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Chapter 18 - Epilogue: Géricault Goes to Cato Street

from Part Five - The Executions

Published online by Cambridge University Press:  06 April 2022

Vic Gatrell
Vic Gatrell
Affiliation:
University of Cambridge
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Summary

Géricault’s preliminary sketch of a hanging was the most original of all his works in London, though it has been little discussed. Its depiction of the Cato Street executions still passes unrecognised. This chapter proves that these were indeed its subject. More widely, for the first time in art history it shows a hanging without making the execution stand for something other than itself – sharing kinship in this with Goya’s Third of May 1808 (though that work was unknown to Géricault). Géricault’s unflinching pity may anticipate our own.

Keywords

ArtistsexecutionsGéricaultdrawingMedusamacabreinferencesevidencesympathy
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Conspiracy on Cato Street
A Tale of Liberty and Revolution in Regency London
 , pp. 379 - 389
Publisher: Cambridge University Press
Print publication year: 2022

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