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Conclusion

Published online by Cambridge University Press:  aN Invalid Date NaN

Genevieve Warwick
Genevieve Warwick
Affiliation:
University of Edinburgh
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Summary

The conclusion summarises the main argument of the book: that the mirror-image, as an object and as a metaphor, was critical to the mimetic definition of painting that we recognise as the key pictorial development of Renaissance art. If perspective was painting’s means, the mirror was its exemplum. Tracing the conceptual elaboration of the reflective image, it concludes that the prolific representation of the inset-mirror motif within early modern painting was both the rebus and matrix of its own pictorial representation.

Keywords

imitationmirror-imagePhilostratusEuclidvisionreflection
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Chapter
Information
The Mirror of Art
Painting and Reflection in Early Modern Visual Culture
 , pp. 355 - 360
Publisher: Cambridge University Press
Print publication year: 2024

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