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Introduction

The Mirror of Narcissus

Published online by Cambridge University Press:  aN Invalid Date NaN

Genevieve Warwick
Genevieve Warwick
Affiliation:
University of Edinburgh
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Summary

Opening with Leon Battista Alberti’s celebrated definition of painting as a reflection on the surface of the water according to the ancient myth of Narcissus, the introduction elucidates the analysis of the inset-mirror motif in Renaissance painting as a form of mise-en-abyme that was central to the conceptualisation and reception of early modern art.

Keywords

paintingRenaissanceearly modernmirrormirror-imagereflectionperspectiveartistic practicemise-en-abymeLeon Battista Alberti
Type
Chapter
Information
The Mirror of Art
Painting and Reflection in Early Modern Visual Culture
 , pp. 1 - 16
Publisher: Cambridge University Press
Print publication year: 2024

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