Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-28T21:18:43.071Z Has data issue: false hasContentIssue false

Part III - Applications

Published online by Cambridge University Press:  12 August 2019

Jane Desmarais
Affiliation:
Goldsmiths, University of London
David Weir
Affiliation:
The Cooper Union for the Advancement of Science and Art
Get access

Summary

From its emergence in the mid-nineteenth century, decadence has been, fundamentally, a socio-cultural response to urban modernity. Indeed, decadence is all but unthinkable outside the borders of the modern metropolis. Hence this chapter treats literature less as a literary critic would and more as an urbanist thinker might. An urbanist reading of a decadent text must perforce pay attention not only to urban geography, including the plan of the city in which the work is set, its dominant architectural styles, socio-economic differences in neighborhoods, and so on, but also to the cultural, social, and psychological meanings that the urban setting produces in a particular decadent text. In this essay, the urbanist approach is brought to bear on three novels whose urban geography is especially significant to their respective narratives: Gabriele D’Annunzio’s Il Piacere [Pleasure] (1889), Oscar Wilde’s The Picture of Dorian Gray (1891), and Thomas Mann’s Der Tod in Venedig [Death in Venice] (1912). These three works illustrate, respectively, the special relationship of the urban scene to cultural, social, and psychological issues germane to the decadent narrative of each novel.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References

Baedeker, Karl (1900). Central Italy and Rome, 13th edn, London: Dulau.Google Scholar
Booth, Charles (1904). Life and Labour of the People in London, London: Macmillan.Google Scholar
D’Annunzio, Gabriele (2013). Pleasure, Raffaelli, Lara Gochin, trans., New York: Penguin.Google Scholar
Harvey, David (2003). Paris, Capital of Modernity, New York: Routledge.Google Scholar
Hughes-Hallett, Lucy (2013). Gabriele d’Annunzio: Poet, Seducer, and Preacher of War, New York: Random House.Google Scholar
Kirk, Terry (2011). The Political Typography of Modern Rome: Via XX Settembre to Via dell’ Impero. In Caldwell, Dorigen and Caldwell, Lesley, eds., Rome: Continuing Encounters between Past and Present, Farnham, Surrey: Ashgate, pp. 101–28.Google Scholar
Koelb, Clayton (2004). Death in Venice. In Lehnert, Herbert and Wessell, Eva, eds., A Companion to the Works of Thomas Mann, Rochester, NY: Camden House, pp. 95113.Google Scholar
Mann, Thomas (1994). Death in Venice, Koelb, Clayton, ed. and trans., New York: Norton.Google Scholar
Mann, Thomas (1998). Death in Venice and Other Tales, Neugroschel, Joachim, trans., New York: Penguin.Google Scholar
Nilsen, Micheline (2016). Architecture in Nineteenth Century Photographs: Essays on Reading a Collection, New York: Routledge.Google Scholar
Schorske, Carl E. (1980). Fin-de-siècle Vienna: Politics and Culture, New York: Knopf.Google Scholar
Stille, Alexander (2013). Introduction. In D’Annunzio, Gabriele, Pleasure, Raffaelli, Lara Gochin, trans., New York: Penguin, pp. xvixxii.Google Scholar
Wheatley, Henry B. (1891). London Past and Present: Its History, Associations, and Traditions, 3 vols., London: John Murray.Google Scholar
Wilde, Oscar (2006). The Picture of Dorian Gray, Bristow, Joseph, ed., Oxford: Oxford University Press.Google Scholar
Woodhouse, John (1998). Gabriele D’Annunzio: Defiant Archangel, Oxford: Oxford University Press.Google Scholar

References

Banham, Martin (1995). The Cambridge Guide to Theatre, Cambridge: Cambridge University Press.Google Scholar
Barzini, Luigi (1983). The Europeans, Harmondsworth: Penguin.Google Scholar
Beller, Steven (2001). Rethinking Vienna 1900, Oxford: Berghahn.Google Scholar
Benjamin, Walter (1999). Demonic Berlin. In vol. II, part 1, of Walter Benjamin: Selected Writings: 1927−1930, Jennings, Michael W., Eiland, Howard, and Smith, Gary, eds., London: Harvard University Press, pp. 322−7.Google Scholar
Döblin, Alfred (2018). Berlin Alexanderplatz, Michael Hofmann, trans., London: Penguin.Google Scholar
Freud, Sigmund (1997). Dora: An Analysis of a Case of Hysteria, New York: Touchstone.Google Scholar
Furst, Lilian R. (2003). Girls for Sale: Freud’s Dora and Schnitzler’s Else. Modern Austrian Literature, 36(3/4), 1937.Google Scholar
Gay, Peter (1968). Weimar Culture: The Outsider as Insider, London: Secker and Warburg.Google Scholar
Gordon, Mel (2006). Voluptuous Panic: The Erotic World of Weimar Berlin, Venice, CA: Feral House.Google Scholar
Hensel, Georg (1975). Spielplan: Der Schauspielführer von der Antike bis zur Gegenwart, 2nd ed., Frankfurt/M., Berlin, and Vienna: Propyläen.Google Scholar
Isherwood, Christopher (2012). The Berlin Stories, New York: New Directions.Google Scholar
Kaes, Anton, Jay, Martin, and Dimendberg, Edward, eds. (1994). The Weimar Republic Sourcebook, Berkeley: University of California Press.CrossRefGoogle Scholar
Krobb, Florian (2004). ‘Die Kunst der Väter tödtet das Leben der Enkel’: Decadence and Crisis in Fin-de-Siècle German and Austrian Discourse. New Literary History, 35(4), 547−62.Google Scholar
Kupper, Herbert and Rollman-Branch, Hilda S. (1959). Freud and Schnitzler − (Doppelgänger). Journal of the American Psychoanalytic Association, 7(1), 109–26.Google Scholar
Mahoney, Kristin Mary, (2015). Literature and the Politics of Post-Victorian Decadence, Cambridge: Cambridge University Press.Google Scholar
Mann, Klaus (1942). The Turning Point, London: Fischer.Google Scholar
Marchand, Suzanne (2015). Central Europe. In Saler, Michael, ed., The Fin-de-Siècle World, Abingdon: Routledge, pp. 131−49.Google Scholar
Nèret, Gilles (2000). Gustav Klimt 18621918, Cologne: Taschen Verlag.Google Scholar
Rasch, Wolfdietrich (1986). Die literarische Décadence um 1900, Munich: C. H. Beck.Google Scholar
Robertson, Ritchie (2018). Pared fingernails. Times Literary Supplement, 6001, 6 April, 18.Google Scholar
Schneider, Gerd K. (1995). Die Rezeption von Arthur Schnitzlers Reigen 1897–1994, Riverside, CA: Ariadne Press.Google Scholar
Schnitzler, Arthur (1995). La ronde / Hands around, New York: Dover.Google Scholar
Schnitzler, Arthur (2012). Fräulein Else, F. H. Lyon, trans., London: Pushkin Press.Google Scholar
Schorske, Carl E. (1981). Fin-de-Siècle Vienna: Politics and Culture, New York: Vintage.Google Scholar
Weir, David (2018). Decadence: A Very Short Introduction, Oxford: Oxford University Press.CrossRefGoogle Scholar
Zweig, Stefan (1943). The World of Yesterday: An Autobiography, London: Cassell and Company.Google Scholar

References

Anger, Kenneth (1975). Hollywood Babylon, New York: Dell.Google Scholar
Bordwell, David (1997). Narration in the Fiction Film, London: Routledge.Google Scholar
Buñuel, Luis (2000). An Unspeakable Betrayal: Selected Writings, Garrett White, trans., Berkeley: University of California Press.Google Scholar
Chandler, Charlotte (2002). Nobody’s Perfect: Billy Wilder, a Personal Biography, New York: Simon and Schuster.Google Scholar
Crowe, Cameron (1999). Conversations with Wilder, New York: Knopf.Google Scholar
Dixon, Bryony (2011). 100 Silent Films, New York: Palgrave Macmillan.Google Scholar
Eyman, Scott (1993). Ernst Lubitsch: Laughter in Paradise, New York: Simon and Schuster.Google Scholar
Golden, Eve (1996). Vamp: The Rise and Fall of Theda Bara, Lanham, MD: Vestal.Google Scholar
Green, Jonathon, and Karolides, Nicolas J. (2005). Encyclopedia of Censorship, new edn, New York: Facts on File.Google Scholar
Hake, Sabine (1992). Passions and Deceptions: The Early Films of Ernst Lubitsch, Princeton, NJ: Princeton University Press.Google Scholar
Holland, Merlin, and Hart-Davis, Rupert, eds. (2000). The Complete Letters of Oscar Wilde, New York: Henry Holt.Google Scholar
Indiana, Gary (2000). Salò or The 120 Days of Sodom, London: British Film Institute.Google Scholar
Koepnick, Lutz (2009). The Bearable Lightness of Being: People on Sunday. In Isenberg, Noah, ed., Weimar Cinema, New York: Columbia University Press, pp. 237–53.Google Scholar
Kozarski, Richard (2001). Von: The Life and Films of Erich von Stroheim, New York: Limelight.Google Scholar
Lally, Kevin (1996). Wilder Times: The Life of Billy Wilder, New York: Henry Holt.Google Scholar
Madsen, Axel (1969). Billy Wilder, Bloomington and London: Indiana University Press.Google Scholar
Old Pre-War Vienna Reproduced in Film (1927). New York Times, VII, 5, Jan. 2.Google Scholar
Paul, Joanna (2009). Fellini-Satyricon: Petronius and Film. In Prag, Jonathan and Repath, Ian, eds., Petronius: A Handbook, Malden, MA: Wiley-Blackwell, pp. 198217.Google Scholar
Thompson, Kristin (2005). Herr Lubitsch Goes to Hollywood: German and American Film after World War I, Amsterdam: Amsterdam University Press.Google Scholar
Wallace, David (2006). Exiles in Hollywood, Pompton Plains, NJ: Limelight.Google Scholar
Wyke, Maria (1997). Projecting the Past: Ancient Rome, Cinema, and History, New York and London: Routledge.Google Scholar

References

Baudelaire, Charles (1857). Les fleurs du mal, Paris: Poulet-Malassis et de Broise.Google Scholar
Baudelaire, Charles (1906). Lettres, 1841–1866, Paris: Société du Mercure de France.Google Scholar
Baudelaire, Charles (1986). The Painter of Modern Life and Other Essays, Jonathan Mayne, trans., New York: Da Capo.Google Scholar
D’Annunzio, Gabriele (2013). Pleasure, Lara Gochin Raffaelli, trans., New York: Penguin.Google Scholar
Eliot, T. S. (2015). Baudelaire in our Time. In Schuchard, Ronald, et al., eds., The Complete Prose of T. S. Eliot. Vol. III: Literature, Politics, Belief, 1927–1929, Baltimore, MD: Johns Hopkins University Press, pp. 7182.Google Scholar
Gagnier, Regenia (2010). Individualism, Decadence, Globalization: On the Relationship of Part to Whole, 1859–1920, Basingstoke: Palgrave Macmillan.Google Scholar
Gautier, Théophile (1868). Baudelaire, Charles. In Charles Baudelaire, Les fleurs du mal, Paris: Michel Lévy, pp. 175.Google Scholar
Gautier, Théophile (1981). Preface. In Mademoiselle de Maupin, Joanna Richardson, trans., London: Penguin, pp. 1953.Google Scholar
George, Stefan (1982–2013). Sämtliche Werke. Vol. XIII: Baudelaire, Die Blumen des Bösen, Umdichtungen, Stuttgart: Klett-Cotta.Google Scholar
Green, Vivien (2016). Byzantium and Emporium: Fine secolo Magazines in Rome and Milan. In Brooker, Peter, Bru, Sascha, and Thacker, Andrew, eds., The Oxford Critical and Cultural History of Modernist Magazines. III: Europe 1880–1940, Oxford and New York: Oxford University Press, pp. 536–59.Google Scholar
Pater, Walter (1910). Marius the Epicurean: His Sensations and Ideas. Vols. II and III of The Complete Library Edition of the Works of Walter Pater, 10 vols., London: Macmillan.Google Scholar
Potolsky, Matthew (2013). The Decadent Republic of Letters: Taste, Politics, and Cosmopolitan Community from Baudelaire to Beardsley, Philadelphia: University of Pennsylvania Press.Google Scholar
Praz, Mario (1954). The Romantic Agony, Angus Davidson, trans., Oxford and New York: Oxford University Press.Google Scholar
Symons, Arthur (1898). Introduction. In Annunzio, Gabriele D’, The Child of Pleasure, Georgina Harding and Arthur Symons, trans., London: Heinemann, pp. vxii.Google Scholar
Symons, Arthur (2014a). The Decadent Movement in Literature. In The Symbolist Movement in Literature, Creasy, Matthew, ed., Manchester: Carcanet, pp. 169–83.Google Scholar
Symons, Arthur (2014b). Charles Baudelaire. In The Symbolist Movement in Literature, Creasy, Matthew, ed., Manchester: Carcanet, pp. 165–7.Google Scholar
Symons, Arthur (1935). Introduction. In Louÿs, Pierre, The Woman and the Puppet, Arthur Symons, trans., London: Butterworth, pp. 1331.Google Scholar
Vertovec, Steven (2009). Transnationalism, London and New York: Routledge.CrossRefGoogle Scholar
Wanner, Adrian (1996). Baudelaire in Russia, Gainesville: University Press of Florida.Google Scholar
Wilde, Oscar (1979). The Censure of Salomé. In Oscar Wilde: Interviews and Recollections, Mikhail, E. H., ed., 2 vols., London and Basingstoke: Macmillan, pp. 186–9.Google Scholar
Wilde, Oscar (2007). The Critic as Artist. In Guy, Josephine M., ed., The Complete Works of Oscar Wilde. Volume 4: Criticism, Oxford and New York: Oxford University Press, pp. 123206.Google Scholar

References

Gillespie, Gerald (2002). Harrowing Hell with Proust, Joyce, and Mann. In Bessière, Jean and André, Sylvie, eds., Multiculturalisme et identité en littérature et en art, Paris: L’Harmattan, pp. 305–17.Google Scholar
Gillespie, Gerald (2010). Proust, Mann, Joyce in the Modernist Context, 2nd rev. edn, Washington, DC: The Catholic University of America Press.Google Scholar
Huysmans, Joris-Karl (2003). Against Nature, Baldick, Robert, trans., London: Penguin.Google Scholar
Joyce, James (1964). A Portrait of the Artist as a Young Man, New York: Viking Press.Google Scholar
Joyce, James (1986). Ulysses, Gabler, Hans Walter, ed., New York: Vintage.Google Scholar
Joyce, James (2000). Finnegans Wake, Deane, Seamus, ed., London: Penguin Classics.Google Scholar
Mann, Thomas (1988). Buddenbrooks, H. T. Lowe-Porter, trans., London: Vintage.Google Scholar
Mann, Thomas (1994). Death in Venice, Koelb, Clayton, ed. and trans., New York: Norton.Google Scholar
Mann, Thomas (1999). The Magic Mountain, H. T. Lowe-Porter, trans., London: Vintage.Google Scholar
Nemoianu, Virgil (1984). The Taming of Romanticism: European Literature and the Age of Biedermeier, Cambridge, MA: Harvard University Press.Google Scholar
Nemoianu, Virgil (2006). The Triumph of Imperfection: The Silver Age of Sociocultural Moderation in Europe, 1815–1848, Columbia, SC: University of South Carolina Press.Google Scholar
Nordau, Max (1895). Degeneration, New York: Appleton.Google Scholar
Pater, Walter (1985). Marius the Epicurean, Levey, Michael, ed., London: Penguin.Google Scholar
Pemble, John (1996). Venice Rediscovered, Oxford and New York: Oxford University Press.Google Scholar
Proust, Marcel (1992). In Search of Lost Time, C. K. Scott Moncrieff and Terrence Kilmartin, trans., London: Vintage.Google Scholar
Rilke, Rainer Maria, (2016). The Notebooks of Malte Laurids Brigge, Vilain, Robert, trans., Oxford: Oxford University Press.Google Scholar
Symons, Arthur (1893). The Decadent Movement in Literature. Harper’s New Monthly Magazine, 87, 858–67.Google Scholar
Villiers de l’Isle-Adam, Auguste (1890). Axël, Paris: Maison Quantin.Google Scholar
Weir, David (2015). ‘Ulysses’ Explained: How Homer, Dante, and Shakespeare Inform Joyce’s Modernist Vision, New York: Palgrave Macmillan.Google Scholar

References

Auden, W. H. (2002). Prose, Volume II: 1939–1948, Mendelson, Edward, ed., Princeton, NJ: Princeton University Press.Google Scholar
Auden, W. H. (2007). Another Time, London: Faber and Faber.Google Scholar
Auden, W. H. (2009). Selected Poems, Mendelson, Edward, ed., London: Faber and Faber.Google Scholar
Eliot, T. S. (1941). A Choice of Kipling’s Verse, London: Faber & Faber.Google Scholar
Eliot, T. S. (2002). The Waste Land and Other Poems, London: Faber & Faber.Google Scholar
Empson, William (2000). The Complete Poems, Haffenden, John, ed., London: Penguin.Google Scholar
Kipling, Rudyard (1987). Traffics and Discoveries, Lee, Hermione, ed., Harmondsworth: Penguin.Google Scholar
Kipling, Rudyard (1993). Selected Poems, Keating, Peter, ed., London: Penguin.Google Scholar
Kipling, Rudyard (2013). The Cambridge Edition of the Poems of Rudyard Kipling, Volume II: Collected Poems II, Pinney, Thomas, ed., Cambridge: Cambridge University Press.Google Scholar
Lycett, Andrew (1999). Rudyard Kipling, London: Weidenfeld & Nicolson.Google Scholar

References

Albert, Nicole G. (2016). Lesbian Decadence: Representations in Art and Literature of Fin-de-Siècle France, Nancy Erber and William Peniston, trans., New York: Harrington Park Press.Google Scholar
Barney, Natalie Clifford, (1992a). Adventures of the Mind: Memoirs of Natalie Clifford Barney, John Spalding Gatton, trans., New York: New York University Press.Google Scholar
Barney, Natalie Clifford, (1992b). A Perilous Advantage: The Best of Natalie Clifford Barney, Livia, Anna, ed. and trans., Norwich, VT: New Victoria Publishers.Google Scholar
Baudelaire, Charles (1954). The Flowers of Evil, William Aggeler, trans., Digireads.Google Scholar
Benstock, Shari (1986). Women of the Left Bank: Paris, 1900–1940, Austin: University of Texas Press.Google Scholar
Berry, Brian J. L. (1992). America’s Utopian Experiments: Communal Havens from Long-wave Crises, Hanover, NH: University Press of New England.Google Scholar
Billy, André (1951). L’époque 1900: 1885–1905, Paris: Jules Tallandier.Google Scholar
Blankley, Elyse (1894). Returning to Mytilene: Renée Vivien and the City of Women. In Squier, Susan Merrill, ed., Women Writers and the City: Essays in Feminist Literary Criticism, Knoxville: University of Tennessee Press, pp. 4567.Google Scholar
Bravman, Scott (1997). Queer Fictions of the Past: History, Culture, and Difference, Cambridge: Cambridge University Press.Google Scholar
Caws, Mary Ann, (2004). The Yale Anthology of Twentieth-Century French Poetry, New Haven, CT: Yale University Press.Google Scholar
Chalon, Jean (1979). Portrait of a Seductress: The World of Natalie Clifford Barney, New York: Crown Publishers.Google Scholar
Colette, (1971). The Pure and the Impure. Herma Briffault, trans., London: Penguin.Google Scholar
DeJean, Joan (1989). Fictions of Sappho, 1546–1937, Chicago: University of Chicago Press.Google Scholar
Dellamora, Richard (2011). Radclyffe Hall: A Life in the Writing, Philadelphia: University of Pennsylvania Press.Google Scholar
Faderman, Lillian (1981). Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the Present, New York: William Morrow.Google Scholar
Gubar, Susan (1984). Sapphistries. Signs, 10(1), 4362.Google Scholar
Hall, Radclyffe (2015). The Well of Loneliness, London: Vintage.Google Scholar
Hanson, Ellis (1997). Decadence and Catholicism, Cambridge, MA: Harvard University Press.Google Scholar
Holmes, Diana (1996). French Women’s Writing 1848–1994, London: Athlone Press.Google Scholar
Jay, Karla (1988). The Amazon and the Page: Natalie Clifford Barney and Renée Vivien, Bloomington: Indiana University Press.Google Scholar
Louÿs, Pierre (2010). The Songs of Bilitis. Alvah C. Bessie, trans., New York: Dover.Google Scholar
Luhan, Mabel Dodge, (1999). Intimate Memories: The Autobiography of Mabel Dodge Luhan, Albuquerque: University of New Mexico Press.Google Scholar
Pater, Walter (2010). Studies in the History of the Renaissance, Beaumont, Matthew, ed., Oxford: Oxford University Press.Google Scholar
Rodriguez, Suzanne (2002). Wild Heart, A Life: Natalie Clifford Barney and the Decadence of Literary Paris, New York: Harper Collins.Google Scholar
Schor, Esther (2006). Emma Lazarus, New York: Schocken.Google Scholar
Souhami, Diane (2004). Wild Girls: Paris, Sappho and Art: The Lives and Loves of Natalie Barney and Romaine Brooks, London: Weidenfeld and Nicolson.Google Scholar
Vivien, Renée (2015). A Crown of Violets, Samantha Pious, trans., Sequim, WA: Headmistress Press.Google Scholar
Waelti-Walters, Jennifer R. (2000). Damned Women: Lesbians in French Novels, 1796–1996, Montreal: McGill-Queen’s University Press.Google Scholar
Winning, Joanne (2013). ‘Ezra through the open door’: The Parties of Natalie Barney, Adrienne Monnier and Sylvia Beach as Lesbian Modernist Cultural Production. In McLoughlin, Kate, ed., The Modernist Party, Edinburgh: Edinburgh University Press, pp. 127–46.Google Scholar

References

Aitkenhead, Decca (2018). Drag is a big f-you to male-dominated culture. The Guardian, 3 March, www.theguardian.com/tv-and-radio/2018/mar/03/rupaul-drag-race-big-f-you-to-male-dominated-culture.Google Scholar
Baudelaire, Charles (1995). The Painter of Modern Life and Other Essays, Mayne, Jonathan, trans., London: Phaidon.Google Scholar
Bauer, Heike (2017). Dead Wilde. In The Hirschfeld Archives: Violence, Death, and Modern Queer Culture, Philadelphia: Temple University Press, pp. 52–6.Google Scholar
Brown, Susanna (2015). Nightmares and Dreams. In Wilcox, Claire, ed., Alexander McQueen, London: V&A Publishing, pp. 285302.Google Scholar
Busby, Mattha (2018). Far-right protesters including man in Trump mask attack socialist bookshop while chanting about Muslims. Independent, 5 July, www.independent.co.uk/news/uk/home-news/bookmarks-bookshop-attack-socialist-london-muslims-paedophilia-trump-a8478306.html.Google Scholar
Butler, Judith (1999). Gender Trouble: Feminism and the Subversion of Identity, New York: Routledge.Google Scholar
Butler, Judith (2011). Bodies That Matter: On the Discursive Limits of ‘Sex’, Abingdon: Routledge.Google Scholar
Cohen, Ed (1993). Talk on the Wilde Side: Toward a Genealogy of Discourse on Male Sexualities, London: Routledge.Google Scholar
Constable, Liz, Potolsky, Matthew, and Denisoff, Dennis, eds. (1999). Perennial Decay: On the Aesthetics and Politics of Decadence, Pennsylvania: University of Pennsylvania Press.Google Scholar
Daems, Jim, ed. (2014). The Makeup of RuPaul’s Drag Race: Essays on the Queen of Reality Shows, Jefferson, NC: McFarland.Google Scholar
Deflem, Mathieu (2017). Lady Gaga and the Sociology of Fame: The Rise of a Pop Star in the Age of Celebrity, New York: Palgrave Macmillan.Google Scholar
Dollimore, Jonathan (1991). Sexual Dissidence: Augustine to Wilde, Freud to Foucault, Oxford: Clarendon Press.Google Scholar
Dollimore, Jonathan (2017). Desire: A Memoir, London: Bloomsbury.Google Scholar
Frankel, Susannah (2007). The Real McQueen. Harper’s Bazaar, 1 April, www.harpersbazaar.com/fashion/designers/a68/alexander-mcqueen-0407.Google Scholar
Garelick, Rhonda K. (1998). Rising Star: Dandyism, Gender, and Performance in the Fin de Siècle, Princeton, NJ: Princeton University Press.Google Scholar
Gautier, Théophile (2005). Mademoiselle de Maupin, Helen Constantine, trans., London: Penguin, 2005.Google Scholar
Gossling, Jessica (2018). ‘Decadent Threshold Poetics: A Comparative Study of Threshold Space in Charles Baudelaire, Joris-Karl Huysmans, Ernest Dowson, and Arthur Symons’, unpublished PhD thesis, Goldsmiths, University of London.Google Scholar
Halberstam, J. Jack (2012). Gaga Feminism: Sex, Gender, and the End of Normal, Boston: Beacon Press.Google Scholar
hooks, bell (2015). Black Looks: Race and Representation, New York: Routledge.Google Scholar
Isherwood, Christopher (1978). Christopher and His Kind, London: Magnum.Google Scholar
Isherwood, Christopher (1998). Goodbye to Berlin, London: Vintage.Google Scholar
Jackson, Holbrook (1914). The Eighteen Nineties: A Review of Art and Ideas at the Close of the Nineteenth Century, New York: Mitchell Kennerley.Google Scholar
Jacobs, Ben, Siddiqui, Sabrina, and Bixby, Scott (2016). ‘You can do anything’: Trump brags on tape about using fame to get women. The Guardian, 8 October, www.theguardian.com/us-news/2016/oct/07/donald-trump-leaked-recording-womenGoogle Scholar
Livingston, Jennie, dir. (1991). Paris Is Burning, Miramax Films.Google Scholar
Mahoney, Kristin (2015). Literature and the Politics of Post-Victorian Decadence, New York: Cambridge University Press.Google Scholar
Moers, Ellen (1960). The Dandy, London: Secker & Warburg.Google Scholar
Morris, Roy, Jr. (2013). Declaring His Genius: Oscar Wilde in North America, Cambridge, MA: Belknap Press.Google Scholar
Nordau, Max (1895). Degeneration, London: William Heinemann.Google Scholar
Paglia, Camille (2010). Lady Gaga and the death of sex. The Times, 12 September, www.thetimes.co.uk/article/lady-gaga-and-the-death-of-sex-lnzbcd70zj3Google Scholar
Reynolds, Simon (2016). Shock and Awe: Glam Rock and its Legacy from the Seventies to the Twenty-First Century, New York: Dey St.Google Scholar
Showalter, Elaine (1990). Sexual Anarchy: Gender and Culture at the Fin de Siècle, New York: Penguin.Google Scholar
Sinfield, Alan (1994). The Wilde Century: Effeminacy, Oscar Wilde, and the Queer Moment, New York: Columbia University Press.Google Scholar
Skelly, Julia (2014). ‘The Paradox of Excess: Oscar Wilde, Caricature, and Consumption’. In The Uses of Excess in Visual and Material Culture, 1600–2010, Skelly, Julia, ed., Farnham: Ashgate, pp. 137–60.Google Scholar
Smith, Zadie (2018). Feel Free: Essays, London: Hamish Hamilton.Google Scholar
Sontag, Susan (2009). ‘Notes on “Camp”’. In Against Interpretation and Other Essays, London: Penguin, pp. 275–92.Google Scholar
St. James, James (1999). Disco Bloodbath: A Fabulous but True Story of Murder in Clubland, New York: Simon & Schuster.Google Scholar
Thorpe, Vanessa (2013). Pop star or avant-garde artist? Lady Gaga wants to be the next Warhol. The Observer, 18 August, www.theguardian.com/music/2013/aug/18/ lady-gaga-artpop-album-avant-gardeGoogle Scholar
Unsigned (1895). Notes. National Observer, 6 April.Google Scholar
Waugh, Evelyn (2000). Vile Bodies, London: Penguin.Google Scholar
Weir, David (2017). ‘Afterword: Decadent Taste’. In Decadence and the Senses, Desmarais, Jane and Condé, Alice, eds., Cambridge: Legenda, pp. 219–28.Google Scholar
Weir, David (2018). Decadence: A Very Short Introduction, Oxford: Oxford University Press.Google Scholar
Wilde, Oscar (1989). The Complete Works of Oscar Wilde, New York: Harper & Row.Google Scholar
Wilde, Oscar (2005). The Picture of Dorian Gray. Vol. III of The Complete Works of Oscar Wilde, Bristow, Joseph, ed., Oxford: Oxford University Press.Google Scholar
Williams, Raymond (1983). Culture and Society: 1780–1950, New York: Columbia University Press.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×