Series Editor’s Foreword

Summary

‘Edinburgh Studies in Islamic Art’ is a venture that offers readers easy access to the most up-to-date research across the whole range of Islamic art. Building on the long and distinguished tradition of Edinburgh University Press in publishing books on the Islamic world, it is a forum for studies that, while closely focused, also opens wide horizons. Books in the series, for example, concentrate in an accessible way and in accessible, clear, plain English, on the art of a single century, dynasty or geographical area; on the meaning of works of art; on a given medium in a restricted time frame; or on analysis of key works in their wider contexts. A balance is maintained as far as possible between successive titles so that various parts of the Islamic world and various media and approaches are represented. Books in the series are academic monographs of intellectual distinction that mark a significant advance in the field. While they are naturally aimed at an advanced and graduate academic audience, a complementary target readership is the worldwide community of specialists in Islamic art – professionals who work in universities, research institutes, auction houses and museums – as well as that elusive character, the interested general reader.

Professor Robert Hillenbrand