Book contents
- Geoffrey Chaucer in Context
- Geoffrey Chaucer in Context
- Copyright page
- Contents
- Illustrations
- Contributors
- Abbreviations
- Introduction
- Part I Chaucer as Context
- Part II Books, Discourse and Traditions
- Chapter 3 Chaucer’s Linguistic Invention
- Chapter 4 Chaucer and London English
- Chapter 5 Manuscripts and Manuscript Culture
- Chapter 6 Chaucer’s Books
- Chapter 7 Authority
- Chapter 8 Literary Theory and Literary Roles
- Chapter 9 Metre and Versification
- Chapter 10 Dialogue
- Chapter 11 Romance
- Chapter 12 Love
- Chapter 13 Chaucer and the Classics
- Chapter 14 The French Context
- Chapter 15 The Italian Tradition
- Chapter 16 The English Context
- Chapter 17 Chaucer’s Competitors
- Chapter 18 Boethius
- Part III Humans, the World and Beyond
- Part IV Culture, Learning and Disciplines
- Part V Political and Social Contexts
- Part VI Chaucer Traditions
- Further Reading
- Index
Chapter 16 - The English Context
from Part II - Books, Discourse and Traditions
Published online by Cambridge University Press: 24 June 2019
- Geoffrey Chaucer in Context
- Geoffrey Chaucer in Context
- Copyright page
- Contents
- Illustrations
- Contributors
- Abbreviations
- Introduction
- Part I Chaucer as Context
- Part II Books, Discourse and Traditions
- Chapter 3 Chaucer’s Linguistic Invention
- Chapter 4 Chaucer and London English
- Chapter 5 Manuscripts and Manuscript Culture
- Chapter 6 Chaucer’s Books
- Chapter 7 Authority
- Chapter 8 Literary Theory and Literary Roles
- Chapter 9 Metre and Versification
- Chapter 10 Dialogue
- Chapter 11 Romance
- Chapter 12 Love
- Chapter 13 Chaucer and the Classics
- Chapter 14 The French Context
- Chapter 15 The Italian Tradition
- Chapter 16 The English Context
- Chapter 17 Chaucer’s Competitors
- Chapter 18 Boethius
- Part III Humans, the World and Beyond
- Part IV Culture, Learning and Disciplines
- Part V Political and Social Contexts
- Part VI Chaucer Traditions
- Further Reading
- Index
Summary
This essay argues that Chaucer’s ‘English context’ cannot be divided from multiple other European and insular contexts. English as a language was the product of multiple waves of colonialism; England was a multilingual place; ‘English’ literature was heavily influenced by other literatures, especially literature written in Latin, French and Italian. It is traditional to assert that Chaucer mocked his English heritage through Sir Thopas, a pastiche of the popular ‘tail-rhyme’ genre. However, Chaucer was well aware of the variety and richness of English literary tradition. Manuscripts such as Auchinleck remind us of the many different things that English could do at this time, including estates satire, complaint and debate. Alliterative poems such as Pearl reveal contemporary poets’ ability to bring together diverse literary forms. Chaucer was exceptional not because he wrote in English but because of his unerring capacity to knit together multiple, interlinked, multilingual sources and traditions to create new things of wonder.
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- Geoffrey Chaucer in Context , pp. 132 - 139Publisher: Cambridge University PressPrint publication year: 2019