Book contents
- A History of the Literature of the U.S. South
- A History of the Literature of the U.S. South
- Copyright page
- Contents
- Contributors
- Acknowledgements
- Introduction
- Chapter 1 Fictions of the Native South
- Chapter 2 John Smith and the English Origins of Southern Exceptionalism
- Chapter 3 Plantation and Enlightenment
- Chapter 4 Geoconfederacy
- Chapter 5 In the Shadow of His Office
- Chapter 6 Shadows of Haiti
- Chapter 7 “Midnight Bakings” Amid Starvation
- Chapter 8 A Calculated Fiction
- Chapter 9 Maroons and Marronage in Antebellum African American Literature
- Chapter 10 Everyday Literary Culture in the Nineteenth Century
- Chapter 11 Fables of the Bloody Shirt
- Chapter 12 A Heritage Unique in the Ages
- Chapter 13 Moonlight and Magnolias No More
- Chapter 14 Women Writers and the Southern Renaissance; or, the Work of Gender in Literary Periodization
- Chapter 15 Southern Geographies and New Negro Modernism
- Chapter 16 “A fine loud grabble and snatch of AAA and WPA”
- Chapter 17 Provincialism as a Positive Good
- Chapter 18 Faulkner’s Untimely Fiction
- Chapter 19 Reconsidering Du Bois’s “Central Text”
- Chapter 20 Cultural Activism and Theater of the Civil Rights Movement
- Chapter 21 Till the Hurt Becomes Music
- Chapter 22 Undead Sound
- Chapter 23 There Is No South
- Chapter 24 Hurricane Alley
- Select Bibliography
- Index
Chapter 9 - Maroons and Marronage in Antebellum African American Literature
Published online by Cambridge University Press: 29 April 2021
- A History of the Literature of the U.S. South
- A History of the Literature of the U.S. South
- Copyright page
- Contents
- Contributors
- Acknowledgements
- Introduction
- Chapter 1 Fictions of the Native South
- Chapter 2 John Smith and the English Origins of Southern Exceptionalism
- Chapter 3 Plantation and Enlightenment
- Chapter 4 Geoconfederacy
- Chapter 5 In the Shadow of His Office
- Chapter 6 Shadows of Haiti
- Chapter 7 “Midnight Bakings” Amid Starvation
- Chapter 8 A Calculated Fiction
- Chapter 9 Maroons and Marronage in Antebellum African American Literature
- Chapter 10 Everyday Literary Culture in the Nineteenth Century
- Chapter 11 Fables of the Bloody Shirt
- Chapter 12 A Heritage Unique in the Ages
- Chapter 13 Moonlight and Magnolias No More
- Chapter 14 Women Writers and the Southern Renaissance; or, the Work of Gender in Literary Periodization
- Chapter 15 Southern Geographies and New Negro Modernism
- Chapter 16 “A fine loud grabble and snatch of AAA and WPA”
- Chapter 17 Provincialism as a Positive Good
- Chapter 18 Faulkner’s Untimely Fiction
- Chapter 19 Reconsidering Du Bois’s “Central Text”
- Chapter 20 Cultural Activism and Theater of the Civil Rights Movement
- Chapter 21 Till the Hurt Becomes Music
- Chapter 22 Undead Sound
- Chapter 23 There Is No South
- Chapter 24 Hurricane Alley
- Select Bibliography
- Index
Summary
This essay examines representations of maroons and marronage in nineteenth-century African American literature. It argues that maroons – enslaved people who fled from bondage and self-exiled to remote places like swamps, forests, and mountains – complicate the familiar notion of the U.S. South as a place of unfreedom for African Americans during the era of slavery. Like maroons themselves, whose lives necessitated concealment, marronage has often been overlooked in nineteenth-century African American literature because it does not comport with a teleology of freedom-seeking that originates in the South and moves unidirectionally toward the supposed beacons of freedom in the North and Canada. It reveals that enslaved people who participated in acts of marronage created spaces of freedom within the slaveholding South, spaces that linked them to diasporic traditions of enslaved resistance via marronage throughout the further souths of the Caribbean and Latin America.
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- A History of the Literature of the U.S. South , pp. 157 - 170Publisher: Cambridge University PressPrint publication year: 2021