Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-02T19:05:08.956Z Has data issue: false hasContentIssue false

Select Bibliography

Published online by Cambridge University Press:  17 April 2020

Edited by
Rory Loughnane  and
Andrew J. Power
Rory Loughnane
Affiliation:
University of Kent, Canterbury
Andrew J. Power
Affiliation:
University of Sharjah
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Early Shakespeare, 1588–1594 , pp. 315 - 320
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Craig, Hugh and Kinney, Arthur F., eds. Shakespeare, Computers, and the Mystery of Authorship (Cambridge: Cambridge University Press, 2009).Google Scholar
Eisen, Mark, Segarra, Santiago, Egan, Gabriel, and Ribeiro, Alejandro. ‘Stylometric Analysis of Early Modern Period English Plays’, https://arxiv.org/pdf/1610.05670.pdf.Google Scholar
Greg, W. W. The Editorial Problem in Shakespeare: A Survey of the Foundations of the Text (Oxford: Clarendon Press, 1942, 1954).Google Scholar
Hart, Alfred. Stolne and Surreptitious Copies: A Comparative Study of Shakespeare’s Bad Quartos (Melbourne: Melbourne University Press, 1942).Google Scholar
Irace, Kathleen O. Reforming the ‘Bad’ Quartos: Performance and Provenance of Six Shakespearean First Editions (Newark: University of Delaware Press, 1994).Google Scholar
Jackson, MacDonald P. ‘Determining Authorship: A New Technique’, Research Opportunities in Renaissance Drama 41 (2002), 1–14.Google Scholar
Jackson, MacDonald P. Determining the Shakespeare Canon: Arden of Faversham and ‘A Lover’s Complaint’ (Oxford: Oxford University Press, 2014).Google Scholar
Jackson, MacDonald P. ‘Arden of Faversham and Shakespeare’s Early Collaborations: The Evidence of Meter’, Style 50:1 (2016), 65–79.Google Scholar
Kirwan, Peter. Shakespeare and the Idea of Apocrypha (Cambridge: Cambridge University Press, 2015).Google Scholar
Knutson, Roslyn L. ‘What’s So Special about 1594?’ Shakespeare Quarterly 61:4 (2010), 449–67.CrossRefGoogle Scholar
Koppel, Moshe, Schler, Jonathan, Argamon, Shlomo, and Winter, Yaron. ‘The “Fundamental Problem” of Authorship Attribution’, English Studies 93:3 (2012), 284–91.Google Scholar
Kreps, Barbara. ‘Bad Memories of Margaret? Memorial Reconstruction versus Revision in The First Part of the Contention and 2 Henry VI’, Shakespeare Quarterly 51 (2000), 154–80.Google Scholar
Loughnane, Rory. ‘Re-editing Non-Shakespeare for the Modern Reader’, Review of English Studies 68: 284 (2017), 268–95.Google Scholar
Maguire, Laurie. Shakespearean Suspect Texts: The ‘Bad’ Quartos and Their Contexts (Cambridge: Cambridge University Press, 1996).Google Scholar
Malone, Edmond. A Dissertation on the Three Parts of King Henry VI. Tending to Shew that those Plays were not Written Originally by Shakspeare (London: Henry Baldwin, 1787).Google Scholar
Martin, Randall. ‘The True Tragedy of Richard Duke of York: Report and Revision’, Review of English Studies 209 (2002), 8–30.CrossRefGoogle Scholar
McKerrow, R. B. ‘A Note on the “Bad Quartos” of 2 and 3 Henry VI and the Folio Text’, Review of English Studies 49 (1937), 64–72.Google Scholar
Nance, John V. ‘“We, John Cade”: Shakespeare, Marlowe, and the Authorship of 4.2.33–189, 2 Henry VI’, Shakespeare 13:1 (2017), 30–51.CrossRefGoogle Scholar
Prouty, Charles Tyler. ‘The Contention’ and ‘2 Henry VI’: A Comparative Study (New Haven: Yale University Press, 1954).Google Scholar
Segarra, Santiago, Eisen, Mark, Egan, Gabriel, and Ribeiro, Alejandro, ‘Attributing the Authorship of the Henry VI Plays by Word Adjacency’, Shakespeare Quarterly 67: 2 (2016), 232–56.Google Scholar
Syme, Holger Schott. ‘The Meaning of Success: Stories of 1594 and Its Aftermath’, Shakespeare Quarterly 61:4 (2010), 490–525.Google Scholar
Taylor, Gary. ‘Shakespeare and Others: The Authorship of Henry the Sixth, Part One’, Medieval and Renaissance Drama in England 7 (1995), 145–205.Google Scholar
Taylor, Gary. ‘Why Did Shakespeare Collaborate?’, Shakespeare Survey 67 (Cambridge: Cambridge University Press, 2014), 1–17.Google Scholar
Taylor, Gary, and Nance, John V.. ‘Imitation or Collaboration? Marlowe and the Early Shakespeare Canon’, Shakespeare Survey 68 (Cambridge: Cambridge University Press, 2015), 32–47.CrossRefGoogle Scholar
Taylor, Gary, and Egan, Gabriel, eds. The New Oxford Shakespeare: Authorship Companion (Oxford: Oxford University Press, 2017).CrossRefGoogle Scholar
Urkowitz, Steven. ‘“If I mistake in those foundations which I build upon”: Peter Alexander’s Textual Analysis of Henry VI Parts 2 and 3’, English Literary Renaissance 18 (1988), 230–56.Google Scholar
Vickers, Brian. ‘Incomplete Shakespeare: Or, Denying Co-authorship in Henry the Sixth, Part 1’, Shakespeare Quarterly 58:3 (2007), 311–52.Google Scholar
Vickers, Brian. ‘The Two Authors of Edward III’, Shakespeare Survey 67 (Cambridge: Cambridge University Press, 2014), 102–18.Google Scholar
Vickers, Brian. Shakespeare, Co-Author (Oxford: Oxford University Press, 2002).Google Scholar
Vickers, Brian. ‘“Upstart Crow”? The Myth of Shakespeare’s Plagiarism’, Review of English Studies 68:284 (2017), 244–67.Google Scholar
Weber, William W.“‘Shakespeare After All?: The Authorship of Titus Andronicus 4.1 Reconsidered’, Shakespeare Survey 67 (Cambridge: Cambridge University Press, 2014), 69–84.Google Scholar
Wells, Stanley and Edmondson, Paul, eds. Shakespeare Beyond Doubt (Cambridge: Cambridge University Press, 2013).Google Scholar
Wentersdorf, Karl P. ‘The Authenticity of The Taming of the Shrew’, Shakespeare Quarterly 5:1 (1954), 12–29.Google Scholar
Werstine, Paul. ‘Narratives about Printed Shakespeare Texts: “Foul Papers” and “Bad” Quartos’, Shakespeare Quarterly 41 (1990), 65–86.Google Scholar
Werstine, Paul. Early Modern Playhouse Manuscripts and the Editing of Shakespeare (Cambridge: Cambridge University Press, 2012).Google Scholar

Secondary Sources

Bate, Jonathan. Soul of the Age: The Life, Mind and World of William Shakespeare (London: Penguin / New York: Viking, 2008).Google Scholar
Bevington, David. Shakespeare and Biography (Oxford: Oxford University Press, 2010).Google Scholar
Chambers, E. K. William Shakespeare: A Study of Facts and Problems, 2 vols. (Oxford: Oxford University Press, 1930).Google Scholar
Duncan-Jones, Katherine. Ungentle Shakespeare: Scenes from His Life (London: Thomson Learning, 2001).Google Scholar
Edmondson, Paul and Wells, Stanley. The Shakespeare Circle: An Alternative Biography (Cambridge: Cambridge University Press, 2015).Google Scholar
Fraser, Russell. Young Shakespeare (New York: Columbia University Press, 1988).Google Scholar
Holland, Peter. ‘Shakespeare, William (1564–1616)’, ODNB; online edn, September 2004.Google Scholar
Honigmann, E. A. J. Shakespeare: The ‘Lost Years’, 2nd edn (1985; Manchester: Manchester University Press, 1988).Google Scholar
Loughnane, Rory. ‘Shakespeare in the 1580s’, Shakespeare Studies 45 (2017), 121–8.Google Scholar
Mincoff, Marco. Shakespeare: The First Steps (Sofia: Bulgarian Academy of Sciences, 1976).Google Scholar
Mitchell, C. Martin. The Shakespeare Circle. A Life of Dr. John Hall, Shakespeare’s Son-in-law, with Glimpses of Their Intimate Friends and Relations (Birmingham: Cornish Bros., 1947).Google Scholar
Mulryne, J. R., ed. Guild and Guild Buildings of Shakespeare’s Stratford: Society, Religion, School and Stage (Farnham: Ashgate, 2012).Google Scholar
Nuttall, A. D. Shakespeare the Thinker (New Haven and London: Yale University Press, 2007).Google Scholar
Potter, Lois. The Life of William Shakespeare: A Critical Biography (Malden, MA and Oxford: Wiley-Blackwell, 2010).Google Scholar
Schoenbaum, S. Shakespeare’s Lives (Oxford: Oxford University Press, 1991).Google Scholar
Skura, Meredith Anne. Shakespeare the Actor and the Purposes of Playing (Chicago and London: University of Chicago Press, 1993).Google Scholar
Southworth, John. Shakespeare the Player: A Life in the Theatre (Stroud: Sutton Publishing, 2000).Google Scholar
Weis, René. Shakespeare Revealed: A Biography (London: John Murray, 2007).Google Scholar
Bruster, Douglas and Smith, Geneviève. ‘A New Chronology for Shakespeare’s Plays’, Literary and Linguistic Computing 31:2 (2016), 301–20.Google Scholar
Gurr, Andrew. ‘Shakespeare’s First Poem: Sonnet 145’, Essays in Criticism 21 (1971), 221–6.Google Scholar
Jackson, MacDonald P. ‘Pause Patterns in Shakespeare’s Verse: Canon and Chronology’, Literary and Linguistic Computing 17 (2002), 37–46.Google Scholar
Malone, Edmond. ‘An Attempt to Ascertain the Order in which the Plays attributed to Shakespeare were written’, in The Plays of William Shakespeare, ed. Johnson, Samuel and Steevens, George, 10 vols. (London, 1778).Google Scholar
Mincoff, Marco. ‘The Chronology of Shakespeare’s Early Works’, Shakespeare Jahrbuch 100–1 (1964–5), 253–65.Google Scholar
Taylor, Gary and Loughnane, Rory. ‘The Canon and Chronology of Shakespeare’s Works’ in Taylor, Gary and Egan, Gabriel, eds., The New Oxford Shakespeare: Authorship Companion (Oxford: Oxford University Press, 2017), 417–602.Google Scholar
Wiggins, Martin, in association with Catherine Richardson, British Drama, 1533–1642: A Catalogue, 3 vols. (Oxford: Oxford University Press, 2013).Google Scholar
Baldwin, T. W. William Shakspere’s Petty School (Urbana: University of Illinois Press, 1943).Google Scholar
Baldwin, T. W. Shakspere’s Small Latine & Lesse Greeke, 2 vols. (Urbana: University of Illinois Press, 1944).Google Scholar
Barton, Anne. ‘Shakespeare and the Limits of Language’, Shakespeare Survey 24 (Cambridge: Cambridge University Press, 1971), 19–30.CrossRefGoogle Scholar
Bednarz, James P. Shakespeare & the Poets’ War (New York: Columbia University Press, 2001).Google Scholar
Belsey, Catherine. ‘Alice Arden’s Crime’, Renaissance Drama 13 (1982), 83–102.Google Scholar
Bluestone, Max and Rabkin, Norman, eds. Shakespeare’s Contemporaries (Englewood Cliffs: Prentice and Hall, 1970).Google Scholar
Brooke, Nicholas. Shakespeare’s Early Tragedies (London: Methuen, 1968).Google Scholar
Crane, Mary Thomas. ‘The Shakespearean Tetralogy’, Shakespeare Quarterly 36:3 (1985), 282–99.Google Scholar
Donaldson, E. Talbot. The Swan at the Well: Shakespeare Reading Chaucer (New Haven: Yale University Press, 1985).Google Scholar
Edwards, Philip, Ewbank, Inga-Stina, and Hunter, G. K., eds. Shakespeare’s Styles: Essays in Honour of Kenneth Muir (Cambridge: Cambridge University Press, 1980).Google Scholar
Enterline, Lynn. Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion (Philadelphia: University of Pennsylvania Press, 2012).Google Scholar
Greenfield, Sayre N. ‘Allegorical Impulses and Critical Ends: Shakespeare’s and Spenser’s Venus and Adonis’, Criticism 36:4 (1994), 475–498.Google Scholar
Hope, Jonathan. Shakespeare and Language: Reason, Eloquence and Artifice in the Renaissance (London: Methuen, 2010).Google Scholar
Hieatt, A. Kent. ‘The Genesis of Shakespeare’s Sonnets: Spenser’s Ruines of Rome: By Bellay’, Publications of the Modern Language Association 98:5 (1983), 800–14.Google Scholar
Houston, John Porter. Shakespearean Sentences: A Study in Style and Syntax (Baton Rouge: Louisiana State University Press, 1988).Google Scholar
Ingleby, C. M. ‘A Literary Craze: Shakspeare and Spenser’, Notes & Queries (1884) S6-X (249), 274.Google Scholar
Joseph, Sister Miriam. Shakespeare’s Use of the Arts of Language (New York: Columbia University Press, 1949).Google Scholar
Jowett, John. ‘Shakespeare’s Metamorphosis’, Shakespeare 13:4 (2017), 318–32.Google Scholar
Kermode, Frank. Shakespeare’s Language (London: Allen Lane, 2000).Google Scholar
King, Rosalind. ‘The Case for the Earlier Canon’ in Batchelor, John, Cain, Tom, and Lamont, Claire, eds., Shakespearean Continuities (Houndsmill: Macmillan, 1997), 108–22.Google Scholar
Kinney, Clare R. ‘Feigning Female Faining: Spenser, Lodge, Shakespeare, and Rosalind’, Modern Philology 95:3 (1998), 291–315.Google Scholar
Lethbridge, J. B., ed. Shakespeare and Spenser: Attractive Opposites (Manchester: Manchester University Press, 2008).Google Scholar
Manley, Lawrence and Sally-Beth, MacLean. Lord Strange’s Men and Their Plays (New Haven: Yale University Press, 2014).Google Scholar
Martindale, Charles and Taylor, A. B., eds. Shakespeare and the Classics (Cambridge: Cambridge University Press, 2004).Google Scholar
McInnis, David and Steggle, Matthew, eds. Lost Plays in Shakespeare’s England (Basingstoke: Palgrave Macmillan, 2014).Google Scholar
McMillin, Scott and Sally-Beth, MacLean. The Queen’s Men and the Their Plays (Cambridge: Cambridge University Press, 1998).Google Scholar
Melnikoff, Kirk and Gieskes, Edward, eds. Writing Robert Greene: Essays on England’s First Notorious Professional Writer (Aldershot: Ashgate, 2008).Google Scholar
Moss, Daniel D. The Ovidian Vogue: Literary Fashion and Imitative Practice in Late Elizabethan England (Toronto: University of Toronto Press, 2014).Google Scholar
Nelson, Alan. ‘George Buc, William Shakespeare, and the Folger George a Greene’, Shakespeare Quarterly 49 (1998), 74–83.Google Scholar
Ostovich, Helen, Syme, Holger Schott, and Griffin, Andrew, eds. Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing (London: Ashgate, 2009).Google Scholar
Perry, Curtis and Watkins, John, eds. Shakespeare and the Middle Ages (Oxford: Oxford University Press, 2009).CrossRefGoogle Scholar
Potts, Abbie Findlay. Shakespeare and The Faerie Queene (Ithaca, NY: Cornell University Press, 1958).Google Scholar
Prescott, Anne Lake and Hieatt, A. Kent. ‘Shakespeare and Spenser’, PMLA 100:5 (1985), 820–2.Google Scholar
Schoone-Jongen, Terence G. Shakespeare’s Companies: William Shakespeare’s Early Career and the Acting Companies, 1577–1594 (Farnham and Burlington: Ashgate, 2008).Google Scholar
Skinner, Quentin. Forensic Shakespeare (Oxford: Oxford University Press, 2014).Google Scholar
Thompson, Ann. Shakespeare’s Chaucer: A Study in Literary Origins (Liverpool: University of Liverpool Press, 1978).Google Scholar
Wells, Stanley. ‘The Failure of The Two Gentlemen of Verona’, Shakespeare Jahrbuch 99 (1963), 161–73.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×