Book contents
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Introduction: Images and Imaginaries
- 1 Richard Oswald and the Social Hygiene Film: Promoting Public Health or Promiscuity?
- 2 Unsettling Nerves: Investigating War Trauma in Robert Reinert's Nerven (1919)
- 3 Humanity Unleashed: Anti-Bolshevism as Popular Culture in Early Weimar Cinema
- 4 Desire versus Despotism: The Politics of Sumurun (1920), Ernst Lubitsch's “Oriental” Fantasy
- 5 Romeo with Sidelocks: Jewish-Gentile Romance in E. A. Dupont's Das alte Gesetz (1923) and Other Early Weimar Assimilation Films
- 6 “These Hands Are Not My Hands”: War Trauma and Masculinity in Crisis in Robert Wiene's Orlacs Hände (1924)
- 7 The Star System in Weimar Cinema
- 8 Schaulust: Sexuality and Trauma in Conrad Veidt's Masculine Masquerades
- 9 The Musical Promise of Abstract Film
- 10 The International Project of National(ist) Film: Franz Osten in India
- 11 The Body in Time: Wilhelm Prager's Wege zu Kraft und Schönheit (1925)
- 12 Henrik Galeen's Alraune (1927): The Vamp and The Root of Horror
- 13 The Dialectic of (Sexual) Enlightenment: Wilhelm Dieterle's Geschlecht in Fesseln (1928)
- 14 Babel's Business — On Ufa's Multiple Language Film Versions, 1929–1933
- 15 “A New Era of Peace and Understanding”: The Integration of Sound Film into German Popular Cinema, 1929–1932
- 16 Landscapes of Death: Space and the Mobilization Genre in G. W. Pabst's Westfront 1918 (1930)
- 17 Undermining Babel: Victor Trivas's Niemandsland (1931)
- 18 Unmasking Brigitte Helm and Marlene Dietrich: The Vamp in German Romantic Comedies (1930–33)
- Filmography
- Notes on the Contributors
- Index
Notes on the Contributors
Published online by Cambridge University Press: 29 April 2017
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Book contents
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Introduction: Images and Imaginaries
- 1 Richard Oswald and the Social Hygiene Film: Promoting Public Health or Promiscuity?
- 2 Unsettling Nerves: Investigating War Trauma in Robert Reinert's Nerven (1919)
- 3 Humanity Unleashed: Anti-Bolshevism as Popular Culture in Early Weimar Cinema
- 4 Desire versus Despotism: The Politics of Sumurun (1920), Ernst Lubitsch's “Oriental” Fantasy
- 5 Romeo with Sidelocks: Jewish-Gentile Romance in E. A. Dupont's Das alte Gesetz (1923) and Other Early Weimar Assimilation Films
- 6 “These Hands Are Not My Hands”: War Trauma and Masculinity in Crisis in Robert Wiene's Orlacs Hände (1924)
- 7 The Star System in Weimar Cinema
- 8 Schaulust: Sexuality and Trauma in Conrad Veidt's Masculine Masquerades
- 9 The Musical Promise of Abstract Film
- 10 The International Project of National(ist) Film: Franz Osten in India
- 11 The Body in Time: Wilhelm Prager's Wege zu Kraft und Schönheit (1925)
- 12 Henrik Galeen's Alraune (1927): The Vamp and The Root of Horror
- 13 The Dialectic of (Sexual) Enlightenment: Wilhelm Dieterle's Geschlecht in Fesseln (1928)
- 14 Babel's Business — On Ufa's Multiple Language Film Versions, 1929–1933
- 15 “A New Era of Peace and Understanding”: The Integration of Sound Film into German Popular Cinema, 1929–1932
- 16 Landscapes of Death: Space and the Mobilization Genre in G. W. Pabst's Westfront 1918 (1930)
- 17 Undermining Babel: Victor Trivas's Niemandsland (1931)
- 18 Unmasking Brigitte Helm and Marlene Dietrich: The Vamp in German Romantic Comedies (1930–33)
- Filmography
- Notes on the Contributors
- Index
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- The Many Faces of Weimar CinemaRediscovering Germany's Filmic Legacy, pp. 329 - 332Publisher: Boydell & BrewerPrint publication year: 2010