Book contents
- Frontmatter
- Contents
- List of Illustrations
- Preface
- 1 Rossellini and Realism: The Trajectory of a Career
- 2 L'uomo dalla croce: Rossellini and Fascist Cinema
- 3 Roma città aperta and the Birth of Italian Neorealism
- 4 Paisà and the Rejection of Traditional Narrative Cinema
- 5 La macchina ammazzacattivi: Doubts about the Movie Camera as a Morally Redemptive Force
- 6 Viaggio in Italia: Ingrid Bergman and a New Cinema of Psychological Introspection
- 7 Il generale Della Rovere: Commercial Success and a Reconsideration of Neorealism
- 8 La prise de pouvoir par Louis XIV: Toward a Didactic Cinema for Television
- Notes
- Chronology
- Filmography
- Bibliography
- Index
- Frontmatter
- Contents
- List of Illustrations
- Preface
- 1 Rossellini and Realism: The Trajectory of a Career
- 2 L'uomo dalla croce: Rossellini and Fascist Cinema
- 3 Roma città aperta and the Birth of Italian Neorealism
- 4 Paisà and the Rejection of Traditional Narrative Cinema
- 5 La macchina ammazzacattivi: Doubts about the Movie Camera as a Morally Redemptive Force
- 6 Viaggio in Italia: Ingrid Bergman and a New Cinema of Psychological Introspection
- 7 Il generale Della Rovere: Commercial Success and a Reconsideration of Neorealism
- 8 La prise de pouvoir par Louis XIV: Toward a Didactic Cinema for Television
- Notes
- Chronology
- Filmography
- Bibliography
- Index
Summary
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- Chapter
- Information
- The Films of Roberto Rossellini , pp. 176 - 180Publisher: Cambridge University PressPrint publication year: 1993