Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-10T06:50:53.002Z Has data issue: false hasContentIssue false

3 - Sweet Food to Sweet Crude: Haunting Place through Planet

Published online by Cambridge University Press:  02 March 2024

John Parham
Affiliation:
University of Worcester
Get access

Summary

Merseycene Hauntings

At the University of Liverpool, we teach a module called ‘Literature and Place’ in which first-year undergraduates read a horror short story by one of our alumni, Clive Barker. ‘The Forbidden’ is a tale of urban decline, where an ambitious academic researcher visits a dilapidated housing estate and discovers that the city is haunted by a hook-handed killer, who smells of sweets and whose rotting torso swarms with honeybees. This monstrously saccharine horror is known as the ‘Candyman’. ‘The Forbidden’ might seem an odd choice of text for a module designed to encourage students to think about their degree programme and their chosen city of study in relation to questions of environment and decolonisation. They tend initially to see the Candyman as an overdetermined metaphor for the dangers of desire: for sexual fulfilment, for academic success, or, for those who pick up on the story’s nods towards Merseyside’s 1980s heroin crisis, for drugs. But there is, hiding in plain sight, another way to interpret the Candyman’s candy. As Barker himself later explained, the Candyman’s apian torso draws inspiration from the bee-infested lion’s corpse on the front of tins of Golden Syrup, a product manufactured by the most famous corporation from Liverpool: the sugar behemoth, Tate & Lyle. So perhaps the walking hive of the Candyman is a horrifying body politic: a beehive version of Thomas Hobbes’s Leviathan, but with a distinctive additive? Maybe the Candyman is the spectre of sugar which haunts Merseyside: its original sin, its one-time sustenance, and, perhaps, its future doom?

This chapter takes Barker’s image of a commodity-haunted city as entry point (and exit wound) to show that Merseyside is a particularly compelling site through which to think about the trans-scalar dimensions of environ-mental crisis, where the slow violence of political and infrastructural histories haunts landscapes, bodies and climate. As Elizabeth DeLoughrey argues, it is necessary to ‘provincialize’ the geological and ecological transformations of the Anthropocene, because a ‘planetary scale needs to be placed in a dialectical relation with the local to render [both] their narratives meaningful’. Such a dialectical relationship between part (place) and whole (planet) must be diachronic as well as spatial, necessarily ‘entangled with the longue durée of empire and ecological imperialism’. With its extensive relationships with both sugar plantations and the oil industry, Merseyside is more entangled than most.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×