Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-26T15:35:17.890Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  06 October 2022

Edited by
William E. Engel ,
Rory Loughnane  and
Grant Williams
William E. Engel
Affiliation:
University of the South, Sewanee, Tennessee
Rory Loughnane
Affiliation:
University of Kent, Canterbury
Grant Williams
Affiliation:
Carleton University, Ottawa
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Memory and Mortality in Renaissance England , pp. 258 - 284
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

BL MS Sloane 1911–13. Thomas Browne (selected correspondence).Google Scholar
BL MS Sloane 1847. Thomas Browne (selected correspondence).Google Scholar
BL MS Sloane 4062. Thomas Browne (selected correspondence).Google Scholar
BL Add. MS 46378 (B). Thomas Browne (selected correspondence).Google Scholar
BL Add MS 12514, fol. 277. ‘Order of the proceeding to the funerall of the Lady Alice, Dutchesse Dudley, 16 Martii, 1668, in the handwriting of Sir Will. Dugdale’.Google Scholar
Camden Local Studies and Archives. P/GF, St Giles in the Fields ‘Minutes of the Vestry, 1618–1900’.Google Scholar
Shakespeare Birthplace Trust. Cat. DR18/2/82. ‘Acquittance of William Wright of London, March 27, 1655’.Google Scholar
Staffordshire and Stoke on Trent Record Office. Cat. D868/2/4. Katherine Dudley to Richard Leveson, n.d.Google Scholar
TNA PROB 11/138/369, ‘Will of Alicia Dudley of St. Giles in the Fields, Middlesex’, 7 November 1621.Google Scholar
TNA PROB 11/149/258, ‘Will of Sir Thomas Leigh’, 24 May 1626.Google Scholar
TNA PROB 11/182/163, ‘Will of Dame Katherine Leigh’, 8 February 1640.Google Scholar
TNA PROB 11/312/122, ‘Will of Anne Holburne’, 27 August 1663.Google Scholar
TNA PROB 11/329/325, ‘Will of Lady Alicia Duches Duddeley’, 9 March 1669.Google Scholar
Warwickshire Record Office. ‘Warwickshire, England, Church of England Baptisms, Marriages, and Burials, 1535–1812: Stoneleigh, 1616–1699’.Google Scholar

Secondary Sources

Acker, Faith D., ‘John Benson’s Poems and Its Literary Precedents’, in Canonising Shakespeare: Stationers and the Book Trade, 1640–1740, ed. by Depledge, Emma and Kirwan, Peter (Cambridge: Cambridge University Press, 2017), pp. 89–106.Google Scholar
Adams, Simon, ‘Sir Robert Dudley (1574–1649)’, Oxford Dictionary of National Biography Online Edition, https://doi.org/10.1093/ref:odnb/8161.Google Scholar
Aden, John M., ‘Dryden and Boileau: The Question of Critical Influence’, Studies in Philology, 50.3 (1953), 491–509.Google Scholar
Adlard, George, Amye Robsart and the Earl of Leycester (London: John Russell Smith, 1870).Google Scholar
Agamben, Giorgio, The Man without Content, trans. by Georgia Albert (Stanford, CA: Stanford University Press, 1999).Google Scholar
Aho, James, ‘Rhetoric and the Invention of Double Entry Bookkeeping’, Rhetorica: A Journal of the History of Rhetoric, 3.1 (1985), 21–43.Google Scholar
Allen, Don Cameron, Image and Meaning: Metaphoric Traditions in Renaissance Poetry (Baltimore, MD: Johns Hopkins University Press, 1960).Google Scholar
Anon., Englands Helicon (London: I. Roberts for John Flasket, 1600).Google Scholar
Anon., Mausoleum or, The Choicest Flowers of the Epitaphs, Written on the Death of the Never-Too-Much Lamented Prince Henry (London, 1613; STC 13160).Google Scholar
Appleford, Amy, Learning to Die in London, 1380–1540 (Philadelphia: University of Pennsylvania Press, 2015).Google Scholar
Ariès, Philippe, The Hour of Our Death, trans. by Helen Weaver (New York: Vintage, 1981).Google Scholar
Ariès, Philippe, The Hour of Our Death: The Classic History of Western Attitudes toward Death over the Last One Thousand Years, trans. by Helen Weaver, 2nd ed. (New York: Vintage Books, 2008).Google Scholar
Ashmole, Elias, The Antiquities of Berkshire, 3 vols. (London, 1719).Google Scholar
Assmann, Jan, Cultural Memory and Early Civilization: Writing, Remembrance, and Political Imagination (Cambridge: Cambridge University Press, 2011).Google Scholar
Aston, Margaret, Broken Idols of the English Reformation (Cambridge: Cambridge University Press, 2015).CrossRefGoogle Scholar
Atkinson, David W., ‘The English Ars Moriendi: Its Protestant Transformation’, Renaissance and Reformation, 6.1 (1982), 1–10.Google Scholar
Atkinson, David W., ed., The English Ars Moriendi (Bern and New York: Peter Lang, 1992).Google Scholar
Augustine, , The Confessions of Saint Augustine, trans. by R. S. Pine-Coffin (New York: Penguin, 1961).Google Scholar
Augustine, , Answer to Faustus, A Manichean, trans. by Roland Teske (Hyde Park, NY: New City Press, 2007).Google Scholar
Axton, Marie, The Queen’s Two Bodies: Drama and the Elizabethan Succession (London: Royal Historical Society, 1977).Google Scholar
Bacon, Sir Francis, The Felicity of Queen Elizabeth (London: Thomas Newcombe for George Latham, 1651).Google Scholar
Bacon, Sir Francis, The Advancement of Learning and New Atlantis, ed. by Johnston, Arthur (Oxford: Clarendon Press, 1974).Google Scholar
Badham, Sally, ‘A Painted Canvas Funerary Monument of 1615 in the Collections of the Society of Antiquaries of London and Its Comparators’, Church Monuments, 24 (2009), 89–110, 146–53.Google Scholar
Baker, Nicholson, The Size of Thoughts: Essays and Other Lumber (New York: Penguin Random House, 1996).Google Scholar
Baldo, Jonathan, Memory in Shakespeare’s Histories: Stages of Forgetting in Early Modern England (New York: Routledge, 2012).Google Scholar
Barkan, Leonard, ‘What Did Shakespeare Read?’ in The Cambridge Companion to Shakespeare, ed. by de Grazia, Margreta and Wells, Stanley (Cambridge: Cambridge University Press, 2001), pp. 31–47.Google Scholar
Barnes, Joseph, ed., Funebria Nobilissimi Ac Præstantissimi Equitis, D. Henrici Vntoni (Oxford, 1596).Google Scholar
Barthes, Roland, A Lover’s Discourse: Fragments, trans. by Richard Howard (New York: Hill and Wang, 2010).Google Scholar
Battista della Porta, Giovanni, L’Arte del ricordare (Naples: Marco Antonio Passaro, 1566).Google Scholar
Beaty, Nancy Lee, The Craft of Dying: A Study in the Literary Tradition of the Ars Moriendi in England (New Haven, CT: Yale University Press, 1970).Google Scholar
Beecher, Donald and Williams, Grant, eds., Ars Reminiscendi: Mind and Memory in Renaissance Culture (Toronto: Centre for Reformation and Renaissance Studies, 2009).Google Scholar
Bellamy, James and Cogswell, Thomas, The Murder of James I (New Haven, CT: Yale University Press, 2015).Google Scholar
Benet, Diane Treviño, ‘“The Loyall Scot” and the Hidden Narcissus’, in On the Celebrated and Neglected Poems of Andrew Marvell, ed. by Summers, C. J. and Pebworth, T. (Columbia: University of Missouri Press, 1992), pp. 192–206.Google Scholar
Bentley, Thomas, The Monument of Matrons (London: Henry Denham, 1582).Google Scholar
Berger, Harry, Jr., ‘Ars Moriendi in Progress, or John of Gaunt and the Practice of Strategic Dying’, Yale Journal of Criticism, 1.1 (1987), 39–65.Google Scholar
Berlant, Lauren, Desire/Love (Brooklyn, NY: Punctum Books, 2012).Google Scholar
Berry, Wendell, ‘Manifesto: The Mad Farmer Liberation Front’, in Collected Poems, ed. by Berry, Wendell (San Francisco, CA: North Point Press, 1985), p. 151.Google Scholar
Bishop, Jeffrey P., ‘Scientia Mortis and the Ars Moriendi: To the Memory of Norman’, in Health Humanities in Health Humanities Reader, ed. by Jones, Therese, Wear, Delese, and Friedman, Lester D. (New Brunswick, NJ: Rutgers University Press 2014), pp. 387–402.Google Scholar
[Bishops’] Bible (London: Richard Jugge, 1569).Google Scholar
Blair, Ann, Too Much to Know: Managing Scholarly Information before the Modern Age (New Haven, CT: Yale University Press, 2010).Google Scholar
Boileau, Nicolas, The Art of Poetry, trans. by William Soame and John Dryden (London, 1683).Google Scholar
Boileau, Nicolas, Oeuvres Poétiques, ed. by Brunetière, F. (Paris: Hachette, 1923).Google Scholar
Bolzoni, Lina, La stanza della memoria (Turin: Einaudi, 1995).Google Scholar
Bolzoni, Lina, The Gallery of Memory: Literary and Iconographic Models in the Age of the Printing Press, trans. by Jeremy Parzen (Toronto: University of Toronto Press, 2001).Google Scholar
Boreman, Robert, A Mirror of Christianity and a Miracle of Charity (London: E. C. for Robert Royston, 1669).Google Scholar
Borlik, Todd, ‘“The Way to Study Death”: New Light on a Variant in F2 Macbeth’, The Explicator, 70.2 (2012), 144–8.Google Scholar
Boughen, Edward, The Principles of Religion (London, 1646).Google Scholar
Bouhours, Dominique, Les entretiens d’Ariste et d’Eugène (Paris, 1671).Google Scholar
Bouhours, Dominique, Doutes sur la langue française proposés aux Messieurs de l’Academie française (Paris, 1674).Google Scholar
Boyle, Robert, ‘Accidents of an Ague’, in Occasional Reflections (London, 1665).Google Scholar
Bradbrook, M. C., Shakespeare the Craftsman (London: Chatto & Windus, 1969).Google Scholar
Braithwaite, Richard, A Spiritual Spicerie containing sundrie sweet tractates of devotion and piety (London, 1638; STC 3586).Google Scholar
Bray, Gerald, ‘Evangelicals, Salvation, and Church History’, in Catholics and Evangelicals: Do They Share a Common Future?, ed. by Thomas, P. Rausch (New York: Paulist Press, 2000), pp. 77–100.Google Scholar
Brock, Kathryn Gail, ‘Milton’s “Sonnet XVIII” and the Language of Controversy’, Milton Quarterly, 16.1 (1982), 3–6.Google Scholar
Browne, Thomas, Religio Medici (London, 1643).Google Scholar
Browne, Thomas, Hydriotaphia, Urne-Buriall …. Together with The Garden of Cyrus (London, 1658).Google Scholar
Browne, Thomas, A Letter to a Friend, Upon occasion of the Death of his Intimate Friend (London, 1690).Google Scholar
Browne, Thomas, Christian Morals (London, 1716).Google Scholar
Browne, Thomas, Religio Medici and Other Works, ed. by Martin, L. C. (Oxford: Clarendon Press, 1964).Google Scholar
Browne, Thomas, Pseudodoxia Epidemica, ed. by Robbins, Robin, 2 vols. (Oxford: Clarendon Press, 1981).Google Scholar
Budra, Paul, ‘The Emotions of Tragedy: Middleton or Shakespeare?’ in Taylor, Gary and , Trish Thomas Henley, , eds., The Oxford Handbook of Thomas Middleton (Oxford: Oxford University Press, 2012), pp. 487–501.Google Scholar
Burbery, Timothy J., ‘From Orthodoxy to Heresy: A Theological Analysis of Sonnets XIV and XVIII’, Milton Studies, 45.1 (2006), 1–20.CrossRefGoogle Scholar
Burnet, Thomas, The Theory of the Earth (London, 1684).Google Scholar
Burrow, Colin, Shakespeare and Classical Antiquity (Oxford: Oxford University Press, 2013).Google Scholar
Burton, Robert, The Anatomy of Melancholy, ed. by Faulkner, T. C., Kiessling, N. K., and Blair, R. L., with intro. and comm. by J. B. Bamborough and M. Dodsworth, 6 vols. (Oxford: Clarendon Press, 1989–2000).Google Scholar
Butler, F. G., ‘Erasmus and the Deaths of Cordelia and Lear’, English Studies, 73.1 (1992), 10–21.Google Scholar
Butler, Judith, Precarious Life: The Powers of Mourning and Violence (London and New York: Verso, 2004).Google Scholar
Butler, Katy, The Art of Dying Well: A Practical Guide to a Good End of Life (New York: Scribner, 2019).Google Scholar
Callaghan, Dympna, Shakespeare’s Sonnets (Malden and Oxford: Wiley-Blackwell, 2007).Google Scholar
Camden, William, Annales … (London: George Purslowe, Humphrey Lownes, and Miles Flesher for Benjamin Fisher, 1625).Google Scholar
Camden, William, The historie of the life and reigne of that famous princesse Elizabeth (London: William Webbe, 1634).Google Scholar
Carey, Kevin, The End of College: Creating the Future of Learning and the University of Everywhere (New York: Riverhead Books, 2015).Google Scholar
Carlson, Christina Marie, ‘The Rhetoric of Providence: Thomas Middleton’s A Game at Chess (1624) and Seventeenth-Century Political Engraving’, Renaissance Quarterly, 67.4 (2014), 1224–64.Google Scholar
Carlson, Peter, ‘The Art and Craft of Dying’, in The Oxford Handbook of Early Modern Literature and Religion, ed. by Hiscock, Andrew and Wilcox, Helen (Oxford: Oxford University Press, 2017), pp. 634–49.Google Scholar
Carruthers, Mary J., The Book of Memory: A Study of Memory in Medieval Culture (Cambridge: Cambridge University Press, 1990).Google Scholar
Carruthers, Mary J., The Book of Memory: A Study of Memory in Medieval Culture, 2nd ed. (Cambridge: Cambridge University Press, 2008).Google Scholar
Carruthers, Mary J. ‘Moving Back in Memory Studies’, History Workshop Journal, 77.1 (2014), 275–82.Google Scholar
Carter, John, The Nail and the Wheel (London, 1646).Google Scholar
Cascardi, Anthony J., Ideologies of History in the Spanish Golden Age (University Park: Pennsylvania State University Press, 1997).Google Scholar
Chernaik, Warren L., The Poet’s Time: Politics and Religion in the Work of Andrew Marvell (Cambridge: Cambridge University Press, 1983).Google Scholar
Chernaik, Warren L. and Dzelzainis, Martin, eds., Marvell and Liberty (New York: St. Martin’s Press, 1999).Google Scholar
Chibnall, Jennifer, ‘Something to the Purpose: Marvell’s Rhetorical Strategy in The Rehearsal Transpros’d (1672)’, Prose Studies, 9.2 (1986), 80–104.Google Scholar
Chakrabarty, Dipesh, ‘The Climate of History: Four Theses’, Critical Inquiry, 35.2 (2009), 197–222.Google Scholar
Chalk, Brian, ‘Webster’s “Worthyest Monument”: The Problem of Posterity in The Duchess of Malfi’, Studies in Philology, 108.3 (2011), 379–402.Google Scholar
Chalk, Brian, Monuments and Literary Posterity in Early Modern Drama (Cambridge: Cambridge University Press, 2015).CrossRefGoogle Scholar
Chapman, George, Skia nyktos – The shadow of night containing two poeticall hymnes (London: Richard Field for William Ponsonby, 1594).Google Scholar
Charney, Maurice, Wrinkled Deep in Time: Aging in Shakespeare (New York: Columbia University Press, 2009).Google Scholar
Chettle, Henry, Englands mourning garment (London, 1603).Google Scholar
Christian prayers and meditations in English French, Italian, Spanish, Greeke, and Latine (London: John Day, 1569).Google Scholar
Cicero, , De oratore in Cicero on Oratory and Orators, trans. by J. S. Watson (Evanston: Southern Illinois University Press, 1970).Google Scholar
Cicero, , Laelius, On Friendship (Laelius de Amicitia) & The Dream of Scipio, trans. by J. G. F. Powell (Warminster: Aris and Phillips Ltd., 1990).Google Scholar
Cicero, , De oratore: Books I and II, trans. by E. W. Sutton and H. Rackham, 2 vols. (Cambridge, MA, and London: Harvard University Press, 1996).Google Scholar
Clark, A. F. B., Boileau and the French Classical Critics in England (Paris: Champion, 1925).Google Scholar
Clayton, Peter A. and Price, Martin J., ‘Introduction’, in Seven Wonders of the Ancient World, ed. by Clayton, Peter A. and Price, Martin J (London: Routledge, 1988), pp. 1–12.Google Scholar
Clegg, Roger and Skeaping, Lucie, Singing Simpkin and Other Bawdy Jigs: Musical Comedy on the Shakespearean Stage (Exeter: University of Exeter Press, 2014).Google Scholar
Cogan, Thomas, Haven of Health (London, 1588).Google Scholar
Colie, Rosalie, ‘My echoing song’: Andrew Marvell’s Poetry of Criticism (Princeton, NJ: Princeton University Press, 1970).Google Scholar
Cormack, Bradin, ‘Shakespeare’s Narcissus, Sonnet’s Echo’, in The Forms of Renaissance Thought: New Essays on Literature and Culture, ed. by Barkan, Leonard, Cormack, Bradin, and Keilen, Sean (New York: Palgrave Macmillan, 2009), pp. 127–49.Google Scholar
Cornwallis, Charles, A Discourse of The Most Illustrious Prince, Henry, Late Prince of Wales, Written Anno 1626 (London, 1641; Wing C6329).Google Scholar
Cornwallis, Charles, The Life and Death of Our Late and most Incomparable and Heroique Prince, Henry Prince of Wales (London, 1641; Wing C6330).Google Scholar
Cotgrave, Randle, A Dictionarie of the French and English Tongues (London, 1611).Google Scholar
Crane, Mary Thomas, Framing Authority: Sayings, Self, and Society in Sixteenth-Century England (Princeton, NJ: Princeton University Press, 2016).Google Scholar
Cranmer, Thomas, The Book of Common Prayer (London, 1549).Google Scholar
Crashaw, Richard, ‘On a Treatise of Charity’, in The Poems of Richard Crashaw, ed. by Martin, L. C., 2nd ed. (Oxford: Oxford University Press, 1957).Google Scholar
Creaser, John, ‘“As one scap’t strangely from captivity”: Marvell and Existential Liberty’, in Marvell and Liberty, ed. by Chernaik, Warren and Dzelzainis, Martin (New York: St. Martin’s Press, 1999), pp. 145–72.Google Scholar
Cressy, David, Bonfires and Bells: National Memory and the Protestant Calendar in Elizabethan and Stuart England (Berkeley and Los Angeles: University of California Press, 1989).Google Scholar
Cressy, David, Birth, Marriage, and Death: Ritual, Religion, and the Life-Cycle in Tudor and Stuart England (Oxford: Oxford University Press, 1997).Google Scholar
Critchley, Simon, ‘To Philosophize Is to Learn How to Die: Facing Death Can Be a Key to Our Liberation and Survival’, New York Times (11 April 2020).Google Scholar
Crosby, Alfred W., Ecological Imperialism (Cambridge: Cambridge University Press, 1986).Google Scholar
Cummings, Brian, ‘“Dead March”: Liturgy and Mimesis in Shakespeare’s Funerals’, Shakespeare, 8.4 (2012), 368–85.Google Scholar
Cummins, Neil, Kelly, Morgan, and Gráda, Cormac Ó, ‘Living Standards and Plague in London, 1550–1665’, Economic History Review, 69.1 (2016), 3–34.Google Scholar
Curtis, M.H., ‘The Alienated Intellectuals of Early Stuart England’, Past & Present, 23 (1962), 25–43.Google Scholar
D’Urfey, Thomas, Collins Walk through London and Westminster (London, 1690).Google Scholar
da Ravenna, Pietro, Memoriae ars quae Phoenix inscribitur (Vienna: Mathias Bonhome, 1541).Google Scholar
Daniell, Christopher, Death and Burial in Medieval England 1066–1550 (London: Routledge, 2005).Google Scholar
Davidson, Clifford and Oosterwijk, Sophie, John Lydgate, ‘The Dance of Death’, and its Model, the French ‘Danse Macabre’, ed. by Davidson, Clifford and Oosterwijk, Sophie (Leiden: Brill, 2021).Google Scholar
Davies, Sir John, Hymnes of Astraea in acrostike verse (London: I. S., 1599).Google Scholar
Davis, Lydia, ‘Grammar Questions’, in 110 Stories, ed. by Baer, Ulrich (New York: New York University Press, 2002), p. 72.Google Scholar
Davison, Francis, A Poeticall Rhapsody (London: V. Sims, 1602).Google Scholar
Degroot, Dagomar, ‘Climate Change and Society in the 15th to 18th Centuries’, Wiley Interdisciplinary Reviews: Climate Change, 9.3 (May/June 2018), pp. 1–20, https://doi.org/10.1002/wcc.518.Google Scholar
Dekker, Thomas, The pleasant comedie of old Fortunatus (London: S. S. for William Aspley, 1600).Google Scholar
Dekker, Thomas (attrib.), The Great Frost. Cold Doings in London (London: Henry Gosson, 1608).Google Scholar
Dekker, Thomas, The Cold Year 1614 (London: W. W. for Thomas Langley, 1615).Google Scholar
della Porta, Giovanni, L’Arte del ricordare (Naples: Marco Antonio Passaro, 1566).Google Scholar
DeLoughrey, Elizabeth M., Allegories of the Anthropocene (Durham, NC: Duke University Press, 2019).Google Scholar
Dent, R. W., Shakespeare’s Proverbial Language: An Index (Berkeley: University of California Press, 1981).Google Scholar
Derrida, Jacques, ‘The Ends of Man’, in Derrida, Jacques, Margins of Philosophy, trans. by Alan Bass (Chicago: University of Chicago Press, 1972), pp. 111–36.Google Scholar
Derrida, Jacques, Of Grammatology, trans. by Gayatri Chakravorty Spivak (Baltimore, MD: Johns Hopkins University Press, 1976).Google Scholar
Derrida, Jacques, Specters of Marx, trans. by Peggy Kamuf (London and New York: Routledge, 1994).Google Scholar
Dewey, John, Democracy and Education (New York: The Macmillan Company, 1916).Google Scholar
Dobie, Rowland, History of the United Parishes of St. Giles in the Fields and St. George Bloomsbury (London: printed for the author, 1829).Google Scholar
Dobson, Mary J., Contours of Death and Disease in Early Modern England (Cambridge: Cambridge University Press, 2002).Google Scholar
Doebler, Bettie Anne, ‘Othello’s Angels: The Ars Moriendi’, ELH, 34.2 (June 1967), 156–72.Google Scholar
Donne, John, ‘A Feaver’, in Poems by J.D. With elegies on the authors death (London, 1633).Google Scholar
Donne, John, LXXX Sermons Preached by that Learned and Reverend Divine, John Donne (London, 1640).Google Scholar
Donne, John, The Sermons of John Donne, ed. by Potter, George R. and Simpson, Evelyn M. (Berkeley and Los Angeles: University of California Press, 1962).Google Scholar
Donne, John, John Donne: Selected Prose, ed. by Simpson, Evelyn, Gardner, Helen, and Healy, T. S. (Oxford: Oxford University Press, 1967).Google Scholar
Donne, John, The Complete English Poems, ed. by Smith, A. J. (London: Penguin, 1971).Google Scholar
Donne, John, The Complete English Poems, ed. by Smith, A. J. (London: Penguin, 1986).Google Scholar
Donne, John, The Variorum Edition of the Poetry of John Donne, Vol. 6: The Anniversaries and the Epicedes and Obsequies, ed. by Stringer, Gary A. (Bloomington: Indiana University Press, 1995).Google Scholar
Donne, John, The Complete English Poems, ed. by Smith, A. J. (New York: Penguin, 1996).Google Scholar
Donne, John, The Sermons of John Donne, Vol. 12: Sermons Preached at St Paul’s Cathedral, 1626, ed. by Lund, Mary Ann (Oxford: Oxford University Press, 2017).Google Scholar
Donno, Elizabeth Story, ed., Andrew Marvell: The Critical Heritage (London: Routledge & Kegan Paul, 1978).Google Scholar
Doran, Susan, ‘Virginity, Divinity and Power: The Portraits of Elizabeth I’, in The Myth of Elizabeth, ed. by Doran, Susan and Freeman, Thomas S. (Basingstoke: Palgrave, 2003), pp. 171–99.Google Scholar
Doran, Susan and Freeman, Thomas S., eds., The Myth of Elizabeth (Basingstoke: Palgrave, 2003).Google Scholar
Dowland, John, Lachrimæ, or Seauen Teares (London, [1604]).Google Scholar
Drayton, Michael, Idea (London: Thomas Orwin, 1593).Google Scholar
Drayton, Michael, Englands Heroicall Epistles (London, 1597).Google Scholar
Drayton, Michael, Englands Heroicall Epistles, in The Works of Michael Drayton, Volume 2, ed. by Hebel, J. W. (Oxford: Shakespeare Head, 1933).Google Scholar
Drayton, Michael, Poly-Olbion, in The Works of Michael Drayton, Volume 4, ed. by Hebel, J. W. (Oxford: Shakespeare Head, 1933), 11.359–60, 16.79–80.Google Scholar
Drouet, Pascale and Carroll, William, eds., ‘The Duchess of Malfi’: Webster’s Tragedy of Blood (Paris: Belin, 2018).Google Scholar
Dryden, John, Selected Works, ed. by Frost, William (New York: Holt, Rinehart and Winston, 1971).Google Scholar
Dubrow, Heather, Deixis in the Early Modern English Lyric: Unsettling Spatial Anchors Like ‘Here’, ‘This’, ‘Come’ (Basingstoke and New York: Palgrave, 2015).Google Scholar
Duffy, Eamon, The Stripping of the Altars: Traditional Religion in England, 1400–1580 (New Haven, CT: Yale University Press, 1992).Google Scholar
Dugan, Holly, The Ephemeral History of Perfume: Scent and Sense in Early Modern England (Baltimore, MD: Johns Hopkins University Press, 2011).Google Scholar
Dugdale, Lydia S., The Lost Art of Dying: Reviving Forgotten Wisdom (New York: HarperOne, 2020).Google Scholar
Dugdale, William, ‘Dugdale’s Account of Duchess Dudley’, The Gentleman’s Magazine (April 1820), 309–11.Google Scholar
Dugdale, William, Diary, in The Life, Diary and Correspondence of Sir William Dugdale, Knight, ed. by Hamper, William (London: Harding and Lepard, 1827).Google Scholar
Duncan-Jones, Elsie, ‘Marvell: A Great Master of Words’, Proceedings of the British Academy, 61 (1975), 267–90.Google Scholar
Dutton, Richard, ‘Thomas Middleton’s A Game at Chess: A Case Study’, in The Cambridge History of British Theatre, vol. 1, ed. by Milling, J. and Thomson, P. (Cambridge: Cambridge University Press, 2004), pp. 424–38.Google Scholar
Dwelly, Edward, ed., Dwelly’s Parish Records (London: E. Dwelly, 1864).Google Scholar
Dzelzainis, Martin, ‘Marvell and the Earl of Castlemaine’, in Marvell and Liberty, ed. by Chernaik, Warren L. and Dzelzainis, Martin (New York: St. Martin’s Press, 1999), pp. 290–312.Google Scholar
Dzelzainis, Martin and Holberton, Edward, eds., The Oxford Handbook of Andrew Marvell (Oxford: Oxford University Press, 2019).Google Scholar
Edmondson, Paul and Wells, Stanley, Shakespeare’s Sonnets (Oxford: Oxford University Press, 2004).Google Scholar
Eire, Carlos M. N., A Very Brief History of Eternity (Princeton, NJ: Princeton University Press, 2010).Google Scholar
Eire, Carlos M. N., Reformations: The Early Modern World, 1450–1650 (New Haven, CT: Yale University Press, 2016).Google Scholar
Eliot, T. S., Selected Poems (New York: Harcourt, Brace & World, 1934).Google Scholar
Eliot, T. S., Selected Essays, 3rd ed. (London: Faber and Faber, 1951).Google Scholar
Elizabeth, I, Elizabeth I: Collected Works, ed. by Marcus, Leah S., Mueller, Janel, and Rose, Mary Beth (Chicago: University of Chicago Press, 2002).Google Scholar
Elizabeth, I, Translations 1544–1589, ed. by Mueller, Janel and Scodel, Joshua (Chicago: University of Chicago Press, 2009).Google Scholar
Elyot, Thomas, The Dictionary of Sir Thomas Eliot Knight (London, 1538; STC 7659).Google Scholar
Endfield, Georgina H., ‘Exploring Particularity: Vulnerability, Resilience, and Memory in Climate Change Discourses’, Environmental History, 19.2 (April 2014), 303–10.Google Scholar
Engel, William E., Mapping Mortality: The Persistence of Memory and Melancholy in Early Modern England (Amherst: University of Massachusetts Press, 1995).Google Scholar
Engel, William E., ‘What’s New in Mnemology?’, Connotations, 11.2–3 (2001–2002), 241–61.Google Scholar
Engel, William E., Death and Drama in Renaissance England: Shades of Memory (Oxford: Oxford University Press, 2002).Google Scholar
Engel, William E., ‘Poe’s Cultural Inheritance’, in The Oxford Handbook of Edgar Allen Poe, ed. by Kennedy, J. G. and Peeples, S. (Oxford: Oxford University Press, 2019), pp. 499–519.Google Scholar
Engel, William E., Loughnane, Rory, and Williams, Grant, eds., The Memory Arts in Renaissance England (Cambridge: Cambridge University Press, 2016).Google Scholar
Engel, William E., Loughnane, Rory, and Williams, Grant, eds., The Death Arts in Renaissance England (Cambridge: Cambridge University Press, 2022).Google Scholar
Enterline, Lynn, Shakespeare’s Schoolroom (Philadelphia: University of Pennsylvania Press, 2012).Google Scholar
Epictetus, The Manuell of Epictetus, trans. by James Sanford (London: Imprinted by H. Bynneman for Leonard Maylard, 1567).Google Scholar
Epictetus, The Enchiridion, trans. by Thomas Wentworth Higginson, in The Works of Epictetus (Boston: Little, Brown, and Company, 1865).Google Scholar
Erasmus, Desiderius, De praeparatione ad mortem (Basel: Froben and Episcopius, 1534).Google Scholar
Erasmus, Desiderius, Preparation to deathe, trans. by Anon. (London, 1538; STC 10505).Google Scholar
Erasmus, Desiderius, Opus epistolarum Des. Erasmi Roterdami, vol. 11, ed. by Percy Stafford Allen (Oxford: Clarendon Press, 1906).Google Scholar
Erasmus, Desiderius, Preparing for Death in Spiritualia and Pastoralia, trans. by John N. Grant, in Collected Works of Erasmus, vol. 70, ed. by O’Malley, John W. (Toronto: University of Toronto Press, 1998).Google Scholar
Erasmus, Desiderius, Correspondence of Erasmus: Letters 2803 to 2939, trans. by Clarence H. Miller, in Collected Works of Erasmus, vol. 20, ed. by Estes, James M. (Toronto: University of Toronto Press, 2020).Google Scholar
Erne, Lukas, ‘“Our Other Shakespeare”: Thomas Middleton and the Canon’, Modern Philology, 107.3 (February 2010), 493–505.Google Scholar
Eustace, Katherine, ‘Before or After? A Model of the Monument to Mary Thornhurst (1549–1609) in St Michael’s Chapel, Canterbury Cathedral’, Church Monuments, 25 (2010), 105–20.Google Scholar
Evelyn, John, A Philosophical Discourse of Earth (London, 1676).Google Scholar
Farrow, Thomas J., ‘The Dissolution of St. Paul’s Charnel: Remembering and Forgetting the Collective Dead in Late Medieval and Early Modern England’, Mortality (2021), https://doi.org/10.1080/13576275.2021.1911976.Google Scholar
Felch, Susan M. and Stump, Donald V., eds., Elizabeth I and Her Age (New York: W.W. Norton & Company, 2008).Google Scholar
Fenner, Dudley, The Song of Songs, That Is, the Most Excellent Song Which Was Solomon’s (Middelburg, 1587; STC 2769).Google Scholar
Finn, Margot C., The Character of Credit: Personal Debt in English Culture, 1740–1914, Cambridge Social and Cultural Histories (Cambridge: Cambridge University Press, 2003).Google Scholar
Fitzgeffrey, Henry, Satyres and Satyricall Epigrams (London, 1617; STC 10945).Google Scholar
Floyd-Wilson, Mary, English Ethnicity and Race in Early Modern Drama (Cambridge: Cambridge University Press, 2003).Google Scholar
Fortin, Simon, ‘Dying to Learn, Learning to Die, The Craft of Dying in Early Modern English Drama and the Cultivation of Dying-Voice Literacy’ (unpublished doctoral dissertation, CUNY, 2016).Google Scholar
Foster, Joseph, ed., The Pedigrees of the County Families of Yorkshire, 3 vols. (London: W. Wilfred Head, 1874).Google Scholar
Foxe, John, Acts and Monuments (London: John Day, 1563).Google Scholar
Frarinus, Petrus, An Oration against the Unlawfull Insurrections of the Protestantes of our Time (Antwerp: Joannes Foulerus, 1566).Google Scholar
Freud, Sigmund, ‘Thoughts of the Times on War and Death’, in The Standard Edition of the Complete Psychological Works of Sigmund Freud, gen. ed. by Strachey, James, vol. 14 (London: Hogarth Press, 1957), pp. 275–300.Google Scholar
Friedman, Donald M., ‘Rude Heaps and Decent Order’, in Marvell and Liberty, ed. by Chernaik, Warren L. and Dzelzainis, Martin (New York: St. Martin’s Press, 1999), pp. 123–44.Google Scholar
Galen, Methodus Medendi [Method of Medicine], ed. and trans. by Ian Johnston and G. H. Horsely (Cambridge, MA: Harvard University Press/Loeb Classical Library, 2011).Google Scholar
Garganigo, Alex, ‘The Rehearsal Transpros’d and The Rehearsal Transpros’d: The Second Part’, in The Oxford Handbook of Andrew Marvell, ed. by Dzelzainis, Martin and Holberton, Edward (Oxford: Oxford University Press, 2019), pp. 517–42.Google Scholar
Garrison, John S., Shakespeare and the Afterlife (Oxford: Oxford University Press, 2018).Google Scholar
George, Kathleen, Winter’s Tales: Reflections on the Novelistic Stage (Newark: University of Delaware Press, 2005).Google Scholar
Ginsberg, Allen, ‘An Interview by Gary Pacernick’ (1997), in First Thought: Conversations with Allen Ginsberg, ed. by Schumacher, Michael (Minneapolis: University of Minnesota Press, 2017).Google Scholar
Gittings, Clare, ‘Expressions of Loss in Early Seventeenth Century England’, in The Changing Face of Death: Historical Accounts of Death and Disposal, ed. by Jupp, Peter C. and Howarth, Glennys (Basingstoke: Macmillan, 1997), pp. 19–33.Google Scholar
Gleeson-White, Jane, Double Entry: How the Merchants of Venice Created Modern Finance (New York and London: W.W. Norton & Company, 2011).Google Scholar
Goethe, Johann Wolfgang von, Wilhelm Meister’s Apprenticeship, in The Collected Works, vol. 9, ed. and trans. by Eric A Blackall in cooperation with Victor Lange (Princeton, NJ: Princeton University Press, 1989; repr. 1995).Google Scholar
Goldberg, Jonathan, Voice Terminal Echo: Postmodernism and English Renaissance Texts (New York and London: Methuen, 1986).Google Scholar
Goldring, Elizabeth et al., eds., John Nichols’s The Progresses and Public Processions of Queen Elizabeth I: A New Edition of the Early Modern Sources, 5 vols. (Oxford: Oxford University Press, 2014).Google Scholar
Goodman, Godfrey, At the Court of King James the First … Now First Published from the Original Manuscripts, ed. by Brewer, John S., 2 vols. (London: Richard Bentley, 1839).Google Scholar
Gordon, Bruce and Marshall, Peter, eds., The Place of the Dead: Death and Remembrance in Late Medieval and Early Modern Europe (Cambridge: Cambridge University Press, 2000).Google Scholar
Goulart, Simon, Admirable and Memorable Histories, trans. by Ed[ward] Grimeston (London, 1607; STC 12135).Google Scholar
Graunt, John, Observations on the Bills of Mortality, in The Economic Writings of Sir William Petty, vol. 2, ed. by Hull, Charles Henry (Cambridge: Cambridge University Press, 1899).Google Scholar
Greenblatt, Stephen, Hamlet in Purgatory (Princeton, NJ: Princeton University Press, 2001).Google Scholar
Gregory of Nyssa, ‘On the Soul and the Resurrection’, in Nicene and Post-Nicene Fathers, Series 2, Volume 5, ed. by Schaff, Philip (London, 1893).Google Scholar
Greville, Fulke, The life of the renowned S[i]r Philip Sidney (London: for Henry Seile, 1652).Google Scholar
Greville, Fulke, Poems and Dramas of Fulke Greville: First Lord Brooke, Volume 1, ed. by Bullough, Geoffrey (Oxford: Oxford University Press, 1945).Google Scholar
Grimald, Nicholas, ‘Of Friendship’, in Tottel’s Miscellany, ed. by Tottel, Richard (London: s.n., 1867).Google Scholar
Guibbory, Achsah, ‘John Donne and Memory as “The Art of Salvation”’, Huntington Library Quarterly, 43.4 (1980), 261–74.Google Scholar
Gurr, Andrew, The Shakespearean Stage, 1574–1642 (Cambridge: Cambridge University Press, 1970).Google Scholar
Guth, DeLloyd J. ‘The Age of Debt, the Reformation and English Law’, in Tudor Rule and Revolution: Essays for G. R. Elton from His American Friend, ed. by Guth, Delloyd J. and McKenna, John W. (Cambridge: Cambridge University Press, 1982), pp. 69–86.Google Scholar
Guy-Bray, Stephen, ‘Remembering to Forget: Shakespeare’s Sonnet 35 and Sigo’s “XXXV”’, in Sexuality and Memory in Early Modern England: Literature and the Erotics of Recollection, ed. by Garrison, John S. and Pivetti, Kyle (London and New York: Routledge, 2015), pp. 43–50.Google Scholar
Habl, Jan, ‘“Only that man who governs himself may govern others”: Jan Amos Comenius and His Anthropological Assumptions of Moral Politics’, Pro Rege, 43.4 (2015), 8–14.Google Scholar
Hackenbracht, Ryan, National Reckonings: The Last Judgment and Literature in Milton’s England (Ithaca, NY: Cornell University Press, 2019).Google Scholar
Hackett, Helen, ‘Rediscovering Shock: Elizabeth I and the Cult of the Virgin Mary’, Critical Quarterly 35.3 (September 1993), 30–42.Google Scholar
Hackett, Helen, Virgin Mother, Maiden Queen: Elizabeth I and the Cult of the Virgin Mary (London: Palgrave, 1995).Google Scholar
Hackett, Helen, ‘Dreams or Designs, Cults or Constructions? The Study of Images of Monarchs’, The Historical Journal, 44.3 (2001), 811–23.Google Scholar
Hackett, Helen, ‘A New Image of Elizabeth I: The Three Goddesses Theme in Art and Literature’, Huntington Library Quarterly, 77.3 (September 2014), 225–56.Google Scholar
Halbwachs, Maurice, On Collective Memory, ed. and trans. by Lewis A. Coser (Chicago: University of Chicago Press, 1992).Google Scholar
Haraway, Donna, The Companion Species Manifesto: Dogs, People, and Significant Otherness (Chicago: Prickly Paradigm Press, 2003).Google Scholar
Harding, Vanessa, The Dead and the Living in Paris and London, 1500–1670 (Cambridge: Cambridge University Press, 2002).Google Scholar
Harington, John, A Preface, or rather a Briefe Apologie of Poetrie, prefixed to the translation of Orlando Furioso (London, 1591).Google Scholar
Harward, Simon, Two Godly and Learned Sermons (London, 1582).Google Scholar
Hatton, Edward, A New View of London, 2 vols. (London: R. Chiswell and A. and J. Churchill, 1708).Google Scholar
Heffernan, Virginia, ‘The Beautiful Benefits of Contemplating Doom’, Wired (April 2019), www.wired.com/story/the-beautiful-benefits-of-contemplating-doom/.Google Scholar
Helfer, Rebeca, Spenser’s Ruins and the Art of Recollection (Toronto: University of Toronto Press, 2012).Google Scholar
Helfer, Rebeca, ‘The State of the Art of Memory and Shakespeare Studies’, in The Routledge Handbook of Shakespeare and Memory, ed. by Hiscock, Andrew and Wilder, Lina Perkins (London: Routledge, 2018), pp. 315–28.Google Scholar
Helms, Lorraine, ‘“The High Roman Fashion”: Sacrifice, Suicide, and the Shakespearean Stage’, PMLA, 107.3 (1992), 554–65.Google Scholar
Herrick, Robert, ‘225. The Plaudite, or End of Life’, in The Complete Poetry of Robert Herrick: Volume I, ed. by Cain, Tom T. and Connolly, Ruth (Oxford: Oxford University Press, 2013).Google Scholar
Heskyns, Thomas, The Parliament of Chryste (Antwerp, 1566).Google Scholar
Heywood, Thomas, Funeral Elegie [for King James I] (London, 1625; STC 13324).Google Scholar
Hildreth, R. W., ‘What Good Is Growth? Reconsidering Dewey on the Ends of Education’, Education & Culture, 27.2 (2011), 28–47.Google Scholar
Hippocrates, , Prognostic, trans. by W. H. S. Jones (Cambridge, MA: Harvard University Press/Loeb Classical Library, 1923).Google Scholar
Hirst, Derek and Zwicker, Steven, Andrew Marvell, Orphan of the Hurricane (Oxford: Oxford University Press, 2012).Google Scholar
Hiscock, Andrew, Reading Memory in Early Modern English Literature (Cambridge: Cambridge University Press, 2011).Google Scholar
Hiscock, Andrew, ‘Élisabeth Ière: Iconographie, Matérialité et Côté Obscur’, in Actes du colloque tenu au château de Bournazel (Montpellier: Édition du Buisson/Presses Universitaires de la Méditerranée, forthcoming).Google Scholar
Holland, Peter, Shakespeare and Forgetting (London: Bloomsbury, 2021).Google Scholar
The Holy Bible (London, 1611; STC 2216).Google Scholar
Holst, Jonas, ‘The Fall of the Tektōn and the Rise of the Architect: On the Greek Origins of Architectural Craftsmanship’, Architectural Histories, 5.1 (2017), https://doi.org/10.5334/ah.239.Google Scholar
Horace, Horace: The Odes and Epodes, trans. by Charles E. Bennett (Cambridge, MA; London: Harvard University Press; Heinemann, 1964).Google Scholar
Houlbrooke, Ralph, Death, Religion and the Family in England, 1480–1750 (Oxford: Oxford University Press, 1998).Google Scholar
Howard, Henry, Earl of Surrey, ‘Complaint of the Absence of Her Lover, Being on the Sea’, in The Broadview Anthology of Sixteenth-Century Poetry and Prose, ed. by Loughlin, Marie, Bell, Sandra, and Brace, Patricia (Peterborough, ON: Broadview Press, 2011), p. 192.Google Scholar
Howard, Jackson Joseph, Miscellanea Genealogica et Heralidica, 3rd series, vol. 4 (London: Hamilton, Adams, and Co., 1902).Google Scholar
Huffman, Carl, ‘Pythagoreanism’, in The Stanford Encyclopedia of Philosophy (Fall 2019), ed. by Zalta, Edward N., https://plato.stanford.edu/archives/fall2019/entries/pythagoreanism/.Google Scholar
Hui, Andrew, The Poetics of Ruins in Renaissance Literature (New York: Fordham University Press, 2017).Google Scholar
Hulme, Mike, ‘Climate’, in The Cambridge Guide to the Worlds of Shakespeare. Shakespeare’s World, 1500–1660, ed. by Smith, Bruce R., 2 vols. (Cambridge: Cambridge University Press, 2016), 1:29–34.Google Scholar
Hunter, William B., Jr., ‘Milton and the Waldensians’, Studies in English Literature, 1500–1900, 11.1 (Winter 1971), 153–64.Google Scholar
Huntley, Frank Livingstone, Sir Thomas Browne: A Biographical and Critical Study (Ann Arbor: University of Michigan Press, 1962; pbk 1968).Google Scholar
Hurtig, Judith, ‘Seventeenth-Century Shroud Tombs: Classical Revival and Anglican Context’, The Art Bulletin, 64.2 (June 1982), 217–28.Google Scholar
Hutton, Patrick H., Philippe Ariès and the Politics of French Cultural History (Amherst: University of Massachusetts Press, 2004).Google Scholar
Ivic, Christopher and Williams, Grant, eds., Forgetting in Early Modern English Literature and Culture: Lethe’s Legacies (London: Routledge, 2004).Google Scholar
Jerome, ‘To Pammachius against John of Jerusalem’, trans. by W. H. Fremantle, in Nicene and Post-Nicene Fathers, Series 2, Volume 6, ed. by Schaff, Philip (Christian Classics Ethereal Library), www.ccel.org/ccel/schaff/npnf206.vi.viii.html.Google Scholar
Johnson, Samuel, The Idler, no. 103 (Saturday, 5 April 1760), Yale Digital Edition of the Works of Samuel Johnson, www.yalejohnson.com/frontend/sda_viewer?n=107591.Google Scholar
Jonas, Hans, ‘Tool, Image, and Grave: On What Is Beyond the Animal in Man’, in Mortality and Morality: A Search for Good after Auschwitz, ed. by Vogel, Lawrence (Evanston, IL: Northwestern University Press, 1996), pp. 75–86.Google Scholar
Jones, Emrys, The Origins of Shakespeare (Oxford: Oxford University Press, 1977).Google Scholar
Jonson, Ben, The Alchemist (London: Thomas Snodham, 1612).Google Scholar
Jonson, Ben, ‘To the Memory of My Beloved the Author, Mr. William Shakespeare, and what he hath left us’, in Mr. William Shakespeares Comedies, Histories, & Tragedies, ed. by Heminges, John and Condell, Henry (London, 1623).Google Scholar
Jonson, Ben, Timber, or Discoveries, in Ben Jonson, Vol. 8: The Poems; The Prose Works, ed. by Herford, C. H., Simpson, Percy, and Simpson, Evelyn (Oxford: Oxford University Press, 1947), pp. 555–649.Google Scholar
Kalanithi, Paul, When Breath Becomes Air (New York: Random House, 2016).Google Scholar
Karremann, Isabel, The Drama of Memory in Shakespeare’s History Plays (Cambridge: Cambridge University Press, 2015).Google Scholar
Kathman, David, ‘Players, Livery Companies, and Apprentices’, in The Oxford Handbook of Early Modern Theatre, ed. by Dutton, Richard (Oxford: Oxford University Press 2009), pp. 413–28.Google Scholar
Kay, Dennis, Melodious Tears: The English Funeral Elegy from Spenser to Milton (Oxford: Clarendon Press, 1990).Google Scholar
Keers, Robert Young, Pulmonary Tuberculosis (London: Baillière Tindal, 1978).Google Scholar
Kerrigan, John, Shakespeare’s Binding Language (Oxford: Oxford University Press, 2016).Google Scholar
Kezar, Dennis, Guilty Creatures: Renaissance Poetry and the Ethics of Authorship (Oxford: Oxford University Press, 2001).Google Scholar
Kiernan, Stephen P., Last Rights: Rescuing the End of Life from the Medical System (New York: St. Martin’s Press, 2006).Google Scholar
King, John N., Tudor Royal Iconography: Literature and Art in an Age of Religious Crisis (Princeton, NJ: Princeton University Press, 1989).Google Scholar
King, John N., ‘Queen Elizabeth I: Representations of the Virgin Queen’, Renaissance Quarterly, 43.1 (1990), 30–74.Google Scholar
Kircher, Athanasius, The vulcano’s: or, Burning and fire-vomiting mountains, famous in the world: with their remarkables (London, 1669).Google Scholar
Kishlansky, Mark, A Monarchy Transformed: Britain, 1603–1714 (London: Penguin Books, 1997).Google Scholar
Knapp, Jeffrey, Pleasing Everyone: Mass Entertainment in Renaissance England and Golden-Age Hollywood (Oxford: Oxford University Press, 2016).Google Scholar
Knott, John R., Discourses of Martyrdom in English Literature, 1563–1694 (Cambridge: Cambridge University Press, 1993).Google Scholar
Koller, Kathrine, ‘Falstaff and the Art of Dying’, Modern Language Notes, 60.6 (June 1945), 383–6.Google Scholar
Krier, Theresa M., ‘Psychic Deadness in Allegory: Spenser’s House of Mammon and Attacks on Linking’, in Imagining Death in Spenser and Milton, ed. by Bellamy, E. J., Cheney, P., Schoenfeldt, M. (London: Palgrave, 2003), pp. 46–64.Google Scholar
Kuchar, Gary, The Poetry of Religious Sorrow in Early Modern England (Cambridge: Cambridge University Press, 2008).Google Scholar
La Marche, Olivier de, The Travelled Pilgrim, trans. by Stephen Batman (London, 1569; STC 1585).Google Scholar
Lafont, Agnès, ‘“I am truly more fond and foolish than ever Narcissus was”: Webster’s Duchess of Malfi and Ovidian Resonances’, in The Duchess of Malfi: Webster’s Tragedy of Blood, ed. by Drouet, Pascale and Carroll, William C. (Paris: Belin, 2018), pp. 60–77.Google Scholar
Lane, John, An elegie vpon the death of the high and renowned princesse, our late Soueraigne Elizabeth (London: W. White, 1603).Google Scholar
Langlands, Alexander, Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts (New York: W.W. Norton & Company, 2018).Google Scholar
Laoutaris, Chris, ‘“Toucht with bolt of Treason”: The Earl of Essex and Lady Penelope Rich’, in Essex: The Cultural Impact of an Elizabethan Courtier, ed. by Connolly, Annaliese and Hopkins, Lisa (Manchester: Manchester University Press, 2013), pp. 201–36.Google Scholar
Latour, Bruno, Politics of Nature: How to Bring the Sciences into Democracy, trans. by Catherine Porter (Cambridge, MA: Harvard University Press, 2004).Google Scholar
Le Goff, Jacques, ‘The Usurer and Purgatory’, in The Dawn of Modern Banking (New Haven, CT, and London: Yale University Press, 1979), pp. 25–52.Google Scholar
Le Goff, Jacques, The Birth of Purgatory, trans. by Arthur Goldhammer (Chicago: University of Chicago Press, 1984).Google Scholar
Lehmberg, Stanford E., Cathedrals under Siege: Cathedrals in English Society, 1600–1700 (University Park: Pennsylvania University Press, 1996).Google Scholar
Leppin, Volker, ‘Preparing for Death: From the Late Medieval Ars Moriendi to the Lutheran Funeral Sermon’, in Preparing for Death, Remembering the Dead, ed. by Flæten, Jon Øygarden and Rasmussen, Tarald (Göttingen: Vandenhoeck & Ruprecht, 2015), pp. 9–24.Google Scholar
Letters and Papers, Foreign and Domestic, Henry VIII, Volume 13 Part 2, August–December 1538, ed. by Gairdner, James (London, 1893), British History Online, www.british-history.ac.uk/letters-papers-hen8/vol13/no2.Google Scholar
Lewalski, Barbara Kiefer, Protestant Poetics and the Seventeenth-Century Religious Lyric (Princeton, NJ: Princeton University Press, 1979).Google Scholar
Lewis, Simon L. and Maslin, Mark A., ‘Defining the Anthropocene’, Nature, 159 (March 2015), 171–80.Google Scholar
Lim, Vanessa, ‘“To be or not to be”: Hamlet’s Humanistic Quaestio’, The Review of English Studies, 70.296 (2019), 640–58.Google Scholar
Llewellyn, Nigel, Art of Death: Visual Culture in the English Death Ritual, c. 1500–c. 1800 (London: Reaktion, 1991).Google Scholar
Llewellyn, Nigel, Funeral Monuments in Post-Reformation England (Cambridge: Cambridge University Press, 2000).Google Scholar
Loughnane, Rory, ‘The Medieval Inheritance’, in The Oxford Handbook of Shakespearean Tragedy, ed. by Neill, Michael and Schalkwyk, David (Oxford: Oxford University Press, 2016), pp. 35–53.Google Scholar
Loughnane, Rory, ‘Studied Speech and The Duchess of Malfi: The Lost Arts of Rhetoric, Memory, and Death’ Sillages Critiques, 26 (2019), ‘Nouvelles perspectives sur The Duchess of Malfi’, https://journals.openedition.org/sillagescritiques/6847?lang=en.Google Scholar
Lowenthal, David, The Past is a Foreign Country – Revisited (Cambridge: Cambridge University Press, 2015).Google Scholar
Lyne, Raphael, Memory and Intertextuality in Renaissance Literature (Cambridge: Cambridge University Press, 2016).Google Scholar
MacLeod, Catherine, ed., The Lost Prince: The Life and Death of Henry Stuart (London: National Portrait Gallery, 2012).Google Scholar
Malo, Robyn, ‘Intimate Devotion: Recusant Martyrs and the Making of Relics in Post-Reformation England’, Journal of Medieval and Early Modern Studies, 44.3 (2014), 531–48.Google Scholar
Marlowe, Christopher, Doctor Faustus: A- and B-Texts, ed. by Bevington, David and Rasmussen, Eric (Manchester: Manchester University Press, 1993).Google Scholar
Marlowe, Christopher, Doctor Faustus (A-text), in Doctor Faustus and Other Plays, ed. by Bevington, David and Rasmussen, Eric (Oxford: Oxford University Press, 1998).Google Scholar
Marotti, Arthur F., ‘Southwell’s Remains: Catholicism and Anti-Catholicism in Early Modern England’, in Texts and Cultural Change in Early Modern England, ed. by Brown, C. C. and Marotti, A. F. (London: Palgrave, 1997), pp. 37–65.Google Scholar
Marshall, Peter, Beliefs and the Dead in Reformation England (Oxford: Oxford University Press, 2002).Google Scholar
Marvell, Andrew, Prose Works, ed. by Patterson, Annabel, with Dzelzainis, Martin, von Maltzahn, Nicholas, and Keeble, N. H., 2 vols. (New Haven, CT: Yale University Press, 2003).Google Scholar
Marvell, Andrew, The Poems of Andrew Marvell, ed. by Smith, Nigel (Harlow, UK: Longman Pearson, 2007).Google Scholar
Maughan, Philip, ‘“I think the dead are with us”: John Berger at 88’, New Statesman (11 June 2015).Google Scholar
McClure, Peter and Wells, Robin Headlam, ‘Elizabeth I as a Second Virgin Mary’, Renaissance Studies, 4.1 (March 1990), 38–70.Google Scholar
McDonald, Russ, ‘Planned Obsolescence or Working at the Words’, in Teaching Shakespeare: Passing it On, ed. by Shand, G. B. (Chichester and Malden, MA: Wiley 2009), pp. 25–42.Google Scholar
McDowell, Nicholas, Poetry and Allegiance in the English Civil Wars: Marvell and the Cause of Wit (Oxford: Oxford University Press, 2008).Google Scholar
McDowell, Nicholas, ‘Marvell’s French Spirit’, in The Oxford Handbook of Andrew Marvell, ed. by Dzelzainis, Martin and Holberton, Edward (Oxford: Oxford University Press, 2019), pp. 614–36.Google Scholar
McKenzie, Andrea, Tyburn’s Martyrs: Execution in England, 1675–1775 (London: Bloomsbury, 2007).Google Scholar
McNamara, Gregory, ‘“Grief was as clothes to their backs”: Prince Henry’s Funeral Viewed from the Wardrobe’, in Prince Henry Revived: Image and Exemplarity in Early Modern England, ed. by Wilks, Timothy (Southampton: Southampton Solent University and Paul Holberton Publishing, 2007), pp. 259–79.Google Scholar
Meres, Francis, Palladis Tamia, Wit’s Treasury (London, 1598).Google Scholar
Middleton, Thomas, A Game at Chess, ed. by Harper, J. W. (London: Ernest Benn Limited, 1966).Google Scholar
Middleton, Thomas, The Collected Works, gen. ed. by Taylor, Gary and Lavignino, John (Oxford: Clarendon Press, 2007).Google Scholar
Milton, John, Complete Poems and Major Prose, ed. by Hughes, Merritt Y. (Indianapolis: Odyssey Press, 1957).Google Scholar
Milton, John, ‘On the Late Massacher in Piemont’, in The Complete Works of John Milton, Vol. 3: The Shorter Poems, ed. by Lewalski, Barbara Kiefer and Haan, Estelle (Oxford: Oxford University Press, 2012), p. 245.Google Scholar
Miner, Earl, ‘The “Poetic Picture, Painted Poetry” of “The Last Instructions to a Painter”’, Modern Philology, 63.4 (1966), 288–94.Google Scholar
Mishra, Pankaj, The Age of Anger: A History of the Present (London: Penguin Books, 2017).Google Scholar
Monta, Susannah Brietz, ‘Representing Martyrdom in Tudor England’, in Oxford Handbooks Online (2016), https://doi.org/10.1093/oxfordhb/9780199935338.013.71.Google Scholar
Montaigne, Michel de, The Essayes of Michael Lord of Montaigne, Translated by John Fiorio, The First Booke (London, 1603).Google Scholar
Montaigne, Michel de, The Complete Essays of Montaigne, trans. by Donald M. Frame (Stanford, CA: Stanford University Press, 1958).Google Scholar
Mottram, Stewart, Ruin and Reformation in Spenser, Shakespeare, and Marvell (Oxford: Oxford University Press, 2019).Google Scholar
Moul, Victoria, ‘English Elegies of the Sixteenth and Seventeenth Century’, in The Cambridge Companion to Latin Love Elegy, ed. by Thorsen, T. S. (Cambridge: Cambridge University Press, 2013), pp. 306–19.Google Scholar
Munday, Anthony, Zelauto (London: John Charlewood, 1580).Google Scholar
Nashe, Thomas, The Terrors of the Night (London, 1594).Google Scholar
Neill, Michael, ‘Monuments and Ruins as Symbols in The Duchess of Malfi’, in Drama and Symbolism, ed. by Redmond, James, Themes in Drama 4 (Cambridge: Cambridge University Press, 1982), pp. 71–87.Google Scholar
Neill, Michael, Issues of Death: Mortality and Identity in English Renaissance Tragedy (Oxford: Clarendon Press, 1997).Google Scholar
Neill, Michael, ‘“Crabbed Websterio”: The Duchess of Malfi and the Character of a Dramatic Poet’, in ‘The Duchess of Malfi’: Webster’s Tragedy of Blood, ed. by Drouet, Pascale and Carroll, William (Paris: Belin, 2018), pp. 31–46.Google Scholar
New Oxford Annotated Bible, ed. by Metzger, Bruce and Murphy, Roland (Oxford: Oxford University Press, 1994).Google Scholar
Newstok, Scott L., ‘“Turn thy Tombe into a Throne”: Elizabeth I’s Death Rehearsal’, in Goddesses and Queens: The Iconography of Elizabeth I, ed. by Connolly, Annaliese and Hopkins, Lisa (Manchester: Manchester University Press, 2007), pp. 169–90.Google Scholar
Newstok, Scott L., Quoting Death in Early Modern England: The Poetics of Epitaphs Beyond the Tomb (New York: Palgrave Macmillan, 2009).Google Scholar
Newstok, Scott L., How to Think Like Shakespeare: Lessons from a Renaissance Education (Princeton, NJ: Princeton University Press, 2020).Google Scholar
Nichols, Shaun, ‘Imagination and Immortality: Thinking of Me’, Synthese 159 (2007), 215–33.Google Scholar
Nixon, Anthony, Elizaes memoriall. King Iames his arriuall. And Romes downefall (London: Thomas Creede, 1603).Google Scholar
Nora, Pierre, ‘Between Memory and History: Les Lieux de Mémoire’, Representations, 26 (1989), 7–24.Google Scholar
Norbrook, David, ‘“A Liberal Tongue”: Language and Rebellion in Richard II’, in Shakespeare’s Universe: Renaissance Ideas and Conventions: Essays in Honour of W. R. Elton, ed. by Mucciolo, John M. with Doloff, Steven J. and Rauchut, Edward A. (Aldershot: Scolar Press, 1996), pp. 37–51.Google Scholar
Norfolk Historic Environment Service, Norfolk Heritage Explorer, www.heritage.norfolk.gov.uk.Google Scholar
Nuland, Sherwin B., How We Die: Reflections on Life’s Final Chapter (New York: Random House, 1995).Google Scholar
Nunberg, Geoffrey, ‘The Organization of Knowledge’, History of Information i218 (18 February 2010), www.sambuz.com/doc/the-organization-of-knowledge-ppt-presentation-934520.Google Scholar
O’Connor, Sister Mary Catharine, The Art of Dying Well: The Development of the Ars Moriendi (New York: Columbia University Press, 1942).Google Scholar
Ong, Walter J., Ramus, Method, and the Decay of Dialogue: From the Art of Discourse to the Art of Reason (Cambridge, MA, and London: Harvard University Press, 1958).Google Scholar
Ong, Walter J., ‘Maranatha: Death and Life in the Text of the Book’ (1977), in Ong, Walter J., Interfaces of the Word: Studies in the Evolution of Consciousness and Culture (Ithaca, NY: Cornell University Press, 2012), pp. 230–71.Google Scholar
Otes, Samuel, An Explanation of the General Epistle of Saint Jude (London, 1633; STC 18896).Google Scholar
Packham, Kendra, ‘Marvell, Political Print, and Picturing the Catholic: An Account of the Growth of Popery and Arbitrary Government’, in The Oxford Handbook of Andrew Marvell, ed. by Dzelzainis, Martin and Holberton, Edward (Oxford: Oxford University Press, 2019), pp. 558–82.Google Scholar
Palfrey, Simon and Smith, Emma, Shakespeare’s Dead (Oxford: Bodleian Library, 2016).Google Scholar
‘Parishes: Stoneleigh’, in A History of the County of Warwick: Vol. 6, Knightlow Hundred, ed. by Salzman, L. F. (London: Victoria County History, 1951), pp. 229–40, British History Online, www.british-history.ac.uk/vch/warks/vol6/pp229-240.Google Scholar
Parker, Geoffrey, Global Crisis: War, Climate Change and Catastrophe in the Seventeenth Century, abridged and revised (New Haven, CT, and London: Yale University Press, 2017).Google Scholar
Parker, Patricia, ‘Cassio, Cash, and the “Infidel O”: Arithmetic, Double-Entry Bookkeeping, and Othello’s Unfaithful Accounts’, in A Companion to the Global Renaissance, ed. by Singh, Jyotsna G. (Oxford: Wiley-Blackwell, 2009), pp. 223–41.Google Scholar
Parker, Patricia, ‘Cymbeline: Arithmetic, Double-Entry Bookkeeping, Counts, and Accounts’, Sederi, 23 (2013), 95–119.Google Scholar
Parry, Graham, Glory, Laud and Honour: The Arts of the Anglican Counter-Reformation (Woodbridge, UK: Boydell Press, 2006).Google Scholar
Parton, John, Some Account of the Hospital and Parish Church of St. Giles in the Fields (London: Luke Hansard, 1822).Google Scholar
Pascal, Blaise, Letter 16, in Les Provinciales, or, The Mystery of Jesuitisme, 2nd ed. (London, 1658).Google Scholar
Peacham, Henry, The Garden of Eloquence (London, 1593).Google Scholar
Pelikan, Jaroslav et al., eds., Luther’s Works, 55 vols. (St. Louis, MO: Concordia Publishing House, 1955–1986).Google Scholar
Pertile, Giulio, ‘Marvell as Libertin: Upon Appleton House and the Legacy of Théophile de Viau’, The Seventeenth Century, 28.4 (2013), 395–418.Google Scholar
Petowe, Henry, Elizabetha quasi viuens Eliza’s funerall (London: E. Allde for M. Lawe, 1603).Google Scholar
Pfau, Thomas, ‘The Lost Art of Dying’, Hedgehog Review (Fall 2018),Google Scholar
https://hedgehogreview.com/issues/the-evening-of-life/articles/the-lost-art-of-dying.Google Scholar
Phillippy, Patricia, Women, Death and Literature in Post-Reformation England (Cambridge: Cambridge University Press, 2002).Google Scholar
Phillippy, Patricia, Shaping Remembrance from Shakespeare to Milton (Cambridge: Cambridge University Press, 2018).Google Scholar
Pinsky, Robert, ‘How a 16th-Century Poem Inspired the Clarity of the Prose in When Breath Becomes Air’, Slate (9 September 2016), https://slate.com/culture/2016/09/paul-kalanithis-when-breath-becomes-air-became-a-best-seller-for-a-nearly-unheard-of-reason-the-quality-of-its-prose.html.Google Scholar
Plat, Hugh, The Jewell House of Art and Nature (London, 1594).Google Scholar
Plato, , Collected Dialogues of Plato Including the Letters, ed. by Hamilton, Edith and Cairns, Huntington (New York: Pantheon, 1961).Google Scholar
Plato, , Phaedrus in The Critical Dialogues of Plato, ed. by Hamilton, Edith and Cairns, Huntington (Princeton, NJ: Princeton University Press, 1961).Google Scholar
Playfere, Thomas, The Pathway to Perfection (1593), in The Memory Arts in Renaissance England: A Critical Anthology, ed. by Engel, William E., Loughnane, Rory, and Williams, Grant (Cambridge: Cambridge University Press, 2016).Google Scholar
Pollmann, Judith, Memory in Early Modern Europe, 1500–1700 (Oxford: Oxford University Press, 2017).Google Scholar
Poole, Kristin, Supernatural Environments in Shakespeare’s England: Spaces of Demonism, Divinity, and Drama (Cambridge: Cambridge University Press, 2011).Google Scholar
Poovey, Mary, A History of the Modern Fact: Problems of Knowledge in the Sciences of Wealth and Society (Chicago: University of Chicago Press, 1998).Google Scholar
Pratt, Aaron T., ‘A Conversation on “Dying Well in Early Modern England”’, Ransom Center Magazine (30 October 2018).Google Scholar
Preston, Claire, ‘The Laureate of the Grave: Urne-Buriall and the Failure of Memory’, in Preston, Claire, Thomas Browne and the Writing of Early Modern Science (Cambridge: University Press Cambridge, 2005), pp. 123–54.Google Scholar
Puttenham, George, The Art of English Poesy: A Critical Edition, ed. by Whigham, Frank and Rebhorn, Wayne A. (Ithaca, NY: Cornell University Press, 2007).Google Scholar
Pye, David, The Nature and Art of Workmanship (Cambridge: Cambridge University Press, 1968).Google Scholar
Queen Elizabeth, I, Proclamation against Breakinge of Defacing of Monumentes of Antiquitie beyng set up in Churches or other publique places for memory, and not for superstition (London, 1560; STC 7913).Google Scholar
Ralegh, Sir Walter, The Poems of Sir Walter Ralegh. A Historical Edition, ed. by Rudick, Michael (Tempe: Arizona Center for Medieval and Renaissance Studies/Renaissance English Text Society, 1999).Google Scholar
Raspa, Anthony, ‘The Jesuit Aesthetics of Henry Hawkins’ Partheneia Sacra’, in The Jesuits and the Emblem Tradition, ed. by Manning, John and Vaeck, M. Van (Turnhout: Brepols, 1999), pp. 25–32.Google Scholar
Reading, John, Christmass Revived (London, 1660).Google Scholar
Rhodes, Neil and Sawday, Jonathan, eds., The Renaissance Computer: Knowledge Technology in the First Age of Print (London: Routledge, 2000).Google Scholar
Romm, James, ‘How to Die: What Author James Romm Learned from Seneca’s Writings on Death’, Daily Stoic, https://dailystoic.com/james-romm/.Google Scholar
Rooley, Anthony, ‘A Portrait of Sir Henry Unton’, in Companion to Medieval and Renaissance Music, ed. by Fallows, David and Knighton, Tess (Oxford: Oxford University Press, 1997), pp. 85–92.Google Scholar
Rossi, Paolo, Clavis Universalis (Milan: Ricciardi, 1960).Google Scholar
Rossi, Paolo, Logic and the Art of Memory: The Quest for a Universal Language, trans. by Stephen Clucas (Chicago: University of Chicago Press, 2000).Google Scholar
Ryrie, Alec, Being Protestant in Reformation Britain (Oxford: Oxford University Press, 2013).Google Scholar
Ryves, Bruno, Angliæ ruina: or, Englands ruine (London, 1648).Google Scholar
Sadler, John Edward, J. A. Comenius and the Concept of Universal Education (London: Routledge, 1966; repr. 2013).Google Scholar
Sauer, Elizabeth, Milton, Toleration, and Nationhood (Cambridge: Cambridge University Press, 2013).Google Scholar
Saunders, Claire, ‘“Dead in His Bed”: Shakespeare’s Staging of the Death of the Duke of Gloucester in 2 Henry VI’, The Review of English Studies, New Series, 36.141 (February 1985), 19–34.Google Scholar
Saxton, Christopher, Atlas of England and Wales (London, 1579).Google Scholar
Schopenhauer, Arthur, Studies in Pessimism, trans. by T. B. Bailey Saunders (Whitefish, MT: Kessinger Publishing, 2010).Google Scholar
Schwyzer, Philip, Literature, Nationalism, and Memory in Early Modern England and Wales (Cambridge: University Press Cambridge, 2005).Google Scholar
Schwyzer, Philip, Archaeologies of English Renaissance Literature (Oxford: Oxford University Press, 2007).Google Scholar
Schwyzer, Philip, Shakespeare and the Remains of Richard III (Oxford: Oxford University Press, 2013).Google Scholar
Scranton, Roy, Learning to Die in the Anthropocene (San Francisco, CA: City Lights Publishers, 2015).Google Scholar
Semler, L. E., The English Mannerist Poets and the Visual Arts (Madison and Teaneck, NJ: Fairleigh Dickinson University Press, 1998).Google Scholar
Sennett, Richard, The Craftsman (New Haven, CT: Yale University Press, 2008).Google Scholar
Shakespeare, William, Poems: Written by Wil. Shake-speare. Gent. (London, 1640).Google Scholar
Shakespeare, William, Measure for Measure, Arden Second Series, ed. by Lever, J. W. (London: Methuen and Co., 1965).Google Scholar
Shakespeare, William, Romeo and Juliet, Arden Second Series, ed. by Gibbons, Brian (London: Methuen and Co., 1980).Google Scholar
Shakespeare, William, Romeo and Juliet, The New Cambridge Shakespeare, ed. by Evans, G. Blakemore (Cambridge: Cambridge University Press, 1984).Google Scholar
Shakespeare, William, Antony and Cleopatra, Arden Third Series, ed. by Wilders, John (London: Routledge, 1995).Google Scholar
Shakespeare, William, King Henry V, Arden Third Series, ed. by Craik, T. W. (London: Routledge, 1995).Google Scholar
Shakespeare, William, The Two Noble Kinsmen, Arden Third Series, ed. by Potter, Lois (Walton-on-Thames: Thomas Nelson and Sons, 1997).Google Scholar
Shakespeare, William, The Arden Shakespeare Complete Works, ed. by Proudfoot, Richard, Thompson, Ann, and Kastan, David Scott (London: Thomson Learning/Arden, 1998).Google Scholar
Shakespeare, William, Hamlet, ed. by Braunmuller, A. R. (New York: Penguin Books, 2001).Google Scholar
Shakespeare, William, King Henry IV, Part 1, Arden Third Series, ed. by Kastan, David Scott (London: The Arden Shakespeare, 2002).Google Scholar
Shakespeare, William, The Complete Sonnets and Poems, ed. by Burrow, Colin (Oxford: Oxford University Press, 2002).Google Scholar
Shakespeare, William, King Richard III, ed. by Siemon, James R. (London: Methuen, 2009).Google Scholar
Shakespeare, William, The Norton Shakespeare, ed. by Greenblatt, Stephen et al. (New York: W.W. Norton & Company, 2016).Google Scholar
Shakespeare, William, Shakespeare’s Sonnets, ed. by Connor, Francis X., in The New Oxford Shakespeare: Modern Critical Edition, gen. ed. Taylor, Gary, Jowett, John, Bourus, Terri, and Egan, Gabriel (Oxford: Oxford University Press, 2016), pp. 2819–82.Google Scholar
Shakespeare, William, Hamlet, Arden Third Series, rev. ed., ed. by Thompson, Ann and Taylor, Neil (London: The Arden Shakespeare, 2016).Google Scholar
Shakespeare, William, King Henry IV, Part 2, Arden Third Series, ed. by Bulman, James C. (London: Bloomsbury Arden Shakespeare, 2016).Google Scholar
Shannon, Laurie, Sovereign Amity: Figures of Friendship in Shakespearean Contexts (Chicago: University of Chicago Press, 2002).Google Scholar
Shelford, Robert, Five Pious and Learned Discourses (Cambridge, 1635).Google Scholar
Sherburne, Edward, Salmacis, Lyrian & Sylvia, Forsaken Lydia, The Rape of Helen, A Comment thereon, with severall other Poems and Translations (London, 1651).Google Scholar
Sherlock, Peter, ‘The Monuments of Elizabeth Tudor and Mary Stuart: King James and the Manipulation of Memory’, Journal of British Studies, 46.2 (2007), 263–89.Google Scholar
Sherlock, Peter, Monuments and Memory in Early Modern England (Aldershot: Ashgate, 2008).Google Scholar
Sherlock, Peter, Monuments and Memory in Early Modern England (London: Routledge, 2016).Google Scholar
Sherlock, Peter, ‘Monuments and Memory’, in A History of Early Modern Women’s Writing, ed. by Phillippy, Patricia (Cambridge: Cambridge University Press, 2018), pp. 292–312.Google Scholar
Sherlock, Peter, ‘Monuments and the Reformation’, in Memory and the English Reformation, ed. by Walsham, Alexandra, Wallace, Bronwyn, Law, Ceri, and Cummings, Brian (Cambridge: Cambridge University Press, 2020), pp. 168–84.Google Scholar
Sherman, Anita Gilman, Skepticism and Memory in Shakespeare and Donne (New York: Palgrave Macmillan, 2007).Google Scholar
Sherman, Anita Gilman, Skepticism in Early Modern English Literature: The Problems and Pleasures of Doubt (Cambridge: Cambridge University Press, 2021).Google Scholar
Shirley, James, ‘Upon Mr Charles Beaumont who died of a Consumption’, in Shirley, James, Poems (London, 1646).Google Scholar
Shrank, Cathy, ‘Reading Shakespeare’s Sonnets: John Benson and the 1640 Poems’, Shakespeare, 5.3 (September 2009), 271–91.Google Scholar
Sidney, Philip, ‘An Apology for Poetry’, in English Critical Essays (Sixteenth, Seventeenth and Eighteenth Centuries), ed. by Jones, Edmund D. (London and New York: Oxford University Press, 1947).Google Scholar
Sidney, Philip, The Poems of Sir Philip Sidney, ed. by Ringler, William A., Jr. (London: Clarendon, 1977).Google Scholar
Sidney, Philip, Sidney’s ‘The Defence of Poesy’ and Selected Renaissance Literary Criticism (London: Penguin, 2004).Google Scholar
Sillars, Stuart, Shakespeare and the Visual Imagination (Cambridge: Cambridge University Press, 2015).Google Scholar
Sinfield, Alan, Faultlines: Cultural Materialism and the Politics of Dissident Reading (Berkeley and Los Angeles: University of California Press, 1992).Google Scholar
Slayback, Zachary, The End of School: Reclaiming Education from the Classroom (Coldwater, MI: Remnant Publishing, 2016).Google Scholar
Sleigh-Johnson, N. V., ‘The Merchant-Taylors Company of London, 1580–1645’ (unpublished doctoral thesis, University College London, 1985).Google Scholar
Smith, D. Vance, Arts of Dying: Literature and Finitude in Medieval England (Chicago: University of Chicago Press, 2020).Google Scholar
Smith, Nigel, Andrew Marvell: The Chameleon (New Haven, CT: Yale University Press, 2010).Google Scholar
Smith, Pamela H., ‘Making as Knowing: Craft as Natural Philosophy’, in Ways of Making and Knowing: The Material Culture of Empirical Knowledge, ed. by Smith, Pamela H., Meyers, Amy R. W., and Cook, Harold J. (Ann Arbor: University of Michigan Press, 2014).Google Scholar
Smith, Samuel, Moses his Prayer (London, 1656).Google Scholar
Sokol, B. J., Art and Illusion in The Winter’s Tale (Manchester: Manchester University Press, 1994).Google Scholar
Southwell, Robert, An Epistle of Comfort to the Reverend Priestes (London, 1587).Google Scholar
Southwell, R. Clifton, The Ethics of Mourning (Baltimore, MD: Johns Hopkins University Press, 2004).Google Scholar
Spenser, Edmund, Colin Clouts Come Home Againe (London: Thomas Creede, 1595).Google Scholar
Spenser, Edmund, The Faerie Queene, ed. by Hamilton, A. C. et. al., 2nd ed. (Harlow, UK: Pearson Education, 2007).Google Scholar
Spenser, Edmund, The Faerie Queene, ed. by Hamilton, A. C. et al., rev. 2nd ed. (London: Longman, 2007).Google Scholar
Spinrad, Phoebe S., ‘Measure for Measure and the Art of Not Dying’, Texas Studies in Literature and Language, 26.1 (1984), 74–93.Google Scholar
Stein, Arnold, House of Death: Messages from the English Renaissance (Baltimore, MD: Johns Hopkins University Press, 1986).Google Scholar
Stewart, Susan, The Ruins Lesson: Meaning and Material in Western Culture (Chicago and London: University of Chicago Press, 2020).Google Scholar
Strode, George, The Anatomy of Mortality (London, 1618; STC 23364).Google Scholar
Strong, Roy, ‘Sir Henry Unton and His Portrait: An Elizabethan Memorial Picture and Its History’, Archaeologia, 99 (1965), 53–76.Google Scholar
Strong, Roy, Henry, Prince of Wales and England’s Lost Renaissance (London: Thames & Hudson, 1986).Google Scholar
Strong, Roy, Gloriana: The Portraits of Queen Elizabeth I (London: Thames & Hudson, 1987).Google Scholar
Strong, Roy, The Tudor and Stuart Monarchy: Pageantry, Painting, Iconography, Vol. 2: Elizabethan (Woodbridge, UK: Boydell Press, 1995).Google Scholar
Strong, Roy, The Elizabethan Image: An Introduction to English Portraiture, 1558–1603 (New Haven, CT: Yale University Press, 2019).Google Scholar
Stuart, James, King James VI and I: Political Writings, ed. by Somerville, Johann P. (Cambridge: Cambridge University Press, 1994).Google Scholar
Stubbes, John, The discouerie of a gaping gulf (London: Henry Singleton, 1579).Google Scholar
Sullivan, Garrett A., Jr., Memory and Forgetting in English Renaissance Drama (Cambridge: Cambridge University Press, 2005).Google Scholar
Sutcliffe, Mathew, A True Relation of Englands Happinesse (London, 1629).Google Scholar
Sutton, Christopher, Disce mori. = Learne to die. A religious discourse, moouing euery Christian man to enter into a serious remembrance of his ende. Wherein also is contained the meane and manner of disposing himselfe to God, before, and at the time of his departure (London, 1600; STC 23474).Google Scholar
Sutton, John, ‘Spongy Brains and Material Memories’, in Environment and Embodiment in Early Modern England, ed. by Floyd-Wilson, Mary and Sullivan, Garrett (Basingstoke: Palgrave, 2007), pp. 14–34.Google Scholar
Swann, Marjorie, ‘Vegetable Love: Botany and Sexuality in Seventeenth-Century England’, in The Indistinct Human in Renaissance Literature, ed. by Feerick, Jean E. and Nardizzi, Vin (New York: Palgrave Macmillan, 2012), pp. 139–58.Google Scholar
Swiss, Margo and Kent, David A., Speaking Grief in English Literary Culture: Shakespeare to Milton (Pittsburgh, PA: Duquesne University Press, 2002).Google Scholar
Tamm, Marek and Arcangeli, Alessandro, eds., The Early Modern Age, vol. 3, in A Cultural History of Memory, gen. ed. by Berge, Stefan and Olick, Jeffrey K. (London: Bloomsbury, 2020).Google Scholar
Targoff, Ramie, John Donne, Body and Soul (Chicago: University of Chicago Press, 2008).Google Scholar
Targoff, Ramie, Posthumous Love: Eros and the Afterlife in Renaissance England (Chicago: University of Chicago Press, 2014).Google Scholar
Taylor, Gary, ‘The Fortunes of Oldcastle’, Shakespeare Survey, 38 (1985), 85–100.Google Scholar
Taylor, Gary, ‘A Game at Chesse: An Early Form’, in Thomas Middleton: The Collected Works, gen. ed. Taylor, Gary and Lavagnino, John (Oxford: Oxford University Press, 2007), pp. 1773–88.Google Scholar
Taylor, Gary, ‘A Game at Chesse: An Early Form’, in Thomas Middleton: The Collected Works, gen. ed. Taylor, Gary and Lavagnino, John (Oxford: Oxford University Press, 2007), pp. 1825–9.Google Scholar
Taylor, Gary, ‘Thomas Middleton: Lives and Afterlives’, in Thomas Middleton: The Collected Works, gen. ed. by Taylor, Gary and Lavagnino, John (Oxford: Oxford University Press, 2007), pp. 25–58.Google Scholar
Taylor, Gary, and Lavagnino, John, eds., Thomas Middleton and Early Modern Textual Culture (Oxford: Oxford University Press, 2007).Google Scholar
Taylor, Jeremy, The Rule and Exercises of Holy Dying (London, 1651; Wing T361A).Google Scholar
Tennyson, Alfred, Lord, ‘The Skipping Rope’, 1842, in The Complete Poetical Works of Tennyson, ed. by Rolfe, William James (Boston: Houghton Mifflin Company, 1898), p. 791.Google Scholar
Teskey, Gordon, The Poetry of John Milton (Cambridge, MA: Harvard University Press, 2015).Google Scholar
Thomas, Keith, Religion and the Decline of Magic: Studies in Popular Beliefs in Sixteenth and Seventeenth Century England (New York: Oxford University Press, 1971).Google Scholar
Thompson, Grahame, ‘Early Double-Entry Bookkeeping and the Rhetoric of Accounting Calculations’, in Accounting as a Social and Institutional Practice, ed. by Hopwood, Anthony G. and Miller, Peter (Cambridge: Cambridge University Press, 1994), pp. 40–66.Google Scholar
Throness, Laurie, A Protestant Purgatory: Theological Origins of the Penitentiary Act, 1779 (Farnham: Ashgate Publishing, 2008).Google Scholar
Tillich, Paul, Theology of Peace, ed. by Stone, Ronald H. (Louisville, KY: Westminster John Knox Press, 1990).Google Scholar
Tingle, Elizabeth, ‘Changing Western European Visions of Christian Afterlives, 1350–1700: Heaven, Hell, and Purgatory’, in A Companion to Death, Burial, and Remembrance in Late Medieval and Early Modern Europe, c. 1300–1700, ed. by Booth, Philip and Tingle, Elizabeth (Leiden: Brill, 2021).Google Scholar
Tingle, Elizabeth, ‘The Counter Reformation and Preparations for Death in the European Roman Catholic Church, 1550–1700’, in A Companion to Death, Burial, and Remembrance in Late Medieval and Early Modern Europe, c. 1300–1700, ed. by Booth, Philip and Tingle, Elizabeth (Leiden: Brill, 2021).Google Scholar
Tisdale, Sallie, Advice for Future Corpses (and Those Who Love Them): A Practical Perspective on Death and Dying (New York: Simon & Schuster, 2018).Google Scholar
Traub, Valerie, Thinking Sex with the Early Moderns (Philadelphia: University of Pennsylvania Press, 2016).Google Scholar
Tribble, Evelyn B. and Keane, Nicholas, Cognitive Ecologies and the History of Remembering Early Modern England (London: Palgrave, 2011).Google Scholar
Tuke, Thomas, A Discourse of Death, Bodily, Ghostly, and Eternal (London, 1613; STC 24307).Google Scholar
‘T. W. gentleman’, The lamentation of Melpomene, for the death of Belphaebe our late Queene With a ioy to England for our blessed King (London: W. White, 1603).Google Scholar
Uricchio, William, ‘A Palimpsest of Place and Past: Location-Based Digital Technologies and the Performance of Urban Space and Memory’, Performance Research, 17.3 (2012), 45–9.Google Scholar
Vendler, Helen, ‘Formal Pleasure in the Sonnets’, in A Companion to Shakespeare’s Sonnets, ed. by Schoenfeldt, Michael (Oxford: Blackwell, 2007), pp. 27–44.Google Scholar
Verdery, Katherine, The Political Lives of Dead Bodies: Reburial and Postsocialist Change (New York: Columbia University Press, 1999).Google Scholar
Villani, Stefano, ‘The British Invention of the Waldenses’, in Remembering the Reformation, ed. by Walsham, Alexandra, Cummings, Brian, Law, Ceri, and Riley, Karis (London: Routledge, 2020), pp. 192–206.Google Scholar
Vinter, Maggie, Last Acts: The Art of Dying on the Early Modern Stage (New York: Fordham University Press, 2019).Google Scholar
Vogelaare, Livinus de, The Memorial of Lord Darnley (1567), oil on canvas, 142.3cm x 224cm. RCIN 401230. Royal Collection Trust, London.Google Scholar
Volkmann, Ludwig, Ars memorative (Vienna: Schroll, 1929).Google Scholar
Volkmann, Ludwig, Hieroglyph, Emblem, and Renaissance Pictography, trans. by Robin Raybould (Leiden: Brill, 2018).Google Scholar
Vovelle, Michel, La Mort et l’Occident de 1300 à nos jours (Paris: Gallimard, 1983).Google Scholar
Walker, Julia M., The Elizabeth Icon: 1603–2003 (London: Palgrave, 2004).Google Scholar
Wallace, Andrew, The Presence of Rome in Medieval and Early Modern Britain: Texts, Artefacts and Beliefs (Cambridge: Cambridge University Press, 2020).Google Scholar
Walsham, Alexandra, ‘“A Very Deborah?” The Myth of Elizabeth I as a Providential Monarch’, in The Myth of Elizabeth, ed. by Doran, Susan and Freeman, Thomas S. (Basingstoke: Palgrave, 2003), pp. 143–68.Google Scholar
Walsham, Alexandra, ‘Skeletons in the Cupboard: Relics after the English Reformation’, Past & Present, 206, supplement 5 (2010), 121–43.Google Scholar
Walsham, Alexandra, Wallace, Bronwyn, Law, Ceri, and Cummings, Brian, eds., Memory and the English Reformation (Cambridge: Cambridge University Press, 2020).Google Scholar
Walton, Izaak, Walton’s Lives: John Donne, Sir Henry Wotton, Richard Hooker, George Herbert and Robert Sanderson (London: Falcon Educational Books, 1951).Google Scholar
Watson, Robert, The Rest Is Silence: Death as Annihilation in the English Renaissance (Berkeley: University of California Press 1994).Google Scholar
Weatherweb, Weather in History, 1650–1669 AD, https://premium.weatherweb.net/weather-in-history-1650-to-1699-ad/.Google Scholar
Webster, John, The Duchess of Malfi, ed. by Brown, John Russell, 2nd ed., Revels Plays (Manchester: Manchester University Press, 2009).Google Scholar
Webster, John, The Duchess of Malfi, ed. by Marcus, Leah S., Arden Shakespeare (London: A. & C. Black, 2009).Google Scholar
Webster, John, The Duchess of Malfi, ed. by Neill, Michael (New York and London: W.W. Norton & Company, 2015).Google Scholar
Weever, John, Ancient Funeral Monuments (London, 1631; STC 25223).Google Scholar
West, William, ‘The Idea of a Theater: Humanist Ideology and the Imaginary Stage in Early Modern Europe’, Renaissance Drama, 28 (1999), 245–87.Google Scholar
White, Adam, ‘A Biographical Dictionary of London Tomb Sculptors c.1560–c.1660’, The Volume of the Walpole Society, 61 (1999), 1–162.Google Scholar
White, John, The troubles of Jerusalems restauration (London, 1646).Google Scholar
White, R. S., Let Wonder Seem Familiar: Shakespeare and the Romance Ending (London: Bloomsbury, 2000).Google Scholar
Wilder, Lina Perkins, Shakespeare’s Memory Theatre: Recollection, Properties, and Character (Cambridge: Cambridge University Press, 2010).Google Scholar
Wilder, Lina Perkins, ‘Veiled Memory Traces in Much Ado About Nothing, Pericles and The Winter’s Tale’, in Routledge Handbook of Shakespeare and Memory, ed. by Hiscock, Andrew and Wilder, Lina Perkins (London: Routledge, 2018), pp. 239–52.Google Scholar
Wilks, Timothy, ed., Prince Henry Revived: Image and Exemplarity in Early Modern England (Southampton: Southampton Solent University and Paul Holberton Publishing, 2007).Google Scholar
Willet, Andrew, An Harmony upon the First Book of Samuel (London, 1607; STC 25678).Google Scholar
Williams, Grant, ‘Monumental Memory and Little Reminders: The Fantasy of Being Remembered by Posterity’, in The Routledge Handbook of Shakespeare and Memory, ed. by Hiscock, Andrew and Wilder, Lina Perkins (New York: Routledge, 2017), pp. 297–311.Google Scholar
Williams, Linda, ‘The Anthropocene and the Long Seventeenth Century, 1550–1750’, in A Cultural History of Climate Change, ed. by Bristow, Tom and Ford, Thomas H. (London: Routledge, 2016), pp. 87–107.Google Scholar
Wilson-Okamura, David Scott, ‘Belphoebe and Gloriana’, ELR, 39.1 (2009), 47–73.Google Scholar
Wilson, Jean, ‘“Two names of friendship, but one Starre”: Memorials to Single-Sex Couples in the Early Modern Period’, Church Monuments, 10 (1995), 70–83.Google Scholar
Wilson, Thomas, The Arte of Rhetorique (London: John Kingston, 1560).Google Scholar
Woodward, Jennifer, Theatre of Death: The Ritual Management of Royal Funerals in Renaissance England, 1570–1624 (Woodbridge, UK: Boydell Press, 1997).Google Scholar
Woolf, Virginia, ‘Craftsmanship’ (broadcast 20 April 1937), in Selected Essays, ed. by Bradshaw, David (Oxford: Oxford University Press, 2009), pp. 85–94.Google Scholar
Wright, Leonard, The Hunting of Antichrist (London: John Wolfe, 1589).Google Scholar
Yates, Frances A., The Art of Memory (New York: Routledge and Keegan Paul, 1966).Google Scholar
Yates, Frances A., Astraea: The Imperial Theme in the Sixteenth Century (London: Routledge & Kegan Paul, 1975).Google Scholar
Zwicky, Jan, ‘A Ship from Delos’, in Learning to Die: Wisdom in the Age of Climate Crisis, ed. by Bringhurst, Robert and Zwicky, Jan (Regina, Saskatchewan: University of Regina Press, 2018).Google Scholar
Anon., ‘The Portrait of Sir Henry Unton (c. 1558–1596)’, National Portrait Gallery, https://npg.org.uk/research/programmes/making-art-in-tudor-britain/case-studies/the-portrait-of-sir-henry-unton-c.-1558-1596.php.Google Scholar
Anon., Portrait of Walter Ralegh (1588), www.npg.org.uk/collections/search/portrait/mw05204/Sir-Walter-Ralegh-Raleigh.Google Scholar
English School, ‘Allegorical Portrait’ of Elizabeth I (c. 1600), www.corsham-court.co.uk/Pictures/Commentary.html.Google Scholar
Gower, George, The Plimpton or Sieve Portrait (1579), https://luna.folger.edu/luna/servlet/detail/FOLGERCM1~6~6~29241~102094:The-Plimpton--Sieve--portrait-of-Qu.Google Scholar
Eworth, Hans, ‘Elizabeth and the Three Goddesses’ (1569), www.rct.uk/collection/403446/elizabeth-i-and-the-three-goddesses.Google Scholar
Oliver, Isaac, ‘The Rainbow Portrait’ (c. 1600), www.hatfield-house.co.uk/house/the-house/the-rainbow-portrait/.Google Scholar
Oliver, Isaac (attr.), ‘Elizabeth and the Three Goddesses’ (c. 1590), www.npg.org.uk/collections/search/portrait/mw224945/Queen-Elizabeth-I-Elizabeth-I-and-the-Three-Goddesses.Google Scholar
Petrarch, , Elizabeth I figured in Petrarch’s Trionfo Della Fama (British Library: Sloane 1832, fols. 7v–8), www.bl.uk/learning/timeline/item104117.html.Google Scholar
Rogers, William, Examples of engravings of Elizabeth I, www.npg.org.uk/collections/search/person/mp57930/william-rogers.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Edited by William E. Engel, University of the South, Sewanee, Tennessee, Rory Loughnane, University of Kent, Canterbury, Grant Williams, Carleton University, Ottawa
  • Book: Memory and Mortality in Renaissance England
  • Online publication: 06 October 2022
  • Chapter DOI: https://doi.org/10.1017/9781108918565.018
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Edited by William E. Engel, University of the South, Sewanee, Tennessee, Rory Loughnane, University of Kent, Canterbury, Grant Williams, Carleton University, Ottawa
  • Book: Memory and Mortality in Renaissance England
  • Online publication: 06 October 2022
  • Chapter DOI: https://doi.org/10.1017/9781108918565.018
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Edited by William E. Engel, University of the South, Sewanee, Tennessee, Rory Loughnane, University of Kent, Canterbury, Grant Williams, Carleton University, Ottawa
  • Book: Memory and Mortality in Renaissance England
  • Online publication: 06 October 2022
  • Chapter DOI: https://doi.org/10.1017/9781108918565.018
Available formats
×