Book contents
- Frontmatter
- Miscellaneous Frontmatter
- Contents
- Acknowledgements
- Introduction
- Chapter 1 The Invention of Photography, the Netherlands, and the Dutch East Indies
- Chapter 2 Journeys Completed and Journeys to Come in Indonesian Photography
- Chapter 3 Portraits of Power: From Aristocracy to Democracy
- Chapter 4 The Dance Photographs of Walter Spies and Claire Holt: A Biographical Study
- Chapter 5 Mid-century European Modernism and the March Towards Independence: Gotthard Schuh, Cas Oorthuys, Niels Douwes Dekker, and Henri Cartier-Bresson
- Chapter 6 A Short History of IPPHOS (Indonesian Press Photographic Services)
- Chapter 7 Art Photography in Indonesia: J.M. Arastath Ro’is, Trisno Sumardjo, and Zenith Magazine
- Chapter 8 Journalistic Circus: A Look at Photojournalism in Indonesia and the History of the Antara Gallery of Photojournalism
- Chapter 9 Reflections on Reformasi Photography (from the Vantage Point of the 2014 Elections)
- Chapter 10 New Media Culture
- Chapter 11 Development of Photographic Education in Indonesia
- Chapter 12 MES 56: Souvenirs from the Past
- Chapter 13 Hybrid Forms in the Practice of the Ruang MES 56 Photography Collective
- Chapter 14 Outsiders
- Chapter 15 On Silence, Seeking, and Speaking: Meditations on Identity, Photography, and Diaspora Through Family Albums
- Chapter 16 A City on the Move: Bandung Today
- Chapter 17 Urban Parallax: Jakarta Through A Street Photographer’s Lens
- Afterward: The Earth Beneath My Feet:Identity, Family, and Family Life
- Selected Bibliography
- Contributors
- Index
- Miscellaneous Endmatter
- A Note On the Publication
- Colophon
Chapter 8 - Journalistic Circus: A Look at Photojournalism in Indonesia and the History of the Antara Gallery of Photojournalism
Published online by Cambridge University Press: 16 November 2024
- Frontmatter
- Miscellaneous Frontmatter
- Contents
- Acknowledgements
- Introduction
- Chapter 1 The Invention of Photography, the Netherlands, and the Dutch East Indies
- Chapter 2 Journeys Completed and Journeys to Come in Indonesian Photography
- Chapter 3 Portraits of Power: From Aristocracy to Democracy
- Chapter 4 The Dance Photographs of Walter Spies and Claire Holt: A Biographical Study
- Chapter 5 Mid-century European Modernism and the March Towards Independence: Gotthard Schuh, Cas Oorthuys, Niels Douwes Dekker, and Henri Cartier-Bresson
- Chapter 6 A Short History of IPPHOS (Indonesian Press Photographic Services)
- Chapter 7 Art Photography in Indonesia: J.M. Arastath Ro’is, Trisno Sumardjo, and Zenith Magazine
- Chapter 8 Journalistic Circus: A Look at Photojournalism in Indonesia and the History of the Antara Gallery of Photojournalism
- Chapter 9 Reflections on Reformasi Photography (from the Vantage Point of the 2014 Elections)
- Chapter 10 New Media Culture
- Chapter 11 Development of Photographic Education in Indonesia
- Chapter 12 MES 56: Souvenirs from the Past
- Chapter 13 Hybrid Forms in the Practice of the Ruang MES 56 Photography Collective
- Chapter 14 Outsiders
- Chapter 15 On Silence, Seeking, and Speaking: Meditations on Identity, Photography, and Diaspora Through Family Albums
- Chapter 16 A City on the Move: Bandung Today
- Chapter 17 Urban Parallax: Jakarta Through A Street Photographer’s Lens
- Afterward: The Earth Beneath My Feet:Identity, Family, and Family Life
- Selected Bibliography
- Contributors
- Index
- Miscellaneous Endmatter
- A Note On the Publication
- Colophon
Summary
JOURNALISTIC CIRCUS FROM INFILTRATORS TO JUST ONE WORD: FIGHT!
I got into the field of journalism by chance. One evening when I was hanging out with friends, I saw an advertisement in Kompas newspaper announcing positions in a national press institute. The advertisement listed only a PO Box number and a need for 27 new recruits, who would later be trained as editors (11 new positions) and reporters (16 new positions). ▶8.1
Embracing the mystery of the profession, I unconsciously began to tread into the wilderness of journalism. Step-by-step I passed the seven entrance exams before I finally escaped that small hole and was thrown directly into the educational experience as an intern in the center of the Antara News Agency at Wisma Antara, 17 South Merdeka. I didn’t know much about what was going on at Antara at that time because journalism was not at all an idea that had scratched my little brain, not even in the days of my boyhood when a human child begins to babble about desires or dreams.
Under these conditions, I began to explore the institution of the press, which was established just eight years before the nation emerged as an independent Republic. At that time, the Antara training organization was indeed improving their educational standards to train recruits into a newer journalistic standard. In a year and a half, I successfully passed the Susdape class (Basic Reporter Course). I then started venturing from market to market, to courtrooms scattered around Jakarta, looking to find news as a “rookie” reporter for Antara which was still known as an old-fashioned press office. A cool press office, despite living under the oppressive control of the New Order, must be able to find ways to escape even the most tight fisted regime.
When Antara was led by Handjojo Nitimihardjo (now deceased), a former Airforce Officer, the agency had a vision for journalism based on the revolutionary era. His father, Maruto Nitimihardjo, was a figure of the national press, and also a member of a youth group that participated in the kidnapping of Bung Karno and Bung Hat- ta, known as the Rengasdengklok Incident. One important event, one night, before Sukarno and Hatta proclaimed Indonesian independence on August 17, 1945, early one morning during the month of Ramadan, at the home of Bung Karno, 56 East Pengangsaan Street.
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- A History of Photography in IndonesiaFrom the Colonial Era to the Digital Age, pp. 195 - 230Publisher: Amsterdam University PressPrint publication year: 2022