Book contents
- Music and Musicians at the Collegiate Church of St Omer
- Frontispiece
- Music and Musicians at the Collegiate Church of St Omer
- Copyright page
- Epigraph
- Contents
- Figures and Map
- Acknowledgements
- Note on Editorial Policy, Currency and Dates
- Prologue
- 1 The Maîtrise
- 2 Identities and Career Patterns
- 3 Masters and Master Singers
- 4 The Organs
- 5 The Bells
- 6 Loose Canons? Music and the Craft of Ecclesiastical Power
- Epilogue
- Appendix Documents Pertaining to the Suppression of Benefices for the Upkeep of the Master and Choirboys (See )
- Bibliography
- Index
5 - The Bells
Published online by Cambridge University Press: 31 August 2020
- Music and Musicians at the Collegiate Church of St Omer
- Frontispiece
- Music and Musicians at the Collegiate Church of St Omer
- Copyright page
- Epigraph
- Contents
- Figures and Map
- Acknowledgements
- Note on Editorial Policy, Currency and Dates
- Prologue
- 1 The Maîtrise
- 2 Identities and Career Patterns
- 3 Masters and Master Singers
- 4 The Organs
- 5 The Bells
- 6 Loose Canons? Music and the Craft of Ecclesiastical Power
- Epilogue
- Appendix Documents Pertaining to the Suppression of Benefices for the Upkeep of the Master and Choirboys (See )
- Bibliography
- Index
Summary
If the organ was the ‘inwardly facing’ voice of the church, the bells directed its message out to the larger world. Bells gave powerful voice to the church’s self-image, and also offered opportunities for lavish private provision for the posthumous support of the souls of their endowers. Personified by means of names and ‘baptised’ before use, their quasi-human status, coupled with their range, gave them a particular potency in the medieval soundscape. It is therefore unsurprising that bells were instruments of power not only for the churches in which they were housed, but also for the town over whose airspace they resounded, exercising control, discipline and security. As a result, they were often sites of contested power between church and town and hence reveal significant detail concerning power structures at the time.
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- Chapter
- Information
- Music and Musicians at the Collegiate Church of St OmerCrucible of Song, 1350–1550, pp. 179 - 200Publisher: Cambridge University PressPrint publication year: 2020