Book contents
- Frontmatter
- Contents
- Acknowledgments
- Introduction: Agricola's treatise
- INTRODUCTION TO THE ART OF SINGING
- Translator's preface
- Foreword of the author
- Introduction of the author
- 1 Observations for the use of the singing teacher
- 2 Concerning appoggiaturas
- 3 Concerning trills
- 4 Concerning divisions
- 5 Concerning recitative
- 6 Remarks intended especially for the music student
- 7 Concerning arias
- 8 Concerning cadenzas
- 9 Remarks for the use of the professional singer
- 10 Concerning improvised variations of melodies
- Notes
- Bibliography
- Index
Foreword of the author
Published online by Cambridge University Press: 10 December 2009
- Frontmatter
- Contents
- Acknowledgments
- Introduction: Agricola's treatise
- INTRODUCTION TO THE ART OF SINGING
- Translator's preface
- Foreword of the author
- Introduction of the author
- 1 Observations for the use of the singing teacher
- 2 Concerning appoggiaturas
- 3 Concerning trills
- 4 Concerning divisions
- 5 Concerning recitative
- 6 Remarks intended especially for the music student
- 7 Concerning arias
- 8 Concerning cadenzas
- 9 Remarks for the use of the professional singer
- 10 Concerning improvised variations of melodies
- Notes
- Bibliography
- Index
Summary
Worthy reader,
Love is a passion in which the power of Reason does not always show its strength. If you are a singer, you are my rival. And if the modern pleases you the most, I on the contrary, declare myself for the ancient way. If, however, the extraordinary passion, which both of us entertain for the most beloved, the most beautiful music, sometimes clouds our power of judgment, we should then, at least during our lucid hours, both be equally generous: you, in that you forgive the errors that I write; I, in that I overlook the mistakes which you practice. If, to your credit, you are a scholar, know then, that to my shame, I am not. Should you not believe this, read on.
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- Publisher: Cambridge University PressPrint publication year: 1995