Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-26T20:53:38.429Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  11 February 2023

Ullrich Langer
Affiliation:
University of Wisconsin, Madison
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Altenstaig, Joannes, and Tytz, Joannes, Lexicon theologicum complectens … (1st edn. 1517; Hildesheim: Olms, 1974 [facs. repr. of the 1619 ed.]).Google Scholar
Anderson, W. S., “The Orpheus of Virgil and Ovid: flebile nescio quid,” in Warden, John (ed.), Orpheus: The Metamorphosis of a Myth (Toronto: University of Toronto Press, 1982), 2550.CrossRefGoogle Scholar
Ariès, Philippe, L’homme devant la mort (Paris: Seuil, 1978).Google Scholar
Aristotle, , Aristotelis Stagiritae rhetoricum artisque poeticae libri … (Lyon: Jacques Berjon, 1580).Google Scholar
Aristotle, , Nicomachean Ethics, trans. Rackham, Howard (Cambridge, MA: Harvard University Press, 1934).Google Scholar
Aristotle, , The Physics, trans. Wicksteed, Philip H and Cornford, Francis M., 2 vols. (Cambridge, MA: Harvard University Press, 1980).Google Scholar
Aristotle, , Poetics, ed. and trans. Halliwell, Stephen (Cambridge, MA: Harvard University Press, 1995).Google Scholar
Aristotle, , Rhetoric, trans. Freese, John H (Cambridge, MA: Harvard University Press, 1926).Google Scholar
Aubigné, Agrippa d’, Les tragiques, ed. Lestringant, Frank (Paris: Gallimard, 1995).Google Scholar
Ausonius, D. Magni Ausonii Burdig. Viri consularis opera. A Josepho Scaligero, & Elia Vineto denuò recognita … ([Geneva]: Jacob Stoer, 1588).Google Scholar
Ausonius, Sämtliche Werke, ed. and trans. Dräger, Paul, vol. 3 (Trier: Kliomedia, 2015).Google Scholar
Azoulai, Juliette, “‘Le bonheur peut y tenir’: Conceptions du bonheur dans L’éducation sentimentale,” in Glaudes, Pierre and Reverzy, Éléonore (eds.), Relire L’éducation sentimentale (Paris: Garnier, 2017), pp. 297314.Google Scholar
Baker, David, “Lyric Poetry and the Problem of Time,” Literary Imagination 9, no. 1 (2007): 2936.Google Scholar
Barny, Roger, Études textuelles 4, Centre de Recherches Jacques-Petit, vol. 68 (Paris: Diffusion Belles Lettres, 1994).Google Scholar
Baudelaire, Charles, Curiosités esthétiques: L’art romantique et autres oeuvres critiques, ed. Lemaitre, Henri (Paris: Garnier, 1962).Google Scholar
Baudelaire, Charles, Les fleurs du mal, ed. Adam, Antoine (Paris: Classiques Garnier, 1961).Google Scholar
Baudelaire, Charles, The Flowers of Evil, trans. MacGowan, James (Oxford: Oxford University Press, 1993).Google Scholar
Bellenger, Yvonne, Le jour dans la poésie française au temps de la Renaissance (Tübingen: Gunter Narr, 1978).Google Scholar
Benjamin, Walter, Charles Baudelaire: Ein Lyriker im Zeitalter des Hochkapitalismus, ed. Tiedemann, Rolf (Frankfurt a. M.: Suhrkamp, 1969).Google Scholar
Benjamin, Walter, Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, trans. Zohn, Harry (London: NLB, 1973).Google Scholar
Berthon, Guillaume, L’intention du poète: Clément Marot “autheur” (Paris: Garnier, 2014).Google Scholar
Blood, Susan, “The Sonnet as Snapshot: Seizing the Instant in Baudelaire’s ‘À une passante,’” Nineteenth-Century French Studies 36, nos. 3–4 (Spring–Summer 2008): 255269.Google Scholar
Blum, Claude, La représentation de la mort dans la littérature française de la Renaissance, 2 vols. (Paris: Champion, 1989).Google Scholar
Boccaccio, Giovanni, Genealogie deorum gentilium, in Tutte le opere di Giovanni Boccaccio, ed. Branca, Vittorio, vols. 7 and 8 (Milan: Mondadori, 1998).Google Scholar
Boethius, A. M. S., Die theologischen Traktate, ed. and trans. Elsässer, Michael (Hamburg: Felix Meiner Verlag, 1988).Google Scholar
Bolens, Guillemette, Le style des gestes: Corporéité et kinésie dans le récit littéraire (Lausanne: Éditions BHMS, 2008).Google Scholar
Braden, Gordon, Renaissance Tragedy and the Senecan Tradition: Anger’s Privilege (New Haven, CT: Yale University Press, 1985).Google Scholar
Bräkling-Gersuny, Gabriele, Orpheus, der Logos-Träger: Eine Untersuchung zum Nachleben des antiken Mythos in der französischen Literatur des 16. Jahrhunderts (Munich: W. Fink, 1975).Google Scholar
Campangne, Hervé, Mythologie et rhétorique aux XVe et XVIe siècles, en France (Paris: Champion, 1996).Google Scholar
Cave, Terence, Thinking with Literature: Towards a Cognitive Criticism (Oxford: Oxford University Press, 2016).CrossRefGoogle Scholar
Chambers, Ross, An Atmospherics of the City: Baudelaire and the Poetics of Noise (New York: Fordham University Press, 2015).Google Scholar
Chambers, Ross, “The Storm in the Eye of the Poem: Baudelaire’s ‘À une passante,’” in Ann Caws, Mary (ed.), Textual Analysis: Some Readers Reading (New York: Modern Language Association of America, 1986), pp. 156166.Google Scholar
Chartier, Alain, Le quadrilogue invectif, ed. Bouchet, Florence (Paris: Champion, 2011).Google Scholar
Cicero, De inventione, trans. Hubbell, H. M. (Cambridge, MA: Harvard University Press, 1949).Google Scholar
Cicero, De officiis, trans. Miller, Walter (Cambridge, MA: Harvard University Press, 1913).Google Scholar
Cicero, De partitione oratoria, trans. Rackham, H. (Cambridge, MA: Harvard University Press, 1942).Google Scholar
Cicero, Pro Archia, trans. Watts, N. H (Cambridge, MA: Harvard University Press, 1923).Google Scholar
Cicero, The Verrine Orations, trans. L. H. G. Greenwood, vol. 2 (Cambridge, MA: Harvard University Press, 1976).Google Scholar
Cicero, (Ps.) Ad Herennium, trans. Caplan, Harry (Cambridge, Mass.: Harvard University Press, 1954).Google Scholar
Conley, Tom, The Graphic Unconscious in Early Modern French Writing (Cambridge: Cambridge University Press, 1992).Google Scholar
Cornilliat, François, Sujet caduc, noble sujet: La poésie de la Renaissance et le choix de ses “arguments” (Geneva: Droz, 2009).Google Scholar
Culler, Jonathan, Theory of Lyric (Cambridge, MA: Harvard University Press, 2015).CrossRefGoogle Scholar
Dauvois, Nathalie, Le sujet lyrique à la Renaissance (Paris: Presses universitaires de France, 2000).Google Scholar
Dauvois, Nathalie, Pour une autre poétique: Horace renaissant (Geneva: Droz, 2021).Google Scholar
Debreuille, Jean-Yves, “L’héroïcomique,” in Baty-Delalande, Hélène and Debreuille, Jean-Yves (eds.), Lire Rouaud (Lyon: Presses universitaires de Lyon, 2010), pp. 1336.Google Scholar
Defaux, Gérard, “Marot et ‘Ferme Amour’: Essai de mise au point,” in Langer, Ullrich and Miernowski, Jan (eds.), Anteros (Orléans: Paradigme, 1994), pp. 137167.Google Scholar
Defaux, Gérard, Marot, Rabelais, Montaigne: L’écriture comme présence (Paris: Champion, 1987).Google Scholar
Delvallée, Ellen, “Les plaintes de la ‘Déploration de Florimond Robertet’ ou les apories de la poésie funèbre chez Marot,” L’esprit créateur 57, no. 2 (2017): 1629.Google Scholar
Demonet, Marie-Luce, “Les propres de l’homme chez Montaigne et Charron,” in Demonet, Marie-Luce (ed.), Montaigne et la question de l’homme (Paris: Presses universitaires de France, 1999), pp. 4784.Google Scholar
Di Simone, Marina, Amore e morte in uno sguardo: Il mito di Orfeo e Euridice tra passato e presente (Florence: Libri Liberi, 2003).Google Scholar
Donaldson-Evans, Lance K., Love’s Fatal Glance: A Study of Eye Imagery in the Poets of the École Lyonnaise (University, MI: Romance Monographs, 1980).Google Scholar
Dubrow, Heather, The Challenges of Orpheus: Lyric Poetry and Early Modern England (Baltimore, MD: Johns Hopkins University Press, 2007).Google Scholar
Echenoz, Jean, 14 (Paris: Minuit, 2012).Google Scholar
Echenoz, Jean, 1914, trans. Coverdale, Linda (New York: New Press, 2012).Google Scholar
Ferrarese, Sergio, Sulle trace di Orfeo: Storia di un mito (Pisa: ETS, 2010).Google Scholar
Fitzgerald, William, Variety: The Life of a Roman Concept (Chicago: University of Chicago Press, 2016).Google Scholar
Flaubert, Gustave, L’éducation sentimentale (Paris: Gallimard, “Folio,” 1965).Google Scholar
Flaubert, Gustave, Trois contes, ed. de Sacy, Samuel S (Paris: Gallimard, “Folio classique,” 2010 [1973]).Google Scholar
Francis, Scott, Advertising the Self in Renaissance France: Lemaire, Marot and Rabelais (Newark: University of Delaware Press, 2019).CrossRefGoogle Scholar
François, Anne-Lise, Open Secrets: The Literature of Uncounted Experience (Stanford, CA: Stanford University Press, 2008).Google Scholar
Galand-Hallyn, Perrine, and Hallyn, Fernand (eds.), Poétiques de la Renaissance: Le modèle italien, le monde franco-bourguignon et leur héritage en France au XVIe siècle (Geneva: Droz, 2001).Google Scholar
Goethe, Johann Wolfgang, Faust – Der Tragödie erster Teil (Tübingen: Cotta, 1808), https://de.wikisource.org/wiki/Seite:Faust_I_(Goethe)_106.jpg.Google Scholar
Gordon, Alex L., Ronsard et la rhétorique (Geneva: Droz, 1970).Google Scholar
Goyet, Francis, Le sublime du “lieu commun”: L’invention rhétorique dans l’Antiquité et à la Renaissance (Paris: Champion, 1996).Google Scholar
Goyet, Francis, “Sur l’ordre de l’Adolescence clementine,” in Defaux, Gérard and Simonin, Michel (eds.), Clément Marot “Prince des poëtes françois” (1496–1996) (Paris: Champion, 1997), pp. 593613.Google Scholar
Greene, Roland, “The Lyric,” in Norton, Glyn P. (ed.), The Cambridge History of Literary Criticism, vol. 3: The Renaissance (Cambridge: Cambridge University Press, 1999), pp. 216228.Google Scholar
Griffin, Robert, Clément Marot and the Inflections of Poetic Voice (Berkeley: University of California Press, 1974).Google Scholar
Guerrero, Gustavo, Poétique et poésie lyrique: Essai sur la formation d’un genre, trans. Stéphan, Anne-Joelle (Paris: Seuil, 2000).Google Scholar
Hamburger, Käte, Die Logik der Dichtung, 3rd ed. (Stuttgart: Klett, 1977).Google Scholar
Hamon, Philippe, “Claude de France,” in Jouanna, Arlette, Hamon, Philippe, Biloghi, Dominique, and Le Thiec, Guy (eds.), La France de la Renaissance: Histoire et dictionnaire (Paris: Robert Laffont, 2001), pp. 704705.Google Scholar
Hartley, Julia Caterina, “The Medieval and the Modern in Baudelaire’s ‘À une passante,’” Nineteenth-Century French Studies 48 (2019–2020): 98113.CrossRefGoogle Scholar
Hermogenes, , L’Art rhétorique, trans. Patillon, Michel (Fontenay-le-Comte: L’Âge d’homme, 1997).Google Scholar
Herold, Milan, Der lyrische Augenblick als Paradigma des modernen Bewusstseins (Göttingen: V&R Unipress, 2017).Google Scholar
Hesiod, Theogony, ed. and trans. Most, Glenn W. (Cambridge, MA: Harvard University Press, 2006).Google Scholar
Hogan, Patrick Colm, “What Literature Teaches Us about Emotion: Synthesizing Affective Science and Literary Study,” in Zunshine, Lisa (ed.), The Oxford Handbook of Cognitive Literary Studies (New York: Oxford University Press, 2015), 273290.Google Scholar
Housset, Emmanuel, La vocation de la personne: L’histoire du concept de personne de sa naissance augustinienne à sa redécouverte phénoménologique (Paris: Presses universitaires de France, 2007).Google Scholar
Hugo, Victor, Les contemplations, ed. Cellier, Léon (Paris: Garnier, 1969).Google Scholar
Human Abilities Centre for Advanced Study in the Humanities, dirs. Dominik Perler and Barbara Vetter. Home page, www.human-abilities.de/the_centre/index.html.Google Scholar
Hutton, James, Themes of Peace in Renaissance Poetry (Ithaca, NY: Cornell University Press, 1984).Google Scholar
Hyman, Wendy Beth, Impossible Desire and the Limits of Knowledge in Renaissance Poetry (Oxford: Oxford University Press, 2019).CrossRefGoogle Scholar
Ibbett, Katherine, Compassion’s Edge: Fellow-Feeling and Its Limits in Early Modern France (Philadelphia: University of Pennsylvania Press, 2018).Google Scholar
Joukovsky, Françoise, Orphée et ses disciples dans la poésie française et néo-latine du XVIe siècle (Geneva: Droz, 1970).Google Scholar
Judovitz, Dalia, “The Aesthetics of Implausibility: La Princesse de Clèves,” MLN 99, no. 5 (1984): 10371056.Google Scholar
Justinian’s Institutes, ed. Krueger, Paul, trans. Peter Birks and Grant MacLeod (Ithaca, NY: Cornell University Press, 1987).Google Scholar
Kallendorf, Craig, Printing Virgil: The Transformation of the Classics in the Renaissance (Leiden: Brill, 2020).Google Scholar
Keith, Alison, and Rupp, Stephen (eds.), Metamorphosis: The Changing Face of Ovid in Medieval and Early Modern Europe (Toronto: Publications of the Centre for Reformation and Renaissance Studies, 2007).Google Scholar
Kenny, Neil, Death and Tenses: Posthumous Presence in Early Modern France (Oxford: Oxford University Press, 2015).CrossRefGoogle Scholar
Kobusch, Theo, Die Entdecking der Person: Metaphysik der Freiheit und modernes Menschenbild (Darmstadt: Wissenschaftliche Buchgesellschaft, 1997).Google Scholar
Laclos, Choderlos de, Les liaisons dangereuses (Paris: Garnier-Flammarion, 1964).Google Scholar
Lafayette, Madame de, La Princesse de Clèves, ed. Pingaud, Bernard (Paris: Gallimard, “Folio classique,” 2000).Google Scholar
Landino, Cristoforo, Scritti critici e teorici, vol. 1, ed. Cardini, Roberto (Rome: Bulzoni, 1974).Google Scholar
Langer, Ullrich, “Is There a Self in Renaissance Lyric?,” in Ferrer, Véronique, Vaillancourt, Luc, and Refini, Eugenio (eds.), Représentations de soi à la Renaissance (Paris: Hermann, forthcoming).Google Scholar
Langer, Ullrich, “L’éthique de la louange chez Marot: La ballade ‘De Paix, & de Victoire,’” in Defaux, Gérard and Simonin, Michel (eds.), Clément Marot “Prince des poëtes françois,” (1496–1996) (Paris: Champion, 1997), 269281.Google Scholar
Langer, Ullrich, Lyric in the Renaissance: From Petrarch to Montaigne (Cambridge: Cambridge University Press, 2015).Google Scholar
Langer, Ullrich, “Turning toward the Beloved (Virgil, Petrarch, Scève),” in Banks, Kathryn and Chesters, Timothy (eds.), Movement in Renaissance Literature: Exploring Kinesic Intelligence (Cham: Palgrave Macmillan, 2018), 3153.Google Scholar
Le Gallo, Alain (ed.), La Personne, fortunes d’une antique singularité juridique (Paris: Garnier, 2021).Google Scholar
Lowrie, Joyce O., Sightings: Mirrors in Texts, Texts in Mirrors (Leiden: Brill, 2008).Google Scholar
Marot, Clément, Oeuvres (Lyon: Jean de Tournes, 1579).Google Scholar
Marot, Clément, Oeuvres poétiques, 2 vols., ed. Defaux, Gérard (Paris: Classiques Garnier, 1990 and 1993).Google Scholar
Martineau-Génieys, Christine, Le thème de la mort dans la poésie française de 1450 à 1550 (Paris: Champion, 1978).Google Scholar
Mayer, C. A., Bibliographie des oeuvres de Clément Marot, 2 vols. (Geneva: Droz, 1954).Google Scholar
Miernowski, Jan, “Le pas chancelant de la fiction marotique,” in Defaux, Gérard and Simonin, Michel (eds.), Clément Marot “Prince des poëtes françois,” 1496–1996 (Paris: Champion, 1997), 531543.Google Scholar
Morin, Edgar, L’homme et la mort (Paris: Seuil, 1970).Google Scholar
Murphy, Stephen, The Gift of Immortality: Myths of Power and Humanist Poetics (Madison, NJ: Fairleigh Dickinson University Press, 1997).Google Scholar
Noirot-Maguire, Corinne, “Entre deux airs”: Style simple et ethos poétique chez Clément Marot et Joachim Du Bellay (1515–1560) (Quebec: Presses de l’Université Laval, 2011).Google Scholar
Nussbaum, Martha C., “Beyond ‘Compassion and Humanity’: Justice for Nonhuman Animals,” in Sunstein, Cass R. and Nussbaum, Martha C. (eds.), Animal Rights: Current Debates and New Directions (New York: Oxford University Press, 2004), 299320.Google Scholar
Nussbaum, Martha C., “‘If you could see this heart’: Mozart’s Mercy,” in Caston, Ruth R and Kaster, Robert A (eds.), Hope, Joy, and Affection in the Classical World (New York: Oxford University Press, 2016), 226240.Google Scholar
O’Brien, John, Anacreon redivivus: A Study of Anacreontic Translation in Mid-Sixteenth-Century France (Ann Arbor: University of Michigan Press, 1995).Google Scholar
Oster, Christian, Loin d’Odile (Paris: Minuit, 1998).Google Scholar
Ovid, Accipe studiose lector P. Ovidii Metamorphosin cum luculentissimis Raphaelis Regii enarrationibus … (Venice: Leonardo Lauredano 1509).Google Scholar
Ovid, Metamorphoses, IX–XV, ed. and trans. Justus Miller, Frank, rev. trans. Goold, G. P (Cambridge, MA: Harvard University Press, 1984).Google Scholar
Ovid, Ovide moralisé en prose, ed. de Boer, C., Verhandelingen der Koninklijke Nederlandse Akademie van Wetenschappen, AFD, Letterkunde, NR LXI, 2 (Amsterdam: North Holland, 1954).Google Scholar
Paulson, William, Sentimental Education: The Complexity of Disenchantment (New York: Twayne Publishers, 1992).Google Scholar
Pavano, Giuseppe, “La discesa di Orfeo,” Il Mondo Classico 7 (1937): 345358.Google Scholar
Perler, Dominik, Eine Person sein: Philosophische Debatten im Spätmittelalter (Frankfurt a. M.: Klostermann, 2020).Google Scholar
Perona, Blandine, Prosopopée et persona à la Renaissance (Paris: Garnier, 2013).Google Scholar
Pestalozzi, Karl, Die Entstehung des lyrischen Ich: Studien zum Motiv der Erhebung in der Lyrik (Berlin: Walter de Gruyter, 1970).CrossRefGoogle Scholar
Peter of Spain, Summulae logicales, ed. and trans. Copenhaver, Brian (Oxford: Oxford University Press, 2014).Google Scholar
Peters, Jeffrey N., The Written World: Space, Literature, and the Chorological Imagination in Early Modern France (Evanston, IL: Northwestern University Press, 2018).Google Scholar
Petrarca, Francesco, Canzoniere, ed. Santagata, Marco (Milan: Mondadori, 2004).Google Scholar
Petrarca, Francesco, Il Petrarca con l’espositione di M. Alessandro Velutello (Venice: Giovanni Antonio Bertano, 1584).Google Scholar
Petrarca, Francesco, Petrarch’s Lyric Poems: The Rime Sparse and Other Lyrics, ed. and trans. Durling, Robert M. (Cambridge, MA: Harvard University Press, 1976).Google Scholar
Piccolomini, Alessandro, Della institution morale di M. Alessandro Piccolomini. Libri XII. (Venice: Francesco Ziletti, 1582).Google Scholar
Plutarch, Letter of Condolence to Apollonius, in Moralia, vol. 2, trans. Babbitt, Frank Cole (Cambridge, MA: Harvard University Press, 1928).Google Scholar
Preisig, Florian, Clément Marot et les métamorphoses de l’auteur à l’aube de la Renaissance (Geneva: Droz, 2004).Google Scholar
Prete, Antonio, “La poésie dans les rues: Lecture d’‘À une passante,’L’Année Baudelaire 17 (2013): 5568.Google Scholar
Quint, David, Origin and Originality in Renaissance Literature: Versions of the Source (New Haven, CT: Yale University Press, 1982).Google Scholar
Quintilian, Institutio oratoria, 5 vols., ed. and trans. Russell, Donald A (Cambridge, MA: Harvard University Press, 2001).Google Scholar
Ramée, Pierre de la (Petrus Ramus), Dialectique (1555), ed. Dassonville, Michel (Geneva: Droz, 1964).Google Scholar
Régent-Susini, Anne, “La ‘douleur publique’ des oraisons funèbres, une douleur sans plainte?,” L’Esprit créateur 57, no. 2 (2017): 7688.Google Scholar
Richard, Jean-Pierre, Stendhal et Flaubert: Littérature et sensation (Paris: Seuil, 1970 [1954]).Google Scholar
Richard, Jean-Pierre, Terrains de lecture (Paris: Gallimard, 1996).Google Scholar
Rigolot, François, Poésie et Renaissance (Paris: Seuil, 2002).Google Scholar
Rigolot, François, Poétique et onomastique: L’exemple de la Renaissance (Geneva: Droz, 1977).Google Scholar
Ritter, Joachim, and Gründer, Karlfried (eds.), Historisches Wörterbuch der Philosophie, vol. 7 (Basel: Schwabe, 1989).Google Scholar
Robbins, Emmet, “Famous Orpheus,” in Warden, John (ed.), Orpheus: The Metamorphosis of a Myth (Toronto: University of Toronto Press, 1982), 323.Google Scholar
Ronsard, Pierre de, Les amours et les folastries (1552–1560), ed. Gendre, André (Paris: Librairie Générale Française, “Livre de poche classique,” 1993).Google Scholar
Ronsard, Pierre de, Oeuvres complètes, vol. 1, ed. Céard, Jean, Ménager, Daniel, and Simonin, Michel (Paris: Gallimard, 1993).Google Scholar
Rouaud, Jean, Les champs d’honneur (Paris: Minuit, 1990).Google Scholar
Rouaud, Jean, Éclats de 14 (Paris: Éditions dialogues, 2014).Google Scholar
Rouaud, Jean, Fields of Glory, trans. Manheim, Ralph (New York: Arcade Publishing, 1992).Google Scholar
Rousseau, Jean-Jacques, Oeuvres complètes, vol. 1, ed. Gagnebin, Bernard and Raymond, Marcel (Paris: Gallimard, 1959).Google Scholar
Rousset, Jean, Leurs yeux se rencontrèrent: La scène de première vue dans le roman (Paris: Corti, 1981).Google Scholar
Scève, Maurice, Delie, object de plus haulte vertu, ed. Parturier, Eugène (Paris: Nizet, 1987).Google Scholar
Segal, Charles, Orpheus: The Myth of the Poet (Baltimore, MD: Johns Hopkins University Press, 1989).Google Scholar
Schlossman, Beryl, “The Night of the Poet: Baudelaire, Benjamin, and the Woman in the Street,” MLN 119, no. 5 (December 2004): 10131032.Google Scholar
Seneca, Epistles, trans. Richard M. Gummere (Cambridge, MA: Harvard University Press, 1917).Google Scholar
Seneca, Hercules furens. Hercules Oetaeus, ed. and trans. Fitch, John G (Cambridge, MA: Harvard University Press, 2002).Google Scholar
Seneca, L. Annei Senecae Tragoediae pristinae integritati restitutae … Explanatae diligentissime tribus commentariis. G. Bernardino Marmita Parmensi. Daniele Gaietano Cremonensi. Iodoco Badio Ascensio ([Paris]: Badius Ascensius, 1514).Google Scholar
Seneca, Tragedie Senece cum duobus commentariis. Bernardinus Marmita. Daniel Gaietanus (Venice: Philippus Pincius Mantuanus, 1510).Google Scholar
Slaney, Helen, “Seneca’s Chorus of One,” in Billings, Joshua, Budelmann, Felix, and MacIntosh, Fiona (eds.), Choruses, Ancient and Modern (Oxford: Oxford University Press, 2013), 99116.Google Scholar
Solimano, Giannina, “Il mito di Orfeo-Ippolito in Seneca,” Sandalion 3 (1980): 151174.Google Scholar
Spaemann, Robert, Persons: The Difference between “Someone” and “Something,” trans. O’Donovan, Oliver (Oxford: Oxford University Press, 2006).Google Scholar
Stamelman, Richard, “The Shroud of Allegory: Death, Mourning and Melancholy in Baudelaire’s Work,” Texas Studies in Literature and Language 25 (1983): 390409.Google Scholar
Strauss, Walter A., Descent and Return: The Orphic Theme in Modern Literature (Cambridge, MA: Harvard University Press, 1971).Google Scholar
Tarrant, Richard, “Ovid and Ancient Literary History,” in Hardie, Philip (ed.), The Cambridge Companion to Ovid (Cambridge: Cambridge University Press, 2002), 1333.Google Scholar
Thiry, Claude, La plainte funèbre (Turnhout: Brepols, 1978).Google Scholar
Thomas, Aquinas, St., Summa theologica, in Works of St. Thomas Aquinas, vols. 13–20, trans. Shapcote, Fr. Laurence, OP (Green Bay, WI: Aquinas Institute, 2012).Google Scholar
Vatan, Florence, “Le sublime et le grotesque dans Bouvard et Pécuchet,” in Miernowski, Jan (ed.), Le sublime et le grotesque (Geneva: Droz, 2014), 269295.Google Scholar
Vickers, Nancy J., “Diana Described: Scattered Woman and Scattered Rhyme,” Critical Inquiry 8, no. 2 (1981): 265279.Google Scholar
Virgil, Eclogues. Georgics. Aeneid 1–6, trans. Fairclough, H. Rushton, rev. trans. Goold, G. P (Cambridge, MA: Harvard University Press, 1999).Google Scholar
Virgil, Les Georgicques de Virgile Maron: Translatees de Latin en francoys: Et Moralisees, trans. Guillaume Michel dit de Tours ([Paris]: Durand Gerlier, 1519).Google Scholar
Virgil, Opera Vergiliana docte et familiariter exposita: docte quidem Bucolica & Georgica a Servio, Donato, Mancinello: & Probo nuper addito: cum adnotationibus Beroaldinis. Aeneis vero ab iisdem praeter Mancinellum & Probum: & ab Augustino Datho in eius principio: Opusculorum praeterea quaedam ab Domitio Calderino: Familiariter vero omnia tam opera quam opuscula ab Iodoco Badio Ascensio … (Paris: Jehan Petit, 1512).Google Scholar
Virgil, L’opere di Virgilio Mantoano cioè la Bucolica, la Georgica, e l’Eneide. Commentate in lingua volgare toscana, da Giovanni Fabrini da Fighine, da Carlo Malatesta da Rimene, & da Filippo Venuti da Cortona … (Venice: Heredi di Marchiò Sessa, 1588).Google Scholar
Virgil, Pub. Virgilii Maronis Opera omnia. Cum notis selectissimis variorum Servii, Donati, Pontani, Farnabii, &cc et indice locupletissimo rerum ac verborum opera ac studio Cornelii Schrevelii (Lyon: Offic. Bourgeatiano, 1669).Google Scholar
Warden, John (ed.), Orpheus: The Metamorphosis of a Myth (Toronto: University of Toronto Press, 1982).Google Scholar
Wawrzyniak, Natalia, Lamentation et polémique au temps de guerres de Religion (Paris: Garnier, 2017).Google Scholar
Weinberg, Bernard, A History of Literary Criticism in the Italian Renaissance, 2 vols. (Chicago: University of Chicago Press, 1961).Google Scholar
Westerwelle, Karin, Baudelaire und Paris: Flüchtige Gegenwart und Phantasmagorie (Paderborn: Wilhelm Fink, 2020).Google Scholar
Westerwelle, Karin, “Die Transgression von Gegenwart im allegorischen Verfahren Baudelaires ‘À une passante,’Romanische Forschungen 107 (1995): 5387.Google Scholar
Wilson-Okamura, David Scott, Virgil in the Renaissance (Cambridge: Cambridge University Press, 2010).Google Scholar
Yandell, Cathy, Carpe Corpus: Time and Gender in Early Modern France (Newark: University of Delaware Press, 2000).Google Scholar
Yates, Frances A., Astraea: The Imperial Theme in the Sixteenth Century (London: Routledge, 1975).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Ullrich Langer, University of Wisconsin, Madison
  • Book: Lyric Humanity from Virgil to Flaubert
  • Online publication: 11 February 2023
  • Chapter DOI: https://doi.org/10.1017/9781009225236.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Ullrich Langer, University of Wisconsin, Madison
  • Book: Lyric Humanity from Virgil to Flaubert
  • Online publication: 11 February 2023
  • Chapter DOI: https://doi.org/10.1017/9781009225236.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Ullrich Langer, University of Wisconsin, Madison
  • Book: Lyric Humanity from Virgil to Flaubert
  • Online publication: 11 February 2023
  • Chapter DOI: https://doi.org/10.1017/9781009225236.009
Available formats
×