Book contents
- Divine Inspiration in Byzantium
- Divine Inspiration in Byzantium
- Copyright page
- Contents
- Plates
- Figures
- Acknowledgements
- Abbreviations
- Introduction
- One The Early Christian Iconography of Divine Inspiration
- Two Inspiration and the Bible in the Post-Iconoclastic Era
- Three Inspiration Continued
- Four Divine Inspiration beyond the Fathers
- Five Inspired Icons
- Six Acheiropoietos
- Seven Allegories of Divine Artistry
- Epilogue
- Bibliography
- Index of Manuscripts
- Index of Biblical Citations
- General Index
- Plate Section (PDF Only)
Five - Inspired Icons
Published online by Cambridge University Press: 16 July 2022
- Divine Inspiration in Byzantium
- Divine Inspiration in Byzantium
- Copyright page
- Contents
- Plates
- Figures
- Acknowledgements
- Abbreviations
- Introduction
- One The Early Christian Iconography of Divine Inspiration
- Two Inspiration and the Bible in the Post-Iconoclastic Era
- Three Inspiration Continued
- Four Divine Inspiration beyond the Fathers
- Five Inspired Icons
- Six Acheiropoietos
- Seven Allegories of Divine Artistry
- Epilogue
- Bibliography
- Index of Manuscripts
- Index of Biblical Citations
- General Index
- Plate Section (PDF Only)
Summary
Responding to obviously persisting concerns regarding the venerability of icons in the post-Iconoclastic era, some of the empire’s leading theologians made the novel claim that it is not human artistry, but divine inspiration that ultimately ensures the icon’s authenticity – its resemblance to its prototype. Just as with Christian literature, the divine inspiration of material images guarantees their faithfulness, and it is divine inspiration that also releases the work of art from the realm of ‘dead’ matter, enlivening it with the divine pneuma.
- Type
- Chapter
- Information
- Divine Inspiration in ByzantiumNotions of Authenticity in Art and Theology, pp. 232 - 272Publisher: Cambridge University PressPrint publication year: 2022