Book contents
- The Globalization of Theatre 1870–1930
- Cambridge Studies in Modern Theatre
- The Globalization of Theatre 1870–1930
- Copyright page
- Contents
- Figures
- Tables
- Acknowledgements
- Notes on Currency
- Introduction
- 1 Family Networks
- 2 Mobile Enterprises
- 3 The Micropolitics of Locality
- 4 Repertoire and Publics
- 5 Transported Actors
- 6 Contested Contracts
- 7 Infrastructure: From Theatre to Cinema
- 8 Legacies
- Bibliography
- Index
5 - Transported Actors
Published online by Cambridge University Press: 12 October 2019
- The Globalization of Theatre 1870–1930
- Cambridge Studies in Modern Theatre
- The Globalization of Theatre 1870–1930
- Copyright page
- Contents
- Figures
- Tables
- Acknowledgements
- Notes on Currency
- Introduction
- 1 Family Networks
- 2 Mobile Enterprises
- 3 The Micropolitics of Locality
- 4 Repertoire and Publics
- 5 Transported Actors
- 6 Contested Contracts
- 7 Infrastructure: From Theatre to Cinema
- 8 Legacies
- Bibliography
- Index
Summary
Over the twenty-five years of his activities, Bandmann transported approximately 2,000 performers around the world on his circuit. This chapter examines what it meant to be a performer on the Bandmann Circuit. In addition to the material questions such as working conditions, pay and social interaction (love and marriage), it also looks at the function of the performers and other employees (advance and venue managers, musical directors) as parts of the theatrical network. In this chapter, the main approach is actor-network theory. The analysis examined how the travelling actor ‘connected’ with the different cultures and countries. These connections took many forms, the most important being economical (labour and income), physical (mainly health) and affective (marriage).
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- Information
- The Globalization of Theatre 1870–1930The Theatrical Networks of Maurice E. Bandmann, pp. 163 - 186Publisher: Cambridge University PressPrint publication year: 2019