Book contents
- Ireland, Enlightenment and the English Stage, 1740–1820
- Ireland, Enlightenment and the English Stage, 1740–1820
- Copyright page
- Contents
- Illustrations
- Tables
- Contributors
- Acknowledgements
- Introduction Staging an Irish Enlightenment
- Part I Representations and Resistance
- Part II Symbiotic Stages: Dublin and London
- Part III Enlightened Perspectives
- Select Bibliography
- Index
Introduction - Staging an Irish Enlightenment
Published online by Cambridge University Press: 22 July 2019
- Ireland, Enlightenment and the English Stage, 1740–1820
- Ireland, Enlightenment and the English Stage, 1740–1820
- Copyright page
- Contents
- Illustrations
- Tables
- Contributors
- Acknowledgements
- Introduction Staging an Irish Enlightenment
- Part I Representations and Resistance
- Part II Symbiotic Stages: Dublin and London
- Part III Enlightened Perspectives
- Select Bibliography
- Index
Summary
This introduction begins with a survey of eighteenth-century Irish theatre practitioners and argues that their contribution was considerable and sustained by ethnic support networks. Theatre has often been elided from discussions of Enlightenment, but the Irish example shows how the theatre can be a powerful agent of Enlightenment. Theatre was a forum within which the Irish had tremendous success and which they used to represent Irish civility during a period when British audiences were more receptive to such ideas. The 1740s in particular, fuelled by patriot resentment after the Declaratory Act, revisionist historiography and Irish patriot activity in Ireland and England, saw the emergence of a robust and assertive theatrical Enlightenment, embodied in and symbolized by the life and career of Charles Macklin.
- Type
- Chapter
- Information
- Publisher: Cambridge University PressPrint publication year: 2019
- 1
- Cited by