Book contents
- Fauré Studies
- Cambridge Composer Studies
- Fauré Studies
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Acknowledgments
- Looking Back on a Journey
- 1 Patrons and Society
- 2 Keys to the Ineffable in Fauré
- 3 Fauré as Student and Teacher of Harmony
- 4 Romancing the mélodie, or Generic Play in the Early Hugo Settings
- 5 Lux aeterna
- 6 From Homer’s Banquet to Fauchois’ Feast
- 7 Orchestral Melody in Pénélope
- 8 Fauré the Practical Interpreter
- 9 Fauré, Orientalism, and Le voile du bonheur
- 10 Jankélévitch, Fauré, and the Thirteenth Nocturne
- Index
7 - Orchestral Melody in Pénélope
Aspects of Wagner’s Influence on Fauré
Published online by Cambridge University Press: 17 April 2021
- Fauré Studies
- Cambridge Composer Studies
- Fauré Studies
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Acknowledgments
- Looking Back on a Journey
- 1 Patrons and Society
- 2 Keys to the Ineffable in Fauré
- 3 Fauré as Student and Teacher of Harmony
- 4 Romancing the mélodie, or Generic Play in the Early Hugo Settings
- 5 Lux aeterna
- 6 From Homer’s Banquet to Fauchois’ Feast
- 7 Orchestral Melody in Pénélope
- 8 Fauré the Practical Interpreter
- 9 Fauré, Orientalism, and Le voile du bonheur
- 10 Jankélévitch, Fauré, and the Thirteenth Nocturne
- Index
Summary
In her “Étude comparée des langages harmoniques de Fauré et de Debussy,” Françoise Gervais contends that “melody does not have an independent existence in Fauré’s music. It is born of the harmony and remains inseparable from it.”1 Moreover, not a single chapter of this book, which has stood now for more than forty years as a musicological summa on Fauréan harmony, is dedicated to melody.
- Type
- Chapter
- Information
- Fauré Studies , pp. 152 - 169Publisher: Cambridge University PressPrint publication year: 2021