Book contents
- Godless Fictions in the Eighteenth Century
- Godless Fictions in the Eighteenth Century
- Copyright page
- Contents
- Acknowledgments
- Introduction
- Chapter 1 A Complete System of Atheism: Jonathan Swift
- Chapter 2 Godless Dunces: Alexander Pope
- Chapter 3 The Limits of Self: Sarah Fielding
- Chapter 4 Gender and the Orient: Phebe Gibbes
- Chapter 5 Ecumenical Poetics: William Cowper
- Coda
- Notes
- Bibliography
- Index
Coda
Sympathy and Unbelief: Percy Shelley
Published online by Cambridge University Press: 06 August 2020
- Godless Fictions in the Eighteenth Century
- Godless Fictions in the Eighteenth Century
- Copyright page
- Contents
- Acknowledgments
- Introduction
- Chapter 1 A Complete System of Atheism: Jonathan Swift
- Chapter 2 Godless Dunces: Alexander Pope
- Chapter 3 The Limits of Self: Sarah Fielding
- Chapter 4 Gender and the Orient: Phebe Gibbes
- Chapter 5 Ecumenical Poetics: William Cowper
- Coda
- Notes
- Bibliography
- Index
Summary
This chapter documents an 1810–1811 epistolary prank in which Percy Shelley outlined his atheistic creed to a completely befuddled correspondent. As this exchange makes clear, Shelley’s writings against theism are attempts to counter dominant eighteenth-century perceptions of unbelief. Indeed, the poet’s letters indicate the influence such perceptions maintained well into the nineteenth century and beyond. Shelley’s promotion of atheism relies not only on logical arguments he derived from previous freethinkers and religious radicals. It also depends on his appropriation and rewriting of the various stereotypes of atheism produced throughout the preceding century. If atheists in the eighteenth century were imagined as selfish, unsociable, and incapable of sensibility, Shelley flipped the script by casting such aspersions on theists themselves.
- Type
- Chapter
- Information
- Godless Fictions in the Eighteenth CenturyA Literary History of Atheism, pp. 203 - 219Publisher: Cambridge University PressPrint publication year: 2020