Book contents
- James Baldwin in Context
- James Baldwin in Context
- Copyright page
- Contents
- Contributors
- Introduction: James Baldwin in Context
- Part 1 Life and Afterlife
- Part 2 Social and Cultural Contexts
- Chapter 12 Intersectionality
- Chapter 13 Baldwin and the Early Civil Rights Movement
- Chapter 14 Segregation and the South
- Chapter 15 The Assassinations: Medgar, Malcolm, and Martin
- Chapter 16 Gospel
- Chapter 17 “The Whole Body of the Sound”: The Black Musical Basis of Baldwin’s Literary Craft and Social Vision
- Chapter 18 Baldwin and Psychoanalysis
- Part 3 Literary Contexts
- Index
Chapter 14 - Segregation and the South
from Part 2 - Social and Cultural Contexts
Published online by Cambridge University Press: 12 July 2019
- James Baldwin in Context
- James Baldwin in Context
- Copyright page
- Contents
- Contributors
- Introduction: James Baldwin in Context
- Part 1 Life and Afterlife
- Part 2 Social and Cultural Contexts
- Chapter 12 Intersectionality
- Chapter 13 Baldwin and the Early Civil Rights Movement
- Chapter 14 Segregation and the South
- Chapter 15 The Assassinations: Medgar, Malcolm, and Martin
- Chapter 16 Gospel
- Chapter 17 “The Whole Body of the Sound”: The Black Musical Basis of Baldwin’s Literary Craft and Social Vision
- Chapter 18 Baldwin and Psychoanalysis
- Part 3 Literary Contexts
- Index
Summary
Throughout his long and celebrated literary career, and as one of this country’s most preeminent black writers and public intellectuals of the civil rights era, James Baldwin consistently returned to the American South as a central geographical and imaginative space in which to explore issues. In a 1963 interview with psychologist and civil rights activist Kenneth B. Clark, James Baldwin famously said: “I am, in all but in technical legal fact, a Southerner. My father was born in the South—My mother was born in the South and if they had waited two more seconds I might have been born in the South. But that means I was raised by families whose roots were essentially southern rural and whose relationship to the church was very direct because it was the only means they had of expressing their pain and despair.”
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- Information
- James Baldwin in Context , pp. 147 - 156Publisher: Cambridge University PressPrint publication year: 2019