Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-26T12:05:24.109Z Has data issue: false hasContentIssue false

Revised Reading List

Published online by Cambridge University Press:  16 August 2019

William Shakespeare
Edited by
Andrew Gurr
Introduction by
Claire McEachern
Andrew Gurr
Affiliation:
University of Reading
Claire McEachern
Affiliation:
University of California, Los Angeles
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
King Richard ll , pp. 241 - 244
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Albright, Evelyn M. ‘Shakespeare’s Richard II and the Essex conspiracy’, PMLA 42 (1927), 686–720CrossRefGoogle Scholar
Bailey, Richard W. (ed.). Early Modern English: Additions and Antedatings to the Record of English Vocabulary 1475–1700, 1978Google Scholar
Baldwin, T. W. Shakspere’s ‘Small Latine & Lesse Greeke’, 2 vols, 1944Google Scholar
Barkan, Leonard, ‘The theatrical consistency of Richard II’, SQ 29 (1978), 5–19Google Scholar
Barroll, J. Leeds. ‘A new history for Shakespeare and his time’, SQ 39 (1988), 441–64Google Scholar
Baxter, John. Shakespeare’s Poetic Styles, 1980Google Scholar
Berger, Harry Jr.. ‘Richard II 3.23: an exercise in imaginary audition’, ELH 55 (1988), 755–96CrossRefGoogle Scholar
Berger, Harry Jr Imaginary Audition: Shakespeare on Stage and Page (Berkeley, CA: University of California Press, 1990.Google Scholar
Bergeron, David M. ‘The Hoby letter and Richard II: a parable of criticism’, SQ 26 (1975), 477–80Google Scholar
Bergeron, David M. ‘Richard II and carnival politics’, SQ 42 (1991), 33–43Google Scholar
Black, Matthew W., and Metz, G. Harold. The Life and Death of King Richard II: A Bibliography to supplement the New Variorum Edition of 1955, 1977 (includes entries up to 1973)Google Scholar
Boris, Edna Zwick. Shakespeare’s English Kings, The People and the Law, 1978Google Scholar
Brooke, Nicholas (ed.). Richard II: A Casebook, 1973Google Scholar
Bullough, Geoffrey (ed.). Narrative and Dramatic Sources of Shakespeare, III, 1960 (material on Richard II on pp. 353–497)Google Scholar
Calderwood, J. L. Metadrama in Shakespeare’s Henriad: ‘Richard II’ to ‘Henry V’, 1979Google Scholar
Campbell, Lily B. Shakespeare’s ‘Histories’: Mirrors of Elizabethan Policy, 1947 (includes pp. 176–94 the debate about the succession, 1594–1601)Google Scholar
Cercignani, Fausto. Shakespeare’s Works and Elizabethan Pronunciation, 1981Google Scholar
Clegg, Cyndia, “‘By the Choise and Invitation of al the Realme”: Richard II and Elizabethan Press Censorship’, SQ 48.4 (1997): 432–448.Google Scholar
David, Richard. Shakespeare in the Theatre, 1978Google Scholar
Dent, R. W. Shakespeare’s Proverbial Language: An Index, 1981Google Scholar
Dillon, Janette. Shakespeare and the Solitary Man, 1981 (ch. 5 is on Richard II)CrossRefGoogle Scholar
Dollimore, Jonathan. ‘Introduction’ to Political Shakespeare, ed. Jonathan, Dollimore and Alan, Sinfield, 1985, p. 88Google Scholar
Dutton, Richard. ‘Buggeswords: the case of Sir John Hayward’s Life of Henry IV’, in Licensing, Censorship and Authorship in Early Modern England, 2000, pp. 162–91CrossRefGoogle Scholar
Edwards, Philip. ‘Person and office in Shakespeare’s plays’, Proceedings of the British Academy 56 (1972), 93–109 (Annual Shakespeare Lecture for 1970)Google Scholar
Fleischer, Martha Hester. The Iconography of the English History Play, 1974 (includes the state, the garden, trial by combat)Google Scholar
Forker, Charles R. (ed.). Richard II, 1780–1920. Shakespeare: The Critical Tradition, 1998. [Forker’s edition of Richard II for the Arden 3 series appeared in March 2002]Google Scholar
Fussner, F. Smith. The Historical Revolution: English Historical Writing and Thought 1580–1640, 1962CrossRefGoogle Scholar
Gordon, Donald J. ‘Name and fame: Shakespeare’s Coriolanus’, Papers Mainly Shakespearean, ed. Duthie, G. I., 1964, pp. 40–57 (on name and identity)Google Scholar
Greenblatt, Stephen, (ed.). The Power of Forms in the English Renaissance, 1982Google Scholar
Hakola, Lisa, In One Person Many People: The Image of the King in Three RSC Productions of William Shakespeare’s King Richard II (Helsinki: Suomalainen Tiedeakatemia, 1988Google Scholar
Hamilton, Donna B. ‘The state of law in Richard II’, SQ 34 (1983), 5–17Google Scholar
Hammer, Paul. ‘Shakespeare’s Richard II, the Play of 7 February 1601, and the Essex Rising’, SQ 59 (2008), 1–35Google Scholar
Harris, Kathryn M. ‘Sun and water imagery in Richard II: its dramatic function’, SQ 21 (1970), 157–65Google Scholar
Hart, Jonathan. Theater and World: the Problematics of Shakespeare’s History, 1992Google Scholar
Healy, Margaret. William Shakespeare: Richard II, Writers and their Work, 1998Google Scholar
Hinman, Charlton. The Printing and Proofreading of the First Folio of Shakespeare, 2 vols, 1963Google Scholar
Hodgdon, Barbara. The End Crowns All: Closure and Contradiction in Shakespeare’s History, 1991CrossRefGoogle Scholar
Humphreys, A. R. ‘Shakespeare and the Tudor perception of history’, Stratford Papers on Shakespeare 1964, ed. Jackson, B. W., 1965, pp. 51–70Google Scholar
Humphreys, A. R. Richard II, 1967 (Studies in English Literature series)Google Scholar
Kantorowicz, Ernest H. The King’s Two Bodies: A Study in Medieval Political Theology, 1957Google Scholar
Kastan, David Scott. ‘Proud Majesty Made a Subject: Shakespeare and the Spectacle of Rule’, SQ 37 (1986), 459–75Google Scholar
Kelly, Henry Ansgar. Divine Providence in the England of Shakespeare’s Histories, 1970Google Scholar
Kernan, Alvin B. ‘The Henriad: Shakespeare’s major history plays’, Yale Review 59 (1969), 3–32 (reprinted in Modern Shakespearean Criticism, ed. Alvin B. Kernan, 1970, pp. 245–75)Google Scholar
Kinney, Arthur. ‘Essex and Shakespeare vs. Hayward’, SQ 44 (1993), 464–6Google Scholar
Knowles, Ronald. Shakespeare’s Arguments with History, 2001CrossRefGoogle Scholar
Lamb, Jonathan P. ‘The stylistic self in Richard II’, Medieval and Renaissance Drama in England: An Annual Gathering of Research, Criticism and Reviews 28 (2015), 123–51Google Scholar
Lopez, Jeremy, ed. Richard II: New Critical Essays, 2012Google Scholar
McManaway, James G. ‘Richard II at Covent Garden’, SQ 15 (1964), 161–75Google Scholar
MacKenzie, Clayton G. ‘Paradise and paradise lost in Richard II’, SQ 37 (1986), 318–39Google Scholar
Maguire, Laurie E. Shakespearean Suspect Texts: The ‘Bad’ Quartos and Their Contexts, 1996CrossRefGoogle Scholar
Mahood, M. Shakespeare’s Wordplay, 1957 (esp. ch. 3)CrossRefGoogle Scholar
Merrix, Robert P. ‘Shakespeare’s Histories and the new bardolators’, SEL 19 (1979), 179–96Google Scholar
Muir, Kenneth. The Sources of Shakespeare’s Plays, 1977 (pp. 46–66)CrossRefGoogle Scholar
Naylor, E. W. Shakespeare and Music, 1931Google Scholar
Norbrook, David. ‘“A liberal tongue”: language and rebellion in Richard II”, in Shakespeare’s Universe: Renaissance Ideas and Conventions, ed. Mucciolo, John M., 1996, pp. 37–51Google Scholar
Nuttall, A. D. ‘Ovid’s Narcissus and Shakespeare’s Richard II: the Reflected Self’, Ovid Renewed: Ovidian Influences on Literature and Art from the Middle Ages to the Twentieth Century, ed. Martindale, Charles, 1988, 137–50Google Scholar
Ornstein, Robert. A Kingdom for a Stage: The Achievement of Shakespeare’s History Plays, 1972 (esp. ch. 5)Google Scholar
Patch, H. R. The Goddess Fortuna in Medieval Literature, 1927CrossRefGoogle Scholar
Pater, Walter. ‘Shakespeare’s English kings’, Scribner’s Magazine, 5 April 1889, 506–12 (reprinted in Appreciations, 1889, pp. 192–212)Google Scholar
Patterson, Annabel. Reading Holinshed’s Chronicles, 1994Google Scholar
Pierce, Robert B. Shakespeare’s History Plays: The Family and the State, 1971Google Scholar
Pollard, A. W. A New Shakespeare Quarto. The Tragedy of King Richard II. Printed for the third time by Valentine Simmes in 1598, 1918Google Scholar
Prior, Moody E. The Drama of Power: Studies in Shakespeare’s Plays, 1973Google Scholar
Rabkin, Norman. Shakespeare and the Common Understanding, 1967Google Scholar
Rackin, Phyllis. ‘The role of the audience in Shakespeare’s Richard II’, SQ 36 (1985), 262–81Google Scholar
Rackin, Phyllis. Stages of History: Shakespeare’s English Chronicles, 1990Google Scholar
Ribner, Irving. The English History Play in the Age of Shakespeare, 1957, rev. edn, 1965 (traces the evolution of the history play, emphasising Shakespeare’s innovations)Google Scholar
Riggs, David. Shakespeare’s Heroical Histories: Henry VI and its Literary Tradition, 1971 (identifies different schools of sixteenth-century historiography, against Tillyard)CrossRefGoogle Scholar
Rossiter, A. P. (ed.). Woodstock: A Moral History, 1946Google Scholar
Sanders, Wilbur. The Dramatist and the Received Idea: Studies in the Plays of Marlowe and Shakespeare, 1968 (esp. ch. 9)Google Scholar
Schoenbaum, S. ‘Richard II and the realities of power’, S.Sur. 28 (1975), 1–13Google Scholar
Scouten, A. H. The London Stage 1660–1800, Part 3: 1729–1747, 1961Google Scholar
Shewring, Margaret, Shakespeare in Performance: King Richard II (Manchester: Manchester University Press, 1996).Google Scholar
Siemon, James. Word against Word: Shakespearean Utterance, 2002Google Scholar
Sprague, Arthur C. Shakespeare’s Histories: Plays for the Stage, 1964Google Scholar
Talbert, E. W. The Problem of Order, 1962 (includes pp. 146–200, ‘Shakespeare’s deposition of Richard II’)Google Scholar
Tilley, M. P. A Dictionary of the Proverbs in England in the Sixteenth and Seventeenth Centuries, 1950Google Scholar
Tillyard, E. M. W. Shakespeare’s History Plays, 1944Google Scholar
Trousdale, Marion. Shakespeare and the Rhetoricians, 1982Google Scholar
Tuck, Anthony. Richard II and the English Nobility, 1973Google Scholar
Van Lennep, William. The London Stage 1660–1800, Part 1: 1660–1700, 1965Google Scholar
Vickers, Brian (ed.). Shakespeare: The Critical Heritage I: 1623–1692, 1974 (reprints the preface and five scenes from Tate’s version of Richard II)Google Scholar
Wells, Stanley. Modernising Shakespeare’s Spelling; with Gary Taylor, Three Studies in the Text of ‘Henry V’, 1979Google Scholar
Yachnin, Paul. ‘The powerless theater’, English Literary Renaissance 21 (1991), 49–74CrossRefGoogle Scholar
Yeats, W. B. ‘At Stratford-on-Avon’, Essays and Introduction, 1961, pp. 96–110CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×