Book contents
- James Baldwin in Context
- James Baldwin in Context
- Copyright page
- Contents
- Contributors
- Introduction: James Baldwin in Context
- Part 1 Life and Afterlife
- Chapter 1 Harlem During and After the Renaissance
- Chapter 2 American Writers in Paris
- Chapter 3 Greenwich Village and Emerging Bohemianism
- Chapter 4 1963: Baldwin’s Annus Mirabilis
- Chapter 5 East Meets West: Baldwin in Istanbul in the 1960s
- Chapter 6 Baldwin as Teacher
- Chapter 7 A Long Way from Home: Baldwin in Provence
- Chapter 8 Decline of Reputation in the 1980s
- Chapter 9 The Critical Renaissance: 1999–Present
- Chapter 10 Biographies
- Chapter 11 The Matter of Black Lives: Baldwin Today
- Part 2 Social and Cultural Contexts
- Part 3 Literary Contexts
- Index
Chapter 3 - Greenwich Village and Emerging Bohemianism
from Part 1 - Life and Afterlife
Published online by Cambridge University Press: 12 July 2019
- James Baldwin in Context
- James Baldwin in Context
- Copyright page
- Contents
- Contributors
- Introduction: James Baldwin in Context
- Part 1 Life and Afterlife
- Chapter 1 Harlem During and After the Renaissance
- Chapter 2 American Writers in Paris
- Chapter 3 Greenwich Village and Emerging Bohemianism
- Chapter 4 1963: Baldwin’s Annus Mirabilis
- Chapter 5 East Meets West: Baldwin in Istanbul in the 1960s
- Chapter 6 Baldwin as Teacher
- Chapter 7 A Long Way from Home: Baldwin in Provence
- Chapter 8 Decline of Reputation in the 1980s
- Chapter 9 The Critical Renaissance: 1999–Present
- Chapter 10 Biographies
- Chapter 11 The Matter of Black Lives: Baldwin Today
- Part 2 Social and Cultural Contexts
- Part 3 Literary Contexts
- Index
Summary
During the 1940s and 1950s, the Village was the hub of Abstract Expressionism; it was home to Jackson Pollock and Mark Rothko, as well as the New York School of poets, who rubbed shoulders with artists and composers, among them John Cage, Robert Rauschenberg, and Jasper Johns. During the late 1940s and 1950s, the Village, according to the writer Anatole Broyard, was a place brimming with “terrific energy and curiosity,” where the Beat triumvirate – Jack Kerouac, Allen Ginsberg, and William Burroughs – were at the vanguard of the Beat Generation. During the late 1950s and early 1960s, Beat-influenced writers and artists, including the African American poet Ted Joans, were mainstays of coffee houses on McDougal Street and West 3rd and Bleecker Streets. During the 1960s, the Village became an important area for the burgeoning folk music scene, where the likes of Bob Dylan and Dave Van Ronk played in coffee houses and bars.
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- Information
- James Baldwin in Context , pp. 28 - 36Publisher: Cambridge University PressPrint publication year: 2019