Book contents
- James Baldwin in Context
- James Baldwin in Context
- Copyright page
- Contents
- Contributors
- Introduction: James Baldwin in Context
- Part 1 Life and Afterlife
- Part 2 Social and Cultural Contexts
- Chapter 12 Intersectionality
- Chapter 13 Baldwin and the Early Civil Rights Movement
- Chapter 14 Segregation and the South
- Chapter 15 The Assassinations: Medgar, Malcolm, and Martin
- Chapter 16 Gospel
- Chapter 17 “The Whole Body of the Sound”: The Black Musical Basis of Baldwin’s Literary Craft and Social Vision
- Chapter 18 Baldwin and Psychoanalysis
- Part 3 Literary Contexts
- Index
Chapter 16 - Gospel
from Part 2 - Social and Cultural Contexts
Published online by Cambridge University Press: 12 July 2019
- James Baldwin in Context
- James Baldwin in Context
- Copyright page
- Contents
- Contributors
- Introduction: James Baldwin in Context
- Part 1 Life and Afterlife
- Part 2 Social and Cultural Contexts
- Chapter 12 Intersectionality
- Chapter 13 Baldwin and the Early Civil Rights Movement
- Chapter 14 Segregation and the South
- Chapter 15 The Assassinations: Medgar, Malcolm, and Martin
- Chapter 16 Gospel
- Chapter 17 “The Whole Body of the Sound”: The Black Musical Basis of Baldwin’s Literary Craft and Social Vision
- Chapter 18 Baldwin and Psychoanalysis
- Part 3 Literary Contexts
- Index
Summary
James Baldwin opposed gaps between categories like religion and politics or the strictly sacred and the secular. In The Fire Next Time (1963), he writes about the ripe potential for community change that some black churches harness and how churches and churchgoers who are not politically progressive enough waste that potential. According to Baldwin, “The church was very exciting. It took a long time for me to disengage myself from this excitement, and on the blindest, most visceral level, I really never have, and never will. There is no music like that music, no drama like the drama of the saints rejoicing, the sinners moaning, the tambourines racing, and all those voices coming together and crying holy unto the Lord.”
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- Information
- James Baldwin in Context , pp. 169 - 176Publisher: Cambridge University PressPrint publication year: 2019