Book contents
- A History of Argentine Literature
- A History of Argentine Literature
- Copyright page
- Contents
- Figures
- Contributors
- Editors’ Acknowledgments
- Introduction
- Part I Literary Dates
- Part II Critical Inroads
- Part III Literary Names
- Chapter 21 Sarmiento: Politics, Culture, and Spectacle
- Chapter 22 The Mansilla Siblings: A Story in Syntony
- Chapter 23 Martín Fierro: Subaltern Voices
- Chapter 24 Borges and Argentine Literature: A Detour around the World
- Chapter 25 Roberto Arlt
- Chapter 26 The Ocampo Sisters
- Chapter 27 Alfonsina Storni and Alejandra Pizarnik
- Chapter 28 Displacement and Transfer in Julio Cortázar’s Todos los fuegos el fuego
- Chapter 29 Manuel Puig’s Circuit Bending: Literary Listening against Surveillance
- Chapter 30 Operation Massacre: Dangerous Journalism
- Chapter 31 The Politics of the Poem: From Gelman to Perlongher
- Chapter 32 Scenes from Postmodern Life: Literary Interventions in the Public Sphere
- Chapter 33 Griselda Gambaro and Beyond: A “Dermography” of Contemporary Women’s Theater and Performance
- Chapter 34 César Aira and the Art of Invention
- Index
- References
Chapter 21 - Sarmiento: Politics, Culture, and Spectacle
from Part III - Literary Names
Published online by Cambridge University Press: 09 May 2024
- A History of Argentine Literature
- A History of Argentine Literature
- Copyright page
- Contents
- Figures
- Contributors
- Editors’ Acknowledgments
- Introduction
- Part I Literary Dates
- Part II Critical Inroads
- Part III Literary Names
- Chapter 21 Sarmiento: Politics, Culture, and Spectacle
- Chapter 22 The Mansilla Siblings: A Story in Syntony
- Chapter 23 Martín Fierro: Subaltern Voices
- Chapter 24 Borges and Argentine Literature: A Detour around the World
- Chapter 25 Roberto Arlt
- Chapter 26 The Ocampo Sisters
- Chapter 27 Alfonsina Storni and Alejandra Pizarnik
- Chapter 28 Displacement and Transfer in Julio Cortázar’s Todos los fuegos el fuego
- Chapter 29 Manuel Puig’s Circuit Bending: Literary Listening against Surveillance
- Chapter 30 Operation Massacre: Dangerous Journalism
- Chapter 31 The Politics of the Poem: From Gelman to Perlongher
- Chapter 32 Scenes from Postmodern Life: Literary Interventions in the Public Sphere
- Chapter 33 Griselda Gambaro and Beyond: A “Dermography” of Contemporary Women’s Theater and Performance
- Chapter 34 César Aira and the Art of Invention
- Index
- References
Summary
Domingo F. Sarmiento was a nineteenth-century Argentine writer whose ideas and literature have had a wide-reaching and important impact on both the national and continental stage, particularly the opposition between civilization and barbarism, as formulated in his book Facundo (1845). This chapter poses that almost all of Sarmiento’s work can be understood through the tension between the short-term impact of politics and the long-term impact of literature, be it in the years of his exile in Chile, in the time of his presidential candidacy, or throughout his journalistic work. Also, it proposes a reading of Sarmiento’s trajectory and his most important literary production (1845 Facundo, 1849 Viajes, and 1850 Recuerdos de provincia) not only in relation to the different circumstances in which he lived but also in light of his particular representation of modern phenomena related to the spectacle and the attention of the masses. In this way, it seeks to offer a nuanced perspective of a fundamental Argentinian author and to engage in new dialogues and frame the contradictions within the romantic environment in which Sarmiento participated and the modernization to which he aspired.
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- A History of Argentine Literature , pp. 327 - 337Publisher: Cambridge University PressPrint publication year: 2024