Book contents
- Frontmatter
- Contents
- List of music examples
- Acknowledgements
- Introduction
- 1 Function to origin: national identity and national genius emerge, c. 1700–1780
- 2 From pastoral to picturesque: nature, art, and genre in the later eighteenth century
- 3 Genius versus art in the creative process: “national” and “cultivated” music as categories, 1760–1800
- 4 The invention of folk modality, 1775–1840
- 5 “Folk” and “tradition”: authenticity as musical idiom from the late eighteenth century onward
- 6 Organic “art music” and individual original genius: aestheticizing the folk collective
- 7 Local nation and universal folk: the legacy of geography in musical categories
- 8 Folk and art musics in the modern Western world
- Index
Contents
Published online by Cambridge University Press: 22 September 2009
Book contents
- Frontmatter
- Contents
- List of music examples
- Acknowledgements
- Introduction
- 1 Function to origin: national identity and national genius emerge, c. 1700–1780
- 2 From pastoral to picturesque: nature, art, and genre in the later eighteenth century
- 3 Genius versus art in the creative process: “national” and “cultivated” music as categories, 1760–1800
- 4 The invention of folk modality, 1775–1840
- 5 “Folk” and “tradition”: authenticity as musical idiom from the late eighteenth century onward
- 6 Organic “art music” and individual original genius: aestheticizing the folk collective
- 7 Local nation and universal folk: the legacy of geography in musical categories
- 8 Folk and art musics in the modern Western world
- Index
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- The Invention of 'Folk Music' and 'Art Music'Emerging Categories from Ossian to Wagner, pp. vii - ixPublisher: Cambridge University PressPrint publication year: 2007