Book contents
- Modernism, Empire, World Literature
- Modernism, Empire, World Literature
- Copyright page
- Dedication
- Contents
- Acknowledgements
- Chapter 1 ‘A Language That Was English’: Peripheral Modernisms and the Remaking of the Republic of Letters in the Age of Empire
- Chapter 2 ‘It Uccedes Lundun’: Logics of Literary Decline and ‘Renaissance’ from Tocqueville and Arnold to Yeats and Pound
- Chapter 3 ‘The Insolence of Empire’: The Fall of the House of Europe and Emerging American Ascendancy in The Golden Bowl and The Waste Land
- Chapter 4 Contesting Wills: National Mimetic Rivalries, World War and World Literature in Ulysses
- Chapter 5 ‘That Huge Incoherent Failure of a House’: American Ascendancy and American Epic in The Great Gatsby and Long Day’s Journey into Night
- Chapter 6 ‘A Wreath of Flies?’: Omeros, Epic Achievement and Impasse in ‘the Program Era’
- Notes
- Index
Chapter 6 - ‘A Wreath of Flies?’: Omeros, Epic Achievement and Impasse in ‘the Program Era’
Published online by Cambridge University Press: 16 June 2021
- Modernism, Empire, World Literature
- Modernism, Empire, World Literature
- Copyright page
- Dedication
- Contents
- Acknowledgements
- Chapter 1 ‘A Language That Was English’: Peripheral Modernisms and the Remaking of the Republic of Letters in the Age of Empire
- Chapter 2 ‘It Uccedes Lundun’: Logics of Literary Decline and ‘Renaissance’ from Tocqueville and Arnold to Yeats and Pound
- Chapter 3 ‘The Insolence of Empire’: The Fall of the House of Europe and Emerging American Ascendancy in The Golden Bowl and The Waste Land
- Chapter 4 Contesting Wills: National Mimetic Rivalries, World War and World Literature in Ulysses
- Chapter 5 ‘That Huge Incoherent Failure of a House’: American Ascendancy and American Epic in The Great Gatsby and Long Day’s Journey into Night
- Chapter 6 ‘A Wreath of Flies?’: Omeros, Epic Achievement and Impasse in ‘the Program Era’
- Notes
- Index
Summary
This chapter traces the contours of Derek Walcott’s career from regional Caribbean author to English-based publishing success to relocation to the United States in the American university system. Shortly after the publication of Omeros in 1990, Walcott became the Caribbean region’s first writer of colour to win the Nobel Prize for Literature, an award associated with a wider recognition of a new Caribbean literary 'province' that had emerged in similar ways to the Irish and American 'provinces' of the early twentieth century. Omeros is an ambitious epic work that attempts to totalize both Walcott’s and the Caribbean region’s mixed indigenous, European, African and American heritages. But, like other earlier modernist epics, Omeros combines an exultant sense of literary accomplishment with anxieties of failure. As promises of new postcolonial beginnings for the Caribbean slide into visions of climate catastrophe, and as Walcott finds himself an émigré in an imperial and racist America, the poem oscillates between its affirmative and apocalyptic impulses.
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- Modernism, Empire, World Literature , pp. 243 - 275Publisher: Cambridge University PressPrint publication year: 2021