Book contents
- James Baldwin in Context
- James Baldwin in Context
- Copyright page
- Contents
- Contributors
- Introduction: James Baldwin in Context
- Part 1 Life and Afterlife
- Part 2 Social and Cultural Contexts
- Part 3 Literary Contexts
- Chapter 19 The Protest Essay Tradition
- Chapter 20 Baldwin and the Black Arts Movement
- Chapter 21 Baldwin and the Rhetoric of Confession
- Chapter 22 The Poetics of Beautiful Blackness On Baldwin and Négritude
- Chapter 23 Mid-Century Theater
- Chapter 24 Sex and the Twentieth-Century Novel
- Chapter 25 Responding to Richard Wright
- Chapter 26 Baldwin’s Literary Friendships
- Chapter 27 Reviewers, Critics, and Cranks
- Chapter 28 Baldwin’s Collaborative Dance
- Chapter 29 Baldwin’s Literary Progeny
- Index
Chapter 21 - Baldwin and the Rhetoric of Confession
from Part 3 - Literary Contexts
Published online by Cambridge University Press: 12 July 2019
- James Baldwin in Context
- James Baldwin in Context
- Copyright page
- Contents
- Contributors
- Introduction: James Baldwin in Context
- Part 1 Life and Afterlife
- Part 2 Social and Cultural Contexts
- Part 3 Literary Contexts
- Chapter 19 The Protest Essay Tradition
- Chapter 20 Baldwin and the Black Arts Movement
- Chapter 21 Baldwin and the Rhetoric of Confession
- Chapter 22 The Poetics of Beautiful Blackness On Baldwin and Négritude
- Chapter 23 Mid-Century Theater
- Chapter 24 Sex and the Twentieth-Century Novel
- Chapter 25 Responding to Richard Wright
- Chapter 26 Baldwin’s Literary Friendships
- Chapter 27 Reviewers, Critics, and Cranks
- Chapter 28 Baldwin’s Collaborative Dance
- Chapter 29 Baldwin’s Literary Progeny
- Index
Summary
Baldwin’s most fertile period – the mid-1950s through the mid-1960s – corresponded with the advent of the confessional school of poetry, a deeply personal and emotionally intense mode inaugurated with the publication of Robert Lowell’s Life Studies (1960). Yet Baldwin is more frequently associated with social commentary than with personal confession. Malcolm X once said to Baldwin, “I’m the warrior of this revolution and you’re the poet.” The distinction might be false: poetry, even of the confessional type, can be considered as politically efficacious as any speech. Put succinctly, poets can be warriors, too.
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- Information
- James Baldwin in Context , pp. 221 - 232Publisher: Cambridge University PressPrint publication year: 2019