Book contents
- Irish Literature in Transition, 1780–1830
- Irish Literature in Transition
- Irish Literature in Transition, 1780–1830
- Copyright page
- Contents
- Contributors
- Series Preface
- General Acknowledgements
- Acknowledgements
- Introduction
- Part I Origins
- Part II Transitions
- Part III Reputations
- Chapter 8 Placing Mary Tighe in Irish Literary History: From Manuscript Culture to Print
- Chapter 9 Edgeworth and Realism
- Chapter 10 Lady Morgan and ‘the babbling page of history’: Cultural Transition as Performance in the Irish National Tale
- Chapter 11 ‘The diabolical eloquence of horror’: Maturin’s Wanderings
- Chapter 12 English Ireland/Irish Ireland: the Poetry and Translations of J. J. Callanan
- Chapter 13 Thomas Moore and the Social Life of Forms
- Chapter 14 ‘English, Irished’: Union and Violence in the Fiction of John and Michael Banim
- Chapter 15 The Transition of Reputation: Gerald Griffin
- Chapter 16 William Maginn: the Cork Correspondent
- Part IV Futures
- Index
Chapter 9 - Edgeworth and Realism
from Part III - Reputations
Published online by Cambridge University Press: 28 February 2020
- Irish Literature in Transition, 1780–1830
- Irish Literature in Transition
- Irish Literature in Transition, 1780–1830
- Copyright page
- Contents
- Contributors
- Series Preface
- General Acknowledgements
- Acknowledgements
- Introduction
- Part I Origins
- Part II Transitions
- Part III Reputations
- Chapter 8 Placing Mary Tighe in Irish Literary History: From Manuscript Culture to Print
- Chapter 9 Edgeworth and Realism
- Chapter 10 Lady Morgan and ‘the babbling page of history’: Cultural Transition as Performance in the Irish National Tale
- Chapter 11 ‘The diabolical eloquence of horror’: Maturin’s Wanderings
- Chapter 12 English Ireland/Irish Ireland: the Poetry and Translations of J. J. Callanan
- Chapter 13 Thomas Moore and the Social Life of Forms
- Chapter 14 ‘English, Irished’: Union and Violence in the Fiction of John and Michael Banim
- Chapter 15 The Transition of Reputation: Gerald Griffin
- Chapter 16 William Maginn: the Cork Correspondent
- Part IV Futures
- Index
Summary
The question of realism helps us zero in on a certain puzzle about perhaps the most important Irish writer working in this important period of transition. On the face of it, Edgeworth’s relation to anything called fictional realism might seem distant. Her narratives often tend to allegory and didacticism; they tend to be highly reflexive; she often adapts or incorporates non-realist genres, such as the fairy tale or legend; and, for some critics, she belongs to an Irish tradition in which realism is thought to be impossible on social and cultural grounds. And yet Edgeworth was a leading influence on the two British novelists – Sir Walter Scott and Jane Austen – who, in their contrasting ways, are often considered as key figures in the shaping of the modern realist novel. This chapter develops a solution to this puzzle by identifying Edgeworth with ‘scientific realism’, and showing that she shaped a distinctive kind of fictional practice out of her well-established commitments to experiment, observation, and the inductive method.
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- Irish Literature in Transition, 1780–1830 , pp. 188 - 205Publisher: Cambridge University PressPrint publication year: 2020
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