Book contents
- Frontmatter
- Contents
- Preface
- Editor's note
- 1 The consequences of presumed innocence: the nineteenth-century reception of Joseph Haydn
- 2 Haydn's sacred vocal music and the aesthetics of salvation
- 3 Sentiment and sensibility in La vera costanza
- 4 Haydn as Romantic: a chemical experiment with instrumental music
- 5 Haydn's ‘Cours complet de la composition’ and the Sturm und Drang
- 6 Haydn's reversals: style change, gesture and the implication-realization model
- 7 Haydn's symphonies between Sturm und Drang and ‘Classical style’: art and entertainment
- 8 The Haydn piano trio: textual facts and textural principles
- 9 Papa Doc's recap caper: Haydn and temporal dyslexia
- 10 Haydn: the musicians' musician
- Index
Editor's note
Published online by Cambridge University Press: 22 September 2009
Edited by
Book contents
- Frontmatter
- Contents
- Preface
- Editor's note
- 1 The consequences of presumed innocence: the nineteenth-century reception of Joseph Haydn
- 2 Haydn's sacred vocal music and the aesthetics of salvation
- 3 Sentiment and sensibility in La vera costanza
- 4 Haydn as Romantic: a chemical experiment with instrumental music
- 5 Haydn's ‘Cours complet de la composition’ and the Sturm und Drang
- 6 Haydn's reversals: style change, gesture and the implication-realization model
- 7 Haydn's symphonies between Sturm und Drang and ‘Classical style’: art and entertainment
- 8 The Haydn piano trio: textual facts and textural principles
- 9 Papa Doc's recap caper: Haydn and temporal dyslexia
- 10 Haydn: the musicians' musician
- Index
Summary
The piano sonatas and trios are referred to according to the numbering of the Universal Edition (edited by Christa Landon) and the Doblinger edition (edited by H.C.Robbins Landon) respectively.
As a volume entitled ‘Haydn Studies’ is already in existence (the Proceedings of the International Haydn Conference held in Washington, D.C., in 1975, edited by Jens Peter Larsen, Howard Serwer and James Webster, and published by Norton in 1981), it is suggested that any references to the current volume should take the form of ‘Cambridge Haydn Studies’.
- Type
- Chapter
- Information
- Haydn Studies , pp. xiii - xivPublisher: Cambridge University PressPrint publication year: 1998
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