‘Patrons’.” In Agócs, Carey, and Rawles 2012: 83–92.Google Scholar
Bowie, Ewen L. 2015a. “Stesichorus at Athens.” In Finglass, Patrick J. and Kelly, Adrian (eds.), Stesichorus in Context. Cambridge University Press, pp. 111‒24.Google Scholar
Bowie, Ewen L. 2015b. “Time and Place: Narrative and Speech in Philicus, Philodamus and Limenius.” In Faulkner, Owen Hodkinson, (eds.), Hymnic Narrative and the Narratology of Greek Hymns. Leiden: Brill, pp. 87–118.Google Scholar
Bowie, Ewen L. 2016a. “How Did Sappho’s Songs Get into the Male Sympotic Repertoire?” In Bierl, Anton and Lardinois, André (eds.), The Newest Sappho: P. Sapph. Obbink and P. GC inv. 105, Frs. 1–4: Studies in Archaic and Classical Greek Song, vol. 2. Leiden: Brill, 2016, pp. 148–64.Google Scholar
Bowie, Ewen L. 2016b. “Quo usque tandem … How Long Were Sympotic Songs?” In Cazzato, Obbink, and Prodi 2016: 28–41.Google Scholar
Bowra, Cecil M. 1938. “Xenophanes, Fragment 1.” Classical Philology 33: 353–67.Google Scholar
Bowra Cecil, M. (ed.) 1935. Pindari Carmina cum fragmentis. Oxford: Clarendon.Google Scholar
Bradford, Alfred S. 1977. A Prosopography of Lacedaemonians from the Death of Alexander the Great, 323 B. C., to the Sack of Sparta by Alaric, A. D. 396. Munich: C. H. Beck.Google Scholar
Bradshaw, Paul F. and Johnson, Maxwell E.. 2012. The Eucharistic Liturgies: Their Evolution and Interpretation. Collegeville, MN: Liturgical Press.Google Scholar
Bradshaw, Paul F., Johnson, Maxwell E., and Edward Phillips, L.. 2002. The Apostolic Tradition: A Commentary. Minneapolis, MN: Fortress Press.Google Scholar
Braund, David and Wilkins, John (eds.) 2000. Athenaeus and His World: Reading Greek Culture in the Roman Empire. University of Exeter Press.Google Scholar
Bravo, Benedetto. 1997. Pannychis e simposio: feste private notturne di donne e uomini nei testi letterari e nel culto, con uno studio iconografico di Françoise Frontisi-Ducroux. Pisa and Rome: Istituti Editoriali e Poligrafici Internazionali.Google Scholar
Bremer, Jan M. 1981. “Greek Hymns.” In Versnel, H. S. (ed.), Faith, Hope, and Worship: Aspects of Religious Mentality in the Ancient World. Leiden: Brill, pp. 193‒215.Google Scholar
Bremer, Jan M. 1990. “Adolescents, Symposion, and Pederasty.” In Murray 1990b, pp. 135–48.Google Scholar
Bright, William (ed.) 1873. The Orations of St. Athanasius against the Arians According to the Benedictine Text. Oxford: Clarendon.Google Scholar
Briscoe, John (ed.) 1986. Titi Livi Ab urbe condita: Libri XLI‒XLV. Stuttgart: Teubner.CrossRefGoogle Scholar
Briscoe, John (ed.) 1991. Titi Livi Ab urbe condita: Libri XXXI‒XL. 2 vols. Stuttgart: Teubner.Google Scholar
Briscoe, John (ed.) 1998. Valerius Maximus, Facta et dicta memorabilia, ed Briscoe, John. 2 vols. Stuttgart: Teubner.Google Scholar
Briscoe, John (ed.) 2016. Titi Livi Ab urbe condita, vol. 3: Libri XXI‒XXV. Oxford: Clarendon.Google Scholar
Brock, Sebastian P. (ed.) 1967. Testamentum Iobi [bound with Apocalypse of Baruch, ed. Picard, J.-C. ]. Leiden: Brill.Google Scholar
Bromberg, Jacques A. 2018. “A Sage on the Stage: Socrates and Old Athenian Comedy.” In Stavro, Alessandro and Moore, Christopher (eds.), Socrates and the Socratic Dialogue. Leiden: Brill, pp. 31–63.Google Scholar
Broneer, Oscar. 1947. “Investigations at Corinth, 1946–1947.” Hesperia 16: 239–41.Google Scholar
Broneer, Oscar 1954. Corinth, vol. 1, part 4: The South Stoa and its Roman Successors. Princeton, NJ: The American School of Classical Studies at Athens.Google Scholar
Brooks, Roger (tr.) 1990. The Talmud of the Land of Israel, vol. 2: Yerushalmi Peah: A Preliminary Translation and Explanation. The University of Chicago Press.Google Scholar
Brown, Christopher. 1983. “From Rags to Riches: Ancreon’s Artemon.” Phoenix 37: 1–15.Google Scholar
Brown, Christopher 1997. “Iambos.” In Gerber, Douglas E. (ed.), A Companion to the Greek Lyric Poets. Leiden: Brill, pp. 11–88.Google Scholar
Brown, Peter. 2000. “Enjoying the Saints in Late Antiquity.” Early Medieval Europe 9: 1–24.CrossRefGoogle Scholar
Bruns, Ivo (ed.) 1892. Alexandri Aphrodisiensis praeter commentaria scripta minora. Berlin: Reimer.Google Scholar
Brunt, Peter. 1980. “On Historical Fragments and Epitomes.” Classical Quarterly 30: 477–94.Google Scholar
Bruss, Jon S. 2010. “Epigram.” In Clauss, James J. and Cuypers, Martine (eds.), A Companion to Hellenistic Literature. Chichester: Wiley-Blackwell, pp. 117–35.Google Scholar
Bryant, Joseph M. 1990. “Enlightenment Psychology and Political Reaction in Plato’s Social Philosophy: An Ideological Contradiction?” History of Political Thought 11: 377–95.Google Scholar
Buchinger, Harald. 1995. “Die älteste erhaltene christliche Psalmenhomilie: Zur Verwendung und Verständnis des Psalters bei Hippolyt.” Trierer Theologische Zeitschrift 104: 125–44, 272–98.Google Scholar
Budelmann, Felix. 2012. “Epinician and the Symposion: A Comparison with the Enkomia.” In Agócs, Carey, and Rawles 2012: 173–90.Google Scholar
Budelmann, Felix 2017. “Performance, Reperformance, Preperformance: The Paradox of Repeating the Unique in Epinician and Beyond.” In Hunter, Richard and Uhlig, Anna (eds.), Imagining Reperformance in Ancient Culture: Studies in the Traditions of Drama and Lyric. Cambridge University Press, pp. 42–62.Google Scholar
Budelmann, Felix and LeVen, Pauline. 2014. “Timotheus’ Poetics of Blending: A Cognitive Approach to the Language of the New Music.” Classical Philology 109: 191‒210.Google Scholar
Budelmann, Felix and Power, Timothy. 2013. “The Inbetweenness of Sympotic Elegy.” Journal of Hellenic Studies 133: 1–19.Google Scholar
Bulloch, Anthony W. 2010. “Hymns and Encomia.” In Clauss, James J. and Cuypers, Martine (eds.), A Companion to Hellenistic Literature. Chichester: Wiley-Blackwell, pp. 166–80.Google Scholar
Bulst, Walther (ed.) 1956. Hymni latini antiquissimi; Psalmi III. Heidelberg: F. H. Kerle.Google Scholar
Bundrick, Sheramy. 2005. Music and Image in Classical Athens. Cambridge University Press.Google Scholar
Burgess, Dana L. 1990. “Pindar’s Olympian 10; Praise for the Poet, Praise for the Victor.” Hermes 118: 273–81.Google Scholar
Burkert, Walter. 1983. Homo Necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth, tr. Peter Bing. Berkeley, CA: University of California Press.Google Scholar
Burkert, Walter 1985. Greek Religion, tr. John Raffan. Cambridge, MA: Harvard University Press.Google Scholar
Burton, Joan B. 1998. “Women’s Commensality in the Ancient Greek World.” Greece & Rome 45: 143–65.Google Scholar
Büttner-Wobst, Theodor (ed.) 1882–1904. Polybii Historiae. 5 vols. Leipzig: Teubner.Google Scholar
Buxton, Richard F. 2017. “Xenophon on Leadership: Commanders as Friends.” In Flower 2017: 325‒37.Google Scholar
Bywater, Ingram (ed.) 1894. Aristotelis Ethica Nicomachea. Oxford: Clarendon.Google Scholar
Calvet, Marguerite and Roesch, Paul. 1966. “Les Sarapieia de Tangara.” Revue Archéologique N. S. 2: 297–332.Google Scholar
Cameron, Alan. 1995. Callimachus and His Critics. Princeton, NJ: Princeton University Press.Google Scholar
Campbell, David A. (ed. and tr.) 1982. Greek Lyric, vol. 1: Sappho, Alcaeus. Cambridge, MA: Harvard University Press.Google Scholar
Campbell, David A. (ed. and tr.) 1988. Greek Lyric, vol. 2: Anacreon, Anacreontea, Choral Lyric from Olympus to Alcman. Cambridge, MA: Harvard University Press.Google Scholar
Campbell, David A. (ed. and tr.) 1993. Greek Lyric, vol. 5: The New School of Poetry and Anonymous Songs and Hymns. Cambridge, MA: Harvard University Press.Google Scholar
Canobbio, Alberto (ed.) 2011. M. Valerii Martialis, Epigrammaton liber quintus. Naples: Loffredo, 2011.Google Scholar
Carawan, Edwin M. 1989. “Thucydides and Stesimbrotus on the Exile of Themistoles.” Historia 38: 144–61.Google Scholar
Carey, Christopher. 1999. “Pindar.” In OCD3: 1183‒4.Google Scholar
Carney, Elizabeth D. 2015a. “The Death of Cleitus.” In Carney, Elizabeth D., King and Court in Ancient Macedonia: Rivalry, Treason and Conspiracy. Swansea: The Classical Press of Wales, pp. 141‒51 [originally published in Greek, Roman and Byzantine Studies 22 (1980): 149‒60].Google Scholar
Carney, Elizabeth D. 2015b. “Symposia and the Macedonian Elie: The Unmixed Life.” In Carney, Elizabeth D., King and Court in Ancient Macedonia: Rivalry, Treason and Conspiracy. Swansea: The Classical Press of Wales, 225‒64 [originally published in Syllecta Classica 18 (2007): 129–80.]Google Scholar
Cartledge, Paul. 2002. Sparta and Lakonia: A Regional History, 1300–362 BC, 2nd ed. Abingdon: Routledge.Google Scholar
Cary, Earnest (tr.) and Foster, Herbert B. (ed.) 1914–27. Dio’s Roman History. 8 vols. Cambridge, MA: Harvard University Press.Google Scholar
Casey, Maurice. 1996. Is John’s Gospel True? London and New York: Routledge.Google Scholar
Catlow, Laurence (ed. and tr.) 1980. Pervigilium Veneris. Brussels: Latomus.Google Scholar
Cazzato, Vanessa. 2016a. “‘Glancing Seductively through Windows’: The Look of Praxilla fr. 8 (PMG 754).” In Cazzato, Vanessa and Lardinois, André (eds.), The Look of Lyric: Greek Song and the Visual: Studies in Archaic and Classical Greek Song, vol. 1. Leiden: Brill, pp. 185–203.Google Scholar
Cazzato, Vanessa 2016b. “Symposia en plein air in Alcaeus and Others.” In Cazzato, Vanessa, Obbink, Dirk, and Prodi, Enrico Emanuele (eds.), The Cup of Song: Studies on Poetry and the Symposium. Oxford University Press, pp. 185–206.Google Scholar
Cazzato, Vanessa and Prodi, Enrico Emanuele. 2016. “Introduction: Continuity in Sympotic Tradition.” In Cazzato, Obbink, and Prodi 2016: 1–16.Google Scholar
Cazzato, Vanessa, Obbink, Dirk, and Prodi, Enrico Emanuele (eds.) 2016. The Cup of Song: Studies on Poetry and the Symposium. Oxford University Press.Google Scholar
Chadwick, Henry (tr.) 1991. Saint Augustine, Confessions. Oxford University Press.Google Scholar
Champlin, Edward. 2003. Nero. Cambridge, MA: Harvard University Press.Google Scholar
Chaniotis, Angelos. 1988. Historie und Historiker in den griechischen Inschriften: Epigraphische Beiträge zur griechischen Historiographie. Stuttgart: Steiner.Google Scholar
Chaniotis, Angelos 1995. “Sich selbst feiern? Städtische Feste des Hellenismus im Spannungsfeld von Religion und Politik.” In Wörrle, Michael and Zanker, Paul (eds.), Stadtbild und Bürgerbild im Hellenismus. Munich: Beck, pp. 145–72.Google Scholar
Chaniotis, Angelos 2003. “The Divinity of Hellenistic Rulers.” In Erskine, Andrew (ed.), A Companion to the Hellenistic World. Oxford: Blackwell, pp. 431–45.Google Scholar
Chaniotis, Angelos 2011. “The Ithyphallic Hymn for Demetrios Poliorketes and Hellenistic Religious Mentality.” In Iossif, Panagiotis P., Chankowski, Andrzej S., and Lorber, Catharine C. (eds.), More Than Men, Less Than Gods: Studies on Royal Cult and Imperial Worship: Proceedings of the International Colloquium Organized by the Belgian School at Athens (November 1–2, 2007). Leuven: Peeters, pp. 157–95.Google Scholar
Christ, Matthew. 2020. Xeonophon and Athenian Democracy. Cambridge University Press.Google Scholar
Citroni, Mario. 2009. “Poetry in Augustan Rome.” In Knox, Peter E. (ed.), A Companion to Ovid. Chichester: Wiley-Blackwell, pp. 8–25.Google Scholar
Clark, Albert C. and Peterson, William (eds.) 1905‒11. M. Tulli Ciceronis Orationes. 6 vols. Oxford: Clarendon [repr. 1960–5].Google Scholar
Clarke, George W. 1965. “The Secular Profession of St. Cyprian of Carthage.” Latomus 24: 633–8.Google Scholar
Clarke, George W. 1986. The Letters of St. Cyprian of Carthage, vol. 3: Letters 55–66. New York: Newman.Google Scholar
Clay, Jenny. 2011. “The Homeric Hymns as Genre.” In Faulkner, Andrew (ed.), Homeric Hymns: Interpretative Essays. Oxford University Press, pp. 232–53.Google Scholar
Clayman, Dee L. 2014. Berenice II and the Golden Age of Ptolemaic Egypt. Oxford University Press.Google Scholar
Cockle, W. E. H. 1975. “The Odes of Epagathus the Choral Flautist: Some Documentary Evidence for Dramatic Representation in Roman Egypt.” In Proceedings of the XIV International Congress of Papyrologists, Oxford, 24–31 July 1974. London: Egypt Exploration Society, pp. 59–65.Google Scholar
Cohen, Abraham (tr.) 1985. The Hebrew-English Edition of the Babylonian Talmud: Soṭah [bound with Nazir], ed. Epstein, Isidore. London: Soncino.Google Scholar
Cohn, Leopold (ed.) 1902. Philonis Alexandrini opera quae supersunt, vol 4. Berlin: Georg Reimer.Google Scholar
Cohn, Leopold (ed.) 1906. Philonis Alexandrini opera quae supersunt, vol. 5. Berlin: Georg Reimer.Google Scholar
Cohn, Leopold and Reiter, Siegfried (eds.) 1915. Philonis Alexandrini opera quae supersunt, vol. 6. Berlin: Georg Reimer.Google Scholar
Collard, Christopher and Cropp, Martin (eds. and tr.) 2008. Euripides, Fragments: Aegeus–Meleager. Cambridge, MA: Harvard University Press.Google Scholar
Collins, Derek. 2004. Master of the Game: Competition and Performance in Greek Poetry. Cambridge, MA: Harvard University Press.Google Scholar
Collins, John J. 1984. “Sibylline Oracles: A New Translation and Introduction.” In Charlesworth, James H. (ed.), The Old Testament Pseudepigrapha, vol. 1. New York: Doubleday, pp. 317–472.Google Scholar
Collins, John J. 2010. Beyond the Qumran Community: The Sectarian Movement of the Dead Sea Scrolls. Grand Rapids, MI: Eerdmans.Google Scholar
Collins, John J. 2018. Introduction to the Hebrew Bible and Deutero-Canonical Books. 3rd ed. Minneapolis, MN: Fortress.Google Scholar
Colpani, Giovanni. 2017. “Synesius’ Hymns: A Musical Delivery?” at www.academia.edu/41346613/Synesius_Hymns_a_musical_delivery.Google Scholar
Compton-Engle, Gwendolyn. 1999. “From Country to City: The Persona of Dicaeopolis in Aristophanes’ ‘Acharnians’.” The Classical Journal 94: 359‒73.Google Scholar
Connolly, Hugh (ed. and tr.) 1929. Didascalia Apostolorum: The Syriac Version Translated and Accompanied by the Verona Latin Fragments. Oxford: Clarendon.Google Scholar
Cook, Arthur B. 1925. Zeus: A Study in Ancient Religion, vol. 2. Cambridge University Press.Google Scholar
Cooper, James and Maclean, Arthur John (trs.). 1902. The Testament of Our Lord: Translated into English from the Syriac with Introduction and Notes. Edinburgh: T. & T. Clark.Google Scholar
Corner, Sean. 2010. “Transcendent Drinking: The Symposium at Sea Remembered.” The Classical Quarterly 60: 352–80.Google Scholar
Corner, Sean 2012. “Did ‘Respectable’ Women Attend Symposia?” Greece & Rome 59: 34–45.CrossRefGoogle Scholar
Consbruch, Maximilian (ed.) 1906. Hephaestionis Enchiridion cum commentariis veteribus. Leipzig: Teubner.Google Scholar
Conybeare, Fred. C. (ed.) 1895. Philo: About the Contemplative Life. Oxford: Clarendon.Google Scholar
Corsten, Thomas. 1997. Die Inschriften von Laodikeia am Lykos. Bonn: Habelt.Google Scholar
Cosgrove, Charles H. 2006. “Clement of Alexandria and Early Christian Music.” Journal of Early Christian Studies 14: 255–82.Google Scholar
Cosgrove, Charles H. 2011. An Ancient Christian Hymn with Musical Notation: Papyrus Oxyrhynchus 1786: Text and Commentary. Tübingen: Mohr Siebeck.Google Scholar
Cosgrove, Charles H. 2015. “Singing Thomas: Anatomy of a Sympotic Scene in Acts of Thomas.” Vigiliae Christianae 69: 256–76.Google Scholar
Cosgrove, Charles H. 2017a. “Banquet Ceremonies Involving Wine in the Greco-Roman World and Early Christianity.” The Catholic Biblical Quarterly 79: 299–316.Google Scholar
Cosgrove, Charles H. 2017b. “Song at the Christian Cena in Tertullian’s Carthage (Apologeticum 39.18).” Ephemerides Liturgicae 131: 162–82.Google Scholar
Cosgrove, Charles H. 2018. “The Syntax of Early Christian Hymns and Prayers: Revisiting Relative and Participial Styles for Making Assertions about a Deity.” Early Christianity 9: 158–80.Google Scholar
Cosgrove, Charles H. 2020. “Word and Table: The Origins of a Liturgical Sequence.” Vigiliae Christianae 74: 357‒73.Google Scholar
Cosgrove, Charles H. 2021. “Semi-Lyrical Reading of Poetry in Late Antiquity.” Harvard Studies in Classical Philology 111: 463‒82.Google Scholar
Cosgrove, Charles H. and Meyer, Mary C.. 2006. “Melody and Word Accent Relationships in Ancient Greek Musical Documents: The Pitch Height Rule.” Journal of Hellenic Studies 126: 66–81.Google Scholar
Countryman, L. William. 1980. The Rich Christian in the Church of the Early Empire: Contradictions and Accommodations. New York: Edwin Mellen.Google Scholar
Courtonne, Yves (ed.) 1961. Saint Basile, Lettres, vol. 2. Paris: Les Belles Lettres.Google Scholar
Cribiore, Raffaella. 2001. Gymnastics of the Mind: Greek Education in Hellenistic and Roman Egypt. Princeton, NJ: Princeton University Press.Google Scholar
Croy, N. Clayton. 2006. 3 Maccabees. Leiden: Brill.CrossRefGoogle Scholar
Crusius, Otto. 1891. “Ein Liederfragment auf einer antiken Statuenbasis.” Philologus 50: 163–72.CrossRefGoogle Scholar
Crusius, Otto 1893. “Zu neuentdeckten antiken Musikresten.” Philologus 52: 160–200.Google Scholar
Csapo, Eric. 2002. “Kallipides on the Floor Sweepings: The Limits of Realism in Classical Acting and Performance Styles.” In Easterling, Pat and Hall, Edith (eds.), Greek and Roman Actors: Aspects of an Ancient Profession. Cambridge University Press, pp. 127‒47.Google Scholar
Csapo, Eric 2004. “The Politics of the New Music.” In Murray, Penelope and Wilson, Peter (eds.), Music and the Muses: The Culture of ‘Mousikē’ in the Classical Athenian City. Oxford University Press, pp. 207–48.Google Scholar
Csapo, Eric 2010. Actors and Icons of the Roman Theater. Chichester: Wiley-Blackwell.Google Scholar
Csapo, Eric 2017. “Imagining the Shape of Choral Dance and Inventing the Cultic in Euripides’ Later Tragedies.” In Gianvittorio, Laura (ed.), Choreutika: Performing and Theorising Dance in Ancient Greece. Pisa: Fabrizio Serra, pp. 119–56.Google Scholar
Csapo, Eric, Hans Goette, J. Green, Richard, and Wilson, Peter (eds.) 2014. The Greek Theatre in the Fourth Century, BC. Berlin: De Gruyter.Google Scholar
Csapo, Eric and Miller, Margaret C.. 2007. “General Introduction.” In Csapo, Eric and Miller, Margaret C. (eds.), The Origins of Theater in Ancient Greece and Beyond: From Ritual to Drama. Cambridge University Press, 2007, pp. 1–38.Google Scholar
Csapo, Eric and Miller, Margaret C. 1991. “The ‘Kottabos-Toast’ and an Inscribed Red-Figure Cup.” Hesperia 60: 367–82.Google Scholar
Csapo, Eric and Slater, William J.. 1994. The Context of Ancient Drama. Ann Arbor, MI: The University of Michigan Press.Google Scholar
Csapo, Eric and Wilson., Peter 2009. “Timotheus the New Musician.” In Budelmann, Felix (ed.), The Cambridge Companion to Greek Lyric. Cambridge University Press, pp. 277‒93.Google Scholar
Csapo, Eric and Wilson, Peter (eds.) 2020. A Social and Economic History of the Theater to 300 BC, vol. 2: Theatre beyond Athens: Documents with Translation and Commentary. Cambridge University Press.Google Scholar
Cullyer, Helen. 2014. “The Social Virtues (NE IV).” In Polansky, Ronald (ed.), The Cambridge Companion to the Nicomachean Ethics. Cambridge University Press, pp. 135‒50.Google Scholar
Currie, Bruno. 2017. “Festival, Symposion, and Epinician (Re)performance: The Case of Nemean 4 and Others.” In Hunter, Richard and Uhlig, Anna (eds.), Imagining Reperformance in Ancient Culture: Studies in the Traditions of Drama and Lyric. Cambridge University Press, pp. 187–208.Google Scholar
Daiches, Samuel (tr.) 1971. Folios 2A‒36B of The Hebrew-English Edition of the Babylonian Talmud: Ketuboth, ed. Epstein, Isidore. London: Soncino.Google Scholar
Dale, Amy M. 1968. The Lyric Metres of Greek Drama. 2nd ed. Cambridge University Press.Google Scholar
D’Alessio, Giambattista. 2017. “Performance, Transmission, and the Loss of Hellenistic Lyric Poetry.” In Hunter, Richard and Uhlig, Anna (eds.), Imagining Reperformance in Ancient Culture: Studies in the Traditions of Drama and Lyric. Cambridge University Press, pp. 232‒61.Google Scholar
D’Alessio, Giovan B. 1997. “Pindar’s ‘Prosodia’ and the Classification of Pindaric Papyrus Fragments.” Zeitschrift für Papyrologie und Epigraphik 118: 23–60.Google Scholar
D’Alessio, Giovan B. 2000. “[Review of] Stephan Schröder, Geschichte und Theorie der Gattung Paian.” Bryn Mawr Classical Review 2000.01.24.Google Scholar
D’Alessio, Giovan B. 2009. “Defining Local Identities in Greek Lyric Poetry.” In Hunter and Rutherford 2009: 137–67.Google Scholar
D’Alessio, Giovan B. 2016. “Bacchylides’ Banquet Songs.” In Cazzato, Obbink, and Prodi 2016: 63–84.Google Scholar
Danby, Herbert. 1933. The Mishnah, Translated from the Hebrew with Introduction and Brief Explanatory Notes. Oxford: Clarendon.Google Scholar
D’Angour, Armand J. 2006. “The New Music – So What’s New?” In Goldhill, Simon and Osborne, Robin (eds.), Rethinking Revolutions through Ancient Greece. Cambridge University Press, pp. 264–83.Google Scholar
D’Angour, Armand J. 2007. “The Sound of Mousikē: Reflections on Aural Change in Ancient Greece.” In Osborne, Robin (ed.), Debating the Athenian Cultural Revolution. Cambridge University Press, pp. 288‒300.Google Scholar
D’Angour, Armand J. 2011. The Greeks and the New: Novelty in Ancient Greek Imagination and Experience. Cambridge: Cambridge University Press, 2011.Google Scholar
D’Angour, Armand J. 2016. “Vocables and Microtones in Ancient Greek Music.” Greek and Roman Musical Studies 4: 273‒85.Google Scholar
D’Angour, Armand J. 2017. “Euripides and the Sound of Music.” In McClure, Laura K. (ed.), A Companion to Euripides. Chichester: Wiley-Blackwell, pp. 428‒43.Google Scholar
D’Angour, Armand J. 2018. “The Musical Setting of Ancient Greek Texts.” In Phillips, Tom and D’Angour, Armand (eds.), Music, Text, and Culture. Oxford University Press, pp. 47‒72.Google Scholar
D’Angour, Armand J. 2019a. “Hearing Ancient Sounds through Modern Ears.” In Butler, Shane and Nooter, Sarah (eds.), Sound and the Ancient Senses. London: Routledge, pp. 31‒43.Google Scholar
D’Angour, Armand J. 2019b. Socrates in Love: The Making of a Philosopher. London: Bloomsbury.Google Scholar
D’Angour, Armand J. 2020. “‘Old’ and ‘New’ Music: The Ideology of Mousikē.” In Lynch, Tosca A. C. and Rocconi, Eleonora (eds.), A Companion to Ancient Greek and Roman Music. Hoboken, NJ: Wiley Blackwell, pp. 409‒20.Google Scholar
D’Angour, Armand J. 2021. “Recreating the Music of Euripides’ Orestes.” Greek and Roman Musical Studies 9: 175‒90.Google Scholar
da Rios, Rosetta (ed.) 1954. Aristoxeni Elementa harmonica. Rome: Polygraphica.Google Scholar
Daur, Klaus-D. (ed.) 1992. Arnobii Iunioris, opera minora. CCSL 25a. Turnhout: Brepols.Google Scholar
Davidson, James N. 1997. Courtesans and Fishcakes: The Consuming Passions of Classical Athens. London: HarperCollins.Google Scholar
Davies, John G. 1984. Liturgical Dance: An Historical, Theological, and Practical Handbook. London: SCM Press.Google Scholar
Davies, John K. 1971. Athenian Propertied Families, 600–300 BC. Oxford: Clarendon.Google Scholar
Davies, Malcolm (ed.) 1991. Poetarum Melicorum Graecorum Fragmenta, vol. 1. Oxford: Clarendon.Google Scholar
Dekkers, Eligius (ed.) 1965. Quinti Septimi Florentis Tertulliani Opera, part 1, 3: Apologeticum. CCSL 1. Turnhout: Brepols.Google Scholar
De Lacy, P. H. (ed.) 1978. Galen, on the Doctrines of Hippocrates and Plato. Berlin: Akademie.Google Scholar
Delattre, Daniel (ed. and tr.) 2007. Philodème de Gadara, Sur la musique, Livre IV. 2 vols. Paris: Les Belles Lettres.Google Scholar
Del Corso, Lucio. 2016. “A Tale of Mummies, Drinking Parties, and Cultic Practices: Submerged Texts and the Papyrological Literature.” In Colesanti, Giulio and Lulli, Laura (eds.), Submerged Literature in Ancient Greek Culture, vol. 2: Case Studies. Berlin: De Gruyter, pp. 269–87.Google Scholar
Delitzsch, Franz. 1891. Commentary on the Song of Songs and Ecclesiastes, tr. M. G. Easton. Edinburgh: T. & T. Clark.Google Scholar
Denniston, John D. and Page, Denys (eds.) 1960. Aeschylus, Agamemnon. Oxford: Clarendon.Google Scholar
Denyer, Nicholas (ed. and comm.). 2008. Plato, Protagoras. Cambridge University Press.Google Scholar
Destreé, Pierre. 2018. “Aristotle on Music for Leisure.” In Phillips, Tom and D’Angour, Armand (eds.), Music, Text, and Culture in Ancient Greece. Oxford University Press, pp. 183‒202.Google Scholar
Di Brazzano, Stefano (ed.) 2004. Laus Pisonis: introduzione, edizione critica e commento. Pisa: Scuola normale superiore.Google Scholar
Dickey, Eleanor (ed.) 2012. The Colloquia of the Hermeneumata Pseudodositheana, vol. 1: Colloquia Monacensia-Einsidlensia, Leidense-Stephani, and Stephani. Cambridge University Press.Google Scholar
Diekamp, Francz (ed.) 1913. Patres apostolici, vol. 2. 3rd ed. Tübingen: Laupp.Google Scholar
Diercks, Gerardus F. (ed.) 1954. Quinti Septimi Florentis Tertulliani Opera, part 1, 7: De oratione. Turnhout: Brepols.Google Scholar
Diercks, Gerardus F. (ed.) 1972. Novatiani Opera quae supersunt, ed. Turnhout: Brepols.Google Scholar
Diercks, Gerardus F. (ed.) 1996. Sancti Cypriani Episcopi Opera, vol. 3/2: Epistularium 58–81. CCSL 3 c. Turnhout: Brepols.Google Scholar
Diggle, James (ed.) 2004. Theophrastus: Characters. Cambridge University Press.Google Scholar
Dilts, Mervin R. (ed.) 2002. Demosthenis Orationes, vol. 1. Oxford: Clarendon.Google Scholar
Dix, Gregory (ed.) and Chadwick, Henry (rev., ed., corr.) 1968. The Treatise on the Apostolic Tradition of St. Hippolytus of Rome. London: SPCK.Google Scholar
Dölger, Franz Joseph. 1922. Der heilige Fisch in den antiken Religionen und im Christentum: Textband [= ΙΧΘΥΣ, vol. 2]. Munster: Aschendorff.Google Scholar
Dombart, Bernard and Kalb, Alphonse (eds.) 1993. Sancti Aurelii Augustini episcopi, De civitate dei libri XXII, vol. 1: Libri I–X, 4th ed. Stuttgart: Teubner [Bound with Divjak, Johannes (ed.) 1981. Duas epistulas ad Firmum, 5th ed. Stuttgart: Teubner].Google Scholar
Donahue, John F. 2017. The Roman Community at Table During the Principate. New and expanded edition. Ann Arbor, MI: University of Michigan Press.Google Scholar
Donlan, Walter. 1980. The Aristocratic Ideal in Ancient Greece: Attitudes of Superiority from Homer to the End of the Fifth Century BC. Lawrence, KS: Coronado.Google Scholar
Döpp, Siegmar. 1996. “Das Stegreifgedicht des Q. Sulpicius Maximus.” Zeitschrift für Papyrologie und Epigraphik 114: 101‒2.Google Scholar
Dorion, Louis-André. 2017. “Xenophon and Greek Philosophy.” In Flower 2017: 37‒56.Google Scholar
Dover, Kenneth J. (ed.) 1968. Aristophanes: Clouds. Oxford: Clarendon.Google Scholar
Drachmann, Anders B. (ed.) 1927. Scholia vetera in Pindari carmina, vol. 3: Scholia in Nemeonicas et Isthmionicas; Epimetrum. Leipzig: Teubner.Google Scholar
Dreizehnter, Alois (ed.) 1970. Aristoteles’ Politik. Munich: Wilhelm Fink.Google Scholar
Dreves, Guido M. 1893. Aurelius Ambrosius, “Der vater des Kirchengesanges”: eine hymnologische Studie. Freiburg im Breisgau: Herder.Google Scholar
Drijvers, Hendrik J. W. 1967. Bardaisan of Edessa. Assen: Van Gorcum.Google Scholar
Duensing, Hugo (ed.) 1946. Der aethiopische Text der Kirchenordnung des Hippolyt. Göttingen: Vandenhoeck & Ruprecht.Google Scholar
Duensing, Hugo 1950/1951. “Die dem Klemens von Rom zugeschriebenen Briefe über die Jungfräulichkeit.” Zeitschrift für Kirchengeschichte 63: 166–88.Google Scholar
Dumortier, Jean (ed.) 1981. Jean Chrysostome, Homélies sur Ozias. Paris: Cerf.Google Scholar
Dunbabin, Katherine M. D. 1999. Mosaics of the Greek and Roman World. Cambridge University Press.Google Scholar
Dunbabin, Katherine M. D. 2003. The Roman Banquet: Images of Conviviality. Cambridge University Press.Google Scholar
Dunn, Geoffrey D. 2004. Tertullian. London: Routledge.Google Scholar
Easton, Burton S. 1934. The Apostolic Tradition of Hippolytus. New York: Macmillan.Google Scholar
Edgar, Campbell C. 1898/1899. “Excavations at Naukratis, B: The Inscribed and Painted Pottery.” Annual of the British School at Athens 5: 47–65.Google Scholar
Edgar, Campbell C. 1925. “Records of a Village Club.” In Bonfante, Pietro, Breccia, Evaristo, and Calderini, Aristide (eds.), Raccolta di scritti in onore di Giacomo Lumbroso (1844–1925) Milan: “Aegyptus,” pp. 369–76 [reprint by Cisalpino-Goliardica, 1975].Google Scholar
Edmonds, John M. (ed.) 1957. The Fragments of Attic Comedy after Meineke, Bergk, and Kock, vol. 1. Leiden: Brill.Google Scholar
Edmondson, Jonathan C. 1996. “Dynamic Arenas: Gladiatorial Presentations in the City of Roman and the Construction of Roman Society During the Early Empire.” In Slater, William J. (ed.), Roman Theater and Society: E. Togo Salmon Papers I. Ann Arbor, MI: University of Michigan Press, pp. 69–112.Google Scholar
Edmondson, Jonathan C. 2016. “Rituals of Reciprocity: Staging Gladiatorial Munera in Apuleius’ Metamorphoses.” In Keith, Alison and Edmondson, Jonathan (eds.), Roman Literary Cultures: Domestic Politics, Revolutionary Poetics, Civic Spectacle. University of Toronto Press, pp. 278–309.Google Scholar
Edwards, Catharine. 1993. The Politics of Immorality in Ancient Rome. Cambridge University Press.Google Scholar
Edwards, G. Roger. 1975. Corinthian Hellenistic Pottery. Princeton, NJ: American School of Classical Study at Athens.Google Scholar
Ehrman, Bart D. 2013. Forgery and Counterforgery: The Use of Literary Deceit in Early Christian Polemics. Oxford University Press.Google Scholar
Eidevall, Göran. 2017. Amos: A New Translation with Introduction and Commentary New Haven, CT: The Anchor Yale Bible.Google Scholar
Eliav, Yaron Z. 2006. “Jews and Judaism, 70–429 CE.” In Potter, David S. (ed.), A Companion to the Roman Empire. Malden: Blackwell, pp. 565–86.Google Scholar
Elliott, James K. 1993. The Apocryphal New Testament. New York: Oxford University Press.Google Scholar
Engberg, Jakob. 2012. “The Education and (Self-)Affirmation of (Recent or Potential) Converts: The Case of Cyprian and the Ad Donatum.” Zeitschrift für Antikes Christentum 16: 129–44.Google Scholar
Engberg-Pedersen, Troels. 1999. “Philo’s De vita contemplativa as a Philosopher’s Dream.” Journal for the Study of Judaism 30: 40–64.Google Scholar
Epstein, Isidore (ed). 1965‒89. The Hebrew-English Edition of the Babylonian Talmud. 30 vols. London: Soncino.Google Scholar
Erbse, Hartmut (ed.) 1977. Scholia Graeca in Homeri Iliadem (scholia vetera), vol. 5. Berlin: De Gruyter.Google Scholar
Ewald, Paul and Hartmann, Ludwig M. (eds.) 1898. Gregorii I Papae Registrum Epistolarum, vol. 2, part 1: Libri VIII–IX. Berlin: Weidmann.Google Scholar
Fagan, Garrett. 2011. The Lure of the Arena: Social Psychology and the Crowd at the Roman Games. Cambridge University Press.Google Scholar
Fantham, Elaine. 1984. “Roman Experience of Menander in the Late Republic and Early Empire.” In Transactions and Proceedings of the American Philological Association 114: 299–310.Google Scholar
Fantham, Elaine 2002. “The Fasti as a Source for Women’s Participation in Roman Cult.” In Herbert-Brown, Geraldine (ed.), Ovid’s Fasti: Historical Readings at Its Bimillennium, Oxford University Press, pp. 23–46.Google Scholar
Fantham, Elaine (ed.) 2013. Cicero’s Pro L Murena Oratio. With Introduction and Commentary. Oxford University Press.Google Scholar
Fantuzzi, Marco. 2010. “Sung Poetry: The Case of Inscribed Paeans.” In Clauss, James J. and Cuypers, Martine (eds.), A Companion to Hellenistic Literature. Chichester: Wiley-Blackwell, pp. 181–96.Google Scholar
Fantuzzi, Marco 2012. Achilles in Love: Intertextual Studies. Oxford University Press.Google Scholar
Fantuzzi, Marco and Hunter, Richard. 2004. Tradition and Innovation in Hellenistic Poetry. Cambridge University Press.Google Scholar
Faraone, Christopher A. 2008. The Stanzaic Architecture of Early Greek Elegy. Oxford University Press.Google Scholar
Farnell, George S. 1891. Greek Lyric Poetry: A Complete Collection of the Surviving Passages from the Greek Song-Writers. London: Longmans, Green.Google Scholar
Fraschetti, Augusto. 1990. Roma e il principe. Rome: Laterza.Google Scholar
Faulkner, Andrew. 2011. “Introduction: Modern Scholarship on the Homeric Hymns: Foundational Issues.” In Faulkner, Andrew (ed.), Homeric Hymns: Interpretive Essays. Oxford University Press, pp. 1–25.Google Scholar
Fear, Andrew T. 1991. “The Dancing Girls of Cadiz.” Greece & Rome 38: 75–9.Google Scholar
Fehr, Burkhard. 1990. “Entertainers at the Symposion: The Akletoi in the Archaic Period.” In Murray 1990b, pp. 185–95.Google Scholar
Fehr, Burkhard 2003. “What Has Dionysos to Do with the Symposion?” Pallas 61: 23–37.Google Scholar
Felder, Stephen. 2002. “What Is the Fifth Sibylline Oracle?” Journal for the Study of Judaism 33: 363–85.Google Scholar
Feldman, Louis H. 1993. Jew and Gentile in the Ancient World: Attitudes and Interactions from Alexander to Justinian. Princeton, NJ: Princeton University Press.Google Scholar
Ferguson, Everett. 2017. The Early Church at Work and Worship, vol. 3: Worship, Eucharist, Music, and Gregory of Nyssa. Eugene, OR: Cascade.Google Scholar
Ferrari, Franco. 1989. “P. Berol. inv. 13270: I canti di Elefantina.” Studi classici e orientale 38: 181–227.Google Scholar
Ferrary, Jean-Luois. 2014. Les mémoriaux de délégations du sanctuaire oraculaire de Claros, d’après la documentation conservée dans le fonds Louis Robert, vol. 1. Paris: Académie des inscriptions et belles-lettres.Google Scholar
Fetter, James T. 2015. “Aristotle’s Great-Souled Man and the Limited Perfection of the Ethical Virtues.” History of Political Thought 36: 1‒28.Google Scholar
Fine, Steven. 1996. “From Meeting House to Sacred Realm: Holiness and the Ancient Synagogue.” In Fine, Steven (ed.), Sacred Realm: The Emergence of the Synagogue in the Ancient World. Oxford University Press, pp. 21–47.Google Scholar
Fischer-Bovet, Christelle. 2014. Army and Society in Ptolemaic Egypt. Cambridge University Press.Google Scholar
Fisher, Nick. 1988. “Drink, Hybris, and the Promotion of Harmony in Sparta.” In Powell, Anton (ed.), Classical Sparta: Techniques behind Her Success. New York: Routledge, pp. 26–50.Google Scholar
Fisher, Nick 2000. “Symposiasts, Fish-Eaters and Flatterers: Social Mobility and Moral Concerns in Old Comedy.” In Harvey, David and Wilkins, John (eds.), The Rivals of Aristophanes: Studies in Athenian Old Comedy. London: Duckworth and the Classical Press of Wales, pp. 355–96.Google Scholar
Flacelière, Robert and Chambry, Émile (eds.) 1964. Plutarque Vies, vol. 3: Périclès–Fabius Maximus; Alcibiade–Coriolan. Paris: Les Belles Lettres.Google Scholar
Flambard, Jean-Marc. 1977. “Clodius, les collèges, la plebe et les esclaves: recherches sur la politique populaire au milieu du Ier siècle.” Mélanges de l’École Française de Rome 89: 115–56.Google Scholar
Floridi, Lucia (ed.) 2014. Lucillio “Epigrammi”: Introduzione, testo critico, tradduzione e comment. Berlin: De Gruyter.Google Scholar
Flower, Michael A. 1994. Theopompus of Chios: History and Rhetoric in the Fourth Century BC. Oxford: Clarendon.Google Scholar
Flower, Michael A. (ed.) 2017. The Cambridge Companion to Xenophon. Princeton, NJ: Princeton University Press.Google Scholar
Flowers, Harriet. 2017. The Dancing Lares and the Serpent in the Garden: Religion at the Roman Street Corner. Princeton, NJ: Princeton University Press.Google Scholar
Foerster, Richard (ed.) 1915. Libanii Opera, vol. 8. Leipzig: Teubner.Google Scholar
Foley, Edward. 1995. Ritual Music: Studies in Liturgical Musicology. Beltsville, MD: The Pastoral Press.Google Scholar
Foley, Helene. 2003. “Choral Identity in Tragedy.” Classical Philology 98: 1–30.Google Scholar
Fontaine, Jacques. 1981. Naissance de la poésie dans l’occident chrétien: esquisse d’une histoire de la poésie latine chrétienne du IIIe au VIe siècle. Paris: Études augustiniennes.Google Scholar
Forbes, Christopher. 1995. Prophecy and Inspired Speech in Early Christianity and Its Hellenistic Environment. Tübingen: Mohr Siebeck.Google Scholar
Ford, Andrew. 1992. Homer: The Poetry of the Past. Ithaca, NY: Cornell University Press.Google Scholar
Ford, Andrew 2002. The Origins of Criticism: Literary Culture and Poetic Theory in Classical Greece. Princeton, NJ: Princeton University Press.Google Scholar
Ford, Andrew 2011. Aristotle as Poet: The Song for Hermias and Its Contexts. Oxford University Press.Google Scholar
Fowler, Robert L. 1987. The Nature of Early Greek Lyric: Three Preliminary Studies. University of Toronto Press.Google Scholar
Fox, Michael V. 1985. The Song of Songs and the Ancient Egyptian Love Songs. Madison, WI: University of Wisconsin Press.Google Scholar
Fraser, Peter M. 1961. “The Foundation-Date of the Alexandrian Ptolemaieia.” The Harvard Theological Review 54: 141–5.Google Scholar
Fraser, Peter M. 1972. Ptolemaic Alexandria. 3 vols. Oxford: Clarendon.Google Scholar
Fredricksmeyer, E. A. 1997. “The Origin of Alexander’s Royal Insignia” Transactions of the American Philological Association 127: 97–109.Google Scholar
Friedman, Shamma. 1999. “The Primacy of Tosefta to Mishnah in Synoptic Parallels.” In Fox, Harry and Meacham, Tirzah (eds.), Introducing Tosefta: Textual, Intratextual, and Intertextual Studies. Hoboken, NJ: KTAV, pp. 99–121.Google Scholar
Frost, Frank J. 1968. “Themistocles’ Place in Athenian Politics.” California Studies in Classical Antiquity 1: 105–24.Google Scholar
Furley, William D. 2015. “Narrative in a Late Hymn to Dionysos (P. Ross. Georg. I.11).” In Faulkner, Andrew and Hodkinson, Owen (eds.), Hymnic Narrative and the Narratology of Greek Hymns. Leiden: Brill, pp. 121–38.Google Scholar
Furley, William D. and Bremer, Jan M.. 2001a. Greek Hymns: Selected Cult Songs from the Archaic to the Hellenistic Period, vol. 1: The Texts in Translation. Tübingen: Mohr Siebeck.Google Scholar
Furley, William D. and Bremer, Jan M. 2001b. Greek Hymns: Selected Cult Songs from the Archaic to the Hellenistic Period, vol. 2: Greek Texts and Commentary. Tübingen: Mohr Siebeck.Google Scholar
Gaunt, Jasper. 2014. “The Poet and the Painter: A Hymn to Zeus on a Cup by the Brygos Painter.” In Scodel, Ruth (ed.), Between Orality and Literacy: Communication and Adaptation in Antiquity. Leiden: Brill, 2014, pp. 101–24.Google Scholar
Geddes, Ann. 2007. “Ion of Chios and Politics.” In Katsaros, Andrea and Jennings, Victoria (eds.), The World of Ion of Chios. Leiden: Brill, pp. 110–38.Google Scholar
Geffcken, Johannes (ed.) 1902. Die Oracula Sibyllina. Leipzig: J. C. Hinrichs.Google Scholar
Gentili, Bruno. 1979. Theatrical Performances in the Ancient World: Hellenistic and Early Roman Theatre. Amsterdam: Gieben.Google Scholar
Gentili, Bruno 1988. Poetry and Its Public in Ancient Greece: From Homer to the Fifth Century, tr. A. T. Cole. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Gentili, Bruno and Prato, Carlo (eds.) 2002. Poetae elegiaci: testimonia et fragmenta, vol. 2. 2nd ed. Munich and Leipzig: Saur.Google Scholar
Gerber, Douglas E. 1982. Pindar’s Olympian One: A Commentary. Toronto: University of Toronto Press.Google Scholar
Gerber, Douglas E. (ed. and tr.) 1999. Greek Elegiac Poetry from the Seventh to the Fifth Century BC. Cambridge, MA: Harvard University Press.Google Scholar
Gevaert, François Auguste. 1895. La Mélopée antique dans le chant de l’Église latine: suite et complément de l’histoire et théorie de la musique de l’Antiquité. Gand: Annoot-Braeckman.Google Scholar
Gibson, Craig A. 2008. Libanius’s Progymnasmata: Model Exercises in Greek Prose Composition and Rhetoric. With introduction and notes. Atlanta, GA: Society of Biblical Literature.Google Scholar
Gilhuly, Kate. 2006. “The Phallic Lesbian: Philosophy, Comedy, and Social Inversion in Lucian’s Dialogues of the Courtesans.” In Faraone, Christopher A. and McClure, Laura K. (eds.), Prostitutes and Courtesans in the Ancient World. Madison, WI: The University of Wisconsin Press, pp. 274–91.Google Scholar
Gilula, Dwora. 2002. “Entertainment at Xenophon’s Symposium.” Athenaeum 90: 207–13.Google Scholar
Gold, Barbara K. and Donahue, John F. (eds.) 2005. Roman Dining: A Special Issue of the American Journal of Philology. Baltimore, MD: The Johns Hopkins University Press.Google Scholar
Goldberg, Abraham. 1987. “The Tosefta – the Companion to the Mishnah.” In The Literature of the Sages, vol. 1: Oral Tora, Halakha, Mishnah, Tosefta, Talmud, External Tractates, ed. Safrai, Shmuel, pp. 283–301. Assen and Maastricht: Van Gorcum.Google Scholar
Goldman, Max L. 2015. “Associating the Aulêtris: Flute Girls and Prostitutes in Classical Greek Symposium.” Helios 42: 29–60.Google Scholar
Goukowsky, Paul (ed.) 2012. Diodore de Sicile, Bibliothèque historique, fragments, vol. 3. Paris: Belles Lettres.Google Scholar
Goukowsky, Paul (ed.) 2014. Diodore de Sicile, Bibliothèque historique, fragments, vol. 4. Paris: Belles Lettres.Google Scholar
Goulaki-Voutira, Alexandra. 2001–2. “Music on Phlyax Vases,” Imago Musicae 13/14: 36–57.Google Scholar
Gow, A. S. F. (ed.) 1965. Machon: The Fragments, with an introduction and commentary. Cambridge University Press.Google Scholar
Granholm, Patrik (ed.) 2012. “Alciphron, Letters of the Courtesans.” (Ph.D. dissertation, Uppsala University.)Google Scholar
Green, Peter. 2013. Alexander of Macedon, 356–323: A Historical Biography, with a new preface by the author and a foreword by Eugene N. Borza. Berkeley, CA: University of California Press.Google Scholar
Green, Steven J. 2010. “‘(No) Arms and a Man’: The Imperial Pretender, the Opportunistic Poet, and the Laus Pisonis.” The Classical Quarterly 60: 497–523.Google Scholar
Greene, William C. (ed.) 1938. Scholia Platonica. Haverford, PA: American Philological Association.Google Scholar
Griffith, Mark. 2020. “Between Local and Global: Music and Cultural Identity in Ancient Greece.” In Lynch, Tosca A. C. and Rocconi, Eleonora (eds.), A Companion to Ancient Greek and Roman Music. Hoboken, NJ: Wiley Blackwell, pp. 381‒96.Google Scholar
Griffiths, Frederick T. 1979. Theocritus at Court. Leiden: Brill.Google Scholar
Griggs, C. Wilfred. 1990. Early Egyptian Christianity: From Its Origins to 451 CE. Leiden: Brill.Google Scholar
Guarducci, Margherita. 1929. Poeti vaganti e conferenzieri dell’ età ellenistica: ricerche di epigrafia greca nel campo della letteratura e del costume. Rome: Dott. Giovani Bardi.Google Scholar
Guggenheimer, Heinrich W. (ed. and tr.) 2000. The Jerusalem Talmud: First Order: Zeraim: Tractates Peah and Demay. Berlin: De Gruyter.Google Scholar
Guggenheimer, Heinrich W. (ed. and tr.) 2011. The Jerusalem Talmud, Fourth Order: Nezikin, Tractates Ševiʿit and ʿAvodah Zarah. Berlin: De Gruyter.Google Scholar
Gutzwiller, Kathryn J. 1992. “Callimachus’ Lock of Berenice: Fantasy, Romance, and Propaganda.” American Journal of Philology 113: 359–85.Google Scholar
Gutzwiller, Kathryn J. 2007. A Guide to Hellenistic Literature. Malden, MA: Blackwell, 2007.Google Scholar
Gutzwiller, Kathryn J. 2010. “Literary Criticism.” In Clauss, James J. and Cuypers, Martine (eds.), A Companion to Hellenistic Literature. Chichester: Wiley-Blackwell, pp. 337–65.Google Scholar
Habicht, Christian. 1970. Gottmenschentum und griechische Städte. Munich: Beck.Google Scholar
Habinek, Thomas. 2005. The World of Roman Song: From Ritualized Speech to Social Order. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Hadjimichael, Theodora A. 2019. The Emergence of the Lyric Canon. Oxford University Press.Google Scholar
Hagel, Stefan. 1994. “Zu den Konstituenten des griechischen Hexameters.” Wiener Studien 107/108: 77‒108.Google Scholar
Hagel, Stefan 2010. Ancient Greek Music: A New Technical History. Cambridge University Press.Google Scholar
Hagel, Stefan 2019. “Reconstructing the Hellenistic Professional Aulos.” In Martinelli, Maria C., Pelosi, Francesco, and Pernigotti, Carlo (eds.), La Musa dimenticata: Aspetti dell-experienza musicale greca in età hellenistica. Pisa: Normale, 227‒96.Google Scholar
Hagel, Stefan and Lynch, Tosca. 2015. “Musical Education in Greece and Rome.” In Martin Bloomer, W. (ed.), A Companion to Ancient Education. Chichester: Wiley-Blackwell, pp. 401–12.Google Scholar
Hahneman, Geoffrey M. 1992. The Muratorian Fragment and the Development of the Canon. Oxford: Clarendon.Google Scholar
Haïk-Vantoura, Suzanne. 1978. La musique de la Bible révélée, 2nd ed. Paris: Dessain et Tolra [English translation: The Music of the Bible Revealed, tr. D. Weber. Berkeley, CA: University of Californian Press].Google Scholar
Hall, Edith. 1999. “Actors’ Song in Tragedy.” In Goldhill, Simon and Osborne, Robin (eds.), Performance Culture and Athenian Democracy. Cambridge University Press, pp. 96–122.Google Scholar
Hall, Edith 2002. “The Singing Actors of Antiquity.” In Easterling, Pat and Hall, Edith (eds.), Greek and Roman Actors: Aspects of an Ancient Profession. Cambridge: Cambridge University Press, 1–38.Google Scholar
Hall, Edith 2008. “Introduction: Pantomime, a Lost Chord of Ancient Culture.” In Hall, Edith and Wyles, Rosie (eds.), New Directions in Ancient Pantomime. Oxford University Press, pp. 1–42.Google Scholar
Halliwell, Stephen. 2015. Aristophanes: Clouds, Women at the Thesmophoria, Frogs: A Verse Translation with Introduction and Notes. Oxford University Press.Google Scholar
Halperin, David M., Winkler, John J., and Zeitlin, Froma I. (eds.). 1990. Before Sexuality: The Construction of Erotic Experience in the Ancient Greek World. Princeton, NJ: Princeton University Press.Google Scholar
Halperin, David and Smith, John A.. 1995. [Correspondence] “Early Christian Singing.” Music & Letters 76: 480–1.Google Scholar
Hamdorf, Friedrich W. 1975. Attische Vasenbilder der Antikensammlungen in München, vol. 3: Bilder auf Schalen. Munich: C. H. Beck.Google Scholar
Hammer, Dean. 2004. “Ideology, the Symposium, and Archaic Politics.” The American Journal of Philology 125: 479–512.Google Scholar
Hamilton, J. R. 1969. Plutarch, Alexander: A Commentary. Oxford: Clarendon.Google Scholar
Hammond, Nicholas G. L. 1983. Three Historians of Alexander the Great: The So-Called Vulgate Authors Diodorus, Justin and Curtius. Cambridge University Press.Google Scholar
Hammond, Nicholas G. L. 1993. Sources for Alexander the Great: An Analysis of Plutarch’s Life and Arrian’s Anabasis Alexandrou. Cambridge University Press.Google Scholar
Handley, Eric. 2002. “Acting, Action and Words in New Comedy.” In Easterling, Pat and Hall, Edith (eds.), Greek and Roman Actors: Aspects of an Ancient Profession. Cambridge University Press, pp. 169–71.Google Scholar
Hardie, Alex. 1983. Statius and the Silvae: Poets, Patrons and Epideixis in the Greco-Roman World. Liverpool: Francis Cairns.Google Scholar
Harland, Philip A. 1996. “Honours and Worship: Emperors, Imperial Cults and Associations at Ephesus (First to Third Centuries CE).” Studies in Religion/Sciences religieuses 25: 319–34.Google Scholar
Harland, Philip A. 2003. Associations, Synagogues, and Congregations: Claiming a Place in Ancient Mediterranean Society. Minneapolis, MN: Fortress.Google Scholar
Harland, Philip A. 2014. Greco-Roman Associations: Texts, Translations, and Commentary, vol. 2: North Coast of the Black Sea, Asia Minor. Berlin: De Gruyter.Google Scholar
Harnack, Adolf von. 1891. “Die pseudoclementinischen Briefe de virginitate und die Entstehung des Mönchtums.” Sitzungsberichte der königlich-preussischen Akademie der Wissenschaften zu Berlin 21: 361–85.Google Scholar
Harvey, A. E. 1955. “The Classification of Greek Lyric Poetry.” The Classical Quarterly 5: 157–75.Google Scholar
Hartwig, Paul. 1893. Die griechischen Meisterschalen der Blüthezeit des strengen rothfiguren Stiles. Stuttgart: Speman.Google Scholar
Hauptman, Judith. 2005. Rereading the Mishnah: A New Approach to Ancient Jewish Texts. Tübingen: Mohr Siebeck.Google Scholar
Hay, David M. 1973. Glory at the Right Hand: Psalm 110 in Early Christianity. Nashville, TN: Abingdon.Google Scholar
Heckel, Waldemar. 2008. The Conquests of Alexander the Great. Cambridge University Press.Google Scholar
Hedreen, Guy. 2016. The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity. Cambridge University Press.Google Scholar
Heikel, Ivar A. (ed.) 1902. Eusebius Werke, vol. 1: Über das Leben Constantins; Constantins Rede an die heilige Versammlung; Tricennatsrede an Constantin. GCS 7. Leipzig: Hinrichs.Google Scholar
Heil, Günter, Cavarnos, Johann P., and Lendle, Otto (eds.) 1990. Gregorii Nysseni Opera, vol. 10/1: Sermones, part 2. Leiden: Brill.Google Scholar
Heil, Günter, Adrian, van Heck, Gebhardt, Ernest, and Spira, Andreas (eds.) 1967. Gregorii Nysseni opera, vol. 9/1: Sermones. Leiden: Brill.Google Scholar
Heine, Ronald E. 2002. The Commentaries of Jerome and Origen on St. Paul’s Epistle to the Ephesians. Oxford University Press.Google Scholar
Heldmann, Georg. 2000. “Die griechische und lateinische Tragödie und Komödie in der Kaiserzeit.” Wūrzburger Jahrbūcher fūr die Altertumswissenschaft 24: 185–205.Google Scholar
Helm, Rudolf (ed.) 1956. Eusebius Werke, vol. 7: Die Chronik des Hieronymus. 2nd ed. Berlin: Akademie.Google Scholar
Henderson, Jeffrey (ed. and tr.) 2000. Aristophanes: Birds, Lysistrata, Women at the Thesmophoria. Cambridge, MA: Harvard University Press.Google Scholar
Henderson, John. 2002. Pliny’s Statue: The Letters, Self-Portraiture, and Classical Art. Exeter University Press.Google Scholar
Hengel, Martin. 1974a. Judaism and Hellenism: Studies in Their Encounter in Palestine during the Early Hellenistic Period, vol. 1. Translated by John Bowden. Philadelphia, PA: Fortress.Google Scholar
Hengel, Martin 1974b. Judaism and Hellenism: Studies in Their Encounter in Palestine during the Early Hellenistic Period, vol. 2. Translated by John Bowden. Philadelphia, PA: Fortress.Google Scholar
Hengel, Martin 1995. “The Song about Christ in Earliest Christian Worship.” In Hengel, Martin, Studies in Early Christology. Edinburgh: T. & T. Clark, pp. 269–70.Google Scholar
Henrichs, Albert. 1974. “Die Kritik der stoischen Theologie im PHerc. 1428.” Bolletino del Centro internazionale per lo studio dei papyri ercolanesi [Cron. Erc.] 4: 5‒32.Google Scholar
Henry, W. Ben. 2005. Pindar’s Nemeans: A Selection: Edition and Commentary. Munich: Saur.Google Scholar
Hepding, Hugo. 1910. “Die Arbeiten zu Pergamon 1908–9.” Mitteilungen des Deutschen Archäologischen Instituts (Athenische Abteilung) 35: 457–59 (no. 40).Google Scholar
Heraeus, William and Borovskij, Jacob (eds.) 1976. M. Valerii Martialis Epigrammaton libri. 2nd ed. Leipzig: Teubner.Google Scholar
Herington, C. John. 1985. Poetry into Drama: Early Tragedy and the Greek Poetic Tradition. Berkeley, CA: University of California Press.Google Scholar
Herrmann, Peter. 1965. “Antiochos der Große und Teos.” Anadolu 9: 29–159.Google Scholar
Hermansen, Gustav. 1982. Ostia: Aspects of Roman City Life. Edmonton: The University of Alberta Press.Google Scholar
Herzog, Rudolf. 1912. Die Umschrift der älteren griechischen Literatur in das ionische Alphabet. Basel: Friedrich Reinhardt Universitätsdruckerei.Google Scholar
Heubeck, Alfred and Hoekstra, Arie, 1989. A Commentary on Homer’s Odyssey, vol. 2: Books IX‒XVI. Oxford: Clarendon.Google Scholar
Heubeck, Alfred, West, Stephanie, and Hainsworth, J. B.. 1988. A Commentary on Homer’s Odyssey, vol. 1: Introduction and Books I–VIII. Oxford: Clarendon.Google Scholar
Heubner, Heinz (ed.) 1978–83. P. Cornelii Taciti Libri qui supersunt. Stuttgart: Teubner.Google Scholar
Himmelfarb, Martha. 1993. Ascent to Heaven in Jewish and Christian Apocalypses. Oxford University Press.Google Scholar
Hine, Harry M. (ed.) 1996. L. Annaei Senecae Naturalium quaestionum libros. Stuttgart: Teubner.Google Scholar
Hine, Harry M. (tr.) 2010. Seneca, Natural Questions. Chicago: The University of Chicago Press.Google Scholar
Hinks, Roger P. 1933. Catalogue of the Greek, Etruscan, and Roman Paintings and Mosaics in the British Museum. London: British Museum.Google Scholar
Hirschfeld, G. 1875. “Inschrift von Teos.” Hermes 9: 501–3.Google Scholar
Hitz, Zena. 2012. “Aristotle on Law and Moral Education.” Oxford Studies in Ancient Philosophy 42: 263–306.Google Scholar
Hobden, Fiona. 2013. The Symposium in Ancient Greek Society and Thought. Cambridge University Press.Google Scholar
Hodkinson, Stephen. 2000. Property and Wealth in Classical Sparta. Swansea: The Classical Press of Wales.Google Scholar
Hoffer, Stanley E. 1999. The Anxieties of Pliny the Younger. Atlanta, GA: Scholars Press.Google Scholar
Holloway, R. Ross. 2006. “The Tomb of the Diver.” American Journal of Archeology 110: 365‒88.Google Scholar
Holt, Frank L. 1988. Alexandria the Great and Bactria: The Formation of a Greek Frontier in Asia. Leiden: Brill.Google Scholar
Holford-Strevens, Leofranc. 2003. Aulus Gellius: An Antonine Scholar and His Achievement, rev. ed. Oxford University Press.Google Scholar
Holford-Strevens, Leofranc 2019. “Socrates in Aulus Gellius.” In Moore, Christopher (ed.), Brill’s Companion to the Reception of Socrates. Leiden: Brill, pp. 415–31.Google Scholar
Holford-Strevens, Leofranc (ed.) 2020. Auli Gelli Noctes Atticae, vol. 2: Libri XI‒XX. Oxford: Clarendon.Google Scholar
Holleman, A. W. J. 1972. “The Oxyrhynchus Papyrus 1786 and the Relationship between Ancient Greek and Early Christian Music.” Vigiliae Christianae 26: 1–17.Google Scholar
Holwerda, Douwe (ed.) 1977. Scholia in Aristophanem, Pars I, fasc. 3/1: Scholia vetera in Nubes. Groningen: Bouma.Google Scholar
Hornblower, Simon. 2012. “What Happened Later to the Families of Pindaric Patrons – and to Epinician Poetry?” In Agócs, Carey, and Rawles 2012: 93–107.Google Scholar
Horrocks, Geoffrey. 2010. Greek: A History of the Language and Its Speakers. 2nd ed. Chichester: Wiley-Blackwell.Google Scholar
Horsfall, Nicholas. 1976. “The Collegium Poetarum.” Bulletin of the Institute of Classical Studies 23: 79–95.Google Scholar
Horsfall, Nicholas 1989. “‘The Uses of Literacy’ and the Cena Trimalchionis: II.” Greece & Rome 36: 194‒209.Google Scholar
Horsfall, Nicholas 1996. “The Cultural Horizons of the Plebs Romana.” Memoirs of the American Academy in Rome 41: 101–19.Google Scholar
Horsfall, Nicholas 2003. The Culture of the Roman Plebs. London: Bristol Classical Press.Google Scholar
Horsley, G. H. R. 1981. “Epitaph for a Jewish Psalm-Singer.” In Horsley, G. H. R. (ed.), New Documents Illustrating Early Christianity: A Review of the Greek Papyri and Inscriptions Published in 1976, vol. 1. North Ryde: Macquarie University, pp. 115‒16.Google Scholar
Horsley, Richard A. 2007. Scribes, Visionaries, and the Politics of Second Temple Judah. Louisville, KY: John Knox.Google Scholar
Höschele, Regina. 2010. Die blütenlesende Muse: Poetik und Textualität antiker Epigrammsammlungen. Tübingen: Naar.Google Scholar
Hubert, Kurt (ed.) 1938. Plutarchi moralia, vol. 4. Leipzig: Teubner.Google Scholar
Hunter, Richard. 1996. Theocritus and the Archaeology of Greek Poetry. Cambridge University Press.Google Scholar
Hunter, Richard 2002. “Acting Down: The Ideology of Hellenistic Performance.” In Easterling, Pat and Hall, Edith (eds.), Greek and Roman Actors: Aspects of an Ancient Profession. Cambridge University Press, pp. 189‒206.Google Scholar
Hunter, Richard 2018. The Measure of Homer: The Ancient Reception of the Iliad and the Odyssey. Cambridge University Press.Google Scholar
Hunter, Richard and Rutherford, Ian (eds.) 2009. Wandering Poets in Ancient Greek Culture, ed. Hunter, Richard and Rutherford, Ian. Cambridge University Press.Google Scholar
Hutchinson, Gregory O. (ed.) 2006. Propertius, Elegies, Book IV. Cambridge University Press.Google Scholar
Huss, Bernard. 2010. “The Dancing Sokrates and the Laughing Xenophon, or the Other Symposium.” In Gray, Vivienne J. (ed.), Xenophon. Oxford University Press, pp. 257–82.Google Scholar
Hyde, Walter W. 1938. “The Recent Discovery of an Inscribed Water-Organ at Budapest.” Transactions and Proceedings of the American Philological Association 69: 392–410.Google Scholar
Immerwahr, Henry R. 1965. “Inscriptions on the Anakreon Krater in Copenhagen.” American Journal of Archaeology 69: 152–4.Google Scholar
Immerwahr, Henry R. 1990. Attic Script: A Survey. Oxford University Press.Google Scholar
Iordanoglou, Dimitrios. 2009. “Is This Not a Love Song? The Dioscorides Epigram on the Fire of Troy (Anth. Pal. 5.138).” In Nilsson, Ingela (ed.), Plotting with Eros: Essays on the Poetics of Love and the Erotics of Reading. Copenhagen: Museum Tusculanum Press, pp. 83–98.Google Scholar
Jacquemin, Anne, Mulliez, Dominique, and Rougement, Georges. 2012. Choix d’inscriptions de Delphes, traduit et commentées. Athens: École française d’Athènes.Google Scholar
James, Montague R. 1897. Apocrypha Anecdota, vol. 2 (= Second Series). Cambridge University Press.Google Scholar
Jameson, Michael H. 2014. Cults and Rites in Ancient Greece: Essays on Religion and Society, ed. Stallsmith, Allaire B.. Cambridge University Press.Google Scholar
Jastrow, Marcus. 1903. Dictionary of Targumim, the Talmud Bavli, and Yerushalmi, and the Midrashic Literature. 2 vols. London: Luzac.Google Scholar
Jensen, Robin M. 2008. “Dining with the Dead: From Mensa to Altar in Christian Late Antiquity.” In Brink, Laurie and Green, Deborah (eds.), Commemorating the Dead: Texts and Artifacts in Context, Studies of Roman, Jewish, and Christian Burials. Berlin: De Gruyter, pp. 107–44.Google Scholar
Jirsa, Jakub. 2009. “Authenticity of the ‘Alcibiades’ I: Some Reflections.” Listy filologické / Folia philologica 132: 225‒44.Google Scholar
Joannou, Périclès-Pierre (ed.) 1962. Fonti, fasc. IX: Discipline générale antique (IVe–IXe), t. I, 2: Les canons des Synodes Particuliers. Rome: Italo-Orientale “S. Nilo.”Google Scholar
Johnson, Jotham. 1933. Excavations at Minturnae, vol. 2: Inscriptions, Part 1: Republican Magistri. Rome: The International Mediterranean Research Association.Google Scholar
Johnson, Maxwell E. 2006. “The Apostolic Tradition.” In Wainwright, Geoffrey and Westerfield Tucker, Karen B. (eds.), The Oxford History of Christian Worship. Oxford University Press, pp. 32–76.Google Scholar
Johnstone, Steven. 1994. “Virtuous Toil, Vicious Work: Xenophon on Aristocratic Styles.” Classical Philology 89: 219‒40.Google Scholar
Jones, Christopher P. 1991. “Dinner Theater.” In Slater 1991, pp. 185–98.Google Scholar
Jones, D. Mervyn (ed.) 1969. Scholia in Aristophanem, Pars I, fasc. 2: Scholia vetera in Aristophanis Equites. Groningen: Wolters-Noordhoff N. V. [Bound with Nigel G. Wilson (ed.), Scholia tricliniana in Aristophanis Equites].Google Scholar
Jones, Gregory S. 2014. “Voice of the People: Popular Symposia and the Non-Elite Origins of the Skolia.” Transactions of the American Philological Association 144: 229–62.Google Scholar
Jones, Gregory S. 2016. “Observing Genre in Archaic Greek Skolia and Vase Painting.” In Cazzato, Vanessa and Lardinois, André (eds.), The Look of Lyric: Greek Song and the Visual: Studies in Archaic and Classical Greek Song, vol. 1. Leiden: Brill, pp. 146–84.Google Scholar
Jones, Nicholas F. 1999. The Associations of Classical Athens: A Response to Democracy. Oxford University Press.Google Scholar
Jory, Edward J. 1995. “Ars ludicra and the ludus talarius.” In Griffiths, Alan (ed.), Stage Directions: Essays in Ancient Drama in Honour of E. W. Handley London: Institute of Classical Studies, pp. 139–52.Google Scholar
Jory, Edward J. 1996. “The Drama of the Dance: Prolegomena to an Iconography of Imperial Pantomime.” In Slater, William J. (ed.), Roman Theater and Society: E. Togo Salmon Papers I. Ann Arbor, MI: University of Michigan Press, pp. 1–27.Google Scholar
Jourdan-Hemmerdinger, Denise. 1973. “Un nouveau papyrus musical d’Euripide (présentation provisoire).” Comptes-rendus de l’Académie des Inscriptions et Belles-Lettres 117: 292–302.Google Scholar
Junod, Eric and Kaestli, Jean-Daniel (eds.) 1983. Acta Iohannis. CC/SA 1. Turnhout: Brepols.Google Scholar
Kaibel, Georg (ed.) 1887–90. Athenaei Naucratitae dipnosophistarum. 3 vols. Teubner: Leipzig.Google Scholar
Kassel, Rudolf (ed.) 1965. Aristotelis De Arte Poetica Liber. Oxford University Press.Google Scholar
Kassel, Rudolf (ed.) 1976. Aristotelis, Ars Rhetorica. Berlin: De Gruyter.Google Scholar
Kaster, Robert A. 2010. Studies on the Text of Macrobius’ Saturnalia. Oxford University Press.Google Scholar
Kaster, Robert A. (ed. and tr.) 2011. Macrobius, Saturnalia, vol. 2. Cambridge: Harvard University Press.Google Scholar
Kaster, Robert A. (ed.) 2016. C. Suetonii Tranquilli De vita Caesarum libros VIII et De grammaticis et rhetoribus librum. Oxford University Press.Google Scholar
Kayser, Carl L. (ed.) 1870. Flavii Philostrati Opera, vol. 1. Leipzig: Teubner.Google Scholar
Keaney, John J. (ed.) 1991. Harpocration, Lexeis of the Ten Orators. Amsterdam: Hakkert.Google Scholar
Keil, Bruno (ed.) 1898. Aelii Aristidis Smyrnaei quae supersunt omnia [Orations 17–53]. 2 vols. Berlin: Weidmann [repr. 1958].Google Scholar
Keil, Josef. 1908. “Zur Geschichte der Hymnoden in der Provinz Asia.” Jahreshefte des Österreichische Archäologischen Instituts 11: 101–10.Google Scholar
Keil, Josef and Herrmann, Peter (eds.) 1989. Tituli Asiae Minoris, vol. 5, fasc. 2. Vienna: Austrian Academy of the Sciences.Google Scholar
Kelly, Adrian. 2015. “Stesichorus’ Homer.” In Finglass, Patrick J. and Kelly, Adrian (eds.), Stesichorus in Context. Cambridge University Press, pp. 21‒44.Google Scholar
Kelly-Blazeby, Clare F. 2006. “Kapeleion: Casual and Commercial Wine Consumption in Classical Greece.” (Ph.D. dissertation, University of Leicester.)Google Scholar
Kennedy, George A. 1995. A New History of Classical Rhetoric. Princeton, NJ: Princeton University Press.Google Scholar
Kilinski, Karl. 1978. “The Boeotian Dancers Group.” American Journal of Archeology 82: 173‒91.Google Scholar
Kimelman, Reuven. 2006. “Rabbinic Prayer in Late Antiquity.” In Katz, Steven T. (ed.), The Cambridge History of Judaism, vol. 4: The Late Roman-Rabbinic Period. Cambridge University Press, pp. 573–611.Google Scholar
Klauck, Hans-Josef. 1982. Herrenmahl und hellenisticher Kult: eine religionsgeschichtliche Untersuchung zum ersten Korintherbrief. Münster: Aschendorff.Google Scholar
Klavan, Spencer A. 2021. Music in Ancient Greece: Melody, Rhythm and Life. London: Bloomsbury Academic.Google Scholar
Klinghardt, Matthias. 2014. “The Ritual Dynamics of Inspiration: The Therapeutae’s Dance.” In Marks, Susan and Taussig, Hal (eds.), Meals in Early Judaism: Social Formation at the Table. New York: Palgrave Macmillan, pp. 139–61.Google Scholar
Klotz, Frieda. 2011. “Imaging the Past: Plutarch’s Play with Time.” In Klotz, Frieda and Oikonomopoulou, Katerina (eds.), The Philosopher’s Banquet: Plutarch’s Table-Talk in the Intellectual Culture of the Roman World. Oxford University Press, pp. 161‒78.Google Scholar
Klotz, Frieda and Oikonomopoulou, Katerina. 2011. “Introduction.” In Klotz, Frieda and Oikonomopoulou, Katerina (eds.), The Philosopher’s Banquet: Plutarch’s Table-Talk in the Intellectual Culture of the Roman World. Oxford University Press, pp. 1‒31.Google Scholar
Koenen, Ludwig. 1993. “The Ptolemaic King as a Religious Figure.” In Bulloch, Anthony W., Gruen, Erich S., Long, A. A., and Stewart, Andrew (eds.), Images and Ideologies: Self-Definition in the Hellenistic World. Berkeley, CA: University of California Press, pp. 25–115.Google Scholar
Konstan, David. 1985. “The Politics of Aristophanes’ Wasps.” Transactions and Proceedings of the American Philological Association 115: 27–46.Google Scholar
Konstantakos, Ioannis M. 2005. “The Drinking Theatre: Staged Symposia in Greek Comedy.” Mnemosyne 58: 183–217.Google Scholar
Koster, W. J. W. (ed.) 1978. Scholia in Aristophanem, Pars II, 1: Scholia vetera et recentiora in Aristophanis Vespas. Groningen: Bouma.Google Scholar
Kotlińska-Toma, Agnieszka. 2015. Hellenistic Tragedy: Texts, Translations and a Critical Survey. London: Bloomsbury.Google Scholar
Koulakiotis, Elias. 2006. Genese und Metamorphosen des Alexandermythos im Spiegel der griechischen nichthistoriographischen Überlieferung bis zum 3. Jh. n. Chr. Konstanz: UVK.Google Scholar
Kousoulini, Vasiliki. 2012. “Archilochus and Lycambes, Alcman’s 5 PMGF and Pindar’s fr. 122 S-M: Examples of Manipulation of Lyric Poems by Ancient Writers and Commentators.” Rosetta 12: 60–84.Google Scholar
Kraft, Robert (ed.) 1974. The Testament of Job according to the SV Text. Missoula, MT: Scholars Press.Google Scholar
Kraus, Theodor and Leonard, von Matt. 1975. Pompeii and Herculaneum: The Living Cities of the Dead, tr. Robert E. Wolf. New York: Abrams.Google Scholar
Kreuzer, Bettina. 2009. “The Exaleiptron in Attica and Boeotia: Early Black-Figure Workshops Reconsidered.” In Tsingarida, Athéna (ed.), Shapes and Uses of Greek Vases (7th–4th centuries BC): Proceedings of the Symposium Held at the Université de Bruxelles, 27–29 April 2006. Brussels: Centre de Recherches en Archéologie et Patrimoine, pp. 17–30.Google Scholar
Kroll, Josef. 1921–2. Die christliche Hymnodik bis zu Klemens von Alexandreia, corr. ed. Darmstadt: Wissenschaftliche Buchgesellschaft (1968 reprint).Google Scholar
Kroymann, Emil (ed.) 1954a. Quinti Septimi Florentis Tertulliani Opera, part 1, 12: Ad uxorum. Turnhout: Brepols.Google Scholar
Kroymann, Emil (ed.) 1954b. Quinti Septimi Florentis Tertulliani Opera, part 2, 21: De corona. CCSL 2; Turnhout: Brepols.Google Scholar
Kugel, James L. 1981. The Idea of Biblical Poetry: Parallelism and Its History. Baltimore, MD: The Johns Hopkins University Press.Google Scholar
Kurfess, Alfons. 1965. “Christian Sibyllines.” In Hennecke, Edgar, Schneemelcher, Wilhelm, and McLachlan, Robert Wilson, (eds.), New Testament Apocrypha: vol. 2: Writings Relating to the Apostles; Apocalypses and Related Subjects, ed. and tr. Best, Ernest et al. Philadelphia, PA: Westminster, pp. 703–45.Google Scholar
Kurke, Leslie. 1991. The Traffic in Praise: Pindar and the Poetics of Social Economy. Ithaca, NY: Cornell University Press.Google Scholar
Kurke, Leslie 1999. Coins, Bodies, Games, and Gold: The Politics of Meaning in Archaic Greece. Princeton, NJ: Princeton University Press.Google Scholar
Kurke, Leslie 2000. “The Strangeness of ‘Song Culture’: Archaic Greek Poetry.” In Tarpin, Oliver (ed.), Literature in the Greek and Roman Worlds: A New Perspective. Oxford University Press, pp. 133–55.Google Scholar
Kwapisz, Jan. 2014. “Kraters, Myrtle and Hellenistic Poetry.” In Annette Harder, M., Regtuit, Remco F., and Wakker, G. C. (eds.), Hellenistic Poetry in Context. Leuven: Peeters, pp. 195–215.Google Scholar
Lada-Richards, Ismene. 2007. Silent Eloquence: Lucian and Pantomime Dancing. London: Duckworth.Google Scholar
Lada-Richards, Ismene 2008. “Was Pantomime ‘Good to Think With’ in the Ancient World?” In Hall, Edith and Wyles, Rosie (eds.), New Directions in Ancient Pantomime. Oxford University Press, pp. 285–313.Google Scholar
Łajtar, Adam. 2001. “Two Archeological Terms σκούτλωσις and στιβάς in an Inscription from Marina el-Alamein.” Journal of Juristic Papyrology 31: 56–66.Google Scholar
Lambin, Gérard. 1992. La chanson grecque dans l’Antiquité. Paris: CNRS.Google Scholar
Lancellotti, Maria G. 2000. The Naassenes: A Gnostic Identity among Judaism, Christianity, Classical and Ancient Near Eastern Traditions. Münster: Ugarit-Verlag.Google Scholar
Landels, John G. 1999. Music in Ancient Greece and Rome. London: Routledge.Google Scholar
Lange, Dorothy K. 1975. “The Identification of Plautus’ Cistellaria with Menander’s Synaristosai,” The Classical Journal 70: 30–2.Google Scholar
Langner, Martin. 2014. “Where Should We Place the Krater? An Optimistic Reconstruction of the Vessel’s Visibility During the Symposion.” In Avramidou, Amalia and Demetriou, Denis (eds.), Approaching the Ancient Artifact: Representation, Narrative, and Function: A Festschrift in Honor of H. Alan Shapiro. Berlin: De Gruyter, pp. 385–98.Google Scholar
Lannoy, Ludo de (ed.) 1977. Flavii Philostrati Heroicus. Leipzig: Teubner.Google Scholar
Lape, Susan. 2006. “The Psychology of Prostitution in Aeschines’ Speech against Timarchus.” In Faraone, Christopher A. and McClure, Laura K. (eds.), Prostitutes and Courtesans in the Ancient World. Madison, WI: The University of Wisconsin Press, pp. 139–60.Google Scholar
Lardinois, André P. M. H. 1996. “Who Sang Sappho’s Songs?” In Greene, Ellen (ed.), Reading Sappho: Contemporary Approaches. Berkeley, CA: University of California Press, pp. 150–72.Google Scholar
Lardinois, André P. M. H. 2008. [Review of] “Collins, Master of the Game.” Journal of Hellenic Studies 128: 186–7.Google Scholar
Lasserre, François (ed.) 1954. Plutarque, De la Musique: text, traduction, commentaire, précédés d’une étude sur l’éducation musicale dans la grèce antique. Olten: Graf.Google Scholar
Latte, Kurt (ed.) 1953. Hesychii Alexandrini lexicon, vol. 1. Cophenhagen: Munksgard.Google Scholar
Latte, Kurt 1954. “Zur Geschichte der Tragödie in der Kaiserzeit.” Eranos 52: 125–7.Google Scholar
Laurence, Ray. 2009. Roman Passions: A History of Pleasure in Imperial Rome. London: Continuum.Google Scholar
Lavelle, Brian M. 2014. “Hippokleides, the ‘Dance’, and the Panathenaia.” Greek, Roman, & Byzantine Studies 54: 313–41.Google Scholar
Lawler, Lillian B. 1964. The Dance in Ancient Greece. Middletown, CT: Wesleyan University Press.Google Scholar
Leemans, Johan. 2003. “General Introduction.” In Leemans, Johan, Mayer, Wendy, Allen, Pauline, and Dehandschutter, Boudewijn (eds.), “Let Us Die That We May Live”: Greek Homilies on Christian Martyrs from Asia Minor, Palestine, and Syria (c. AD 350–AD 450). London: Routledge, pp. 1–52.Google Scholar
Lefkowitz, Mary R. 2012. The Lives of the Greek Poets. 2nd ed. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Brigitte, Le Guen. 2001a. Les associations de technites dionysiaques à l’époche hellénestique, vol. 1: Corpus documentaire. Paris: Boccard.Google Scholar
Brigitte, Le Guen 2001b. Les associations de technites dionysiaques à l’époche hellénestique, vol. 2: Synthèse. Paris: Boccard.Google Scholar
Brigitte, Le Guen 2014. “Theatre, Religion, and Politics at Alexander’s Travelling Royal Court.” In Csapo, Eric, Rupprecht, Hans Goette, J. Green, Richard, and Wilson, Peter (eds.), Greek Theatre in the Fourth Century BC. Berlin: De Gruyter, pp. 249–74.Google Scholar
Leipoldt, Johannes. 1903. Schenute von Atripe und die Enstehung des national äegyptischen Christentum. Leipzig: J. C. Hinrichs.Google Scholar
Lenfant, Domique. 2007. “Les ‘fragments’ d’Hérodote dans les Deipnosophistes.” In Lenfant, Dominique (ed.), Athénée et les fragments d’historiens. Actes du colloque de Strasbourg (16‒18 juin 2005). Paris: De Boccard, pp. 43‒72.Google Scholar
Lenz, Friedrich W. and Behr, Charles A. (eds.) 1976–80. P. Aelii Aristidis Opera quae exstant omnia [Orations 1–16]. 4 fasc. Leiden: Brill.Google Scholar
Leonhard, Clemens. 2006. The Jewish Pesach and the Origins of the Christian Easter. Berlin: De Gruyter.Google Scholar
Leonhard, Clemens 2014a. “Morning Salutationes and the Decline of Sympotic Eucharists in the Third Century.” Zeitschrift für Antikes Christentum / Journal of Ancient Christianity 18: 420–42.Google Scholar
Leonhard, Clemens 2014b. “Which Hymns Were Sung in Ancient Christian Liturgies?” In Leonhard, Clemens and Löhr, Hermut (eds.), Literature or Liturgy? Early Christian Hymns and Prayers in Their Literary and Liturgical Context in Antiquity. Tübingen: Mohr Siebeck, pp. 17‒194.Google Scholar
Leonhardt [Leonhardt-Baltzer], Jutta. 2001. Jewish Worship in Philo of Alexandria. Tübingen: Mohr Siebeck.Google Scholar
Leonhardt[Leonhardt-Baltzer], Jutta 2012. “Priests and Priesthood in Philo: Could He Have Done without Them?” In Schwartz, Daniel R. and Weiss, Zeev, with Clements, Ruth A. (eds.), Was 70 CE a Watershed in Jewish History? On Jews and Judaism Before and After the Destruction of the Second Temple. Leiden: Brill, pp. 127–53.Google Scholar
Leppin, Hartmut. 1992. Histrionen: Untersuchungen zur sozialen Stellung von Bühnenkünstlern im Westen des römischen Reiches zur Zeit der Republik und des Principats. Bonn: Habelt.Google Scholar
Lesher, James H. (ed. and tr.) 1992. Xenophanes of Colophon: Fragments, A Text and Translation with Commentary. Toronto: University of Toronto Press.Google Scholar
Levick, Barbara. 1983. “The Senatus Consultum from Larinum.” Journal of Roman Studies 73: 97–115.Google Scholar
LeVen, Pauline A. 2010. “The New Music and Its Myths: Athenaeus’ Reading of the Aulos Revolution (‘Deipnosophistae’ 14.616E‒617 F).” The Journal of Hellenic Studies 130: 35‒47.Google Scholar
Levine, Lee I. 1998a. Judaism and Hellenism in Antiquity: Conflict or Confluence? Seattle, WA: The University of Washington Press.Google Scholar
Levine, Lee I. 1998b. “Synagogue Leadership: The Case of the Archisynagogue.” In Goodman, Martin (ed.), Jews in a Graeco-Roman World. Oxford University Press, pp. 195–213.Google Scholar
Levine, Lee I. 2005. The Ancient Synagogue: The First One Thousand Years. 2nd ed. New Haven, CT: Yale University Press.Google Scholar
Leyerle, Blake. 1995. “Clement of Alexandria on the Importance of Table Etiquette.” Journal of Early Christian Studies 3: 123–41.Google Scholar
Liberman, Gauthier. 2016. “Some Thoughts on the Symposiastic Catena, Aisakos, and Skolia.” In Cazzato, Obbink, and Prodi 2016: 42–62.Google Scholar
Lightfoot, Jane L. 2002. “Nothing to Do with the Technītai of Dionysus?” In Easterling, Pat and Hall, Edith (eds.), Greek and Roman Actors: Aspects of an Ancient Profession. Cambridge University Press, pp. 209–24.Google Scholar
Lindsay, Wallace M. (ed.) 1905. T. Macci Plavti Comoediae, vol. 2. Oxford: Clarendon.Google Scholar
Lindskog, Carl and Ziegler, Konrat (eds.) 1964. Plutarchi Vitae parallelae, vol. 2/1. Leipzig: Teubner.Google Scholar
Lindskog, Carl, Ziegler, Konrat, and Gärtner, Hans (eds.) 1994a. Plutarchi Vitae parallelae, vol. 1/2. Leipzig: Teubner.Google Scholar
Lindskog, Carl, Ziegler, Konrat, and Gärtner, Hans (eds.) 1994b. Plutarchi Vitae parallelae, vol. 2/2. Leipzig: Teubner.Google Scholar
Lintott, Andrew (tr.). 2013. Plutarch: Demosthenes and Cicero, with intro. and comm. Oxford University Press.Google Scholar
Lipsius, Richard A. and Bonnet, Maximilian (eds.) 1896–1903. Acta Apostolorum Apocrypha. 3 vols. Leipzig: Mendelssohn [repr. 1959, Darmstadt: Wissenschaftliche Buchgesellschaft].Google Scholar
Lissarrague, François. 2001. Greek Vases: The Athenians and Their Images, ed. Eskenazi, Brian, tr. Kim Allen. New York: Riverside.Google Scholar
Lissarrague, François 1990a. The Aesthetics of the Greek Banquet: Images of Wine and Ritual, tr. Andrew Szegedy-Maszak. Princeton, NJ: Princeton University Press.Google Scholar
Lissarrague, François 1990b. “Around the Krater: An Aspect of Banquet Imagery.” In Murray 1990b, pp. 196–209.Google Scholar
Liu, Jinyu. 2009. Collegia Centonariorum: The Guilds of Textile Dealers in the Roman West. Leiden: Brill.Google Scholar
Long, Herbert S. (ed.) 1964. Diogenis Laertii vitae philosophorum. Oxford: Clarendon.Google Scholar
Lonsdale, Steven H. 1993. Dance and Ritual Play in Greek Religion. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Lott, J. Bert. 2004. The Neighborhoods of Augustan Rome. Cambridge University Press.Google Scholar
Lücken, Gottfried von (ed.) 1972. Corpus Vasorum Antiquorum, Deutsche Demokratische Republik, Schwerin, Staatliches Museum. Berlin: Akademie-Verlag.Google Scholar
Ludolph, Matthias. 1997. Epistolographie und Selbstdarstellung: Untersuchungen zu den “paradebriefen” Plinius des Jüngeren. Tübingen: Narr.Google Scholar
Lupu, Eran. 2009. Greek Sacred Law: A Collection of New Documents, 2nd ed. Leiden: Brill.Google Scholar
Lynch, Tosca. 2018. “‘Without Timotheus Much of Our Melopoiia Would Not Exist; But without Phrynis, There Wouldn’t Have Been Timotheus’: Pherecrates’ Twelve Strings, the Strobilos, and the Harmonic Paranomia of the New Music.” Greek and Roman Musical Studies 6: 290–327.Google Scholar
Lynch, Tosca 2020. “Tuning the Lyre, Tuning the Soul: Harmonia, Justice and the Kosmos of the Soul in Plato’s Republic and Timaeus.” Greek and Roman Musical Studies 8: 111–55.Google Scholar
Lyons, Stuart. 2010. Music in the Odes of Horace. Oxford: Oxbow.Google Scholar
MacDowell, Douglas M. (ed.) 2000. Demosthenes, On the False Embassy (Oration 19). With introduction, translation, and commentary. Oxford University Press.Google Scholar
Macleod, Malcolm D. (ed.) Luciani Opera. 1972–87. 4 vols. Oxford: Clarendon.Google Scholar
MacMullen, Ramsay. 1997. Christianity and Paganism in the Fourth to Eighth Centuries. New Haven, CT: Yale University Press.Google Scholar
MacMullen, Ramsay 2009. Second Church: Popular Christianity A.D. 200–400. Atlanta, GA: Society of Biblical Literature.Google Scholar
Maehler, Herwig. 1999. “Bacchylides.” In Hornblower, Simon and Spawforth, Antony (eds.), The Oxford Classical Dictionary, 3rd ed. Oxford University Press, p. 230.Google Scholar
Mandilaras, Basil G. (ed.) 2003. Isocrates, Opera omnia. 3 vols. Leipzig: Saur.Google Scholar
Marchant, Edgar C. (ed.) 1921. Xenophontis opera omnia, vol. 2. (5 vols., 2nd ed.). Oxford: Clarendon Press.Google Scholar
Marchesi, Ilaria. 2008. The Art of Pliny’s Letters: A Poetics of Allusion in the Private Correspondence. Cambridge University Press.Google Scholar
Mariaselvam, Abraham. 1988. The Song of Songs and Ancient Tamil Love Poems: Poetry and Symbolism. Rome: Editrice Pontificio Istituto Biblico.Google Scholar
Marcovich, Miroslav (ed.) 1980. Hippolytus Refutatio omnium haeresium. Berlin: De Gruyter.Google Scholar
Marrou, Henri-Irénée. 1942. Traité de la musique selon l’esprit de Saint Augustin. Neuchâtel: Éditions de la Baconnière.Google Scholar
Marrou, Henri-Irénée 1946. “ΜΕΛΟΓΡΑΦΙΑ,” L’Antique Classique 15: 289–96.Google Scholar
Marrou, Henri-Irénée 1981. Histoire de l’éducation dans l’Antiquité, vol. 1: Le monde grec. 6th ed. Paris: du Seuil.Google Scholar
Marshall, Peter K. (ed.) 1985. Cornelii Nepotis Vitae cum fragmentis. 2nd ed. Leipzig: Teubner.Google Scholar
Martin, Dale B. 1991. “Tongues of Angels and Other Status Indicators.” Journal of the American Academy of Religion 59: 547–89.Google Scholar
Martin, Ralph P. 1974. Worship in the Early Church. Grand Rapids, MI: Eerdmans.Google Scholar
Martin, Richard P. 2009. “Read on Arrival.” In Hunter and Rutherford 2009: 80–104.Google Scholar
Martin, Richard P. 2015. “Festivals, Symposia, and the Performance of Greek Poetry.” In Destrée, Pierre and Murray, Penelope (eds.), A Companion to Ancient Aesthetics. Chichester: Wiley-Blackwell, pp. 17‒30.Google Scholar
Mason, Steve. 2007. “Essenes and Lurking Spartans in Josephus’ Judean War: From Story to History.” In Rodgers, Zuleika (ed.), Making History: Josephus and Historical Method. Leiden: Brill, pp. 219–61.Google Scholar
Marcovich, Miroslav (ed.) 1994. Iustini Martyris Apologiae pro Christianis. Berlin: De Gruyter.Google Scholar
Martin, Victor and de Budé, Guy (eds. and tr.) 1927. Eschine, Discours, vol. 1. Paris: Les Belles Lettres [repr. 1967].Google Scholar
Matheson, Susan B. 1985. Polygnotos and Vase Painting in Classical Athens. Madison, WI: The University of Wisconsin Press.Google Scholar
Mathiesen, Thomas J. 1981. “New Fragments of Ancient Greek Music.” Acta Musicologica 53: 14–32.Google Scholar
Mathiesen, Thomas J. 1999. Apollo’s Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages. Lincoln, NE: University of Nebraska Press.Google Scholar
May, Gerhard. 1983. “Der Christushymnus des Clemens von Alexandrien.” In Becker, Hansjakob and Kaczynski, Reiner (eds.), Liturgie und Dichtung: Ein interdisziplinäres Kompendium, I: Historische Präsentation. St. Ottilien: EOS, pp. 257–73.Google Scholar
May, Regine. 2008. “The Metamorphosis of Pantomime: Apuleius’ Judgment of Paris (Met. 10: 30–34).” In Hall, Edith and Wyles, Rosie (eds.), New Directions in Ancient Pantomime. Oxford University Press, pp. 338–62.Google Scholar
McCabe, Donald F. (ed.) 1987. Priene Inscriptions: Texts and List. Princeton, NJ: The Institute for Advanced Study.Google Scholar
McClure, Laura K. 2003. Courtesans at Table: Gender and Greek Literary Culture in Athenaeus. London: Taylor and Francis.Google Scholar
McDonough, James and Alexander, Paul (eds.) 1962. Gregorii Nysseni opera, vol. 5: In inscriptiones psalmorum; In sextum psalmum; In ecclesiasten homiliae. Leiden: Brill [repr. 1986].Google Scholar
McGlew, James F. 1993. Tyranny and Political Culture in Ancient Greece. Ithaca, NY: Cornell University Press.Google Scholar
McGowan, Andrew B. 1999. Ascetic Eucharists: Food and Drink in Early Christian Ritual Meals. Oxford: Clarendon.Google Scholar
McGowan, Andrew B. 2004. “Rethinking Agape and Eucharist in Early North African Christianity.” Studia Liturgica 34: 165–76.Google Scholar
McGowan, Andrew B. 2014. Ancient Christian Worship: Early Church Practices in Social, Historical, and Theological Perspective. Grand Rapids, MI: Baker Academic.Google Scholar
McKinnon, James W. 1965. “The Meaning of the Patristic Polemic against Musical Instruments.” Current Musicology 1: 69–82.Google Scholar
McKinnon, James W. 1986. “On the Question of Psalmody in the Ancient Synagogue.” Early Music History 6: 159–91.Google Scholar
McKinnon, James W. 1987a. “The Fourth-Century Origin of the Gradual.” Early Music History 7: 91–106.Google Scholar
McKinnon, James W. 1987b. Music in Early Christian Literature. Cambridge University Press.Google Scholar
McKinnon, James W. 2000. The Advent Project: The Later Seventh-Century Creation of the Roman Mass Proper. Berkeley, CA: University of California Press.Google Scholar
McKinnon, James W. 2001a. “Christian Church, Music of the Early.” In Sadie, Stanley and Tyrrell, John (eds.), The New Grove Dictionary of Music and Musicians, vol. 5. 2nd ed. New York: Macmillan, pp. 795–807.Google Scholar
McKinnon, James W. 2001b. “Liturgical Psalmody in the Sermons of St. Augustine: An Introduction.” In Jeffery, Peter (ed.), The Study of Medieval Chant: Paths and Bridges, East and West: In Honor of Kenneth Levy. Woodbridge: Boydell, pp. 7–24.Google Scholar
McPhee, Ian. 2004. “Classical Pottery from Ancient Corinth: The A. D. Trendall Memorial Lecture 2003.” Bulletin of the Institute of Classical Studies 47: 1–21.Google Scholar
McVey, Kathleen E. 1989. Ephrem the Syrian, Hymns. New York: Paulist Press.Google Scholar
Méa, Corentin. 2012. “Le Salariarius: un contractuel de l’armée romaine.” Zeitschrift für Papyrologie und Epigraphik 181: 207–13.Google Scholar
Mehl, Andreas. 2014. Roman Historiography: An Introduction to Its Basic Aspects and Development, tr. Hans-Friedrich Mueller. Chichester: Wiley-Blackwell.Google Scholar
Meiggs, Russell. 1960. Roman Ostia. Oxford: Clarendon.Google Scholar
Meineke, August (ed.) 1849. Stephani Byzantii ethnicorum quae supersunt. Berlin: Reimer.Google Scholar
Melber, Johannes (ed.) 1887. Polyaeni strategenaton libri viii. Leipzig: Teubner [repr. 1970].Google Scholar
Merkelbach, Reinhold and Stauber, Josef (eds.) 1998. Steinepigramme aus dem griechischen Osten, vol. 1: Die Westküste Kleinasiens von Knidos bis Ilion. Stuttgart: Teubner.Google Scholar
Metzger, Marcel (ed.) 1985–7. Les constitutions apostoliques. 3 vols. Paris: Cerf.Google Scholar
Michaelides, Solon. 1978. The Music of Ancient Greece: An Encyclopaedia. London: Faber and Faber.Google Scholar
Mikalson, Jon D. 1975. The Sacred and Civil Calendar of the Athenian Year. Princeton, NJ: Princeton University Press.Google Scholar
Mikalson, Jon D. 2006. “Greek Religion: Continuity and Change in the Hellenistic World.” In Bugh, Glenn R. (ed.), The Cambridge Companion to the Hellenistic World. Cambridge University Press, pp. 208–22.Google Scholar
Miller, Stephen G. 2004. Ancient Greek Athletics. New Haven, CT: Yale University Press.Google Scholar
Milns, Robert D. 1968. Alexander the Great. London: Robert Hale.Google Scholar
Minns, Denis and Parvis, Paul (eds.) 2009. Justin, Philosopher and Martyr: Apologies. Oxford University Press.Google Scholar
Mitchell, David C. 2015. The Song of Ascents: Psalms 124 to 134 in the Worship of Jerusalem’s Temples. Newton Mearns: Campbell.Google Scholar
Mitsos, Markellos T. 1980. “Ἱερὸς ὕμνος ἐξ Ἀσκληπιείου Ἐπιδαύρου.” Ἀρχαιολογική Ἐφημερις 119: 212–16.Google Scholar
Moore, Timothy J. 2012. Music in Roman Comedy. Cambridge University Press.Google Scholar
Moore, Timothy J. (ed.) 2014. Aristophanes and Menander, Three Comedies: Peace; Money, the God; Samia. With introduction and notes. Translations by Douglass Parker. Indianapolis, IN: Hackett.Google Scholar
Morris, Ian. 1996. “The Strong Principle of Equality and the Archaic Origins of Greek Democracy.” In Ober, Josiah and Hedrick, Charles W. (eds.), Dēmokratia: A Conversation on Democracies, Ancient and Modern. Princeton, NJ: Princeton University Press, pp. 19–48.Google Scholar
Morrison, A. D. 2012. “Performance, Re-performance and Pindar’s Audiences.” In Agócs, Peter, Carey, and Rawles 2012: 111‒33.Google Scholar
Mosshammer, Alden A. (ed.) 1984. Georgius Syncellus, Ecloga chronographica. Leipzig: Teubner.Google Scholar
Mras, Karl and Places, Édouard des. 1982. Eusebius Werke, vol. 8: Praeparatio evangelica, vol. 1 : Einleitung; Die Bücher I bis X. 2nd ed. Berlin: Akademie.Google Scholar
Mras, Karl and Places, Édouard des 1983. Eusebius Werke, vol. 8: Praeparatio evangelica, vol. 2: Die Bücher X bis XV. 2nd ed. Berlin: Akademie.Google Scholar
Müller, Konrad (ed.) 1995. Petronii Arbitri Satyricon reliquiae. 4th ed. Berlin: De Gruyter.Google Scholar
Murray, Oswyn. 1983. “The Greek Symposion in History.” In Gabba, Emilio (ed.), Tria Corda: Scritti in onore di Arnaldo Momigliano. Como: Edizioni New Press, pp. 257–72.Google Scholar
Murray, Oswyn 1988. “Death and the Symposion.” AIŌN 10: 239–57.Google Scholar
Murray, Oswyn 1990a. “The Solonian Law of Hubris.” In Cartledge, Paul, Millett, Paul, and Todd, Stephen (eds.), Nomos: Essays in Athenian Law, Politics, and Society. Cambridge University Press, pp. 139–45.Google Scholar
Murray, Oswyn 1996. “Hellenistic Royal Symposia.” In Bilde, Per, Engberg-Pedersen, Troels, Hannestad, Lise, and Zahle, Jan (eds.), Aspects of Hellenistic Kingship. Aarhus University Press, pp. 15–27.Google Scholar
Murray, Oswyn 2008. “The Odyssey as Performance Poetry.” In Revermann, Martin and Wilson, Peter (eds.), Performance, Iconography and Reception: Studies in Honour of Oliver Taplin. Oxford University Press, pp. 161–76.Google Scholar
Murray, Oswyn 2009. “The Culture of the Symposion.” In Raaflaub, Kurt A. and Hans, van Wees (eds.), A Companion to Ancient Greece. Chichester: Wiley-Blackwell, pp. 508–23.Google Scholar
Murray, Oswyn (ed.) 1990b. Sympotica: A Symposium on the Symposion. Oxford: Clarendon.Google Scholar
Mynors, Roger A. B. (ed.) 1963. C. Plini Caecili Secundi epistularum libri decem. Oxford: Clarendon.Google Scholar
Nachstädt, Wilhelm, Sieveking, Wilhelm, and Titchener, J. B. (eds.) 1935. Plutarchi Moralia, vol. 2. Leipzig: Teubner.Google Scholar
Naerebout, Frederick G. 2001/2002. “The Baker Dancer and Other Hellenistic Statuettes of Dancers.” Imago Musicae 13/14: 59–83.Google Scholar
Naerebout, Frederick G. 2017. “Moving in Unison: The Greek Chorus in Performance.” In Gianvittorio, Laura (ed.), Choreutika: Performing and Theorising Dance in Ancient Greece. Pisa: Fabrizio Serra, pp. 39–66.Google Scholar
Naiden, Fred S. 2012. “Blessèd Are the Parasites,” in Faraone, Christopher A. and Naiden, F. S. (eds.), Greek and Roman Animal Sacrifice: Ancient Victims, Modern Observers. Cambridge University Press, pp. 55–83.Google Scholar
Nagy, Gregory. 1989. “The ‘Professional Muse’ and Models of Prestige in Ancient Greece.” Cultural Critique 12: 133–43.Google Scholar
Nagy, Gregory 1990. Pindar’s Homer: The Lyric Possession of an Epic Past. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Nagy, Gregory 1994. “Transformations of Choral Lyric Traditions in the Context of Athenian State Theater.” Arion 3: 41–55.Google Scholar
Nagy, Gregory 1996. Poetry as Performance: Homer and Beyond. Cambridge University Press.Google Scholar
Nagy, Gregory 2000. “Reading Greek Poetry Aloud: Evidence from the Bacchylides Papyri.” Quaderni Urbinati di Cultura Classica 64: 7–28.Google Scholar
Nagy, Gregory 2004. “Transmission of Archaic Greek Sympotic Songs: From Lesbos to Alexandria.” Critical Inquiry 31: 26–48.Google Scholar
Nauta, Ruurd R. 2002. Poetry for Patrons: Literary Communication in the Age of Domitian. Leiden: Brill.Google Scholar
Nautin, Pierre (ed.) 1953. Le dossier d’Hippolyte et de Méliton dans les florilèges dogmatiques et chez les historiens moderns. Paris: Cerf.Google Scholar
Nervegna, Sebastiana. 2013. Mendander in Antiquity: The Contexts of Reception. Cambridge University Press.Google Scholar
Neubecker, Annemarie J. (ed. and tr.) 1986. Über die Musik IV. Buch: Text, Übersetzung, und Kommentar. Naples: Bibliopolis.Google Scholar
Neusner, Jacob. 1966. A History of the Jews in Babylonia, Part 2: The Early Sasanian Period. Leiden: Brill.Google Scholar
Neusner, Jacob 1988. The Mishnah: A New Translation. New Haven, CT: Yale University Press.Google Scholar
Neusner, Jacob 2000. The Comparative Hermeneutics of Rabbinic Judaism, vol. 3: Seder Neziqin. Binghamton, NY: Global Publications.Google Scholar
Newlands, Carole. 2019. “Infiltrating Julian History: Anna Perenna at Lavinium and Bovillae (Ovid, Fast. 523–710).” In McIntyre, Gwynaeth and MacCallum, Sarah (eds.), Uncovering Anna Perenna: A Focused Study of Roman Myth and Culture. London: Bloomsbury Academic, pp. 125–46.Google Scholar
Newsom, Carol A. 2000. “Songs of the Sabbath Sacrifice.” In Schiffman, Lawrence H. and VanderKam, James C., eds. Encyclopedia of the Dead Sea Scrolls, vol. 2. Oxford University Press, pp. 887–9.Google Scholar
Nickau, Klaus (ed.) 1966. Ammonii qui dicitur liber de adfinium vocabulorum differentia. Leipzig: Teubner.Google Scholar
Niese, Benedict (ed.) 1892. Flavii Iosephi opera, vol. 3: Antiquitatum Iudaicarum libri XI–XV. Berlin: Weidmann.Google Scholar
Nisbet, Robert G. (ed.) 1939. M. Tulli Ciceronis De domo sua. Oxford: Clarendon; New York: Arno [repr. 1979].Google Scholar
Nobili, Cecilia. 2016. “Choral Elegy: The Tyranny of the Handbook.” In Swift, Laura and Carey, Chris (eds.), Iambus and Elegy: New Approaches. Oxford University Press, pp. 33–55.Google Scholar
Noy, David. 1993. Jewish Inscriptions of Western Europe, vol. 1: Italy (excluding the City of Rome), Spain and Gaul. Cambridge University Press.Google Scholar
Ober, Josiah. 2000. “[Review of] Peter Wilson, The Athenian Institution of the Khoregia.” Bryn Mawr Classical Review 2000.10.02.Google Scholar
Oliver, James H. 1971. “Epaminondas of Acraephia.” Greek, Roman, and Byzantine Studies 12: 221–37.Google Scholar
Olsen, Sarah. 2021. Solo Dance in Archaic and Classical Greek Culture: Representing the Unruly Body. Cambridge University Press.Google Scholar
Olson, S. Douglas 2007. Broken Laughter: Select Fragments of Greek Comedy. With introduction, commentary, and translation. Oxford University Press.Google Scholar
Olson, S. Douglas 2016. Eupolis: Translation and Commentary, vol. 2: Heilotes—Chrysoun Genos (frr. 147–325). Heidelberg: Antike.Google Scholar
Olson, S. Douglas 2018. “Athenaeus’ Fragments of Non-Fragmentary Prose Authors and Their Implications.” American Journal of Philology 139: 423–50.Google Scholar
Olson, S. Douglas (ed. and tr.) 2006a. Athenaeus, The Learned Banqueters: Books I‒III.106e. Cambridge, MA: Harvard University Press.Google Scholar
Olson, S. Douglas (ed. and tr.) 2006b. Athenaeus, The Learned Banqueters: Books III.106e‒V. Cambridge, MA: Harvard University Press.Google Scholar
Olson, S. Douglas (ed. and tr.) 2008a. Athenaeus, The Learned Banqueters: Books VI‒VII. Cambridge, MA: Harvard University Press.Google Scholar
Olson, S. Douglas (ed. and tr.) 2008b. Athenaeus, The Learned Banqueters: Books VIII‒X. 420e. Cambridge, MA: Harvard University Press.Google Scholar
Olson, S. Douglas (ed. and tr.) 2009. Athenaeus, The Learned Banqueters: Books X.420e‒XI. Cambridge, MA: Harvard University Press.Google Scholar
Olson, S. Douglas (ed. and tr.) 2010. Athenaeus, The Learned Banqueters: Books XII‒XIII.594b. Cambridge, MA: Harvard University Press.Google Scholar
Olson, S. Douglas (ed. and tr.) 2011. Athenaeus, The Learned Banqueters: Books XIII.594b‒XIV. Cambridge, MA: Harvard University Press.Google Scholar
Olson, S. Douglas (ed. and tr.) 2012. Athenaeus, The Learned Banqueters: Book XV; Indexes. Cambridge, MA: Harvard University Press.Google Scholar
Olson, S. Douglas (ed.) 2020. Athenaeus Naucratites, Deipnosophistae. Vol. IIIA: Libri VIII‒XI; IVA: Libri XII‒XV. Berlin; De Gruyter.Google Scholar
Olson, S. Douglas (ed.) 2019. Athenaeus Naucratites, Deipnosophistae. Vol. IVA: Libri XII‒XV. Berlin: De Gruyter.Google Scholar
Osborn, Eric. 1997. Tertullian: First Theologian of the West. Cambridge University Press.Google Scholar
Page, Christopher. 2010. The Christian West and Its Singers: The First Thousand Years. New Haven, CT: Yale University Press.Google Scholar
Paget, James C. 2010. Jews, Christians, and Jewish Christians in Antiquity. Tübingen: Mohr Siebeck.Google Scholar
Panayotakis, Costas. 2014. “Hellenistic Mime and Its Reception in Rome.” In Fontaine, Michael and Scafuro, Adele C. (eds.), The Oxford Handbook of Greek and Roman Comedy. Oxford University Press, pp. 378–96.Google Scholar
Papakonstantinou, Zinon. 2001. Abstract of “Drinking Songs, the Politics of Opposition, and the Symposion in Classical Athens.” A paper delivered at Annual Meeting of the American Philological Association, San Diego, 2001. https://classicalstudies.org/annual-meeting/132/2001-annual-meeting-program.Google Scholar
Papakonstantinou, Zinon 2003. “Alcibiades in Olympia: Olympic Ideology, Sport and Social Conflict in Classical Athens.” Journal of Sport History 30: 173‒82.Google Scholar
Papakonstantinou, Zinon 2019. Sport and Identity in Ancient Greece. Abingdon: Routledge.Google Scholar
Parker, Holt N. 1997. “The Teratogenic Grid.” In Hallett, Judith P. and Skinner, Marilyn B. (eds.), Roman Sexualities. Princeton, NJ: Princeton University Press, pp. 47–65.Google Scholar
Parker, L. P. E. 1997. The Songs of Aristophanes. Oxford: Clarendon.Google Scholar
Parker, Robert. 1996. Athenian Religion: A History. Oxford University Press.Google Scholar
Parker, Robert 2005. Polytheism and Society at Athens. Oxford University Press.Google Scholar
Parlasca, Klaus. 1959. Die römischen Mosaiken in Deutschland. Berlin: De Gruyter.Google Scholar
Paschaud, François (ed.) 1971–89. Zosime: Histoire nouvelle. 5 vols. Paris: Belles Lettres.Google Scholar
Paton, W. R., Walbank, F. W., and Habicht, Christian (trs.); Olson, S. Douglas (ed. and tr.). 2012. Polybius, The Histories Books 28–39, Unattributed Fragments. Cambridge, MA: Harvard University Press.Google Scholar
Paton, William R., Wegehaupt, Johannes, Pohlenz, Max, and Gärtner, Hans (eds.) 1974. Plutarchi Moralia, vol. 1. 2nd ed. Leipzig: Teubner.Google Scholar
Patzer, Andreas. 1994. “Sokrates in den Fragmenten der attischen Komödie.” In Bierl, Anton and von Möllendorff, Peter (eds.), Orchestra: Drama, Mythos, Bühne. Stuttgart: Teubner, pp. 50–81.Google Scholar
Paul, George. 1991. “Symposia and Deipna in Plutarch’s Lives and Other Historical Writings.” In Slater 1991: 157–69.Google Scholar
Pearson, Lionel. 1960. The Lost Histories of Alexander the Great. New York: American Philological Association.Google Scholar
Pédech, Paul, Weil, Raymond, Nicolet, Claude, and Foulon, Eric (eds.) 1969‒. Polybe Histoires. Paris: Belles Lettres.Google Scholar
Peirano, Irene. 2012. The Rhetoric of the Roman Fake: Latin Pseudepigrapha in Context. Cambridge University Press.Google Scholar
Pelletier, André (ed.) 1962. Lettre d’Aristée à Philocrate. Paris: Cerf.Google Scholar
Pelling, Christopher B. R. 2000. “Fun with Fragments: Athenaeus and the Historians.” In Braund and Wilkins 2000: 172–90.Google Scholar
Pellizer, Ezio. 1990. “Outlines of a Morphology of Sympotic Entertainment.” In Murray 1990b: 177–84.Google Scholar
Peponi, Anastasia-Erasmia. 2002. “Fantasizing Lyric: Horace, Epistles 1.19.” In Paschalis, Michael (ed.), Horace and Greek Lyric Poetry. Rethymnon: The University of Crete, pp. 19–45.Google Scholar
Pernigotti, Carol and Maltomini, Francesca. 2002. “Morfologie ed impieghi delle raccolte simposiali: lineamenti di storia di una tipologia libraria antica.” Materiali e discussioni per l’analisi dei testi classici 49: 53–84.Google Scholar
Pervo, Richard I. 2014. The Acts of Paul: A New Translation with Introduction and Commentary. Cambridge: James Clarke.Google Scholar
Pfeiffer, Rudolf (ed.) 1949. Callimachus. Vol. 1: Fragmenta. Vol. 2: Hymni et Epigrammata. Oxford: Clarendon.Google Scholar
Phillips, L. Edward. 2005. “Funerals 1. Early Christianity.” In Bradshaw, Paul F. (ed.), The New SCM Dictionary of Liturgy and Worship. London: SCM Press, pp. 214–15.Google Scholar
Pöhlmann, Egert. 1960. Griechische Musikfragmente: Ein Weg zur altgriechischen Musik. Nuremberg: Hans Carl.Google Scholar
Pöhlmann, Egert 1970. Denkmäler altgriechischer Musik: Sammlung, Übertragung und Erläuterung aller Fragmente und Fälschungen. Nuremberg: Hans Carl.Google Scholar
Pöhlmann, Egert 2011. “Twelve Chordai and the Strobilos of Phrynis in the Chiron of Pherecrates (PCG Fr. 155).” Quaderni Urbinati di Cultura Classica 99/3: 117–33.Google Scholar
Poirier, John C. 2010. The Tongues of Angels: The Concept of Angelic Languages in Classical Jewish and Christian Texts. Tübingen: Mohr Siebeck.Google Scholar
Pordomingo, Francisca. 1990. “Las aulodias de P.Oxy. 1795 y el simposio.” In Botas, Vicente Bécares, María Álvarez, Pilar Fernández, and Vallina, Emiliano Fernández (eds.), Kalon theama. Estudios de filología clásica e indoeuropeo dedicados a F. Romero Cruz. Universidad de Salamanca, pp. 181–96.Google Scholar
Pordomingo, Francisca 1996. “La Poesía popular griega: aspectos histórico-literarios y formas de transmission.” In Pecere, Oronzo and Stramaglia, Antonio (eds.), La letteratura di consumo nel mondo greco-latino. Università degli studi di Cassino, pp. 461–82.Google Scholar
Pordomingo, Francisca (ed.) 2013. Antologías griegas de época helenística en papiro. Florence: Gonnelli.Google Scholar
Porton, Gary G. 1988. Goyim: Gentiles and Israelites in Mishnah-Tosefta. Atlanta, GA: Scholars Press.Google Scholar
Powell, Douglas. 1975. “Tertullianists and Cataphrygians.” Vigiliae Christianae 29: 33–54.Google Scholar
Power, David. 2016. “Literature in the Archaic Age.” In Hose, Martin and Schenker, David (eds.), A Companion to Greek Literature. Oxford and Chichester: Wiley-Blackwell, pp. 58–76.Google Scholar
Power, Timothy. 2007. “Ion of Chios and the Politics of Polychordia.” In Jennings, Victoria and Katsaros, Andrea (eds.), The World of Ion of Chios. Leiden: Brill, pp. 179–205.Google Scholar
Power, Timothy 2010. The Culture of Citharôidia. Washington, DC: Center for Hellenic Studies.Google Scholar
Pownall, Frances. 2013. “Duris of Samos and the Diadochi.” In Troncoso, Victor A. and Anson, Edward M. (eds.), After Alexander: The Time of the Diodochi (323–281). Oxford: Oxbow, pp. 43–56.Google Scholar
Prauscello, Lucia. 2003. “La testimonianza di P. Leid. inv. 510 (= Eur. ‘I. A.’ 1500?–1509, 784–793?) fra prassi esecutiva e trasmissione testuale.” Zeitschrift für Papyrologie und Epigraphik 144: 1–14.Google Scholar
Prauscello, Lucia 2006. Singing Alexandria: Music between Practice and Textual Transmission. Leiden: Brill.Google Scholar
Prauscello, Lucia 2012. “Epinician Sounds: Pindar and Musical Innovation.” In Agócs, Carey, and Rawles 2012: 58–82.Google Scholar
Price, Simon R. F. 1984. Rituals and Power: The Roman Imperial Cult in Asia Minor. Cambridge University Press.Google Scholar
Puech, Émile. 2000. “Hodayot,” tr. Robert E. Shillenn, In Schiffman, Lawrence H. and VanderKam, James C. (eds.), Encyclopedia of the Dead Sea Scrolls, vol. 1. Oxford University Press, pp. 365–9.Google Scholar
Pütz, Babette. 2007. The Symposium and Kosmos in Aristophanes. Oxford: Oxbow.Google Scholar
Quasten, Johannes. 1983. Music and Worship in Pagan and Christian Antiquity, tr. Boniface Ramsey. Washington, DC: National Association of Pastoral Musicians.Google Scholar
Quinn, Kenneth. 1982. “The Poet and His Audience in the Augustan Age.” In Hasse, Wolfgang (ed.), Aufstieg und Niedergang der römischen Welt, II.30.1. Berlin: De Gruyter, pp. 75–180.Google Scholar
Raabe, Richard (ed. and tr.). 1895. Petrus der Ibere: Ein Charakterbild zur Kirchen- und Sittengeschichte des fünften Jahrhunderts: Syrische Übersetzung einer um das Jahr 500 verfassten griechischen Biographie. Leipzig: Hinrichs.Google Scholar
Rabe, Hugo (ed.) 1971. Scholia in Lucianum. Stuttgart: Teubner.Google Scholar
Rabinowitz, Louis I. 1944. “The Psalms in Jewish Liturgy.” Historia Judaica 6: 109–22.Google Scholar
Race, William H. (ed. and tr.) 1997. Pindar: Olympian Odes; Pythian Odes. Cambridge, MA: Harvard University Press.Google Scholar
Radt, Stefan (ed.) 2005. Strabons Geographika, vol. 4. Göttingen: Vandenhoeck & Ruprecht.Google Scholar
Rajak, Tessa. 2002. The Jewish Dialogue with Greece and Rome: Studies in Cultural and Social Interaction. Leiden: Brill.Google Scholar
Ramelli, Ilaria L. F. 2009. Bardaisan of Edessa: A Reassessment of the Evidence and a New Interpretation. Piscataway, NJ: Gorgias.Google Scholar
Rand, Michael. 2014. “Fundamentals of the Study of Piyyut.” In Leonhard, Clemens and Löhr, Hermut (eds.), Literature or Liturgy? Early Christian Hymns and Prayers in Their Literary and Liturgical Context in Antiquity. Tübingen: Mohr Siebeck, pp. 107–25.Google Scholar
Rankin, David. 1995. Tertullian and the Church. Cambridge University Press.Google Scholar
Rauer, Max (ed.) 1959. Origenes Werke, vol. 9. 2nd ed. Berlin: Akademie.Google Scholar
Rawles, Richard. 2012. “Early Epinician: Ibycus and Simonides.” In Agócs, Carey, and Rawles 2012: 3–27.Google Scholar
Ready, Jonathan L. and Tsagalis, Christos C. (eds.) 2018. Homer in Performance: Rhapsodes, Narrators, and Characters. Austin, TX: University of Texas Press.Google Scholar
Reinach, Théodore (ed.) 1926. La musique grecque. Paris: Payot.Google Scholar
Reitzenstein, Richard. 1893. Epigramm und Skolion: Ein Beitrag zur Geschichte der alexandrinischen Dichtung. Giessen: J. Ricker.Google Scholar
Rey-Coquais, J.-P. 1979. “Tyr, fouilles récentes, ville, hippodrome et nécropole: L’apport des inscriptions.” Revue Archéologique N. S. 1: 166–7.Google Scholar
Reynolds, Joyce M. and Tannenbaum, Robert. 1987. Jews and Godfearers at Aphrodisias: Greek Inscriptions and Commentary. Cambridge: Cambridge Philological Society.Google Scholar
Reynolds, L. D. (ed.) 1991. C. Sallusti Crispi Catilina; Iugurtha; Historiarum fragmenta selecta. Oxford: Clarendon.Google Scholar
Richard, Marcel (ed.) 1956. Asterii sophistae commentariorum in Psalmos quae supersunt. Oslo: Brogger.Google Scholar
Richter, Daniel S. 2011. Cosmopolis: Imagining Community in Late Classical Athens and the Early Roman Empire. Oxford University Press.Google Scholar
Richter, Lukas. 1968. “Die Neue Musik der griechischen Antike.” Archiv für Musikwissenschaft 25: 1–18 (part 1), 134–47 (part 2).Google Scholar
Robert, Louis. 1930. “Pantomimen im griechischen Orient.” Hermes 65: 106–22.Google Scholar
Robertson, Noel. 1993. “Athens’ Festival of the New Wine.” Harvard Studies in Classical Philology 95: 197–250.Google Scholar
Rocha-Pereira, Maria Helena (ed.) 1981. Pausaniae Graeciae Descriptio, vol. 3. Leipzig: Teubner.Google Scholar
Rocconi, Eleonora. 2017. “Moving the Soul through the Immovable: Dance and Mimesis in Fourth-Century Greece.” In Gianvittorio, Laura (ed.), Choreutika: Performing and Theorising Dance in Ancient Greece. Pisa: Fabrizio Serra, pp. 178–97.Google Scholar
Rösler, Wolfgang. 1980. Dichter und Gruppe: Eine Untersuchung zu den Bedingungen und zur historischen Funktion früher griechischer Lyrik am Beispiel Alkaios. Munich: Fink.Google Scholar
Rolfe, John C. (tr.) 1927. The Attic Nights of Aulus Gellius, vol. 3. Cambridge, MA: Harvard University Press.Google Scholar
Rolfe, John C. (ed. and tr.) 1946. Quintus Curtius, vol. 2. Cambridge, MA: Harvard University Press; London: William Heinemann.Google Scholar
Roller, Matthew B. 2006. Dining Posture in Ancient Rome: Bodies, Values and Status. Princeton, NJ: Princeton University Press.Google Scholar
Roos, Anton G. and Wirth, Gerhard (eds.) 1967. Flavii Arriani quae exstant omnia, corr. 2 vols. Leipzig: Teubner.Google Scholar
Rosen, Ralph M. 1988. “Hipponax, Boupalos, and the Conventions of the Psogos.” Transactions of the American Philological Association 118: 29–41.Google Scholar
Rosen, Ralph M. 2016. “Symposia and the Formation of Poetic Genre in Aristophanes’ Wasps.” In Cazzato, Obbink, and Prodi 2016: 140–58.Google Scholar
Rosenblum, Jordan D. 2010. Food and Identity in Early Rabbinic Judaism. Cambridge University Press.Google Scholar
Rosivach, Vincent J. 2001. “Class Matters in the Dyskolos of Menander.” The Classical Quarterly 51: 127–34.Google Scholar
Roskam, Geert. 2017. “Nutritious Milk from Hagar’s School: Philo’s Reception of Homer.” Studia Philonica Annual 29: 1–32.Google Scholar
Ross, William D. (ed.) 1957. Aristotelis Politica. Oxford University Press.Google Scholar
Rotolo, Vincenzo. 1957. Il pantomimo: studi e testi. Palermo: Presso l’Accademia.Google Scholar
Rotroff, Susan I. 1975. “An Athenian Archon List of the Late Second Century after Christ.” Hesperia 44: 402–8.Google Scholar
Rotroff, Susan I. 1996. The Missing Krater and the Hellenistic Symposium: Drinking in the Age of Alexander the Great. Christchurch: University of Canterbury.Google Scholar
Rubensohn, Otto (ed.) 1907. Elephantine-Papyri. Berlin: Weidmann.Google Scholar
Ruden, Sarah (tr.) 2000. Petronius, Satyricon. Translated with notes and topical commentary. Indianapolis, IN: Hackett.Google Scholar
Ruelle, Carl A., Knoellinger, Hermann, and Klek, Joseph (eds.) 1922. Aristotelis quae feruntur Problemata physica. Leipzig: Teubner.Google Scholar
Runesson, Anders. 2001. “The Synagogue at Ancient Ostia: The Building and Its History from the First to the Fifth Century.” In Olsson, Birger, Mitternacht, Dieter, and Brandt, Olof (eds.), The Synagogue of Ancient Ostia and the Jews of Rome: Interdisciplinary Studies. Stockholm: Paul Åströms, pp. 29–99.Google Scholar
Runesson, Anders 2002. “A Monumental Synagogue from the First Century: The Case of Ostia.” Journal of Jewish Studies 33: 171–220.Google Scholar
Russell, David A. 1979. “Rhetors at the Wedding.” Proceedings of the Cambridge Philological Society 25: 104–17.Google Scholar
Russell, David A. and Wilson, Nigel G. (eds.) 1981. Menander Rhetor. Oxford: Clarendon.Google Scholar
Rutherford, Ian. 2001. Pindar’s Paeans: A Reading of the Fragments with a Survey of the Genre. Oxford University Press.Google Scholar
Safrai, Shmuel. 1996. “Jerusalem in the Halacha of the Second Temple Period.” In Poorthuis, Marcel and Safrai, Chana (eds.), The Centrality of Jerusalem: Historical Perspectives. Kampen: Kok Pharos, pp. 94–113.Google Scholar
Sage, Michael M. 1975. Cyprian. Philadelphia, PA: The Philadelphia Patristic Foundation.Google Scholar
Saller, Richard P. 1989. “Patronage and Friendship in Early Imperial Rome.” In Wallace-Hadrill, Andrew (ed.), Patronage in Ancient Society. London: Routledge, pp. 49‒62.Google Scholar
Salmeri, Giovanni. 2000. “Dio, Rome, and the Civic Life of Asia Minor.” In Swain, Simon (ed.), Dio Chrysostom: Politics, Letters, and Philosophy. Oxford University Press, pp. 53–92.Google Scholar
Sarti, Susanna. 1992. “Gli strumenti musicali di Apollo.” AIŌN 14: 95–104.Google Scholar
Satlow, Michael L. 2001. Jewish Marriage in Antiquity. Princeton, NJ: Princeton University Press.Google Scholar
Schachermeyr, Fritz. 1973. Alexander der Grosse: Das Problem seiner Persönlichkeit und seines Wirkens. Vienna: Österreichische Akademie der Wissenschaften.Google Scholar
Schäfer, Alfred. 1997. Unterhaltung beim griechischen Symposion. Mainz: P. von Zabern.Google Scholar
Scheid, John. 2009. “To Honour the Princeps and Venerate the Gods: Public Cult, Neighborhood Cult, and the Imperial Cult in Augustan Rome.” In Edmondson, John (ed.), Augustus. Edinburgh University Press, pp. 275–99.Google Scholar
Schenkl, Heinrich (ed.) 1965. Epicteti Dissertations ab Arriani digestae. Stuttgart: Teubner.Google Scholar
Schlapbach, Karin. 2018. The Anatomy of Dance Discourse: Literary and Philosophical Approaches to Dance in the Later Graeco-Roman World. Oxford University Press.Google Scholar
Schmalz, Geoffrey C. R. 2006. “The Athenian Prytaneion Discovered?” Hesperia 75: 33–81.Google Scholar
Schmidt, Carl and Schubart, Wilhelm (eds.) 1936. Πράξεις Παύλου. Acta Pauli nach dem Papyrus der Hamburger Staats- und Universitätsbibliothek. Glückstadt: Augustin.Google Scholar
Schmitt Pantel, Pauline. 1992. La cité au banquet: Histoire des repas publics dans les cités grecques. École Française de Rome.Google Scholar
Schoene, Alfred (ed.) 1875. Eusebi Chronicorum, vol. 2. Berlin: Weidmann.Google Scholar
Schorn, Stefan. 2015. “Biography and History in Phaenias of Eresus.” In Hellman, Oliver and Mirhady, David (eds.), Phaenias of Eresus: Text, Translation and Discussion. New Brunswick: Transaction Publishers, pp. 201–52.Google Scholar
Schnabel, Eckhard J. 2006. Der erste Brief des Paulus an die Korinther. Wuppertal: R. Brockhaus.Google Scholar
Schneemelcher, Wilhelm. 1965. “Acts of Paul.” In Hennecke, Edgar, Schneemelcher, Wilhelm, and M. Wilson, R. (eds.), New Testament Apocrypha: vol. 2: Writings Relating to the Apostles; Apocalypses and Related Subjects. Philadelphia, PA: Westminster, pp. 322–90.Google Scholar
Schnur, Harry C. 1968. Petron, Satyricon: ein rōmischer Schelmenroman. Stuttgart: Reclam.Google Scholar
Schultz, Ferdinand (ed.) 1856. Aeschines Orationes. Leipzig: Teubner.Google Scholar
Schwartz, Daniel R. 2008. 2 Maccabees. Berlin: De Gruyter.Google Scholar
Schwartz, Eduard (ed.) 1908. Eusebius, Kirchengeschichte, vol. 2/2. Berlin: Akademie.Google Scholar
Scodel, Ruth. 1979. “ΑΔΜΗΤΟΥ ΛΟΓΟΣ and the Alcestis.” Harvard Studies in Classical Philology 83: 51–62.Google Scholar
Sear, Frank. 2006. Roman Theatres: An Architectural Study. Oxford University Press.Google Scholar
Searby, Dennis M. 2019. “The Fossilized Meaning of Chreia as Anecdote.” Mnemosyne 72: 197‒228.Google Scholar
Sebastián, M. Teresa Clavo. 2008. “Chemmis Village in Aithiopika: Heliodorus’ Rewriting of Historiographical Tradition.” A paper given at the International Conference on the Greek Novel IV (Lisbon, July 2008); posted at Academia.edu.Google Scholar
Segal, Charles. 1998. Aglaia: The Poetry of Alcman, Sappho, Pindar, Bacchylides, and Corinna. Lanham, MD: Rowman & Littlefield.Google Scholar
Sens, Alexander 2016. “Party or Perish: Death, Wine, and Closure in Hellenistic Sympotic Epigram.” In Murray 1990b, pp. 230‒46.Google Scholar
Shackleton-Bailey, David R. (ed.) 1985. Q. Horati Flacci Opera. Stuttgart: Teubner.Google Scholar
Shackleton-Bailey, David R. (ed. and tr.) 2003. Statius, Silvae. Cambridge, MA: Harvard University Press.Google Scholar
Shear, Julia L. 2003. “Prizes from Athens: The Lists of Panathenaic Prizes and the Sacred Oil.” Zeitschrift für Papyrologie und Epigraphik 142: 87–108.Google Scholar
Sherratt, Susan. 2004. “Feasting in Homeric Epic.” Hesperia 73: 301–37.Google Scholar
Sider, David. 1997. The Epigrams of Philodemos: Introduction, Text, and Commentary. Oxford: Oxford University Press.Google Scholar
Sider, David 2014. “Didactic Poetry: The Hellenistic Invention of a Pre-Existing Genre.” In Hunter, Richard, Rengakos, Antonios, and Sistakou, Evina (eds.), Hellenistic Studies at a Crossroads: Exploring Texts, Contexts and Metatexts. Berlin: de Gruyter, pp. 13–30.Google Scholar
Simon, Maurice. 1977. The Hebrew-English Edition of the Babylonian Talmud: Giṭṭin, tr. Abraham Cohen, ed. Epstein, Isidore. London: Soncino.Google Scholar
Simonetti, Manlio (ed.) 1976. Sancti Cypriani Episcopi Opera, part 2: Ad Donatum. CSSL 3A. Turnhout: Brepols.Google Scholar
Simpson, C. J. 2000. “Musicians and the Arena: Dancers and the Hippodrome.” Latomus 59: 633–9.Google Scholar
Slater, William J. 1990. “Sympotic Ethics in the Odyssey.” In Murray 1990b, pp. 213‒20.Google Scholar
Slater, William J. 1993. “Three Problems in the History of Drama.” Phoenix 47: 189–212.Google Scholar
Slater, William J. (ed.) 1991. Dining in a Classical Context. Ann Arbor: The University of Michigan Press.Google Scholar
Slings, Simon R. (ed.) 2003. Platonis Rempublicam. Oxford: Oxford University Press.Google Scholar
Smith, Dennis E. 1980. “Social Obligation in the Context of Communal Meals: A Study of the Christian Meal in 1 Corinthians in Comparison with Graeco-Roman Communal Meals.” (Th.D. diss.; Harvard University.)Google Scholar
Smith, Dennis E. 2003. From Symposium to Eucharist: The Banquet in the Early Christian World. Minneapolis, MN: Fortress.Google Scholar
Smith, John A. 1984. “The Ancient Synagogue, the Early Church, and Singing.” Music and Letters 65: 1–16.Google Scholar
Smith, John A. 2011. Music in Ancient Judaism and Early Christianity. Farnham, MA: Ashgate.Google Scholar
Smith, Martin S. (ed.) 1975. Petronii Arbitri Cena Trimalchionis. Oxford: Clarendon.Google Scholar
Smith, Tyler Jo. 2010. Komast Dancers in Archaic Greek Art. Oxford University Press, 2010.Google Scholar
Solomon, Jon. 1980. “Cleonides: ΕΙΣΑΓΩΓΗ ΑΡΜΟΝΙΚΗ; Critical Edition, Translation, and Commentary.” (Ph.D. diss. University of North Carolina at Chapel Hill.)Google Scholar
Solomon, Jon. 1986. “The Seikilos Inscription: A Theoretical Analysis.” The American Journal of Philology 107: 455‒79.Google Scholar
Sonnino, Maurizio. 2014. “Comedy Outside the Canon: from Ritual Slapstick to Hellenistic Mime.” In Colesanti, Giulio and Giordano, Manuela (eds.), Submerged Literature in Ancient Greek Culture: An Introduction. Berlin: De Gruyter, pp. 128–50.Google Scholar
Sourvinou-Inwood, Christiane. 2003. Tragedy and Athenian Religion. Lanham, MD: Lexington.Google Scholar
Spanoudakis, Konstantinos. 2002. Philitas of Cos. Leiden: Brill.Google Scholar
Spinks, Bryan D. 2010. “Eastern Christian Liturgical Traditions: Oriental Orthodox.” In Parry, Ken (ed.), The Blackwell Companion to Eastern Christianity. Chichester: Wiley-Blackwell, pp. 339–67.Google Scholar
Spittler, Russell P. 1983. “Testament of Job: A New Translation and Introduction.” In Charlesworth, James H. (ed.), The Old Testament Pseudepigrapha, vol. 1: Apocalyptic Literature and Testaments. Garden City, NJ: Doubleday, pp. 829–68.Google Scholar
Stählin, Otto, Früchtel, Ludwig, and Treu, Ursula (eds.) 1985. Clemens Alexandrinus, vol. 2: Stromata Buch I–VI, 4th ed. Berlin: Akademie-Verlag.Google Scholar
Stählin, Otto and Treu, Ursula (eds.) 1972. Clemens Alexandrinus, vol. 1: Protrepticus und Paedagogus, 3rd ed. GCS 12; Berlin: Akademie-Verlag.Google Scholar
Früchtel, Ludwig and Treu, Ursula (eds.) 1970. Clemens Alexandrinus, vol. 3: Stromata Buch VII und VIII. 2nd ed. Berlin: Akademie-Verlag.Google Scholar
Staiti, Nico. 2001/2002. “Musicians in a Mosaic from the ‘Villa di Cicerone’ at Pompeii.” Imago Musicae 18/19: 107–19.Google Scholar
Starr, Chester. 1978. “An Evening with the Flute Girls.” La parola del passato 33: 401–10.Google Scholar
Stavenhagen, Kurt (ed.) 1922. Herodiani ab excessu divi Marci libri octo. Leipzig and Berlin: Teubner.Google Scholar
Stein, Salomon. 1954. “The Liturgy of Hanukkah and the First Two Books of Maccabees–II.” Journal of Jewish Studies 5: 148–55.Google Scholar
Stein, Siegfried. 1957. “The Influence of Symposia Literature on the Literary Form of the Pesach Haggadah.” Journal of Jewish Studies 8: 13–44 [Reprinted in Essays in Greco-Roman and Related Talmudic Literature, ed. Henry A. Fischel. New York: KTAV, 1973, pp. 94–113].Google Scholar
Steinbock, Bernd. 2013. Social Memory in Athenian Public Discourse: Uses and Meanings of the Past. Ann Abor, MI: The University of Michigan Press.Google Scholar
Steiner, Ann. 2002. “Private and Public: Links between Symposion and Syssition in Fifth-Century Athens.” Classical Antiquity 21: 347–90.Google Scholar
Stem, Rex. 2003. “The Thirty at Athens in the Summer of 404.” Phoenix 57: 18–34.Google Scholar
Stephens, Susan A. 1993. “Callimachus at Court.” In Annette Harder, M., Regtuit, Remco F., and Wakker, G. C. (eds.), Callimachus. Groningen: Egbert Forsten, pp. 167–85.Google Scholar
Stern, Sacha. 2003. “Rabbi and the Origins of the Patriarchate.” Journal of Jewish Studies 54: 193–215.Google Scholar
Stewart, Edmund. 2020. “The Profession of Mousikē in Classical Greece.” In Stewart, Edmund, Harris, Edward, and Lewis, David (eds.), Skilled Labour and Professionalism in Ancient Greece and Rome. Cambridge University Press, pp. 269‒92.Google Scholar
Stewart-Sykes, Alistair. 2001. On the Apostolic Tradition. Crestwood, NY: St. Vladimir’s Seminary Press.Google Scholar
Storey, Ian C. 1998. “Wasps: Introduction.” In Meineck, Peter (ed. and tr.), Aristophanes I: Clouds, Wasps, Birds. Indianapolis, IN: Hackett, pp. 125–31.Google Scholar
Storey, Ian C. 2003. Eupolis: Poet of Old Comedy. Oxford University Press.Google Scholar
Storey, Ian C. (ed. and tr.). 2011. Fragments of Old Comedy, vol. 3: Philonicus to Xenophon; Adespota. Cambridge, MA: Harvard University Press.Google Scholar
Stramaglia, Antonio (ed.) 2008. Phlegon Trallianus, Opuscula de rebus mirabilibus et de longaevis. Berlin: De Gruyter.Google Scholar
Streett, R. Alan. 2013. Subversive Meals: An Analysis of the Lord’s Supper under Roman Dominion during the First Century. Eugene, OR: Pickwick.Google Scholar
Strootman, Rolf. 2010. “Literature and the Kings.” In Clauss, James J. and Cuypers, Martine (eds.), A Companion to Hellenistic Literature. Chichester: Wiley-Blackwell, pp. 33–45.Google Scholar
Summerer, Lâtife. 1999. Hellenistische Terrakotten aus Amisos: Ein Beitrag zur Kunstgeschichte des Pontosgebietes. Stuttgart: Steiner.Google Scholar
Syme, Ronald. 1939. The Roman Revolution. Oxford University Press.Google Scholar
Tabbernee, William. 2007. Fake Prophecy and Polluted Sacraments: Ecclesiastical and Imperial Reactions to Montanism. Leiden: Brill.Google Scholar
Tabory, Joseph. 2008. The JPS Commentary on the Haggadah: Historical Introduction, Translation, and Commentary. Philadelphia, PA: The Jewish Publication Society.Google Scholar
Taplin, Oliver. 1992. Homeric Soundings: The Shape of the Iliad. Oxford University Press.Google Scholar
Tarán, Leonardo and Gutas, Dimitri (eds.) 2012. Aristotle Poetics: Editio Maior of the Greek Text with Historical Introductions and Philological Commentaries. Leiden: Brill.Google Scholar
Tarn, William W. 1948. Alexander the Great, vol. 2: Sources and Studies. Cambridge University Press.Google Scholar
Taussig, Hal. 2000. In the Beginning Was the Meal. Minneapolis, MN: Fortress.Google Scholar
Taylor, Joan E. 2003. Jewish Women Philosophers of First-Century Alexandria: Philo’s ‘Therapeutae’ Reconsidered. Oxford University Press.Google Scholar
Teodorsson, Sven-Tage. 1996. A Commentary on Plutarch’s Table-Talks, vol. 3. Göteborg: Acta Universitatis Gothoburgensis.Google Scholar
Testuz, Michel (ed.) 1959. Papyrus Bodmer X–XII. Cologny-Geneva: Bibliothèque Bodmer.Google Scholar
Thesleff, Holger (ed.) 1965. The Pythagorean Texts of the Hellenistic Period. Åbo: Akademi.Google Scholar
Thiselton, Anthony C. 2000. The First Epistle to the Corinthians: A Commentary on the Greek Text. Grand Rapids, MI: Erdmans.Google Scholar
Thomas, Rosalind. 2006. “Fame, Memorial, and Choral Poetry: The Origins of Epinikian Poetry – an Historical Study.” In Hornblower, Simon and Morgan, Catherine (eds.), Pindar’s Poetry, Patrons and Festivals: From Archaic Greece to the Roman Empire. Oxford University Press, pp. 141–66.Google Scholar
Thompson, Dorothy B. 1950. “A Bronze Dancer from Alexandria.” American Journal of Archaeology 54: 371–85.Google Scholar
Thompson, Wesley E. 1971. “The Prytaneion Decree.” American Journal of Philology 92: 226‒37.Google Scholar
Thomsen, Christian Ammitzbøll. 2015. “The Eranistai of Classical Athens.” Greek, Roman, and Byzantine Studies 55: 154–75.Google Scholar
Tilliette, Jean-Yves. 2012. “Verse Style.” In Hexter, Ralph J. and Townsend, David (eds.), The Oxford Handbook of Medieval Latin Literature. Oxford University Press, pp. 239–64.Google Scholar
Tondriau, Julien. 1946. “Les thiases dionysiaques royaux de la cour ptolémaïque.” Chronique d’Égypte 21: 149–71.Google Scholar
Toner, Jerry. 2009. Popular Culture in Ancient Rome. Cambridge: Polity Press.Google Scholar
Topper, Kathryn. 2009. “Primitive Life and the Construction of the Sympotic Past in Athenian Vase Painting.” American Journal of Archaeology 113: 3–26.Google Scholar
Topper, Kathryn 2012. The Imagery of the Athenian Symposium. Cambridge University Press.Google Scholar
Trapp, Michael B. (ed.) 1994. Maximus Tyrius, Dissertationes. Stuttgart and Leipzig: Teubner.Google Scholar
Trevett, Christine. 1996. Montanism: Gender, Authority and the New Prophecy. Cambridge University Press.Google Scholar
Tronson, Adrian. 1984. “Satyrus the Peripatetic and the Marriages of Philip II.” Journal of Hellenic Studies 104: 116–26.Google Scholar
Tsagalis, Christos C. 2018. “Performance Contexts of Rhapsodic Recitals in the Hellenistic Period.” In Ready, Jonathan L. and Tsagalis, Christos (eds.), Homer in Performance: Rhapsodes, Narrators, and Characters. Austin, TX: University of Texas Press, pp. 98–129.Google Scholar
Tsitsiridis, Stavros. 2015. “Mime, Kinaidoi and Kinaidologoi (II).” Logeion 5: 205–41.Google Scholar
Usener, Hermann and Rademacher, Ludwig (eds.) 1929. Dionysii Halicarnasei quae exstant. Leipzig: Teubner [repr. 1965].Google Scholar
van Bekkum, Wout J. (ed.) 1992. A Hebrew Alexander Romance according to MS London, Jews’ College no. 145. Leuven: Peeters.Google Scholar
Van Thiel, Helmut (ed.) 1991. Homeri Odyssea. Hildesheim and Zurich: G. Olms.Google Scholar
Vendries, Christoph. 2013. “Considérations sur le statut du musicien dans la rome antique.” In Emerit, Sibylle (ed.), Le Statut du musicien dans la Méditerranée ancienne: Égypte, Mésopotamie, Grèce, Rome: actes de la table ronde internationale tenue à Lyon, Maison de l’Orient et de la Méditerranée (Université Lumière Lyon 2) les 4 et 5 juillet 2008, Lyon. Le Caire: Institut Français d’Archéologie Orientale, pp. 213–38.Google Scholar
Veneri, Alina. 1995. “La cetra di Paride: L’altra faccia della musica in Omero e nei suoi interpreti antichi.” In Gentili, Bruno and Perusino, Franca (eds.), Mousike: Metrica, ritmica e musica greca in memoria di Giovanni Comotti. Pisa: Istituti Editoriali e Poligrafici Internazionali, pp. 111–32.Google Scholar
Vermeule, Emily. 1965. “Fragments of a Symposium by Euphronios.” Antike Kunst 8: 34–9.Google Scholar
Vilborg, Ebbe (ed.) 1955. Achilles Tatius: Leucippe and Clitophon. Stockholm: Almqvist & Wiksell.Google Scholar
Voigt, Eva-Marie (ed.) 1971. Sappho et Alcaeus: Fragmenta. Amsterdam: Athenaum-Polak and Van Gennep.Google Scholar
Von Borries, Johann (ed.) 1911. Phrynichi sophistae praeparatio sophistica. Leipzig: Teubner.Google Scholar
Vööbus, Arthur. 1959. “Ein merkwürdiger Pentateuchtext in der pseudo-klementinischen Schrift De virginitate.” Oriens Christianus 43: 54–8.Google Scholar
Vööbus, Arthur (ed.) 1979. The Didascalia Apostolorum in Syriac, vol. 1. CSCO 401/SS; Louvain: Secrétariat du CorpusSCO.Google Scholar
Vössing, Konrad. 2004. Mensa Regia: Das Bankett beim hellenistischen König und beim römischen Kaiser. Munich: Saur.Google Scholar
Wachsmuth, Curt and Hense, Otto (eds.) 1912. Ioannis Stobaei Anthologium. Vol. 5. Berlin: Weidmann.Google Scholar
Wallace, Robert W. 1998. “The Sophists in Athens.” in Boedeker, Deborah and Raaflaub, Kurt A. (eds.), Democracy, Empire, and the Arts in Fifth Century Athens. Cambridge University Press, pp. 203–22.Google Scholar
Wallace, Robert W. 2003. “The Fifth-Century Revolution in Aulos Music.” Classical Philology 101: 73‒92.Google Scholar
Wallace, Robert W. 2015. Reconstructing Damon: Music, Wisdom, Teaching, and Politics in Pericles’ Athens. Oxford University Press.Google Scholar
Wallis, Robert E. (tr.) 1906. “Cyprian.” In Roberts, Alexander and Donaldson, James (eds.), Ante-Nicene Fathers, vol. 5. New York: Charles Scribner’s, 261‒78 [reprint of 1886 Edinburgh ed.].Google Scholar
Walters, Carl F. and Conway, Robert S. (eds.) 1919. Titi Livi: Ab urbe condita. Vol. 2: Books VI‒X. Oxford: Clarendon.Google Scholar
Waszink, Jan Hendrik (ed.) 1954. Quinti Septimi Florentis Tertulliani, De anima. CCSL 2; Turnhout: Brepols.Google Scholar
Watson, Lindsay and Watson, Patricia (eds.) 2003. Martial: Select Epigrams. Cambridge University Press.Google Scholar
Webb, Ruth. 2002. “Female Performers in Late Antiquity.” In Easterling, Pat and Hall, Edith (eds.), Greek and Roman Actors: Aspects of an Ancient Profession. Cambridge University Press, pp. 282‒303.Google Scholar
Webb, Ruth 2008. Demons and Dancers: Performance in Late Antiquity. Cambridge, MA: Harvard University Press.Google Scholar
Weber, Gregor. 1993. Dichtung und höfische Gesellschaft: die Rezeption von Zeitgeschichte am Hof derersten drei Ptolemäer. Stuttgart: Steiner.Google Scholar
Weber, Gregor 1998–9. “The Hellenistic Rulers and Their Poets: Silencing Dangerous Critics?” Ancient Society 29: 147–74.Google Scholar
Weber, Gregor 2011. “Poet and Court.” In Acosta-Hughes, Benjamin, Lehnus, Luigi, and Stephens, Susan (eds.), Brill’s Companion to Callimachus. Leiden: Brill, pp. 225–44.Google Scholar
Wecowski, Marek. 2014. The Rise of the Greek Aristocratic Banquet. Oxford University Press.Google Scholar
Wecowski, Marek 2018. “When Did the Symposion Die? On the Decline of the Greek Aristocratic Banquet.” In van den Eijnde, Floris, Blok, Josine H., and Strootman, Rolf (eds.), Feasting and Polis Institutions. Leiden: Brill, pp. 257–72.Google Scholar
Wehrli, Fritz. 1967a. Die Schule des Aristoteles: Texte und Kommentare, vol. 1: Dikaiarchos. Basel: Schwabe.Google Scholar
Wehrli, Fritz 1967b. Die Schule des Aristoteles: Texte und Kommentare, vol. 2: Aristoxenos. 2nd ed. Basel: Schwabe.Google Scholar
Weiss, Zeev. 2014. Public Spectacles in Roman and Late Antique Palestine. Cambridge, MA: Harvard University Press.Google Scholar
Wendland, Paul (ed.) 1897. Philonis Alexandrini opera quae supersunt, vol. 2. Berlin: Reimer.Google Scholar
Wenham, Gordon G. 2012. Psalms as Torah: Reading Biblical Song Ethically. Grand Rapids, MI: Baker Academic.Google Scholar
Wessner, Paul (ed.) 1902. Aeli Donati quod fertur Commentum Terenti accedunt Evgraphi Commentum et Scholia Bembina, vol. 1. Leipzig: Teubner.Google Scholar
West, Martin L. 1971. “Stesichorus.” The Classical Quarterly 21: 302–14.Google Scholar
West, Martin L. 1974. Studies in Greek Elegy and Iambus. Berlin: De Gruyter.Google Scholar
West, Martin L. 1981. “The Singing of Homer and the Modes of Early Greek Music.” Journal of Hellenic Studies 101: 113–29.Google Scholar
West, Martin L. 1982a. Greek Metre. Oxford: Clarendon.Google Scholar
West, Martin L. 1982b. “The Metre of Arius’ Thalia.” The Journal of Theological Studies 33: 98–105.Google Scholar
West, Martin L. 1986. “The Singing of Hexameters: Evidence from Epidaurus.” Zeitschrift für Papyrologie und Epigraphik 63: 39–46.Google Scholar
West, Martin L. 1990. “The Anacreontea.” In Murray 1990b, pp. 272–6.Google Scholar
West, Martin L. 1992a. “Analecta Musica,” Zeitschrift für Papyrologie und Epigraphik 92: 1–54.Google Scholar
West, Martin L. 1992b. Ancient Greek Music. Oxford: Clarendon.Google Scholar
West, Martin L. 1997a. The East Face of Helicon: West Asiatic Elements in Greek Poetry and Myth. Oxford: Clarendon.Google Scholar
West, Martin L. 1997b. “Homer’s Meter.” In Morris, Ian and Powell, Barry B. (eds.), A New Companion to Homer. Leiden: Brill, pp. 218–37.Google Scholar
West, Martin L. 1999. “Sophocles with Music (?): Ptolemaic Music Fragments and Remains of Sophocles (Junior?), Achilles,” Zeitschrift für Papyrologie und Epigraphik 126: 43–65, pl. IX–XII.Google Scholar
West, Martin L. 2013. “The Transmission of Ancient Greek Music: Then and Now.” In West, Martin L. (ed.), Hellenica, vol. 3: Philosophy, Music, and Metre, Literary Byways, Varia. Oxford University Press, pp. 189–207.Google Scholar
West, Martin L. (ed.) 1984. Carmina Anacreontea. Leipzig: Teubner.Google Scholar
West, Martin L. (ed. and tr.) 2003. Homeric Hymns, Homeric Apocrypha, and Lives of Homer. Cambridge, MA: Harvard University Press.Google Scholar
Westermann, William L. 1924. “The Castanet Dancers of Arsinoe.” The Journal of Egyptian Archeology 10: 134–44.Google Scholar
Westermann, William L. 1932. “Entertainment in the Villages of Graeco-Roman Egypt.” The Journal of Egyptian Archaeology 18: 16–27.Google Scholar
Westermann, William L. 1955. The Slave Systems of Greek and Roman Antiquity. Philadelphia, PA: The American Philosophical Society.Google Scholar
Whitmarsh, Tim. 2013. Beyond the Second Sophistic: Adventures in Greek Postclassicism. Berkeley, CA: University of California Press.Google Scholar
Wiedemann, Thomas. 1989. Adults and Children in the Roman Empire. London: Routledge.Google Scholar
Wilamowitz-Möllendorff, Ulrich von. 1912. “Die griechische Literatur des Altertums.” In von Wilamowitz-Möllendorff, Ulrich et al., Die griechische und lateinische Literatur und Sprache, 3rd ed. Leipzig and Berlin: Teubner.Google Scholar
Wilamowitz-Möllendorff, Ulrich 1921. Griechische Verskunst. Berlin: Weidmann.Google Scholar
Wilke, Carsten L. 2017. Farewell to Shulamit: Spatial and Social Diversity in the Song of Songs. Berlin: De Gruyter.Google Scholar
Wilkins, A. S. (ed.) 1902‒3. M. Tulli Ciceronis Rhetorica. Oxford: Clarendon.Google Scholar
Wille, Günther. 1967. Musica Romana: Die Bedeutung der Musik im Leben der Römer. Amsterdam: Schippers.Google Scholar
Williams, Craig A. 2010. Roman Homosexuality. 2nd ed. Oxford University Press.Google Scholar
Willis, James A. (ed.) 1997. D. Iunii Iuvenalis Saturae sedecim. Stuttgart: Teubner.Google Scholar
Wilson, Nigel G. (ed.) 2007. Aristophanis Fabulae. Oxford University Press.Google Scholar
Wilson, Nigel G. (ed.) 2015. Herodotis Historiae. 2 vols. Oxford: Clarendon.Google Scholar
Wilson, Peter. 1999. “The Aulos in Athens.” In Goldhill, Simon and Osborne, Robin (eds.), Performance Culture and Athenian Democracy. Cambridge University Press, pp. 58–95.Google Scholar
Wilson, Peter 2000. The Athenian Institution of the Khoregia: The Chorus, the City, and the Stage. Cambridge University Press.Google Scholar
Wilson, Peter 2003. “The Sound of Cultural Conflict: Kritias and the Culture of Mousikê in Athens.” In Dougherty, Carol and Kurke, Leslie (eds.), The Cultures within Ancient Greek Culture: Contact, Conflict, Collaboration. Cambridge University Press, pp. 181–206.Google Scholar
Wilson, Peter 2004. “Athenian Strings.” In Murray, Penelope and Wilson, Peter (eds.), Music and the Muses: The Culture of ‘Mousikē’ in the Classical Athenian City. Oxford University Press, pp. 269–306.Google Scholar
Winnington-Ingram, Reginald P. 1936. Mode in Ancient Greek Music. Cambridge University Press.Google Scholar
Winnington-Ingram, Reginald P. 1945. “II. The Music.” In Eitrem, S., Admundsen, Leiv, and Winnington-Ingram, R. P., “Fragments of Unknown Greek Tragic Texts with Musical Notation.” Symbolae Osloenses 31: 29–87 (1–87).Google Scholar
Winnington-Ingram, Reginald P. 1958. “Ancient Greek Music 1932–1957.” Lustrum 3: 5–57.Google Scholar
Winnington-Ingram, Reginald P. (ed.) 1963. Aristidis Quintiliani De Musica libri tres. Leipzig: Teubner. (Note: TLG uses this edition but with consecutive line numbers for each chapter.)Google Scholar
Winterbottom, M. (ed.) 1970. M. Fabi Quintiliani Institutionis oratoriae libri duodecim. 2 vols. Oxford: Clarendon.Google Scholar
Wintermute, O. S. 1985. “Jubilees.” In Charlesworth, James H. (ed.), The Old Testament Pseudepigrapha, vol. 2. Garden City, NY: Doubleday, pp. 35‒142.Google Scholar
Wiseman, T. Peter. 2015. The Roman Audience: Classical Literature as Social History. Oxford University Press.Google Scholar
Woodbury, Leonard. 1968. “Pindar and the Mercenary Muse: Isthm. 2.113.” Transactions and Proceedings of the American Philological Association 99: 527–42.Google Scholar
Worthington, Ian. 2004. Alexander the Great: Man and God. Harlow: Pearson.Google Scholar
Wright, Benjamin G. 2015. The Letter of Aristeas: “Aristeas to Philocrates” or “On the Translation of the Law of the Jews.” Berlin: De Gruyter.Google Scholar
Xanthaki-Karamanou, G. and Mimidou, E.. 2014. “The ‘Aeolus’ of Euripides: Concepts and Motifs.” Bulletin of the Institute of Classical Studies 57: 49–60.Google Scholar
Yadin, Yigael. 1965. The Ben Sira Scroll from Masada. Jerusalem: Israel Exploration Society.Google Scholar
Zanobi, Alessandra. 2014. Seneca’s Tragedies and the Aesthetics of Pantomime. London: Bloomsbury.Google Scholar
Ziegler, Joseph (ed.) 1975. Eusebius Werke, vol. 9: Der Jesajakommentar. Berlin: Akademie.Google Scholar
Ziegler, Joseph (ed.) 1982. Septuaginta, vol. 11/4: Iob. Göttingen: Vandenhoeck & Ruprecht.Google Scholar
Ziegler, Konrat and Gärtner, Hans (eds.) 2000. Plutarchi Vitae parallelae, vol. 1/1. 5th ed. Munich: Saur.Google Scholar
Zimmer, Gerhard. 1982. Römische Berufsdarstellungen. Berlin: Mann.Google Scholar
Zimmermann, Bernhard. 2006. Die griechische Komödie. Frankfurt am Main: Antike.Google Scholar
Zimmermann, Maaike (ed.) 1912. Apulei Metamorphoseon libri XI. Oxford: Clarendon.Google Scholar
Zimmermann, Maaike and Panayotakis, Stelios (eds.) 2004. Apuleius Madaurensis Metamorphoses: Books IV 28–35, V and VI 1–24: The Tale of Cupid and Psyche, Text, Introduction, and Commentary. Groningen: Egbert Forsten.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Charles H. Cosgrove
  • Book: Music at Social Meals in Greek and Roman Antiquity
  • Online publication: 18 November 2022
  • Chapter DOI: https://doi.org/10.1017/9781009161060.011
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Charles H. Cosgrove
  • Book: Music at Social Meals in Greek and Roman Antiquity
  • Online publication: 18 November 2022
  • Chapter DOI: https://doi.org/10.1017/9781009161060.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Charles H. Cosgrove
  • Book: Music at Social Meals in Greek and Roman Antiquity
  • Online publication: 18 November 2022
  • Chapter DOI: https://doi.org/10.1017/9781009161060.011
Available formats
×