Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-11-23T20:18:49.656Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  09 November 2023

Barbara Pezzotti
Affiliation:
Monash University, Victoria
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Mediterranean Crime Fiction
Transcultural Narratives in and around the ‘Great Sea'
, pp. 213 - 227
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abramovich, Dvir, ‘Sleuthing in Modern Hebrew Literature: Investigating Israeli Society’, Mentalities/Mentalités, 28.3 (2016), 117.Google Scholar
Agapitos, Panagiotis, ‘Crime Fiction in Greece’, in Sagaster, Börte, Strohmeier, Martin and Guth, Stephen (eds.), Crime Fiction in and around the Eastern Mediterranean (Wiesbaden: Harrassowitz Varlag, 2016), pp. 93102.CrossRefGoogle Scholar
Aït-Aarab, Mohamed, ‘Telling a War That Does Not Speak Its Name: Yasmina Khadra’s Noir Novels’, The Australian Journal of Crime Fiction, 1.1. www.australiancrimefiction.com.Google Scholar
Alkin, Talya, ‘Batya Gur, Israel’s Cerebral Agatha Christie’, Jerusalem Post, 22 May 2005, p. 8.Google Scholar
Allan, Janice, Gulddal, Jesper, King, Stewart and Pepper, Andrew (eds.), The Routledge Companion to Crime Fiction (New York: Routledge, 2020).CrossRefGoogle Scholar
Anderson, Benedict, Imagined Communities: Reflections on the Origins and Spread of Nationalism (London: Verso, 1991).Google Scholar
Anderson, Jean, Miranda, Carolina and Pezzotti, Barbara, ‘Introduction’, in Anderson, Jean, Miranda, Carolina and Pezzotti, Barbara (eds.), The Foreign in International Crime Fiction: Transcultural Representations (London: Continuum, 2012), pp. 16.Google Scholar
Anderson, Jean, Miranda, Carolina and Pezzotti, Barbara (eds.), Blood on the Table: Essays on Food in International Crime Fiction (Jefferson, NC: McFarland, 2017).Google Scholar
Arvas, Paula and Nestingen, Andrew, ‘Introduction: Contemporary Scandinavian Crime Fiction’, in Arvas, Paula and Nestingen, Andrew (eds.), Scandinavian Crime Fiction (Cardiff: University of Wales Press, 2011), pp. 120.Google Scholar
Aykol, Esmahan, Hotel Bosphorus (trans. Ruth Whitehouse) (London: Bitter Lemon Press, 2011).Google Scholar
Aykol, Esmahan, Baksheesh (trans. Ruth Whitehouse) (London: Bitter Lemon Press, 2013).Google Scholar
Aykol, Esmahan, Divorce Turkish Style (trans. Ruth Whitehouse) (London: Bitter Lemon Press, 2015).Google Scholar
Bakhtiarova, Galina, ‘Food Education: Manuel Vázquez Montalbán and the Invention of Contemporary Spanish Cuisine’, Il capitale culturale, Supplements, 10 (2020), 7382.Google Scholar
Bakić-Hayden, Milica, ‘Nesting Orientalisms: The Case of Former Yugoslavia’, Slavic Review, 54.4 (Winter, 1995), 917931.CrossRefGoogle Scholar
Barba, David, ‘La novela negra mediterránea’, in Barba, David (ed.), Primer encuentro europeo de novela negra. Homenaje a Manuel Vázquez Montalbán (Barcelona: Planeta, 2005), pp. 2122.Google Scholar
Barthes, Roland, ‘Toward a Psychology of Contemporary Food Consumption’, in Counihan, Carole M. and Van Esterik, Penny (eds.), Food and Culture: A Reader (London and New York: Routledge, 1997), pp. 2027.Google Scholar
Baudino, Mario, ‘Carvalho, Montale e Montalbano sono dei serial-killer’, La Stampa, 25 June 1999.Google Scholar
Bauman, Zygmunt, Liquid Times: Living in an Age of Uncertainty (Cambridge: Polity Press, 2012).Google Scholar
Ben-Rafael, Eliezer and Sharot, Stephen, ‘Divisions in Israeli Society’, in Ben-Rafael, Eliezer and Sharot, Stephen (eds.), Ethnicity, Religion and Class in Israeli Society (Cambridge: Cambridge University Press, 1991), pp. 2435.CrossRefGoogle Scholar
Ben-Yehoyada, Naor, The Mediterranean Incarnate: Region Formation between Sicily and Tunisia Since World War II (Chicago: Chicago University Press, 2017).CrossRefGoogle Scholar
Berada, Taïeb, ‘L’Écriture et la problématique des intrus postcoloniaux dans Une Enquête au pays de Driss Chraïbi’, Nouvelles Études Francophones, 21.2 (Autumn 2006), 150162.Google Scholar
Bhabha, Homi K., The Location of Culture (London and New York: Routledge, 1994).Google Scholar
Biasin, Gian-Paolo, The Flavors of Modernity: Food and the Novel (Princeton: Princeton University Press, 1999).Google Scholar
Boggs, Belle, The Art of Waiting: On Fertility, Medicine and Motherhood (Minneapolis: Graywolf Press, 2016).Google Scholar
Braudel, Fernand, On History (Chicago: University of Chicago Press, 1980).Google Scholar
Braudel, Fernand, Les Mémoires de la Méditerranée: Préhistoire et Antiquité (Paris: Editions de Fallois, 1998).Google Scholar
Brooksbank Jones, Anny, Women in Contemporary Spain (Manchester: Manchester University Press, 1997).Google Scholar
Buontempo, Alessandro, ‘Vertigo and The Dove’s Necklace as Romans Noirs: A Hypothesis on Arabic Crime Fiction’, in Sagaster, Börte, Strohmeier, Martin and Guth, Stephan (eds.), Crime Fiction in and around the Eastern Mediterranean (Wiesbaden: Harassowitz Verlag, 2016), pp. 931.CrossRefGoogle Scholar
Burtscher-Bechter, Beate, ‘Wanted: National Algerian Identity’, in Krajenbrink, Marieke and Quinn, Kate (eds.), Investigating Identities: Questions of Identity in Contemporary International Crime Fiction (Amsterdam: Rodopi, 2009), pp. 183198.Google Scholar
Camilleri, Andrea, La forma dell’acqua (Palermo: Sellerio, 1994). Translated by Stephen Sartarelli as The Shape of Water (London: Picador, 2002).Google Scholar
Camilleri, Andrea, Il cane di terracotta (Palermo: Sellerio, 1996). Translated by Stephen Sartarelli as The Terracotta Dog (London: Picador, 2002).Google Scholar
Camilleri, Andrea, Il ladro di merendine (Palermo: Sellerio, 1996). Translated by Stephen Sartarelli as The Snack Thief (London: Picador, 2003).Google Scholar
Camilleri, Andrea, La voce del violino (Palermo: Sellerio, 1997). Translated by Stephen Sartarelli as The Voice of the Violin (London: Picador, 2003).Google Scholar
Camilleri, Andrea, La gita a Tindari (Palermo: Sellerio, 2000). Translated by Stephen Sartarelli as Excursion to Tindari (London: Picador, 2006).Google Scholar
Camilleri, Andrea, L’odore della notte (Palermo: Sellerio, 2001). Translated by Stephen Sartarelli as The Scent of the Night (London: Picador, 2005).Google Scholar
Camilleri, Andrea, Il giro di boa (Palermo: Sellerio, 2003). Translated by Stephen Sartarelli as Rounding the Mark (London: Picador, 2006).Google Scholar
Camilleri, Andrea, La luna di carta (Palermo: Sellerio, 2005). Translated by Stephen Sartarelli as The Paper Moon (London: Picador, 2008).Google Scholar
Camilleri, Andrea, La vampa d’agosto (Palermo: Sellerio, 2006). Translated by Stephen Sartarelli as August Heath (London: Picador, 2009).Google Scholar
Camilleri, Andrea, Le ali della sfinge (Palermo: Sellerio, 2006). Translated by Stephen Sartarelli as The Wings of the Sphinx (London: Penguin Books, 2009).Google Scholar
Camilleri, Andrea, La pista di sabbia (Palermo: Sellerio, 2007). Translated by Stephen Sartarelli as The Sand Track (London: Penguin Books, 2010).Google Scholar
Camilleri, Andrea, Il campo del vasaio (Palermo: Sellerio, 2008). Translated by Stephen Sartarelli as The Potter’s Field (London: Penguin Books, 2011).Google Scholar
Camilleri, Andrea, L’età del dubbio (Palermo: Sellerio, 2008). Translated by Stephen Sartarelli as The Age of Doubt (London: Penguin Books, 2013).Google Scholar
Camilleri, Andrea, La danza del gabbiano (Palermo: Sellerio, 2009). Translated by Stephen Sartarelli as The Dance of the Seagull (London: Penguin Books, 2013).Google Scholar
Camilleri, Andrea, Il sorriso di Angelica (Palermo: Sellerio, 2010). Translated by Stephen Sartarelli as Angelica’s Smile (London: Penguin Books, 2014).Google Scholar
Camilleri, Andrea, L’altro capo del filo (Palermo: Sellerio, 2016). Translated by Stephen Sartarelli as The Other End of the Line (London: Picador, 2020).Google Scholar
Camilleri, Andrea, Il cuoco dell’Alcyon (Palermo: Sellerio, 2020). Translated by Stephen Sartarelli as The Cook of the Halcyon (London: Penguin Books, 2021).Google Scholar
Cánovas, Germán, ‘La novela negra mediterránea. Los placeres del desencanto’, Quimera, 259–260 (2005), 4550.Google Scholar
Carloni, Massimo, L’Italia in giallo: Geografia e storia del giallo italiano contemporaneo (Bologna: Diabasis, 1994).Google Scholar
Castellanos, Erick and Bergstresser, Sara M., ‘Food Fights at the EU Table: The Gastronomic Assertion of Italian Distinctiveness’, European Studies, 22 (2006), 179202.Google Scholar
Castillo, Debra, A., ‘Gender and Sexuality in World Literature’, in D’haen, Theo et al. (eds.), The Routledge Companion to World Literature (London and New York: Routledge, 2022), pp. 329339.CrossRefGoogle Scholar
Catlos, Brian and Kinoshita, Sharon (eds.), Can We Talk Mediterranean? Conversations on an Emerging Field in Medieval and Early Modern Studies (London and New York: Palgrave Macmillan, 2017).CrossRefGoogle Scholar
Cavatorta, Francesco, The International Dimension of the Failed Algerian Transition: Democracy Betrayed? (Manchester: Manchester University Press, 2009).CrossRefGoogle Scholar
Cavatorta, Francesco and Durac, Vincent, Civil Society and Democratization in the Arab World: The Dynamics of Activism (London: Routledge, 2010).CrossRefGoogle Scholar
Celestin, Roger, ‘Post-Colonial Slumming Angels: Driss Chraïbi’s Inspector Ali and Yasmina Khadra’s Commissaire Llob’, in Sagaster, Börte, Strohmeier, Martin and Guth, Stephan (eds.), Crime Fiction in and around the Eastern Mediterranean (Wiesbaden: Harassowitz Verlag, 2016), pp. 5766.CrossRefGoogle Scholar
Chambers, Iain, Mediterranean Crossings. The Politics of an Interrupted Modernity (Durham, NC: Duke University Press, 2008).Google Scholar
Chraïbi, Driss, Une Enquête au pays (Paris: Editions du Seuil, 1981). Translated by Robin Roosevelt as Flutes of Death (Washington: Three Continent Press, 1985).Google Scholar
Chraïbi, Driss, Une Place au soleil (Paris: Denoël, 1993).Google Scholar
Chraïbi, Driss, L’Inspecteur Ali à Trinity College (Paris: Denoël, 1996).Google Scholar
Chraïbi, Driss, L’Inspecteur Ali et la CIA (Paris: Denoël, 1997).Google Scholar
Close, Glen S., Contemporary Hispanic Crime Fiction: A Transatlantic Discourse on Urban Violence (New York and Houndmills, Basingstoke: Palgrave Macmillan, 2008).CrossRefGoogle Scholar
Colmeiro, José F., Crónica del desencanto: la narrativa de Manuel Vázquez Montalbán (Coral Gables, FL: North South Center Press/University of Miami, 1986).Google Scholar
Colmeiro, José F., La novela policiaca española: teoría e historia crítica (Barcelona: Anthropos, 1994).Google Scholar
Colmeiro, José F., ‘The Spanish Connection: Detective Fiction after Franco’, Journal of Popular Culture, 28.1 (1994), 151161.CrossRefGoogle Scholar
Comaroff, Jean and Comaroff, John L. (eds.), Law and Disorder in the Postcolony (Chicago and London: Chicago University Press, 2006).CrossRefGoogle Scholar
Cortellessa, Andrea, ‘Ipocalittici o integrati: Romanzo a chiave di un falsario collettivo con ambizioni di conflitto sociale’, Indice dei libri, xvi.7/8 (1999). www.wumingfoundation.com/italiano/rassegna/140799.html.Google Scholar
Coutinho, Eduardo F., ‘Comparative Studies in Latin America: The Role of Tania Franco Carvalhal’, Comparative Critical Studies, 7.2–3 (2010), 367379.CrossRefGoogle Scholar
Coward, Rosalind, Our Treacherous Hearts: Why Women Let Men Get Their Way (London: Faber and Faber, 1992).Google Scholar
Dal Lago, Alessandro, Non-persone. L’esclusione dei migranti in una società globale (Milan: Feltrinelli, 2004).Google Scholar
Damrosch, David, ‘World Literature, National Context’, Modern Philology, 100.4 (2003), 512531.CrossRefGoogle Scholar
Damrosch, David, Nilsson, Louise, and d’Haen, Theo (eds.), Crime Fiction as World Literature (New York: Bloomsbury Academic, 2017).Google Scholar
De Certau, Michel, The Practice of Everyday Life (Berkeley and London: University of California Press, 1984).Google Scholar
de Lavergne, Elsa, La Naissance du roman policier français: du second empire à la Première Guerre mondiale (Paris: Éditions Classique Garnier, 2009).Google Scholar
Deckard, Sharae, ‘“Nothing Is Truly Hidden”: Visibility, Aesthetics and Yasmina Khadra’s Detective Fiction’, Journal of Postcolonial Writing, 49.1 (2013), 7486.CrossRefGoogle Scholar
Dejean de la Bâtie, Bernadette, ‘Du Masculin et du féminin dans le polars de Yasmina Khadra’, Palabres: Revue culturelle africaine, III.1&2 (Avril 2000), 191202.Google Scholar
Dejean de la Bâtie, Bernadette, Les Romans policiers de Driss Chraïbi: representations du féminin et du masculin (Paris: L’Harmattan, 2002).Google Scholar
Dejean de la Bâtie, Bernadette, ‘Manifestations of Serail Mentality in Driss Chraïbi’s Detective Stories: Arab Muslim Masculinity Portrayed, Displayed and Caricatured’, Nottingham French Studies, 41.2 (2002), 8089.CrossRefGoogle Scholar
Demontis, Simona, I colori della letteratura. Un’indagine sul caso Camilleri (Milan: Rizzoli, 2001).Google Scholar
Devlin, William J., ‘Some Paradoxes of Time Travel in the Terminator and 12 Monkeys’, in Sanders, Steven M. (ed.), The Philosophy of Science Fiction Film (Lexington: University of Kentucky Press, 2008), pp. 103117.Google Scholar
D’haen, Theo, ‘Mapping World Literature’, in D’haen, Theo et al. (eds.), The Routledge Companion to World Literature (London and New York: Routledge, 2022), pp. 363370.CrossRefGoogle Scholar
Dimitroulia, Titika, ‘From Antiheroes to New Realism: French and Italian Crime Fiction in the Twentieth and Twenty-first Century’, Perspectives, 26.6 (2018), 809823.CrossRefGoogle Scholar
Dotson-Renta, Lara N., ‘L’inspecteur Ali: The Spoken Woman in the Writing of Driss Chraïbi’, The Journal of North African Studies, 13.2 (2008), 175185.CrossRefGoogle Scholar
Drumsta, Emily, ‘An Epic of the Body and of Memory: Atavism and the Critique of Enlightenment in Driss Chraïbi’s Une Enquête au pays’, Research in African Literatures, 50.2 (Summer 2019), 198218.CrossRefGoogle Scholar
Eckert, Elgin, ‘Andrea Camilleri: The Author as Public Intellectual’, Italica, 91.4 (2014), 702713.Google Scholar
Eckert, Elgin, ‘Inspector Montalbano a tavola: Food in Andrea Camilleri’s Police Fiction’, in Naccarato, Peter, Nowak, Zachary and Eckert, Elgin (eds.), Representing Italy through Food (London: Bloomsbury Academic, 2017), 95110.CrossRefGoogle Scholar
Eitan, Maayan, ‘A Missing Literature: Dror Mishani and the Case of Israeli Crime Fiction’, in Damrosch, David, Nilsson, Louise and D’haen, Theo (eds.), Crime Fiction as World Literature (New York: Bloomsbury Academic, 2017), pp. 187195.Google Scholar
Elhariry, Yasser and Tamalet Talbayev, Edwige (eds.), Critically Mediterranean: Temporalities, Aesthetics, and Deployments of a Sea in Crisis (London and New York: Palgrave Macmillan, 2018).CrossRefGoogle Scholar
Falcón, Lidia, Los nuevos mitos del feminismo (Madrid: Vindicación Feminista, 2000).Google Scholar
Faludi, Susan, ‘Postfeminism’, in Kramarae, Cheris and Spender, Dale (eds.), Routledge International Encyclopedia of Women, vol. 3 (London and New York: Routledge, 2000), pp. 16461648.Google Scholar
Ferri, Sandro, ‘Towards a History of Mediterranean Noir’, CrimeReads, 2018. https://crimereads.com/towards-a-history-of-mediterranean-noir/Google Scholar
Fiori, Simonetta, ‘Come italiano, sento di aver fallito’, La Repubblica, 7 July 2018. https://video.repubblica.it/spettacoli-e-cultura/andrea-camilleri--come-italiano-sento-di-aver-fallito/309735/310370.Google Scholar
Fischer-Hornung, Dorothea and Mueller, Monika, ‘Introduction’, in Fischer-Hornung, Dorothea and Mueller, Monika (eds.), Sleuthing Ethnicity: The Detective in Multiethnic Crime Fiction (Madison and Teaneck: Fairleigh Dickinson University Press, 2003), pp. 1119.Google Scholar
Fogu, Claudio, The Fishing Net and the Spider Web: Mediterranean Imaginaries and the Making of Italians (London and New York: Palgrave Macmillan, 2020).CrossRefGoogle Scholar
Forbes, Jill, ‘The Serie Noire’, in Rigby, Brian and Hewitt, Nick (eds.), France and the Mass Media (Houndmills: Macmillan, 1991), pp. 8597.CrossRefGoogle Scholar
Forbes, Leslie, ‘Crimescapes’, BBC Radio 4 Programme, original broadcast 21 January 1996.Google Scholar
Fox, Margalit, ‘Batya Gur, Mystery Writer and Critic, Is Dead at 57’, New York Times, 30 May 2005.Google Scholar
Freeman, Jo, ‘Trashing: The Dark Side of Sisterhood’, Ms. Magazine, April 1976, 49–51 and 92–98.Google Scholar
Frisby, David, Cityscapes of Modernity: Critical Explorations (Cambridge: Polity Press, 2001).Google Scholar
Gabellieri, Nicola. ‘Place Matters: Geographical Context, Place Belonging and the Production of Locality in Mediterranean Noirs’, GeoJournal 2021. https://link.springer.com/article/10.1007/s10708-021-10470-x.CrossRefGoogle Scholar
Ganguly, Debjani, ‘Introduction’, in Ganguly, Debjani (ed.), The Cambridge History of World Literature (Cambridge: Cambridge University Press, 2021), pp. 146.CrossRefGoogle Scholar
Geherin, David, The American Private Eye: The Image in Fiction (New York: F. Ungar Publishing Company, 1985).Google Scholar
Ghosn, Katia and Tadié, Benoît (eds.), Le récit criminel arabe /Arabic Crime Fiction (Wiesbaden: Harrassowitz Verlag, 2021).CrossRefGoogle Scholar
Giménez-Bartlett, Alicia, Ritos de muerte (Barcelona: Planeta, [1996] 2003). Translated by Jonathan Dunne as Death Rites (New York: Europa Editions, 2008).Google Scholar
Giménez-Bartlett, Alicia, Día de perros (Barcelona: Planeta, 1997). Translated by Nicholas Caistor as Dog Day (New York: Europa Editions, 2006).Google Scholar
Giménez-Bartlett, Alicia, Mensajeros de la oscuridad (Barcelona: Plaza & Janés, 1999).Google Scholar
Giménez-Bartlett, Alicia, Muertos de papel (Barcelona: Plaza & Janés, 2000). Translated by Nicholas Caistor as Prime Time Suspect (New York: Europa Editions, 2007).Google Scholar
Giménez-Bartlett, Alicia, Serpientes en el paraíso (Barcelona: Planeta, 2002).Google Scholar
Giménez-Bartlett, Alicia, Un barco cargado de arroz (Barcelona: Planeta, 2004).Google Scholar
Giménez-Bartlett, Alicia, Nido vacío (Barcelona: Planeta, 2007).Google Scholar
Giménez-Bartlett, Alicia, El silencio de los claustros (Barcelona: Destino, 2009).Google Scholar
Giménez-Bartlett, Alicia, Mi querido asesino en serie (Barcelona: Destino, 2017).Google Scholar
Ginzburg, Carlo, ‘Spie. Radici di un paradigma indiziario’, in Gargani, Aldo (ed.), Crisi della ragione (Turin: Einaudi, 1979), pp. 57106.Google Scholar
Godsland, Shelley, ‘From Feminism to Postfeminism in Women’s Detective Fiction from Spain: The Case of Maria-Antònia Oliver and Alicia Giménez-Bartlett’, Letras Femeninas 28.1 (2002), 9091.Google Scholar
Godsland, Shelley, Killing Carmens: Women’s Crime Fiction from Spain (Cardiff: University of Wales Press, 2007).Google Scholar
Goldwyn, Adam J. and Silverman, Renée M. (eds.), Mediterranean Modernism: Intercultural Exchange and Aesthetic Development (London and New York: Palgrave Macmillan, 2016).CrossRefGoogle Scholar
Goodman, Robin, ‘Military Literati Yasmina Khadra and the Veil’, in Goodman, Robin (ed.), Truth, Policing Narratives and the State of Terror (Albany, NY: State University of New York Press, 2009), pp. 121143.Google Scholar
Gordon, Andrew, ‘Time Travel, Primal Scene and the Critical Dystopia’, in Redmond, Sean (ed.), Liquid Metal: The Science Fiction Film Reader (New York: Wallflower Press, 2014), pp. 116125.Google Scholar
Gorrara, Clair (ed.), French Crime Fiction (Manchester: Manchester University Press, 2009).Google Scholar
Graham Harrison, Emma, ‘Israeli Veterans Recall Horrors of Country’s Victory in Six-day War’, The Guardian, 30 August 2015.Google Scholar
Gregory Klein, Kathleen, The Woman Detective: Gender and Genre (Champaign, IL: University of Illinois Press, 1995).Google Scholar
Grosz, Elizabeth, ‘Bodies-Cities’, in Colomina, Beatriz (ed.), Sexuality and Space (New York: Princeton Architectural Press, 1992), pp. 241253.Google Scholar
Gulddal, Jesper et al. (eds.), The Cambridge Companion to World Crime Fiction (Cambridge: Cambridge University Press, 2021).Google Scholar
Gulddal, Jesper and King, Stewart, ‘European Crime Fiction’, in Gulddal, Jesper et al. (eds.), The Cambridge Companion to World Crime Fiction (Cambridge: Cambridge University Press, 2021), pp. 196220.Google Scholar
Gulddal, Jesper and King, Stewart, ‘World Crime Fiction’, in D’haen, Theo et al. (eds.), The Routledge Companion to World Literature (London and New York: Routledge, 2022), pp. 285293.CrossRefGoogle Scholar
Gur, Batya, The Saturday Morning Murder: A Psychoanalytic Case (trans. Dalya Bilu) (New York: HarperCollins, 1992).Google Scholar
Gur, Batya, Literary Murder: A Critical Case (trans. Dalya Bilu) (New York: HarperCollins, 1993).Google Scholar
Gur, Batya, Murder on a Kibbutz: A Communal Case (trans. Dalya Bilu) (New York: HarperCollins, 1994).Google Scholar
Gur, Batya, Murder Duet: A Musical Case (trans. Dalya Bilu) (New York: HarperCollins, 1999).Google Scholar
Gur, Batya, Bethlehem Road Murder (trans. Vivian Eden) (New York: HarperCollins, 2004).Google Scholar
Gur, Batya, Murder in Jerusalem (trans. Evan Fallenberg) (New York: HarperCollins, 2006).Google Scholar
Hamdouchi, Abdelilah, Whitefly (trans. Jonathan Smolin) (Cairo and New York: Hoopoe, 2016).Google Scholar
Hamoumou, Mohand, ‘Les Harkis, un trou de mémoire franco-algérien’, Esprit (May 1990), pp. 25–45.Google Scholar
Hannerz, Ulf, Cultural Complexity: Studies in the Social Organization of Meaning (New York: Columbia University Press, 1992).Google Scholar
Hart, Patricia, The Spanish Sleuth: The Detective in Spanish Fiction (Cranbury, NJ: Associated University Presses, 1985).Google Scholar
Head, Gretchen, ‘“The Sea Spits Out Corpses”: Peripherality, Genre, and Affect in the Cosmopolitan Mediterranean’, The Global South 9.2 (2015), 3859.CrossRefGoogle Scholar
Heilbrun, Carolyn, ‘Gender and Detective Fiction’, in Heilbrun, Carolyn (ed.), Hamlet’s Mother and Other Women (New York: Ballantine Books, 1990), pp. 291300.Google Scholar
Hendelzlets, Michael, ‘Yerushalaim Vehabalshim’, Haaretz 13 May 1988, pp. 6–7.Google Scholar
Hewitt, Nicholas, ‘Departures and Homecomings: Diaspora in Jean-Claude Izzo’s Marseille’, French Cultural Studies, 17.3 (2006), 257268.CrossRefGoogle Scholar
Highmore, Ben, ‘Urban Noir – Mobility and the Movement in Detective Fiction’, in Highmore, Ben (ed.), Cityscapes: Cultural Readings in the Material and Symbolic City (Basingstoke and New York: Palgrave Macmillan, 2005), pp. 92115.CrossRefGoogle Scholar
Horsley, Lee, Twentieth-Century Crime Fiction (Oxford: Oxford University Press, 2005).CrossRefGoogle Scholar
Howell, Philip, ‘Crime and the City Solution: Crime Fiction, Urban Knowledge, and Radical Geography’, Antipodes, 30.4 (1998), 357378.CrossRefGoogle Scholar
Humm, Maggie, ‘Feminist Crime Fiction’, in Bloom, Clive (ed.), Twentieth Century Suspense (London: Palgrave Macmillan, 1990), pp. 237254.CrossRefGoogle Scholar
Ireland, Susan, ‘Representations of the Harkis in Lakhdar’s Serail Killers and Yasmina Khadra’s La Part du mort’, The French Review, 83.6 (2010), 12311245.Google Scholar
Izikovich, Gili, ‘“The Seventh Day”: Censored Voices from the 1967 War’, Haaretz, 10 April 2018.Google Scholar
Izzo, Jean Claude, Total Khéops. La Trilogie de Fabio Montale (Paris: Gallimard, 2006). Translated by Howard Curtis as Total Chaos (New York: Europa Editions, 2005).Google Scholar
Izzo, Jean Claude, Chourmo. La Trilogie de Fabio Montale (Paris: Gallimard, 2006). Translated by Howard Curtis as Chourmo (New York: Europa Editions, 2006).Google Scholar
Izzo, Jean Claude, Le Marins perdus (Paris: Flammarion, 1997). Translated as The Lost Sailors (New York: Europa Editions, 2007).Google Scholar
Izzo, Jean Claude, Soléa. La Trilogie de Fabio Montale (Paris: Gallimard, 2006). Translated by Howard Curtis as Solea (New York: Europa Editions, 2007).Google Scholar
Izzo, Jean Claude, Garlic, Mint and Sweet Basil. Essays on Marseilles, Mediterranean Cuisine and Noir Fiction (New York: Europa Editions, 2013).Google Scholar
Izzo, Jean Claude, and Fabre, Thierry, La Méditerranée française (Paris: Maisonneuve & Larose, 2000).Google Scholar
Kadir, Djelal, ‘To World, to Globalize – Comparative Literature’s Crossroads’, Comparative Literature Studies, 41.1 (2004), 119.CrossRefGoogle Scholar
Khadra, Yasmina, Le Dingue au bistouri (Algiers: Laphomic, 1990).Google Scholar
Khadra, Yasmina, Morituri (Paris: Éditions Baleine – Le Seuil, 1997). Translated into English by David Herman as Morituri (New Milford, CT and London: Toby Press, 2003).Google Scholar
Khadra, Yasmina, Double Blanc (Paris: Éditions Baleine – Le Seuil, 1998). Translated by Aubrey Botsford as Double Blank (New Milford, CT and London: Toby Press, 2005).Google Scholar
Khadra, Yasmina, L’Automne des chimères (1998). Translated by Aubrey Botsford as Autumn of the Phantoms (New Milford, CT and London: Toby Press, 2006).Google Scholar
Khadra, Yasmina, La Part du mort (Paris: Gallimard, 2004). Translated by Aubrey Botsford as Dead Man’s Share (New Milford, CT and London: Toby Press, 2009).Google Scholar
Kimyongür, Angela and Wigelsworth, Amy (eds.), Rewriting Wrongs: French Crime Fiction and the Palimpsest (Newcastle upon Tyne: Cambridge Scholars Publishing, 2014).Google Scholar
King, Stewart, ‘Articulating and Disarticulating Culture and Identity in Vázquez Montalbán’s Series Carvalho’, in Krajenbrink, Marieke and Quinn, Kate (eds.), Investigating Identities. Questions of Identity in Contemporary International Crime Fiction (Amsterdam: Rodopi, 2009), pp. 2742.Google Scholar
King, Stewart, ‘Crime Fiction as World Literature’, Clues, 32.2 (2014), 819.Google Scholar
King, Stewart, Murder in the Multinational State: Crime Fiction from Spain (London and New York: Routledge, 2019).CrossRefGoogle Scholar
Knight, Stephen, Form and Ideology in Crime Fiction (Bloomington: Indiana University Press, 1981).Google Scholar
Knight, Stephen, Crime Fiction, 1800–2000: Detection, Death and Diversity (Basingstoke, UK: Palgrave Macmillan, 2004).Google Scholar
Krajenbrink, Marieke and Quinn, Kate (eds.), Investigating Identities. Questions of Identity in Contemporary International Crime Fiction (Amsterdam: Rodopi, 2009).CrossRefGoogle Scholar
Laâbi, Abdellatif, ‘Realities and Dilemmas of National Culture’ (trans. Olivia C. Harrison and Teresa Villa-Ignacio), in Harrison, Olivia C. and Villa-Ignacio, Teresa (eds.), Souffles/Anfas: Anthology from the Moroccan Journal of Culture and Politics (Stanford: Stanford University Press, 2016), pp. 6173.Google Scholar
Laâbi, Abdellatif, ‘Realities and Dilemmas of National Culture II’ (trans. Safoi Babana-Hampton) in Harrison, Olivia C. and Villa-Ignacio, Teresa (eds.), Souffles/Anfas: Anthology from the Moroccan Journal of Culture and Politics (Stanford: Stanford University Press, 2016), pp. 95104.Google Scholar
Ledford-Miller, Linda, ‘Food for Thought: Italy’s Detective Brunetti and Montalbano’, in Anderson, Jean, Miranda, Carolina and Pezzotti, Barbara (eds.), Blood on the Table: Essays on Food in International Crime Fiction (Jefferson, NC: McFarland, 2018), pp. 113123.Google Scholar
Leroy, Fabrice, ‘Resignifying the French City: Jean-Claude Izzo’s “Hardboiled” Marseille’, The Image of the City in Literature, Media and Society, The Society for the Interdisciplinary Study of Social Imagery Conference, 2003, pp. 174–179.Google Scholar
Lévi-Strauss, Claude, ‘The Culinary Triangle’, in Counihan, Carole M. and Van Esterik, Penny (eds.), Food and Culture: A Reader (London and New York: Routledge, 1997), pp. 2836.Google Scholar
Lionnet, Françoise, ‘Logique métisse: Cultural Appropriation and Postcolonial Representations’, College Literature, 19 (1992), 100120.Google Scholar
Luengo López, Jordi, ‘Sabores y olores en la novela policíaca de Jean-Claude Izzo: recetas de vida para una existencia cosmopolita’, Thélème. Revista Complutense de Estudios Franceses, 28 (2013), 187203.CrossRefGoogle Scholar
Lukaszyk, Ewa, ‘Labels and Dignities Designating the Otherness in Post-Colonial Mediterranean’, Romanica Cracoviensia, 12 (2012), 300313.Google Scholar
Maalouf, Amin, ‘Construire la Méditerranée’, in Le Bris, Michel and Claude Izzo, Jean (eds.), Méditerranée. Une Anthologie (Paris: Librio, 1998), pp. 8992.Google Scholar
MacKinnon, Catharine A., ‘Rape: On Coercion and Consent’, in Conboy, Katie, Medina, Nadia and Stanbury, Sarah (eds.), Writing on the Body: Female Embodiment and Feminist Theory (New York: Columbia University Press, 1997), pp. 4258.Google Scholar
Maher, Brigid and Bassnet, Susan, ‘The Translation and Circulation of Crime Fiction’, in Gulddal, Jesper et al. (eds.), The Cambridge Companion to World Crime Fiction (Cambridge: Cambridge University Press, 2021), pp. 4663.Google Scholar
Maillot, Agnès, ‘Fractured Identities: Jean-Claude Izzo’s Total Khéops’, in Krajenbrink, Marieke and Quinn, Kate (eds.), Investigating Identities. Questions of Identity in Contemporary International Crime Fiction (Amsterdam: Rodopi, 2009), pp. 95112.Google Scholar
Mani, B. Venkat, Recoding World Literature: Libraries, Print Culture and Germany’s Pact with Books (New York: Fordham University Press, 2016).CrossRefGoogle Scholar
Marcou, Loïc, ‘Quand l’enquêteur se met à table: Cuisine et gastronomie dans le “polar méditerranéen” et le “nouveau roman policier grec”’, Cahiers balkaniques (2016), 315330.Google Scholar
Markaris, Petros, Deadline in Athens (trans. David Connolly) (New York: Grove Press, 2004).Google Scholar
Markaris, Petros, ‘La novela negra mediterránea’, in Barba, David (ed.), Primer encuentro europeo de novela negra. Homenaje a Manuel Vázquez Montalbán (Barcelona: Planeta, 2005), pp. 3438.Google Scholar
Markaris, Petros, ‘La vida no es sino una sombra que camina’, in Barba, David (ed.), Homenaje á Manuel Vázquez Montalbán (Barcelona: Planeta, 2005), pp. 266267.Google Scholar
Markaris, Petros, Zone Defence (trans. David Connolly) (London: Harvill Secker, 2006).Google Scholar
Markaris, Petros, Che Committed Suicide (trans. David Connolly) (London: Arcadia Books, 2009).Google Scholar
Marx-Scouras, Danielle, ‘A Literature of Departure: The Cross-Cultural Writing of Driss Chraïbi’, Research in African Literatures, 23.2 (1992), 131144.Google Scholar
Martin, Travis L. and Horton, Owen N., ‘Temporal Prosthetics and Beautiful Pain. Loss, Memory and Nostalgia in Somewhere in Time, The Butterfly Effect and Safety Not Guaranteed’, in Jones, Matthew and Omrod, Joan (eds.), Time Travel in Popular Media: Essays on Film, Television, Literature and Videogames (Jefferson, NC: McFarland, 2015), pp. 194203.Google Scholar
McDougall, James, History and the Culture of Nationalism in Algeria (Cambridge: Cambridge University Press, 2006).Google Scholar
Mendes, Ana Cristina, ‘The Liquidscape of Mare Nostrum: Manoel de Oliveira and Bansky’s Mediterranean Crossings’, Continuum, 33.5 (2019), 565579.CrossRefGoogle Scholar
Menendez, Agustín José, ‘The Refugee Crisis: Between Human Tragedy and Symptom of the Structural Crisis of European Integration’, European Law Journal, 22.4 (2016), 388416.CrossRefGoogle Scholar
Michelis, Angelica, ‘Food and Crime’, European Journal of English Studies, 14.2 (2010), 143157.CrossRefGoogle Scholar
Migozzi, Jacques, ‘Crime Fiction Import/Export in European Publishing’, Academisk, 22 (2021), 2236.Google Scholar
Miranda, Carolina and Pezzotti, Barbara, ‘Investigating Society: The Cases of Pepe Carvalho and Tito Ihaka’, Special Issue, Journal of New Zealand Studies, 11 (2011), 8192.Google Scholar
Molinaro, Nina L., ‘Writing the Wrong Rites?: Rape and Women’s Detective Fiction in Spain’, Letras Femeninas 28.1 (2002), 100117.Google Scholar
Molinaro, Nina L., ‘To Be or Not to Be (Feminist): The Curious Epistemology of Alicia Giménez Bartlett’s Petra Delicado Series’, in Craig-Odders, Renée W., Collins, Jacky and Close, Glen S. (eds.), Hispanic and Luso-Brazilian Detective Fiction: Essays on the Género Negro Tradition (Jefferson, NC: McFarland, 2006), pp. 6078.Google Scholar
Molinaro, Nina L., Policing Gender and Alicia Giménez Bartlett’s Crime Fiction (Farnham and Burlington, VT: Ashgate, 2015).Google Scholar
Moretti, Franco, Atlas of the European Novel 1800–1900 (London: Verso, 1998).Google Scholar
Most, Glenn W., ‘Urban Blues: Detective Fiction and the Metropolitan Sublime’, The Yale Review, 94.1 (2006), 5672.CrossRefGoogle Scholar
Müller, Gesine and Siskind, Mariano (eds.), World Literature, Cosmopolitanism, Globality: Beyond, Against, Post, Otherwise (Berlin: De Gruyter, 2019).CrossRefGoogle Scholar
Mulvey, Laura, ‘Visual Pleasure and Narrative Cinema’, in Braudy, Leo and Cohen, Marshall (eds.), Film Theory and Criticism: Introductory Readings (New York: Oxford University Press, 1999), pp. 833844.Google Scholar
Munt, Sally, Murder by the Book? Feminism and the Crime Novel (London and New York: Routledge, 1994).Google Scholar
Nir, Oded, Signatures of Struggle: The Figuration of Collectivity in Israeli Fiction (New York: State University of New York Press, 2018).Google Scholar
Ogdon, Bethany, ‘Hard-boiled Ideology’, Critical Quarterly, 34.1 (1992), 7187.CrossRefGoogle Scholar
Olivier-Martin, Yves. Histoire du roman populaire en France (Paris: Albin Michel, 1980).Google Scholar
Pearson, Nels and Singer, Marc, ‘Introduction’, in Pearson, Nels and Singer, Marc (eds.), Detective Fiction in a Postcolonial and Transnational World (Farnham and Burlington: Ashgate, 2009).Google Scholar
Pepper, Andrew, ‘Regional Crime Fiction’, in Gulddal, Jesper, King, Stewart and Rolls, Alistair (eds.), The Cambridge Companion of Crime Fiction as World Literature (Cambridge: Cambridge University Press, 2022), pp. 8299.CrossRefGoogle Scholar
Pezzotti, Barbara, The Importance of Place in Contemporary Italian Crime Fiction: A Bloody Journey (Madison and Teaneck: Fairleigh Dickinson University Press, 2012).Google Scholar
Pezzotti, Barbara, ‘Truth, Humour and the Mafia: A Story of Sicilian Betrayal’, in Diana Glenn, Md Rezaul Haque, Kooyman, Ben and Bierbaum, Nena (eds.) The Shadow of the Precursor (Newcastle: Cambridge Scholars Publishing, 2012), pp. 124139.Google Scholar
Pezzotti, Barbara, Politics and Society in Italian Crime Fiction: An Historical Overview (Jefferson, NC: McFarland, 2014).Google Scholar
Pieri, Giuliana (ed.), Italian Crime Fiction (Cardiff: University of Wales Press, 2011).Google Scholar
Platten, David, ‘“Polar Village.” The French Roman Noir beyond the City Walls’, Romance Studies, 25.2 (2007), 95110.CrossRefGoogle Scholar
Porter, Dennis, The Pursuit of Crime: Art and Ideology in Crime Fiction (New Haven: Yale University Press, 1981).Google Scholar
Prabhu, Anjali, ‘Theorizing the Role of the Intermediary in Postcolonial (Con)text: Driss Chraïbi’s Une Enquête au pays’, Studies in 20th Century Literature, 27.1 (2003), 167190.Google Scholar
Pratt, Mary Louise, Imperial Eyes: Travel Writing and Transculturation (London and New York: Routledge, 1992).CrossRefGoogle Scholar
Priestman, Martin, Crime Fiction from Poe to the Present (Plymouth: Northcote House, 1998).Google Scholar
Prucher, Jeff (ed.), Brave New Words: The Oxford Dictionary of Science Fiction (Oxford: Oxford University Press, 2007).Google Scholar
Ragué, Marìa José, ‘La Aventura oriental de un detective gourmet’, 23 February 2020. www.vespito.net/mvm/pajbang2.html.Google Scholar
Rambelli, Loris, Storia del giallo italiano (Milan: Garzanti, 1979).Google Scholar
Reddy, Maureen T., Sisters in Crime: Feminism and the Crime Novel (New York: Continuum, 1988).Google Scholar
Roy, Shampa, ‘Coloniality and Decoloniality’, in Allan, Janice, Gulddal, Jesper, King, Stewart and Pepper, Andrew (eds.), The Routledge Companion to Crime Fiction (London and New York: Routledge, 2021), pp. 120128.Google Scholar
Rumiz, Paolo, È oriente (Milan: Feltrinelli, 2005).Google Scholar
Rushing, Robert A., Resisting Arrest: Detective Fiction and Popular Culture (New York: Other Press, 2007).Google Scholar
Sagaster, Börte, ‘Detectives “alaturka”: Crime Fiction in Turkey’, in Kappler, Matthias (ed.), Intercultural Aspects in and around Turkic Literatures (Wiesbaden: Harrassowitz, 2006), pp. 137145.Google Scholar
Sagaster, Börte, Strohmeier, Martin and Guth, Stephan (eds.), Crime Fiction in and around the Eastern Mediterranean (Wiesbaden: Harassowitz Verlag, 2016).CrossRefGoogle Scholar
Samraoui, Mohammed, Chronicle of the Years of Blood (Paris: Denoël, 2003).Google Scholar
Santana, Mario, ‘Manuel Vázquez Montalbán’s Los mares del Sur and the Incrimination of the Spanish Transition’, Revista de Estudios Hispánicos, 34.3 (2000), 535559.Google Scholar
Saward, Miriam, ‘Identity and Place in Jean-Claude Izzo’s Total Khéops’, AJFS, 49.3 (2012), 241249.Google Scholar
Scaggs, John, Crime Fiction (London and New York: Routledge, 2005).CrossRefGoogle Scholar
Scharlipp, Wolfgang E., ‘Subgenres in Turkish Crime Fiction’, in Sagaster, Börte, Strohmeier, Martin and Guth, Stephan (eds.), Crime Fiction in and around the Eastern Mediterranean (Wiesbaden: Harassowitz Verlag, 2016), pp. 103120.CrossRefGoogle Scholar
Schneider, Jane (ed.), Italy’s ‘Southern Question’: Orientalism in One Country (New York: Berg, 1998).Google Scholar
Schoolcraft, Ralph, ‘De Mohammed Moulessehoul à Yasmina Khadra. Enquête ideologique sur le commissaire Llob’, Le Lettres romanes, 64.3–4 (2010), 349370.CrossRefGoogle Scholar
Shatz, Adam, ‘One Big Murder Mystery’, London Review of Books, 29.19 (October 2004), 36.Google Scholar
Shavit, Yaacov, ‘The Mediterranean World and “Mediterraneanism”: The Origins, Meaning, and Application of a Geo-Cultural Notion in Israel’, Mediterranean Historical Review, 3.2 (1988), 96117.CrossRefGoogle Scholar
Shohat, Ella, ‘Sephardim in Israel: Zionism from the Standpoint of Its Jewish Victims’, in McClintock, Anne, Mufti, Aamir, Shohat, Ella (eds.), Dangerous Liaisons: Gender, Nation, and Postcolonial Perspectives (Minneapolis: University of Minnesota Press, 1997), pp. 4244.Google Scholar
Smail Salhi, Zahia, ‘Algerian Women, Citizenship, and the “Family Code”’, Gender and Development, 11.3 (November 2003), pp. 2735.CrossRefGoogle Scholar
Smith, Joseph Wayne, ‘Time Travel and Backward Causation’, Cogito (1985), 5767.Google Scholar
Smolin, Jonathan, ‘Political Malaise and the New Arabic Noir’, South Central Review, 27.1 (2010), 8290.CrossRefGoogle Scholar
Smolin, Jonathan, Moroccan Noir: Police, Crime, and Politics in Popular Culture (Bloomington: Indiana University Press, 2013).Google Scholar
Smolin, Jonathan, ‘Anxious Openings: Globalization in the Moroccan Arabic Police Procedural’, Middle Eastern Literatures, 17.3 (2014), 283298.CrossRefGoogle Scholar
Smolin, Jonathan, ‘Lies and Deception: Saint Janjah, Social Critique, and the New Arabic Police Novel’, in Sagaster, Börte, Strohmeier, Martin and Guth, Stephan (eds.), Crime Fiction in and around the Eastern Mediterranean (Wiesbaden: Harassowitz Verlag, 2016), pp. 4556.CrossRefGoogle Scholar
Soja, Edward W., Thirdspace: Journeys to Los Angeles and Other Real-and-Imagined Places (Hoboken, NJ: Wiley-Blackwell, 1996).Google Scholar
Sokolov, Naomi, ‘Jewish Mysteries: Detective Fiction by Faye Kellerman and Batya Gur’, Shofar, 15.3 (Spring 1997), 6685.CrossRefGoogle Scholar
Souaïdia, Habi, La sale guerre (Paris: Folio actuel, 2001).Google Scholar
Stougaard-Nielsen, Jakob, Scandinavian Crime Fiction (London: Bloomsbury, 2017).Google Scholar
Tanoukhi, Nirvana. ‘The Scale of World Literature’, New Literary History, 39.3 (2008), 599617.CrossRefGoogle Scholar
Thompson-Casado, Kathleen, ‘Petra Delicado, A Suitable Detective for a Feminist?’ Número especial sobre la novela criminal femenina, Letras Femeninas, 28.1 (Verano 2002). 7183.Google Scholar
Timaltine, Mohand, ‘French and Spanish Colonial Policy in North Africa: Revisiting the Kabyle and Berber Myth’, International Journal of the Sociology of Language, 239 (2016), 95119.Google Scholar
Tomaiolo, Saverio, ‘“I am Montalbano/Montalbano sono”: Fluency and Cultural Differences in Translating Andrea Camilleri’s Fiction’, Journal of Anglo-Italian Studies, 10 (2009), 201219.Google Scholar
Tomc, Sandra, ‘Questing Women: The Feminist Mystery After Feminism’, in Irons, Glenwood (ed.), Feminism in Women’s Detective Fiction (Toronto: University of Toronto Press, 1995), pp. 4663.CrossRefGoogle Scholar
Torteau, Jean-Jacques, D’Arsène Lupin à San Antonio: le roman policier français de 1900 à 1970 (Paris: Mame, 1970).Google Scholar
Trevitt, Jessica, ‘Fluid Borders: Translational Readings of Transnational Literature’, The AALTRA Review: A Journal of Literary Translation, 8 (2014), 1221.Google Scholar
Trindade Lopes, Maria Helena, ‘The Mediterranean Sea: The Language of History’, Cahiers de la Méditerranée, 80 (2010), 1116.CrossRefGoogle Scholar
Tüfekçioğlu, Zeynep, ‘Let’s Say a Little About What’s There: Contemporary Turkish Crime Fiction and Its Literary Criticism’, in Sagaster, Börte, Strohmeier, Martin and Guth, Stephan (eds.), Crime Fiction in and around the Eastern Mediterranean (Wiesbaden: Harassowitz Verlag, 2016), pp. 121135.CrossRefGoogle Scholar
Turnaturi, Gabriella. ‘The Mediterranean Noir’, in Parati, Graziella (ed.), New Perspectives in Italian Cultural Studies: The Arts and History (Madison, NJ: Fairleigh Dickinson University Press, 2012), pp. 5371.Google Scholar
Tyras, Georges, ‘La Barcelona de Vázquez Montalbán (1939–2003) y la Marsella de Jean-Claude Izzo (1945–2000)’, Bulletin Hispanique (2014), 671683.CrossRefGoogle Scholar
Tyras, Georges, ‘La narrativa de Manuel V.M. entre memoria y compromise’. www.vespito.net/mvm/tyras01.html (Consulted on 15 August 2021).Google Scholar
Ünwer Noi, Aylin, Islam and Democracy: Perspectives on the Arab Spring (Newcastle upon Tyne: Cambridge Scholars Publishing, 2013).Google Scholar
Urban, Urs, ‘The Mediterranean as a Geopolitical and Geopoetic Border Region: Possible Worlds beyond the Border in Fiction’, Neohelicon, 40 (2013), 417429.CrossRefGoogle Scholar
Vázquez Montalbán, Manuel, Yo maté a Kennedy (Barcelona: Planeta, 1972).Google Scholar
Vázquez Montalbán, Manuel, Tatuaje (Barcelona: Planeta, 1974). Translated as Tattoo (London: Melville International Crime, 2013).Google Scholar
Vázquez Montalbán, Manuel, La soledad del manager (Barcelona: Planeta, 1977). Translated by Ed Emery as The Angst-Ridden Executive (London: Serpent’s Tail, 2002).Google Scholar
Vázquez Montalbán, Manuel, Los mares del Sur (Barcelona: Planeta, 1979). Translated by Patrick Camiller as Southern Seas (London: Pluto Press, 1986).Google Scholar
Vázquez Montalbán, Manuel, Asesinato en el Comité Central (Barcelona: Planeta, 1981). Translated as Murder in The Central Committee (London: Pluto Press, 1984).Google Scholar
Vázquez Montalbán, Manuel, El laberinto griego (Barcelona: Planeta, 1991). Translated by Ed Emery as An Olympic Death (London: Serpent’s Tail, 2004).Google Scholar
Vázquez Montalbán, Manuel, Sabotaje olímpico (Barcelona: Planeta, 1993).Google Scholar
Vázquez Montalbán, Manuel, Quinteto de Buenos Aires (Barcelona: Planeta, 1997). Translated by Nick Caistor as Buenos Aires Quintet (London: Serpent’s Tail, 2005).Google Scholar
Vázquez Montalbán, Manuel, El hombre de mi vida (Barcelona: Planeta, 2000). Translated as The Man of My Life (London: Serpent’s Tail: 2006).Google Scholar
Vizmuller-Zocco, Jana, ‘I test della (im) popolarità: Il fenomeno Camilleri’, Quaderni d’Italianistica, 22.1 (2001), 3546.CrossRefGoogle Scholar
Vosburg, Nancy, Iberian Crime Fiction (Cardiff: University of Wales Press, 2011).Google Scholar
Walton, Priscilla L. and Jones, Manina, Detective Agency. Women Rewriting the Hard-Boiled Tradition (Oakland: University of California Press, 1999).CrossRefGoogle Scholar
Wells, Caragh, ‘The Case of Barcelona in Manuel Vázquez Montalbán’s Detective Fiction’, Romance Studies, 25.4 (November 2007), 279288.CrossRefGoogle Scholar
Wiegand, Wayne A. (ed.), Genreflecting: A Guide to Popular Reading Interests (Westport, CT and London: Libraries Unlimited, 2006).Google Scholar
Wilson, Thomas, M., ‘Food, Drink and Identity in Europe: Consumption and the Construction of Local, National and Cosmopolitan Culture’, European Studies, 22 (2006), 1129.Google Scholar
Worthington, Heather, Key Concepts in Crime Fiction (New York: Palgrave Macmillan, 2011).CrossRefGoogle Scholar
Young, Alison, Imagining Crime: Textual Outlaws and Criminal Conversations (London: SAGE Publications, 1996).Google Scholar
Zambenedetti, Alberto, ‘Mean Streets and Bloody Shores: Toward a Spatial Theory of the Mediterranean Noir’, Studies in European Cinema, 17.3 (2019), 205217.CrossRefGoogle Scholar
Zapatero, Javier Sànchez and Martìn Escribà, Alex, ‘Manuel Vázquez Montalbán y la novela negra del desencanto’, Cuadernos de Estudios Manuel Vázquez Montalbán, 1.1 (2013), 4662.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Barbara Pezzotti, Monash University, Victoria
  • Book: Mediterranean Crime Fiction
  • Online publication: 09 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781009451437.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Barbara Pezzotti, Monash University, Victoria
  • Book: Mediterranean Crime Fiction
  • Online publication: 09 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781009451437.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Barbara Pezzotti, Monash University, Victoria
  • Book: Mediterranean Crime Fiction
  • Online publication: 09 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781009451437.009
Available formats
×