Book contents
- Elliott Carter Studies
- Elliott Carter Studies
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Overview:
- Part II Analysis and aesthetics
- 3 The search for order:
- 4 Ritornello form in Carter’s Boston and ASKO concertos
- 5 “The matter of human cooperation” in Carter’s mature style
- 6 Time management:
- 7 “I try to write music that will appeal to an intelligent listener’s ear.” On Elliott Carter’s string quartets
- 8 Composition with intervals:
- Part III Sketch studies
- Part IV Music and text
- Bibliography
- Index
8 - Composition with intervals:
melodic invention in Elliott Carter’s recent concertos
from Part II - Analysis and aesthetics
Published online by Cambridge University Press: 05 September 2012
Book contents
- Elliott Carter Studies
- Elliott Carter Studies
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Overview:
- Part II Analysis and aesthetics
- 3 The search for order:
- 4 Ritornello form in Carter’s Boston and ASKO concertos
- 5 “The matter of human cooperation” in Carter’s mature style
- 6 Time management:
- 7 “I try to write music that will appeal to an intelligent listener’s ear.” On Elliott Carter’s string quartets
- 8 Composition with intervals:
- Part III Sketch studies
- Part IV Music and text
- Bibliography
- Index
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- Elliott Carter Studies , pp. 190 - 214Publisher: Cambridge University PressPrint publication year: 2012
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