Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-hc48f Total loading time: 0 Render date: 2024-12-26T08:41:48.206Z Has data issue: false hasContentIssue false

13 - Bernardo Soares, Pig of Destiny!

from Part II - Dialogues

Published online by Cambridge University Press:  05 September 2013

Rhian Atkin
Affiliation:
University of Bristol
Mariana Gray de Castro
Affiliation:
Faculty Research Fellow at the University of Oxford and the University of Lisbon
Get access

Summary

‘O único homem feliz é o que nada toma a sério’

[The only happy man is he who takes nothing seriously]

The title of this essay is a liberal translation of a phrase found in fragment 1/81-2 of Livro do Desassossego [Book of Disquiet]: ‘Há porcos de destino, como eu, que se não afastam da banalidade quotidiana por essa mesma atracção da própria impotência’ [there are pigs of destiny, like me, who do not retreat from the banality of the quotidian because of the very attraction of their own impotence]. At a certain level, ‘pig of destiny’ is a description well suited to Bernardo Soares, who wallows triumphantly in the resentment of his life, employing a self-deprecating humour and some striking imagery (that is often comparable to that used by Álvaro de Campos) in order to express what he sees as the banality of his being and of the world around him. José Martins Garcia also notes the humour in Livro do Desassossego, although this aspect of the work has been overlooked by many critics. Eduardo Lourenço even describes Soares's writings as the most suicidal piece of prose in Portuguese litera¬ture. Soares's sense of non-self and apparently incessant pessimism is one of the key factors leading critics such as Lourenço to interpret Livro do Desassossego in this way. In this essay, however, I intend to explore and question in more detail how far we should take Soares at his word, and how far he can really be considered the pig that he claims he is fated to be. In particular, I will explore the relationship between modernity and Soares's construction of a self, employing some of the sociologist Georg Simmel's observations on the sociological effects of urban modernisation to inform my reading of Livro do Desassossego.

Type
Chapter
Information
Fernando Pessoa's Modernity without Frontiers
Influences, Dialogues, Responses
, pp. 181 - 192
Publisher: Boydell & Brewer
Print publication year: 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×