Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-26T02:26:35.317Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  10 November 2018

Daniel M. Grimley
Affiliation:
University of Oxford
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adams, Byron ‘“No Armpits, Please, We’re British”: Whitman and English Music, 1884–1936’, in Kramer, Lawrence (ed.), Walt Whitman and Modern Music: War, Desire, and the Trials of Nationhood (New York: Garland Publishing, 2000), 2542Google Scholar
Adams, MichaelKen Russell: Musical Mythmaker’, Notes 66/1 (September 2009), 143–63Google Scholar
Adorno, Theodor W. Mahler: A Musical Physiognomy, trans. Edmund Jephcott ([Frankfurt: Suhrkamp, 1971] Chicago: University of Chicago Press, 1992)Google Scholar
Allen, Gay Wilson and Folsom, Ed (eds.) Walt Whitman and the World (Iowa City: University of Iowa Press, 1995)Google Scholar
Anderson, Amanda The Powers of Distance: Cosmopolitanism and the Cultivation of Detachment (Princeton: Princeton University Press, 2001)Google Scholar
André, Naomi, Bryan, Karen M., and Saylor, Eric (eds.) Blackness in Opera (Urbana, Chicago, and Springfield: University of Illinois Press, 2012)Google Scholar
Antliff, Mark Inventing Bergson: Cultural Politics and the Parisian Avant-Garde (Princeton: Princeton University Press, 1993)Google Scholar
Appiah, Kwame Anthony Cosmopolitanism: Ethics in a World of Strangers (London: Penguin, 2006)Google Scholar
Arnim, Elizabeth von Elizabeth and Her German Garden ([London: Macmillan, 1898] reprinted with an introduction by Elizabeth Jane Howard, London: Virago, 1985)Google Scholar
Arnim, Elizabeth von The Solitary Summer ([London: Macmillan, 1899] reprinted with an introduction by Deborah Kellaway, London: Virago, 2000)Google Scholar
Ashby, Arved Absolute Music, Mechanical Reproduction (Berkeley: University of California Press, 2010)Google Scholar
Bacharach, A. L. The Music of Today (London: Pelican, 1946)Google Scholar
Bachmann-Medick, Doris (ed.) The Trans/National Study of Culture: A Translational Perspective (Berlin and Boston, MA: De Gruyter, 2016)Google Scholar
Banerjee, Mita Ethnic Ventriloquism (Heidelberg: Winter, 2008)Google Scholar
Barton, William E. Old Plantation Hymns: A Collection of Hitherto Unpublished Melodies of the Slave and the Freedman (Boston, MA: Lamson, Wolffe and Company, 1899)Google Scholar
Bearman, C. J.Percy Grainger, the Phonograph, and the Folk Song Society’, Music & Letters 84/3 (August 2003), 434–55Google Scholar
Bechet, Sidney Treat It Gentle (New York: Cassell & Co., 1960)Google Scholar
Beecham, Thomas A Mingled Chime: Leaves from an Autobiography (London: Hutchinson & Co., 1944)Google Scholar
Beecham, Thomas Frederick Delius (London: Hutchinson & Co, [1959] 1975)Google Scholar
Benestad, Finn and Schelderup-Ebbe, Dag Edvard Grieg: The Man and the Artist, trans. William H. Halvorson and Leland B. Sateren ([Oslo: Aschehoug, 1980] Lincoln: University of Nebraska Press, 1988)Google Scholar
Bergson, Henri Essais sur les données immédiates de la conscience (Paris: Ancienne Librairie Germer-Ballière, 1889); trans. F. L. Pogson, Time and Free Will (London and New York: Dover, [1913] 1991)Google Scholar
Bergson, Henri Matter and Memory: Essay on the Relation Between the Body and the Mind, trans. N. M. Paul and W. S. Palmer (New York: Zone Books, 1990)Google Scholar
Bernard, Shane and Girouard, Julia, ‘“Colinda”: Mysterious Origins of a Cajun Folksong’, Journal of Folklore Research 29/1 (January–April 1992), 3752Google Scholar
Bhabha, Homi The Location of Culture (London: Routledge, [1994] 2004)Google Scholar
Bilston, SarahQueens of the Garden: Victorian Women Gardeners and the Rise of the Gardening Advice Text’, Victorian Literature & Culture 36/1 (2008), 119Google Scholar
Bisgrove, Richard The Gardens of Gertrude Jekyll (Berkeley: University of California Press, 1992)Google Scholar
Bohlman, Philip and Radano, Robert (eds.) Music and the Racial Imagination (Chicago: Chicago University Press, 2000)Google Scholar
Born, Georgina (ed.) Music, Sound and Space: Transformations of Public and Private Experience (Cambridge: Cambridge University Press, 2013)Google Scholar
Born, Georgina and Hesmondhalgh, David (eds.) Western Music and Its Others: Difference, Representation and Appropriation in Music (Berkeley: California University Press, 2000)Google Scholar
Boyes, Georgina The Imagined Village: Culture, Ideology, and the English Folk Revival (Manchester: Manchester University Press, 1993)Google Scholar
Boyle, Andrew J. ‘A Quest for Innocence: The Music of Frederick Delius, 1885–1900’, PhD Dissertation, Sheffield University, 1984Google Scholar
Boyle, Andrew J. Delius and Norway (Martlesham: Boydell and Brewer, 2017)Google Scholar
Brown, David and Webb, Clive Race in the American South: From Slavery to Civil Rights (Gainesville: University Press of Florida, 2007)Google Scholar
Brown, Jane Gardens of a Golden Afternoon: The Story of the Partnership of Edwin Lutyens and Gertrude Jekyll (London: Penguin, [1982] 1994)Google Scholar
Brown, Jane The Art and Architecture of English Gardens (London: Weidenfeld and Nicolson, 1989)Google Scholar
Brown, Jane The Pursuit of Paradise: A Social History of Gardens and Gardening (London: Harper Collins, 1999)Google Scholar
Brown, Jane (ed.) Western Music and Race (Cambridge: Cambridge University Press, 2007)Google Scholar
Buckley, RogerThrough Norway in Delius’s Footsteps’, DSJ 99/100 (Winter, 1989), 318 and 100 (Spring, 1989), 315Google Scholar
Buckley, Roger ‘Delius’s Red Notebook: Transcription and Critical Analysis’, PhD Thesis, Cambridge: Anglia Ruskin University, 2017Google Scholar
Buonaiuto, Jr, Frank S., Slattery, Michael, and Bokuniewicz, Henry J, ‘Wave Modeling of Long Island Coastal Waters’, Journal of Coastal Research 27/3 (May 2011), 470–77Google Scholar
Cable, George WashingtonThe Dance In Place Congo’, Century Magazine 31/4 (February 1886), 517–32Google Scholar
Cable, George WashingtonCreole Slave Songs’, Century Magazine 31/6 (April 1886), 807–26Google Scholar
Cable, George Washington The Grandissimes: A Story of Creole Life, with an introduction by Barrie, J. M. (London: Hodder & Stoughton, 1898)Google Scholar
Caddy, DaviniaParisian Cake Walks’, 19th Century Music 30/3 (Spring, 2007), 288317Google Scholar
Campbell, Gavin James Music and the Making of a New South (Durham: University of North Carolina Press, 2004)Google Scholar
Carley, LionelHans Haym: Delius’s Prophet and Pioneer’, Music & Letters 54/1 (January 1973), 124Google Scholar
Carley, LionelCarl Larsson and Grez-sur-Loing in the 1880s’, DSJ 45 (October 1974), 825Google Scholar
Carley, Lionel Delius: The Paris Years (London: Triad Press, 1975)Google Scholar
Carley, Lionel Delius: A Life in Letters, vol. 1: 1862–1908 (London: Scolar Press, 1983); vol. 2: 1909–1934 (London: Scolar Press, [1988] 1994)Google Scholar
Carley, Lionel (ed.) Frederick Delius: Music, Art, and Literature (Aldershot: Ashgate, 1998)Google Scholar
Carley, LionelLife at Grez: A Marriage Among the Artists’, DSJ 141 (Spring, 2007), 8599Google Scholar
Carley, Lionel and Threlfall, Robert Delius and America (London: Camden Festival, 1972)Google Scholar
Casey, Edward S.How To Get from Space to Place in a Fairly Short Space of Time’, in Feld, Steven and Basso, Keith H. (eds.), Senses of Place (Santa Fe: School of American Research Press, 1996), 1352Google Scholar
Casey, Edward S. The Fate of Place: A Philosophical History (Berkeley: University of California Press, 1997)Google Scholar
Chapman, Abel Wild Norway (London: Edward Arnold, 1897)Google Scholar
Childs, Michael J. Labour’s Apprentices: Working-Class Lads in Late Victorian and Edwardian England (Montreal: McGill-Queen’s University Press, 1992)Google Scholar
Cleveland-Peck, Patricia (ed.) The Cello and the Nightingales: The Autobiography of Beatrice Harrison (London: John Murray, 1985)Google Scholar
Clouser, Robin ‘“Romeo und Julia auf dem Dorfe”: Keller’s Variations upon Shakespeare’, The Journal of English and Germanic Philology 77/2 (April 1978), 161–82Google Scholar
Cohn, RichardMaximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late Romantic Chord Progressions’, Music Analysis 15/1 (1996), 940Google Scholar
Cohn, RichardUncanny Resemblances: Tonal Signification in the Freudian Age’, Journal of the American Musicological Society 57 (2004), 285323Google Scholar
Collins, SarahNever Out of Date and Never Modern: Aesthetic Democracy, Radical Music Criticism and The Sackbut’, Music & Letters 95/3 (August 2014), 404–28Google Scholar
Collins, SarahThe Composer as “Good European”: Musical Modernism, Amor fati and the Cosmopolitanism of Frederick Delius’, Twentieth-Century Music 12/1 (March 2015), 97123Google Scholar
Cooke, DeryckDelius and Form: A Vindication’, The Musical Times 103/1432 (June 1962), 362–93Google Scholar
Cooke, Deryck ‘Delius the Unknown’, Proceedings of the Royal Musical Association, 89th Session (1962–63), 17–29Google Scholar
Cornish, VaughanOn Sea-Beaches and Sandbanks’, The Geographical Journal 11/6 (June 1898), 628–47Google Scholar
Cornish, Vaughan Waves of the Sea and Other Water Waves (London: Fisher Unwin, 1910)Google Scholar
Cotton, Barbara ‘Aspects of Antebellum Conditions upon Post-War Economic Adjustment of Blacks in Jacksonville, 1870–1895’ (typescript, University of Jacksonville, [1977])Google Scholar
Craig, Douglas and Page, AndrewEditorial Preface’, Frederick Delius: Koanga (London: Boosey & Hawkes, 1974), iii–viiiGoogle Scholar
Crombie, John Chez Charlotte and Fin-de-Siècle Montparnasse (Paris: Kickshaws, 2003)Google Scholar
[Cudworth, William] Musical Reminiscences of Bradford (Bradford: Byles & Sons, 1885)Google Scholar
Daniels, StephenSuburban Pastoral: Strawberry Fields Forever and Sixties Memory’, Cultural Geographies 13 (2006), 2854Google Scholar
Davidson, Peter The Idea of North (London: Reaktion, 2005)Google Scholar
Davies, T. Frederick History of Jacksonville, Florida and Vicinity, 1524 to 1924 (St Augustine: Florida Historical Society, 1925)Google Scholar
Davis, William MorrisThe Outline of Cape Cod’, Proceedings of the American Academy of Arts and Sciences, 31 (May 1895–May 1896), 303–31Google Scholar
Deberard, Ella Teague Steamboat in the Hyacinths (Daytona Beach: College Publishing Co., 1956)Google Scholar
Delius, Clare Frederick Delius: Memories of My Brother (London: Ivor Nicholson & Watson, 1935)Google Scholar
Doran, MarkWagner and the “Paradise Garden”: An Inter-Operatic Reference in Delius’, Tempo (New Series) 216 (April 2001), 24–9Google Scholar
Downes, StephenModern Maritime Pastoral: Wave Deformations in the Music of Frank Bridge’, in Riley, Matthew (ed.), British Music and Modernism, 1895–1960 (Farnham: Ashgate, 2010), 93108Google Scholar
Driggers, JeffZu Johnsons Buch: A Forgotten Literary Piece by Frederick Delius’, DSJ 126 (Autumn, 1999), 23–9Google Scholar
Earle, Mrs C. W. Pot-Pourri from a Surrey Garden, with an appendix by Lytton, Lady Constance (London: Thames & Nelson, 1897)Google Scholar
Eberle, Iwona Eve with a Spade: Women, Gardens and Literature in the Nineteenth Century (Munich: Grin, 2011)Google Scholar
Ecott, David J.The Tonalities and Harmonization of Brigg Fair’, DSJ 136 (Autumn, 2004), 2030Google Scholar
Eichner, BarbaraIn Schönheit sterben: Frederick Delius’ A Village Romeo and Juliet’, in Tadday, Ulrich (ed.), Musik-Konzepte (Neue Folge): Frederick Delius, 141/2 (July 2008), 139–58Google Scholar
Eriksen, Asbjørn Ø.Delius and Norway’, DSJ 138 (Autumn, 2005), 1925Google Scholar
Erkkila, Betsy Walt Whitman Among the French (Princeton: Princeton University Press, 1980)Google Scholar
Faner, Robert D. Walt Whitman and Opera (Philadelphia: University of Pennsylvania Press, 1951)Google Scholar
Fenby, Eric Delius As I Knew Him (London: Quality Press, [1936] 1948)Google Scholar
[Fenby, Eric] ‘Eric Fenby in Interview with Robert Layton’, DSJ 106 (Winter/Spring, 1991), 311Google Scholar
[Fenby, Eric] Fenby on Delius, ed. Lloyd, Stephen (London: Thames Publishing, 1996)Google Scholar
Fishkin, Shelley FisherInterrogating “Whiteness”, Complicating “Blackness”: Remapping American Culture’, American Quarterly 47/3 (1995), 429–67Google Scholar
Floyd, Jr, Samuel A. The Power of Black Music (New York: Oxford University Press, 1995)Google Scholar
Foerschner, Anja ‘“In the Midst of This Strange Country”: Paul Nash’s War Landscapes’, in Hughes, Gordon and Blom, Philip (eds.), Nothing But the Clouds Unchanged: Artists in World War I (Los Angeles: Getty Research Institute, 2014), 8087Google Scholar
Foreman, LewisOskar Fried: Delius and the Late Romantic School’, DSJ 86 (April 1985), 421Google Scholar
Foreman, Lewis (ed.) ‘Oh, My Horses!’ Elgar and the Great War (Rickmansworth: Elgar Editions, 2001)Google Scholar
Foucault, Michel The Order of Things: An Archaeology of the Human Sciences (London: Routledge, 1989)Google Scholar
Fountain, KatrinaIn a Surrey Garden: The Story of the Harrison Sisters’, DSJ 87 (Autumn, 1985), 313Google Scholar
Franklin, Peter Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds (Berkeley: University of California Press, 2014)Google Scholar
Freeman, Graham ‘“It Wants All the Creases Ironing Out”: Percy Grainger, the Folk Song Society, and the Ideology of the Archive’, Music & Letters 92/3 (August 2011), 410–36Google Scholar
Freeman, GrahamGrainger and the Performativity of Folk Song’, in Robinson, Suzanne and Dreyfus, Kay (eds.), Grainger the Modernist (Aldershot: Ashgate, 2015), 3354Google Scholar
Gelbart, MatthewLayers of Representation in Nineteenth-Century Genres: The Case of One Brahms Ballade’, in Walden, Joshua (ed.), Representation in Western Music (Cambridge: Cambridge University Press, 2013), 1332Google Scholar
Gillespie, Don C. The Search for Thomas F. Ward, Teacher of Frederick Delius (Gainesville: University of Florida Press, 1996)Google Scholar
Gilroy, PaulSounds Authentic: Black Music, Ethnicity, and the Challenge of a “Changing” Same’, Black Music Research Journal 11/2 (Autumn, 1991), 111–36CrossRefGoogle Scholar
Gilroy, Paul Black Atlantic: Modernism and the Double Consciousness (London: Verso, 1993)Google Scholar
Gordon, Bonnie H.What Mr Jefferson Didn’t Hear’, in Bloechl, Olivia, Lowe, Melanie, and Kallberg, Jeffrey (eds.), Rethinking Difference in Music Scholarship (Cambridge: Cambridge University Press, 2015), 108–32Google Scholar
Gray, Cecil A Survey of Contemporary Music (Oxford: Oxford University Press, 1924)Google Scholar
Gray, Cecil Musical Chairs: Or, Between Two Stools (London: Home & Van Thal, 1948)Google Scholar
Green, Nicolas The Spectacle of Nature: Landscape and Bourgeois Culture in Nineteenth-Century France (Manchester: Manchester University Press, 1990)Google Scholar
Grimley, Daniel M. Grieg: Music, Landscape, and Norwegian Identity (Woodbridge: Boydell and Brewer, 2006)Google Scholar
Grimley, Daniel M.Chasing Late Swallows’, DSJ 160 (Autumn, 2016), 3751Google Scholar
Grimley, Daniel M. ‘“In The Mood”: Peer Gynt and the Affective Landscapes of Grieg’s Stemninger, op. 73’, 19th-Century Music 40/2 (Fall, 2016), 106–28.Google Scholar
Guerlac, Suzanne Thinking in Time: An Introduction to Henri Bergson (Ithaca, NY: Cornell University Press, 2006)Google Scholar
Guinery, PaulThe Song of the High Hills: A Musical Analysis’, DSJ 138 (Autumn, 2005), 5667Google Scholar
Guinery, PaulAppalachia: A Musical Analysis’, DSJ 141 (Spring, 2007), 3651Google Scholar
Gutsche-Miller, Sarah Parisian Music-Hall Ballet, 1871–1913 (Rochester, NY: University of Rochester Press, 2015)Google Scholar
Haddon Squire, W. H.Delius and Nietzsche’, Tempo (New Series) 7 (1948), 2730Google Scholar
Hahn, H. Hazel Scenes of Parisian Modernity: Culture and Consumption in the Nineteenth Century (New York: Palgrave Macmillan, 2009)Google Scholar
Harrison, BeatriceDelius’, The Everyman 2/37 (10 October 1929), reprinted in DSJ 87 (Autumn, 1985), 21–9Google Scholar
Harrison, MayThe Music of Delius’, Proceedings of the Royal Musical Association 71 (1944–45), 43–8Google Scholar
Harvey, David The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (Oxford: Blackwell Publishing, 1990)Google Scholar
Harvey, David Spaces of Capital: Towards a Critical Geography (New York: Routledge, 2001)Google Scholar
Harvey, David Paris, Capital of Modernity (London: Routledge, 2003)Google Scholar
Healey, Derek The Influence of African-American Music on the Works of Frederick Delius (Philadelphia: The Delius Society Philadelphia Branch, 2003)Google Scholar
Hearn, Patrick Lafcadio Leaves from the Diaries of an Impressionist (Boston, MA: Houghton Mifflin, 1911)Google Scholar
Heidegger, Martin An Introduction to Metaphysics, trans. R. Manheim (New Haven: Yale University Press, 1959)Google Scholar
Heidegger, MartinBuilding Dwelling Thinking’ [Darmstadt Lecture, 1951 (1952)] in Poetry, Language, Thought, trans. Albert Hofstadter (New York: Harper Colophon, [1975] 2001), 141–59Google Scholar
Heidegger, MartinOn Language’ in Poetry, Language, Thought, trans. Albert Hofstadter (New York: Harper Colophon, [1975] 2001), 187208Google Scholar
Heldt, GuidoDelius’ Song of the High Hills und die Idee einer Vokalmusik ohne Worte’, in Tadday, Ulrich (ed.), Musik-Konzepte (Neue Folge): Frederick Delius, 141/2 (July 2008), 5381Google Scholar
Helmreich, AnneBody and Soul: The Conundrum of the Aesthetic Garden’, Garden History 36/2 (Winter, 2008), 273–88Google Scholar
Henry, James Earl ‘The Origins of Barbershop Harmony: A Study of Barbershop’s Musical Link to Other African American Musics as Evidenced through Recordings and Arrangements of Early Black and White Quartets’ (PhD dissertation, Washington University, 2000)Google Scholar
Hepokoski, James Sibelius: Symphony No. 5 (Cambridge: Cambridge University Press, 1993)Google Scholar
Hepokoski, JamesThe Essence of Sibelius: Creation Myths and Rotational Cycles in Luonnotar’, in Goss, Glenda Dawn (ed.), The Sibelius Companion (Westport: Greenwood, 1996), 121–46Google Scholar
Hepokoski, JamesBack and Forth from Egmont: Beethoven, Mozart, and the Non-Resolving Recapitulation’, 19th-Century Music 25/2–3 (Fall/Spring, 2001–2), 127–54Google Scholar
Herlitz, Alexandra Grez-sur-Loing Revisited: The International Artists’ Colony in a Different Light (Gothenburg and Stockholm: Makadam Förlag, 2013)Google Scholar
Herwig, Holger H. The Marne, 1914: The Opening of World War I and the Battle that Changed the World (New York: Random House, 2009)Google Scholar
Heseltine, Philip [Warlock, Peter] ‘Some Notes on Delius and His Music’, The Musical Times 56/865 (March 1915), 137–42Google Scholar
Heseltine, Philip [Peter Warlock] Frederick Delius, ed. Foss, Hubert (London: Bodley Head, [1923] 1952)Google Scholar
Hewitt, NicholasShifting Cultural Centres in Twentieth-Century Paris’, in Sheringham, Michael (ed.), Parisian Fields (London: Reaktion, 1996), 3045Google Scholar
Hill, RalphFrederick Delius’, in Bacharach, A. L. (ed.), The Music of Today (London: Pelican, 1946), 3043Google Scholar
Hobson, VicPlantation Song: Delius, Barbershop, and the Blues’, American Music 31/3 (Fall, 2013), 314–39Google Scholar
Hold, TrevorGrieg, Delius, Grainger, and a Norwegian Cuckoo’, Tempo (New Series) 203 (January 1998), 1119Google Scholar
Holten, BoOn Conducting The Song of the High Hills’, DSJ 138 (Autumn, 2005), 7584Google Scholar
Hsu, Hsuan L. Geography and the Production of Space in Nineteenth-Century American Literature (Cambridge: Cambridge University Press, 2010)Google Scholar
Huismann, Mary Christison Frederick Delius: A Guide to Research (London: Routledge, 2005)Google Scholar
Hull, Robert H. Delius (London: Hogarth Press, 1928)Google Scholar
Hutchings, Arthur Delius (London: Macmillan, 1948)Google Scholar
Ihde, Don Listening and Voice: A Phenomenology of Sound, revised edn (Albany: State University of New York, [1976] 2007)Google Scholar
Jacobsohn, Fritz Hans Gregors Komische Oper, 1905–1911 (Berlin: Oesterheld, 1911)Google Scholar
Jahoda, Gloria The Other Florida ([New York: Charles Scribner & Sons, 1967] Port Salerno: The Florida Classics Library, 1978)Google Scholar
Jahoda, Gloria The Road to Samarkand: Frederick Delius and His Music (New York: Charles Scribner & Sons, 1969)Google Scholar
Jekyll, Gertrude Wood and Garden: Notes and Thoughts, Practical and Critical, of a Working Amateur (London: Longmans, Green & Co, [1899] 1914)Google Scholar
Jenkins, Lyndon While Spring and Summer Sang: Thomas Beecham and the Music of Frederick Delius (London: Ashgate, 2005)Google Scholar
Jensen, Beth Leaving the M/other: Whitman, Kristeva and Leaves of Grass (London: Associated University Presses, 2002)Google Scholar
Johnson, D. W. Shore Processes and Shoreline Development (New York: Wiley & Sons, 1919)Google Scholar
Johnson, James Weldon The Autobiography of an Ex-Coloured Man ([Boston, MA: Sherman, French and Co., 1912] New York: Alfred A. Knopf, 1927)Google Scholar
Johnson, James Weldon Along This Way (New York: The Viking Press, 1933)Google Scholar
Johnson, JulianWiedererlangte Fülle: Natur bei Delius’, in Tadday, Ulrich (ed.), Musik-Konzepte (Neue Folge): Frederick Delius, 141/2 (July 2008), 3652Google Scholar
Jones, GavinSignifying Songs: The Double Meaning of Black Dialect in the Work of George Washington Cable’, American Literary History 9/2 (Summer, 1997), 244–67Google Scholar
Jones, Melvyn The Making of Sheffield (Barnsley: Wharncliffe Books, [2004] 2013)Google Scholar
Jones, Philip The American Source of Delius’ Style (New York and London: Garland, 1989)Google Scholar
Jones, Philip (ed. and trans.) The Collected Writings of the German Musicologist Max Chop on the Composer Frederick Delius (Lewiston, Queenstown, Lampeter: Edward Mellen, 2002)Google Scholar
Keary, Charles Francis Norway and the Norwegians (London: Percival and Co., 1892)Google Scholar
Kehler, GraceGertrude Jekyll and the Late-Victorian Garden-Book: Representing Nature–Culture Relations’, Victorian Literature and Culture 35/2 (2007), 617–33Google Scholar
Keith, Michael and Pile, Steve (eds.) Place and the Politics of Identity (London: Routledge, [1993] 2005)Google Scholar
Keller, Gottfried Green Henry, trans A. M. Holt (London: John Calder, 1960)Google Scholar
Keller, Gottfried A Village Romeo and Juliet, trans. Ronald Taylor (Richmond: Alma Classics, [1966] 2015)Google Scholar
Kennedy, Michael Portrait of Elgar (Oxford and London: Oxford University Press, 1968, repr. 1982 and 1993)Google Scholar
Kennedy-Nolle, Sharon D. Writing Reconstruction: Race, Gender, and Citizenship in the Postwar South (Chapel Hill: University of North Carolina Press, 2015)Google Scholar
Key, Susan ‘“Forever in Our Ears”: Nature, Voice, and Sentiment in Stephen Foster’s Parlor Style’, American Music 30/3 (Fall, 2012), 290307Google Scholar
Kildea, Paul (ed.) Britten on Music (Oxford: Oxford University Press, 2003)Google Scholar
Killingsworth, M. Jimmie Walt Whitman and the Earth: A Study in Ecopoetics (Iowa City: University of Iowa Press, 2004)Google Scholar
Klammer, Martin Whitman, Slavery, and the Emergence of Leaves of Grass (University Park, PA: Pennsylvania State University Press, 1995)Google Scholar
Klüver, Billy and Martin, Julie, ‘Carrefour Vavin’, in Silver, Kenneth and Golan, Romy (eds.), The Circle of Montparnasse: Jewish Artists in Paris, 1905–1945 (New York: Universe Books, 1985), 6979Google Scholar
Kluwick, Ursula and Richter, Virginia (eds.) The Beach in Anglophone Literatures and Cultures: Reading Littoral Space (Oxford: Routledge, 2016)Google Scholar
Koval, AnneGrez-sur-Loing: A Quiet Life’, in Bruce, Tobi (ed.), Into the Light: The Paintings of William Blair Bruce (1859–1906) (Hamilton: Art Gallery of Hamilton, 2014), 148–75Google Scholar
Kramer, Lawrence Classical Music, Postmodern Knowledge (Berkeley: University of California Press, 1995)Google Scholar
Krims, Adam Music and Urban Geography (London: Routledge, 2007)Google Scholar
Krümmel, Otto Handbuch der Ozeanographie, vol. II: Bewegungsformen des Meeres – Wellen, Gezeiten, Strömungen (Stuttgart: Joseph Engelhorn, 1887)Google Scholar
Labelle, Brandon Acoustic Territories: Sound Culture and Everyday Life (London and New York: Continuum, 2011)Google Scholar
Lambert, Constant Music, Ho! A Study of Music in Decline (Harmondsworth: Penguin, 1934)Google Scholar
Lanier, Sidney Florida: Its Scenery, Climate, and History (Philadelphia: Lippincott & Co., 1875)Google Scholar
Leach, Elizabeth Eva Sung Birds: Music, Nature, and Poetry in the Later Middle Ages (Ithaca, NY and London: Cornell University Press, 2007), 122–41Google Scholar
Lee-Browne, MartinOrigins and First Performances – and Some Puzzles’, DSJ 138 (Autumn, 2005), 2853Google Scholar
Lee-Browne, MartinSea Drift, Origins and First Performances’, DSJ 139 (Spring, 2006), 5280Google Scholar
Lee-Browne, MartinAppalachia: Four Conductors’, DSJ 141 (Spring, 2007), 5266Google Scholar
Lee-Browne, Martin and Guinery, Paul Delius and His Music (Woodbridge: Boydell and Brewer, 2014)Google Scholar
Leonard, James S., Tenney, Thomas A., and Davis, Thadious Satire or Evasion? Black Perspectives on Huckleberry Finn (Durham, NC, and London: Duke University Press, 1992)Google Scholar
Leyshon, Andrew, Matless, David, and George, Revill (eds.), The Place of Music (London: Guilford Press, 1998)Google Scholar
Lhamon, Jr, W. T. Jump Jim Crow: Lost Plays, Lyrics, and Street Prose of the First Atlantic Popular Culture (Cambridge, MA: Harvard University Press, 2003)Google Scholar
Lindskog, AnnikaComposing Landscapes: Musical Memories from Nineteenth-Century Norwegian Mountain-Scapes’, Landscape History 34 (2013), 4360Google Scholar
Lindskog, AnnikaNarrating Place and Perspective: Frederick Delius and Ibsen’s Paa Vidderne’, Scandinavica 52 (2013), www.scandinavica.net/2013-1-lindskog-annika.php (accessed 27 September 2016)Google Scholar
Little, TasminDelius’s Violin Concerto – A Performer’s View’, DSJ 91 (Autumn, 1986), 319Google Scholar
Lorimer, MichaelReconstructing Victorian Racial Discourse: Images of Race, the Language of Race Relations, and the Context of Black Resistance’, in Gerzina, Gretchen Holbrook (ed.), Black Victorians (Piscataway, NJ: Rutgers University Press, 2003), 187207Google Scholar
Lott, Eric Love and Theft: Blackface Minstrelsy and the American Working Class (New York: Oxford University Press, [1993] 2013)Google Scholar
Lowe, RachelFrederick Delius and Norway’, Studies in Music 6 (1972), 2741.Google Scholar
Lowe, Rachel A Catalogue of the Music Archive of the Delius Trust (London: Delius Trust, 1974)Google Scholar
Lübbren, Nina Rural Artists’ Colonies in Europe, 1870–1910 (Manchester: Manchester University Press, 2001)Google Scholar
Lukács, György German Realists in the Nineteenth Century, trans. Jeremy Gaines and Paul Keast, ed. Livingstone, Rodney ([Deutsche Realisten des 19. Jahrhunderts, 1951] London: Libris, 1993)Google Scholar
Lukács, GyörgyThe Bourgeois Way of Life and Art for Art’s Sake: Theodor Storm’ [1909], in György Lukács, Soul and Form, trans. Anna Bostock, ed. Sanders, John T., and Terezakis, Katie (New York: Columbia University Press, 2009), 7397Google Scholar
Lyle, RobertDelius and the Philosophy of Romanticism’, Music & Letters 29/2 (April 1948), 158–64Google Scholar
Lyon, John B. Out of Place: German Realism, Displacement, and Modernity (London: Bloomsbury, 2013)Google Scholar
Mahar, William John Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture (Urbana and Chicago: University of Illinois Press, 1999)Google Scholar
Malpas, J. E. Place and Experience: A Philosophical Topology (Cambridge: Cambridge University Press, 1999)Google Scholar
Malpas, J. E. Heidegger’s Topology: Being, Place, World (Cambridge, MA: MIT Press, [2006] 2008)Google Scholar
Mason, Jr., Herman ‘Skip’ African-American Life in Jacksonville (Charleston: Arcadia Publishing, 1997Google Scholar
Massey, DoreenPower-geometry and a Progressive Sense of Place’, in Bird, Jon, Curtis, Barry, Putnam, Tim, Robertson, George, and Tickner, Lisa (eds.), Mapping the Futures: Local Cultures, Global Change (London: Routledge, 1993), 6070Google Scholar
Matless, DavidNature, the Modern and the Mystic: Tales from Early Twentieth Century Geography’, Transactions of the Institute of British Geographers (New Series) 16/3 (1991), 272–86Google Scholar
Matthew-Walker, Robert ‘Delius’ Brigg Fair in Words and Music’, DSJ 129 (Spring, 2001), 729Google Scholar
Matthew-Walker, RobertAspects of The Song of the Hills: A “Symphony for Two Orchestras (In Tribute to Edvard Grieg)”’, DSJ 138 (Autumn, 2005), 6874Google Scholar
McDonogh, Gary W. (ed.) The Florida Negro: A Federal Writers’ Project Legacy (Jackson: University of Mississippi Press, 1993)Google Scholar
Meer, Sarah Uncle Tom Mania: Slavery, Minstrelsy, and Transatlantic Culture (Athens, GA: University of Georgia Press, 2005)Google Scholar
Mellers, WilfridGod or Mountains’, Delius Society Newsletter, 38 (Winter, 1973), 23Google Scholar
Mellers, Wilfrid Celestial Music? Some Masterpieces of European Religious Music (Woodbridge: Boydell and Brewer, 2002)Google Scholar
Middleton, RichardPopular Music of the Lower Classes’, in Temperley, Nicholas (ed.) Music in Britain: The Romantic Age, 1800–1914 ([London: Athlone Press, 1981] Oxford: Basil Blackwell, 1988), 6391Google Scholar
Moi, Toril (ed.) The Kristeva Reader (Oxford: Blackwell, [1986] 1989)Google Scholar
Moon, Michael Disseminating Whitman (Cambridge, MA: Harvard University Press, 1991)Google Scholar
Moore, Gerald Am I Too Loud? Memoirs of an Accompanist (London: Hamish Hamilton, 1962)Google Scholar
Moore-Colyer, RichardRolf Gardiner, Farming, and the English Landscape’, in Jeffries, Matthew and Tyldesley, Mike (ed.), Rolf Gardiner: Folk, Nature, and Culture in Interwar Britain (Aldershot: Ashgate, 2011), 95120Google Scholar
Morris, Christopher Reading Opera Between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg (Cambridge: Cambridge University Press, 2002)Google Scholar
Morrissette, Noelle James Weldon Johnson’s Modern Soundscapes (Des Moines: University of Iowa Press, 2013)Google Scholar
Nathan, Hans Dan Emmett and the Rise of Negro Minstrelsy (Norman, OK: University of Oklahoma Press, 1962)Google Scholar
Northrop Moore, Jerrold Edward Elgar: A Creative Life (London: Oxford University Press, 1984)Google Scholar
Northrop Moore, Jerrold (ed.) Edward Elgar – the Windflower Letters: Correspondence with Alice Stuart-Wortley and Her Family. Revised and Expanded Edition (Rickmansworth: Elgar Works, 2015)Google Scholar
Oakes, TimothyPlace and the Paradox of Modernity’, Annals of the Association of American Geographers 87/3 (September 1997), 509–31Google Scholar
O’Neill, MornaWalter Crane’s Floral Fantasy: The Garden in Arts and Crafts Politics’, Garden History 36/2 (Winter, 2008), 289300Google Scholar
Orser, Frank ‘“Florida and the British Investor” Revisited: The William Moore Angas Papers at the University of Florida’, The Florida Historical Quarterly 77/2 (October 1993), 180–88Google Scholar
Ortiz, Paul Emancipation Betrayed: The Hidden History of Black Organizing and White Violence in Florida from Reconstruction to the Bloody Election of 1920 (Berkeley: University of California Press, 2005)Google Scholar
Ottewill, David The Edwardian Garden (New Haven: Yale University Press, 1989)Google Scholar
Oyler, Philip The Generous Earth (London: Hodder & Stoughton, 1950)Google Scholar
Oyler, PhilipDelius at Grèz’, The Musical Times 113/1551 (May 1972), 444–7Google Scholar
Palmer, Christopher Delius: Portrait of a Cosmopolitan (London: Duckworth, 1976)Google Scholar
Paryz, MarekPostcolonial Whitman: The Poet and the Nation in the 1855 Preface to Leaves of Grass’, in Paryz, Marek (ed.), The Postcolonial and Imperial Experience in American Transcendentalism (New York: Palgrave Macmillan, 2012), 153–77Google Scholar
Patterson, Tiffany Ruby Zora Neale Hurston: History of a Southern Life (Philadelphia: Temple University Press, 2005)Google Scholar
Pauli, Georg Pariserpojkarne (Stockholm: Albert Bonniers Förlag, 1926)Google Scholar
Pearson, MikeMarket Place, Brigg: Landscape and Cultural Practice’, in ‘In Comes I’: Performance, Memory and Landscape (Exeter: Exeter University Press, 2006), 137–40Google Scholar
Pickering, Michael Blackface Minstrelsy in Britain (Aldershot: Ashgate, 2008)Google Scholar
Pisani, Michael V. Imagining Native America in Music (New Haven: Yale University Press, 2005)Google Scholar
Proust, Marcel Le temps retrouvé (Paris: Gallimard, 1927)Google Scholar
Proust, Marcel In Search of Lost Time, vol. 1. Swann’s Way, trans. C. K Scott Moncrieff and Terence Kilmartin, rev. D. J. Enright (New York: Chatto & Windus, [1992] 1998)Google Scholar
Puffett, Derrick ‘A Nietzschean Libretto: Delius and the Text for A Mass of Life’, Music & Letters 79/2 (May 1998), 244–67Google Scholar
Puri, MichaelMemory, Pastiche, and Aestheticism in Ravel and Proust’, in Mawer, Deborah (ed.), Ravel Studies (Cambridge: Cambridge University Press, 2010), 5673Google Scholar
Radano, RonaldDenoting Difference: The Writing of the Slave Spirituals’, Critical Inquiry 22/3 (Spring, 1996), 506–44Google Scholar
Radano, Ronald Lying Up a Nation: Race and Black Music (Chicago: Chicago University Press, 2003)Google Scholar
Ramsey, Jr, Frederic and Smith, Charles Edward Jazzmen (New York: Harcourt Brace, 1939)Google Scholar
Ramsey, Jr, Guthrie P.Ideology in Early Black Music Historiography, 1867–1940’, Black Music Research Journal 16/1 (Spring, 1996), 1142Google Scholar
Randel, WilliamKoanga and Its Libretto’, Music & Letters 52/2 (April 1971), 141–56Google Scholar
Randel, WilliamFrederick Delius in America’, Virginia Magazine of History and Geography 79/33 (July 1971), 349–66Google Scholar
Randel, WilliamMore on that Long-Lost Mistress’, DSJ 96 (Spring, 1988), 813Google Scholar
Redwood, Christopher (ed.) A Delius Companion (London: John Calder, [1976] 1980)Google Scholar
Revers, Peter ‘“Mysterious City – /City of Pleasures”: Frederick Delius: Paris. The Song of a Great City’, in Tadday, Ulrich (ed.), Musik-Konzepte, Neue Folge. 141/2 (July 2008), 117–38Google Scholar
Revill, GeorgeHiawatha and Pan-Africanism: Samuel Coleridge Taylor (1875–1912), a Black Composer in Suburban London’, Ecumene 2/3 (July 1995), 247–66Google Scholar
Rhodes, Harrison and Dumont, Mary Wolfe, A Guide to Florida (New York: Dodd, Mead & Co., 1912)Google Scholar
Richardson, Barbara Ann ‘A History of Blacks in Jacksonville, Florida, 1860–1895: A Socio-Economic and Political Study’ (DA thesis Pittsburgh: Carnegie-Mellon University, 1975)Google Scholar
Riley, Matthew Edward Elgar and the Nostalgic Imagination (Cambridge: Cambridge University Press, 2007)Google Scholar
Robinson, William The Wild Garden ([London: J. Murray, 1870] New York: Scribner and Welford, 1883)Google Scholar
Sakakeeny, MattNew Orleans Music as a Circulatory System’, Black Music Research Journal 31/2 (Fall 2011), 291325Google Scholar
Saylor, EricZwei Zusammen: Delius und die Texte Walt Whitmans’, in Tadday, Ulrich (ed.), Musik-Konzepte (Neue Folge): Frederick Delius, 141/2 (July 2008), 159–78Google Scholar
Saylor, EricRace, “Realism”, and Fate in Frederick Delius’s Koanga’, in André, Naomi, Bryan, Karen M., and Saylor, Eric (eds.) Blackness in Opera (Urbana, Chicago, and Springfield: University of Illinois Press, 2012), 78–100Google Scholar
Saylor, Eric English Pastoral Music: From Arcadia to Utopia, 1900–1955 (Urbana, Chicago, and Springfield: University of Illinois Press, 2017)Google Scholar
Schoenberg, Arnold Fundamentals of Musical Composition, ed. Strang, Gerald and Stein, Leonard (London: Faber, [1967] 1970)Google Scholar
Schorske, CarlExplosion in the Garden: Kokoschka and Schoenberg’, in Fin-de-Siècle Vienna: Politics and Culture (New York: Vintage, 1980), 322–66Google Scholar
Schwartz, Vanessa Spectacular Realities: Early Mass Culture in Fin-de-Siècle Paris (Berkeley: University of California Press, 1998)Google Scholar
Scott, Derek Sounds of the Metropolis: The 19th Century Popular Music Revolution in London, New York, Paris, and Vienna (New York: Oxford University Press, 2008)Google Scholar
Scott-Sutherland, ColinSpirit of Place – Grez-sur-Loing’, DSJ 136 (Autumn, 2004), 41–8Google Scholar
Sebald, W. G. The Rings of Saturn, trans. Michael Hulse ([first published in German Frankfurt: Eichborn Verlag, 1995] London: The Harvill Press, 1998)Google Scholar
Sebald, W. G. Vertigo, trans. Michael Hulse ([first published in German Frankfurt: Eichborn Verlag 1990] London: The Harvill Press, 1999)Google Scholar
Sebald, W. G.Death Draws Nigh Time Marches On’: Some Remarks on Gottfried Keller’, in A Place in the Country, trans. Jo Catling ([first published as Logis in einem Landhaus, Munich: Carl Hanser, 1998] London: Hamish Hamilton, 2013), 87115Google Scholar
Sedding, John D. Garden-Craft Old and New (London: Kegan Paul, Trench, Trübner & Co., 1895)Google Scholar
Seeley, PaulFritz Delius – The Bradford Years’, DSJ 58 (December 1977), 511Google Scholar
Sheringham, Michael (ed.) Parisian Fields (London: Reaktion, 1996)Google Scholar
Simpson, JulietNature as a “Musée d’Art” in the French Fin-de-Siècle Garden: Uncovering Jules and Edmond Goncourt’s “Jardin de Peintre”’, Garden History 36/2 (Winter, 2008), 229–52Google Scholar
Smith, Anna Julia Kristeva: Readings of Exile and Estrangement (London: Macmillan, 1996)Google Scholar
Smith, Barry (ed.) Frederick Delius and Peter Warlock: A Friendship Revealed (Oxford: Oxford University Press, 2000)Google Scholar
Staley, Lynn Languages of Power in the Age of Richard II (University Park, PA: The Pennsylvania State University Press, 2005)Google Scholar
Stang, Rolf ‘“På Vidderne”’, in Historical Perspective, DSJ 108 (Winter/Spring, 1992), 38.Google Scholar
Stevenson, Robert LouisForest Notes’, in Essays of Travel (London: Chatto & Windus, [1875–76] 1905), 159–60Google Scholar
Stevenson, Robert Louis Across the Plains with Other Memories and Essays (Leipzig: Bernhard Tauchnitz, [1882] 1892)Google Scholar
Stradling, RobertOn Shearing the Black Sheep in Spring: The Repatriation of Frederick Delius’, in Norris, Christopher (ed.), Music and the Politics of Culture (London: Lawrence and Wishart, 1989)Google Scholar
Sullivan, Jack New World Symphonies: How American Culture Changed European Music (New Haven: Yale University Press, 1999)Google Scholar
Tadday, Ulrich (ed.), Musik-Konzepte (Neue Folge): Frederick Delius, 141/2 (July 2008)Google Scholar
Tankard, Judith B. and van Valkenburgh, Michael R. Gertrude Jekyll: A Vision of Garden and Wood (London: John Murray, 1989)Google Scholar
Thacker, Toby British Culture and the First World War: Experience, Representation, and Memory (London: Bloomsbury, 2014)Google Scholar
Thornton, R. K. R.Whitman: Leaves of Grass and Sea Drift’, DSJ 139 (Spring, 2006), 2029Google Scholar
Threlfall, RobertLate Swallows in Florida’, The Composer 51 (Spring, 1974), 25–7Google Scholar
Threlfall, Robert Frederick Delius: A Catalogue of the Compositions of Frederick Delius: Sources and References (Delius Trust: London, 1979)Google Scholar
Threlfall, Robert Frederick Delius: A Supplementary Catalogue (Delius Trust: London, 1986)Google Scholar
Threlfall, Robert Delius’ Musical Apprenticeship (London: The Delius Trust, 1994)Google Scholar
Threlfall, RobertAn Early Manuscript Reappears’, DSJ 130 (Autumn, 2001), 1921Google Scholar
Threlfall, RobertA Village Romeo and Juliet – A Lyric Drama in Six Scenes by Frederick Delius’, DSJ 134 (Autumn, 2003), 720Google Scholar
Threlfall, RobertSome Thoughts on the Publication of Sea Drift’, DSJ 139 (Spring, 2006), 3037Google Scholar
Threlfall, RobertThe Walk to the Paradise Garden – or, Second Thoughts Are Sometimes Best’, DSJ 144 (Autumn, 2008), 126–9Google Scholar
Tischendorf, Alfred P.Florida and the British Investor: 1880–1914’, The Florida Historical Quarterly 33/2 (October 1954), 120–29Google Scholar
Urry, John Consuming Places (London and New York: Routledge, 1995)Google Scholar
Valkenburgh, Michael R. VanThe Flower Gardens of Gertrude Jekyll and Their Twentieth Century Transformations’, Design Quarterly 137 (1987), 132Google Scholar
Wagner, Bryan Disturbing the Peace: Black Culture and the Police Power after Slavery (Cambridge, MA: Harvard University Press, 2009)Google Scholar
Waskow, Howard J. Whitman: Explorations in Form (Chicago: Chicago University Press, 1966)Google Scholar
Weltzien, O. AlanWalt Whitman and Frederick Delius, Endlessly Rocking’, Walt Whitman Quarterly Review 13/3 (1996), 129–48Google Scholar
White, JohnDelius and America’, DSJ 141 (Spring, 2007), 2631Google Scholar
White, Shane and White, Graham J. Sounds of Slavery: Discovering African American History through Songs, Sermons, and Speech (Boston, MA: Beacon Press, 2005)Google Scholar
Williams, Grier Moffat ‘A History of Music in Jacksonville from 1822 to 1922’ (PhD Dissertation, Florida State University, 1961)Google Scholar
Williams, Raymond The Country and the City ([London: Chatto & Windus, 1973] London: Vintage, 2016)Google Scholar
Withers, Charles W. J.Place and the “Spatial Turn” in Geography and in History’, Journal of the History of Ideas 70/4 (October 2009), 637–58Google Scholar
Wylie, John and Lorimer, Hayden, ‘LOOP (A Geography)’, Performance Research 15/4 (2010), 613Google Scholar
Yates, Alexia M. Selling Paris: Property and Commercial Culture in the Fin-de-Siècle Capital (Cambridge, MA.: Harvard University Press, 2015)Google Scholar
Young, Robert J. C. Colonial Desire: Hybridity in Theory, Culture, and Race (London: Routledge, 1995)Google Scholar
Zweig, Paul Walt Whitman: The Making of the Poet (London: Viking, 1985)Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Daniel M. Grimley, University of Oxford
  • Book: Delius and the Sound of Place
  • Online publication: 10 November 2018
  • Chapter DOI: https://doi.org/10.1017/9781108657846.010
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Daniel M. Grimley, University of Oxford
  • Book: Delius and the Sound of Place
  • Online publication: 10 November 2018
  • Chapter DOI: https://doi.org/10.1017/9781108657846.010
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Daniel M. Grimley, University of Oxford
  • Book: Delius and the Sound of Place
  • Online publication: 10 November 2018
  • Chapter DOI: https://doi.org/10.1017/9781108657846.010
Available formats
×