Book contents
- Latin American Literature in Transition 1980–2018
- Latin American Literature in Transition
- Latin American Literature in Transition 1980–2018
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Introduction
- Part I Security
- Part II New Genres
- Part III Mobilities
- Part IV Positionalities
- Chapter 17 Linguistic and Literary Tensions in Contemporary Paraguay
- Chapter 18 The Remaking of the “New Man” in Queer Cuban Cinema
- Chapter 19 Dissident Sexualities in Southern Cone Literature
- Chapter 20 Queer Feminist Hip Hop
- Chapter 21 Figures of the Impersonal in Contemporary Latin American Culture
- Part V Latin American Literature in Global Markets
- Index
- References
Chapter 21 - Figures of the Impersonal in Contemporary Latin American Culture
from Part IV - Positionalities
Published online by Cambridge University Press: 24 November 2022
- Latin American Literature in Transition 1980–2018
- Latin American Literature in Transition
- Latin American Literature in Transition 1980–2018
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Introduction
- Part I Security
- Part II New Genres
- Part III Mobilities
- Part IV Positionalities
- Chapter 17 Linguistic and Literary Tensions in Contemporary Paraguay
- Chapter 18 The Remaking of the “New Man” in Queer Cuban Cinema
- Chapter 19 Dissident Sexualities in Southern Cone Literature
- Chapter 20 Queer Feminist Hip Hop
- Chapter 21 Figures of the Impersonal in Contemporary Latin American Culture
- Part V Latin American Literature in Global Markets
- Index
- References
Summary
What has triggered this new concern with an impersonal yet singular life? In what sense do these formal innovations in contemporary aesthetics open up new ways to understand shared experience? In the belief that the analysis and reading of these cultural practices can help us foster the potential for understanding in spite of cultural differences, this chapter wishes to unlock the ethical and political challenges of our time as they are elaborated and discussed in contemporary art practices by Teixeira Coelho, Diamela Eltit, Sergio Chejfec, Rosângela Rennó, Gian Paolo Minelli, and Claudia Andujar.
- Type
- Chapter
- Information
- Latin American Literature in Transition 1980–2018 , pp. 328 - 338Publisher: Cambridge University PressPrint publication year: 2022