Book contents
- Exhausted Ecologies
- Exhausted Ecologies
- Copyright page
- Contents
- Illustrations
- Acknowledgments
- Abbreviations
- Introduction: Places of Rest
- Chapter 1 Nature’s Reserves: Rural Exhaustion, Inertia, and Generative Aesthetics
- Chapter 2 Urban Environs: James Joyce and the Politics of Shared Atmosphere
- Chapter 3 Waste Lands: Dark Pastoral in T. S. Eliot, W. H. Auden, and Djuna Barnes
- Chapter 4 Uprooting Empire: Jean Rhys and Unrest in Imperial Centers
- Chapter 5 Decolonizing Ecology: Chinua Achebe’s New Forms of Unease
- Conclusion: The Limits of Modernist Regeneration
- Notes
- Bibliography
- Index
Introduction: Places of Rest
Published online by Cambridge University Press: 09 January 2020
- Exhausted Ecologies
- Exhausted Ecologies
- Copyright page
- Contents
- Illustrations
- Acknowledgments
- Abbreviations
- Introduction: Places of Rest
- Chapter 1 Nature’s Reserves: Rural Exhaustion, Inertia, and Generative Aesthetics
- Chapter 2 Urban Environs: James Joyce and the Politics of Shared Atmosphere
- Chapter 3 Waste Lands: Dark Pastoral in T. S. Eliot, W. H. Auden, and Djuna Barnes
- Chapter 4 Uprooting Empire: Jean Rhys and Unrest in Imperial Centers
- Chapter 5 Decolonizing Ecology: Chinua Achebe’s New Forms of Unease
- Conclusion: The Limits of Modernist Regeneration
- Notes
- Bibliography
- Index
Summary
The introduction considers ecological conservation movements in relation to modernity as a restless process of exhausting natural resources and human labor. I survey the emerging field of ecocritical modernist studies and situate my intervention as a focus on archival materials that chart the rhetorical development of environmental activists. I outline modernism as a strategic form of regeneration that avoids exhaustion through strategic breaks towards formal innovation. I consider the material and aesthetic basis of restlessness as it affects the artistic and contemplative life. I give the scope of the project and introduce the main authors in the study: D. H. Lawrence, James Joyce, Djuna Barnes, Jean Rhys, and Chinua Achebe. I also look at E. M. Forster’s own environmental activism and Virginia Woolf’s new definitions of modern literature. I draw on aesthetic theories from Immanuel Kant, Walter Benjamin, and Fredric Jameson to show how artistic contemplation may still take place in the chaotic environments of modernity.
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- Exhausted EcologiesModernism and Environmental Recovery, pp. 1 - 36Publisher: Cambridge University PressPrint publication year: 2020