Book contents
- Irish Literature in Transition, 1780–1830
- Irish Literature in Transition
- Irish Literature in Transition, 1780–1830
- Copyright page
- Contents
- Contributors
- Series Preface
- General Acknowledgements
- Acknowledgements
- Introduction
- Part I Origins
- Part II Transitions
- Chapter 3 Irish Literary Theory: From Politeness to Politics
- Chapter 4 Whigs, Weavers, and Fire-Worshippers: Anglophone Irish Poetry in Transition
- Chapter 5 Metropolitan Theatre
- Chapter 6 Harps and Pepperpots, Songs and Pianos: Music and Irish Poetry
- Chapter 7 Enlightened Ulster, Romantic Ulster: Irish Magazine Culture of the Union Era
- Part III Reputations
- Part IV Futures
- Index
Chapter 7 - Enlightened Ulster, Romantic Ulster: Irish Magazine Culture of the Union Era
from Part II - Transitions
Published online by Cambridge University Press: 28 February 2020
- Irish Literature in Transition, 1780–1830
- Irish Literature in Transition
- Irish Literature in Transition, 1780–1830
- Copyright page
- Contents
- Contributors
- Series Preface
- General Acknowledgements
- Acknowledgements
- Introduction
- Part I Origins
- Part II Transitions
- Chapter 3 Irish Literary Theory: From Politeness to Politics
- Chapter 4 Whigs, Weavers, and Fire-Worshippers: Anglophone Irish Poetry in Transition
- Chapter 5 Metropolitan Theatre
- Chapter 6 Harps and Pepperpots, Songs and Pianos: Music and Irish Poetry
- Chapter 7 Enlightened Ulster, Romantic Ulster: Irish Magazine Culture of the Union Era
- Part III Reputations
- Part IV Futures
- Index
Summary
Emerging from four nations romantic scholarship and recent historical revisionism, this chapter challenges the negative view of the liminal period 1798–1800 as a dark and silent moment, following the collapse of United Irish republicanism and its associated publications. Pushing beyond 1798, public print and private correspondence discoveries in relation to key figures among elite and working-class circles alike yield evidence of continued collaboration towards the goal of a more high-brow, if less overtly political, northern periodical culture in Ireland. These circles contributed to several ‘enlightened’ periodicals like the Belfast Monthly Magazine (1808–14) and the Belfast Literary Journal (1815), which enabled a productive collision of politically radical writers like James Orr, Dr William Drennan, and Samuel Thomson with the ascendancy of conservatives, particularly the coterie poets of Bishop Thomas Percy. This chapter focuses on a key study of a short-lived Belfast periodical, The Microscope and Minute Observer (1799–1800), a unique publication that represents the convergence of Enlightenment, antiquarian, and romantic literary energies at a pivotal point of historical flux.
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- Irish Literature in Transition, 1780–1830 , pp. 148 - 170Publisher: Cambridge University PressPrint publication year: 2020
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