Book contents
- A History of the Harlem Renaissance
- A History of the Harlem Renaissance
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgments
- Introduction: Revising a Renaissance
- Part I Re-reading the New Negro
- Chapter 1 Cultural Nationalism and Cosmopolitanism in the Harlem Renaissance
- Chapter 2 Making the Slave Anew: History and the Archive in New Negro Renaissance Poetry
- Chapter 3 The New Negro among White Modernists
- Chapter 4 The Bildungsroman in the Harlem Renaissance
- Chapter 5 The Visual Image in New Negro Renaissance Print Culture
- Part II Experimenting with the New Negro
- Part III Re-mapping the New Negro
- Part IV Performing the New Negro
- Bibliography
- Index
Chapter 2 - Making the Slave Anew: History and the Archive in New Negro Renaissance Poetry
from Part I - Re-reading the New Negro
Published online by Cambridge University Press: 20 January 2021
- A History of the Harlem Renaissance
- A History of the Harlem Renaissance
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgments
- Introduction: Revising a Renaissance
- Part I Re-reading the New Negro
- Chapter 1 Cultural Nationalism and Cosmopolitanism in the Harlem Renaissance
- Chapter 2 Making the Slave Anew: History and the Archive in New Negro Renaissance Poetry
- Chapter 3 The New Negro among White Modernists
- Chapter 4 The Bildungsroman in the Harlem Renaissance
- Chapter 5 The Visual Image in New Negro Renaissance Print Culture
- Part II Experimenting with the New Negro
- Part III Re-mapping the New Negro
- Part IV Performing the New Negro
- Bibliography
- Index
Summary
African American writers, artists, historians, and activists of the interwar period expended substantial energy to refute a widely held idea that US slavery was relatively benign. Among black American writers, it was poets – for commercial reasons and reasons to do with genre – who took up the topic of enslavement most often. Some wrote poems about the pride they took in the survival of their forebears. Others argued, in poetry, that trauma inflicted by enslavement required them to break free of its enduring spell. A third group, including Langston Hughes, Anne Spencer, and Jessie Fauset, used poetry to call into question the norms of contemporary history writing and of rules of evidence. African American poets in this group used poetry to create a new archive of enslaved people’s experiences and narratives.
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- A History of the Harlem Renaissance , pp. 38 - 54Publisher: Cambridge University PressPrint publication year: 2021
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