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Preface to the Image Gallery

Published online by Cambridge University Press:  13 October 2022

Irma Taavitsainen
Affiliation:
University of Helsinki
Turo Hiltunen
Affiliation:
University of Helsinki
Jeremy J. Smith
Affiliation:
University of Glasgow
Carla Suhr
Affiliation:
University of Helsinki
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Summary

The unusual conditions during the COVID-19 pandemic have thrown ‘normal’ authorial and publishing practice into sharp relief. Lockdown in its various forms and degrees has suddenly interrupted normal service. Perhaps a print or manuscript can no longer be photographed, or the curator cannot even enter the building where it is kept. Curators on furlough or working from home cannot easily fulfil an author’s demands, even if those only involve processing permissions to reproduce images. Questions of image supply and reproduction of images suddenly loom larger for author and publisher than previously anticipated. This is certainly the case for this book. Chapter 2, for instance, explains how a seventeenth-century English surgeon copied his own designs for instruments by hand into an interleaved fifteenth-century manuscript of the work of a medieval surgeon. It has proved impossible to get a photograph of the surgeon Walter Hamond’s new instrument designs, although by good luck the fifteenth-century model was available to the author as a TIFF image.

Type
Chapter
Information
Genre in English Medical Writing, 1500–1820
Sociocultural Contexts of Production and Use
, pp. 302 - 303
Publisher: Cambridge University Press
Print publication year: 2022

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