Introduction

Summary

The introduction makes a case for returning to the topic of Boccaccio’s realism through the lens of law and rhetoric. Boccaccio’s Decameron is not just realistic from a stylistic perspective, a mark of the authors modernity. Rather, the work is itself a critical examination of the uses and abuses of realism. This examination of everyday, social mimesis occurs most trenchantly in the Decameron’s numerous trial scenes. Accordingly, this introduction argues that we should shift focus from Boccaccio the expert canonist to Boccaccio the astute observer of procedural law. It argues, further, that that the difference between Dante’s and Boccaccio’s realism can be seen as a legal-procedural difference. Dante prefers in inquisitorial poetics aimed at uncovering hidden truths while Boccaccio’s realism is dialectical and accusatorial.