Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-fscjk Total loading time: 0 Render date: 2024-12-26T13:57:45.368Z Has data issue: false hasContentIssue false

5 - Chronotope and Language Change in Arbó's Tino Costa

Published online by Cambridge University Press:  05 February 2013

Jordi Cornellà-Detrell
Affiliation:
Bangor University
Get access

Summary

Realist versus mythical discourse in the 1968 version

Tino Costa appeared in 1947, at a time when Franco's regime was determined to eradicate Catalan culture by making it extremely difficult to publish translations or works by contemporary authors. In the years prior to the war, characterised by the unbridled optimism generated by the Republic and the new Generalitat, Arbó had published several novels and plays to critical acclaim. When he resumed his career in the 1940s, the radically different conditions of the new situation forced him to make a difficult choice: to either go underground or change his expressive medium. With respect to Tino Costa, he reached a compromise with the authorities: as was often the case at the time, he was only allowed to publish the original manuscript by simultaneously issuing a parallel version in Spanish. The translation immediately achieved considerable success, which helps us to understand why the author, praised by readers and critics alike, decided to focus on the Spanish market. In subsequent years, he wrote a number of very popular biographies and novels which made him one of the most influential figures in the literary milieu, to such an extent that in 1948 his novel Bajo las piedras grises was awarded the Premio Nadal.

As has been discussed in Chapter 2, in the 1960s Arbó's ideological stance was at odds with a cultural climate that embraced Marxism and new tendencies such as structuralism.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×