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Chapter 23 - Decadence and Popular Culture

from Part III - Applications

Published online by Cambridge University Press:  12 August 2019

By
Alice Condé
Edited by
Jane Desmarais  and
David Weir
Jane Desmarais
Affiliation:
Goldsmiths, University of London
David Weir
Affiliation:
The Cooper Union for the Advancement of Science and Art
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Summary

This chapter examines decadence in terms of the contemporary popular obsession with the practice of self-fashioning through dandyism, drag, or costume as a way of negotiating or overcoming social boundaries, often in a playfully transgressive manner. Glam rock stars of the 1970s represent a modern form of dandyism and camp self-expression, while the aesthetics of opulence and excess take on a more profound significance when considered in terms of social inequality in the drag ball culture of 1980s New York where the aspiration to be ‘real’ is enacted through costumes and cosmetics. Decadence in today’s celebrity culture is exemplified by Lady Gaga’s gender-bending pop performance art, and we can also observe a queer countercultural resistance to the mainstream using the same decadent paradoxes of beauty and decay, artifice and reality. The ‘cult of the self’ may seem superficial, but the process of self-fashioning through clothing and makeup is in fact a process of self-acceptance.

Keywords

decadencepop starsCondédragqueerdandyismcampglamourself-fashioningDragula
Type
Chapter
Information
Decadence and Literature , pp. 379 - 399
Publisher: Cambridge University Press
Print publication year: 2019

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