Book contents
- Frontmatter
- Contents
- Preface
- Editor's note
- 1 The consequences of presumed innocence: the nineteenth-century reception of Joseph Haydn
- 2 Haydn's sacred vocal music and the aesthetics of salvation
- 3 Sentiment and sensibility in La vera costanza
- 4 Haydn as Romantic: a chemical experiment with instrumental music
- 5 Haydn's ‘Cours complet de la composition’ and the Sturm und Drang
- 6 Haydn's reversals: style change, gesture and the implication-realization model
- 7 Haydn's symphonies between Sturm und Drang and ‘Classical style’: art and entertainment
- 8 The Haydn piano trio: textual facts and textural principles
- 9 Papa Doc's recap caper: Haydn and temporal dyslexia
- 10 Haydn: the musicians' musician
- Index
3 - Sentiment and sensibility in La vera costanza
Published online by Cambridge University Press: 22 September 2009
- Frontmatter
- Contents
- Preface
- Editor's note
- 1 The consequences of presumed innocence: the nineteenth-century reception of Joseph Haydn
- 2 Haydn's sacred vocal music and the aesthetics of salvation
- 3 Sentiment and sensibility in La vera costanza
- 4 Haydn as Romantic: a chemical experiment with instrumental music
- 5 Haydn's ‘Cours complet de la composition’ and the Sturm und Drang
- 6 Haydn's reversals: style change, gesture and the implication-realization model
- 7 Haydn's symphonies between Sturm und Drang and ‘Classical style’: art and entertainment
- 8 The Haydn piano trio: textual facts and textural principles
- 9 Papa Doc's recap caper: Haydn and temporal dyslexia
- 10 Haydn: the musicians' musician
- Index
Summary
- Type
- Chapter
- Information
- Haydn Studies , pp. 70 - 119Publisher: Cambridge University PressPrint publication year: 1998
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