The Impact of Co-production: From Community Engagement to Social Justice

doi:10.46692/9781447330301

The Impact of Co-production

From Community Engagement to Social Justice

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Gaete Cruz, Macarena Ersoy, Aksel Czischke, Darinka and Van Bueren, Ellen 2022. A Framework for Co-Design Processes and Visual Collaborative Methods: An Action Research Through Design in Chile. Urban Planning, Vol. 7, Issue. 3,

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Edited by Aksel Ersoy, Technische Universiteit Delft, Netherlands

Publisher:: Bristol University Press
Online publication date:: April 2022
Print publication year:: 2017
Online ISBN:: 9781447330301
DOI:: https://doi.org/10.46692/9781447330301

Subjects:: Social and Cultural Anthropology, Anthropology
Series:: Connected Communities

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This text brings together academics, artists, practitioners and ‘community activists’ to explore the possibilities for and tensions of social justice work under the contemporary drive for community-oriented ‘impact’ in the academy.

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The Impact of Co-production

From Community Engagement to Social Justice

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-ii

Contents
pp iii-iii

List of figures
pp iv-iv

Notes on contributors
pp v-x

Acknowledgements
pp xi-xi

Series editors’ foreword
pp xii-xii

Introduction
pp 1-8

one - Enabling conditions for communities and universities to work together: a journey of university public engagement
pp 9-28

two - Understanding impact and its enabling conditions: learning from people engaged in collaborative research
pp 29-46

three - Emphasising mutual benefit: rethinking the impact agenda through the lens of Share Academy
pp 47-60

four - From poverty to life chances: framing co-produced research in the Productive Margins programme
pp 61-84

five - Methodologically sound? Participatory research at a community radio station
pp 85-98

six - The regulatory aesthetics of co-production
pp 99-118

seven - Participatory mapping and engagement with urban water communities
pp 119-136

eight - Hacking into the Science Museum: young trans people disrupt the power balance of gender ‘norms’ in the museum’s ‘Who Am I?’ gallery
pp 137-154

nine - Mapping in, on, towards Aboriginal space: trading routes and an ethics of artistic inquiry
pp 155-178

ten - Adapting to the future: vulnerable bodies, resilient practices
pp 179-200

Conclusion: Reflections on contemporary debates in coproduction studies
pp 201-212

References
pp 213-232

Index
pp 233-236

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The Impact of Co-production

From Community Engagement to Social Justice

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