Published online by Cambridge University Press: 21 March 2024
This chapter deals with another group of modernistas, mostly from the Catholic cities of Western Mexico, who are quite different from those examined in Chapter 6. Although they often met with the other group in Mexico City or shared the pages of the Revista Moderna, their approach to modernity is so different that it deserves a separate analysis. Modernismo can be defined by its able incorporation of Romanticism, Symbolism, and Parnassianism, but in the case of this group, there is a scepticism towards several aspects of these aesthetic movements, which always acts as a path that leads back to provincial life, landscape, and a national (and again Catholic) decorum. The authors studied in this chapter include Luis G. Urbina, Enrique González Martínez, Francisco González León, Manuel José Othón, and, in pride of place, Ramón López Velarde.
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